All flowers, in time.
Portra 160 // Minolta SRT 100
All souped, developed, & scanned with love.
Thank you.
ojovivo

Love Begins

#extradirty

Product Placement
he wasn't even looking at me and he found me

Kaledo Art

shark vs the universe
One Nice Bug Per Day
trying on a metaphor

祝日 / Permanent Vacation
Xuebing Du
KIROKAZE
taylor price

Janaina Medeiros
Lint Roller? I Barely Know Her
wallacepolsom

blake kathryn

NASA

⁂

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@mother-muse
All flowers, in time.
Portra 160 // Minolta SRT 100
All souped, developed, & scanned with love.
Thank you.

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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you, // you //.
[pg 1 * pg 14]
HEAD, AS: MAD DA$H
nevermind. I made something with my hands that matters a lot to me and I put all my love into it. and so did my artists. what else could ever be more important?
Richard Long. Connemara Sculpture, Ireland, 1971

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ibis_hospital
Frederick Carter (1883–1967), “The Dragon of the Alchemists”
engraved on wood by W.M. Quick, 1936
source
“Suffering modifies the image of time. The eruption of suffering cancels out linear time, breaks it, makes it into whirling squiggles. The night of time crouches at the edges of the dawn of today and tomorrow. Suffering casts us down among our single-celled ancestors, among the quarrelsome or terrorized muttering in the caves, among the female divinities expelled into the darkness of the earth, even as we keep ourselves anchored — let’s say — to the computer we’re writing on. Strong feelings are like that: they explode chronology. An emotion is a somersault, a tumble, a dizzying pirouette.”
— Elena Ferrante, Frantumaglia
Andy Warhol, Orange Car Crash Fourteen Times, 1963

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under blou ࣪ ִֶָ☾.
[//dancing]
honey,
they’re trying to kill me for the crime of kind and I want to go home. I want to take all my iron all the way off and slip into the ocean. I want to bury Alisa’s bow and my marrowed arrows with weeks of Winter on the beach. I want to shine my horns and bleach my wings. I want to wash away their bruising brushed on me in eons of saline. I want the static lullaby of seaskull to lead me out of joan and beneath a register and hugging her knees on Highway 18. I want hot april oranges and a cheek on my cheek and no teeth. some teeth. true teeth. muse indigo deusdream. blue like you but lined silverstein. I’m doing as gold as ever as you knew me to bee. from the beginning. thank you still for seeing me then and thank you now for still seeing. I pray the sun eases those bouldered shoulders every morning. you get the paper I’ll make the coffee. sway a secondhand story-time chair sunday easy. and if you won’t quit, would you smoke one for Susie for me?
- playing//
©Philomena Famulok
.
Anaïs Nin, The Diary of Anaïs Nin, Vol. IV: 1944-1947
{ plum::fuzz }
//
canon sd1100

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Kiki Smith (American, 1954) - Cathedral (Wolf) (2013)