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Clown Vomit
🧠 The Neuroscience of Loneliness
Why feeling alone is more than just an emotion?
🧠 What is Loneliness?
Loneliness is often misunderstood as simply being alone, but neuroscience shows it is actually a subjective psychological experience. A person can be surrounded by people and still feel deeply lonely.
In psychology, loneliness occurs when there is a gap between the social connections we want and the connections we actually have. This emotional state triggers several responses in the brain, affecting how we think, feel, and behave.
🧬 How the Brain Processes Loneliness
Neuroscience research shows that loneliness activates several important brain regions:
1. The Amygdala – The Brain’s Threat Detector
When someone feels lonely, the amygdala becomes more sensitive. This region processes fear and social threats, making lonely individuals more likely to interpret social situations negatively.
2. The Prefrontal Cortex – Social Decision Making
The prefrontal cortex helps us regulate emotions and make social judgments. Chronic loneliness can weaken this regulation, making social interactions feel overwhelming or draining.
3. The Hippocampus – Memory and Emotional Experience
Loneliness also affects the hippocampus, the brain region responsible for memory. Studies show prolonged loneliness can increase stress hormones like cortisol, which may affect memory and emotional regulation.
⚡ Loneliness and the Brain’s Pain System
One of the most fascinating discoveries in neuroscience is that social pain and physical pain share similar neural pathways.
The anterior cingulate cortex, which processes physical pain, also becomes active when we experience social rejection or loneliness.
This explains why phrases like “a broken heart” or “emotional pain” are not just metaphors — the brain literally processes social loss similarly to physical injury.
🧪 The Role of Neurochemicals
Our brain chemistry also plays a huge role in loneliness.
Oxytocin – The Connection Hormone
Often called the bonding hormone, oxytocin strengthens trust and emotional closeness. Low levels can make people feel disconnected from others.
Dopamine – The Reward System
Positive social interactions activate dopamine, reinforcing connection. When someone feels lonely for long periods, this reward system becomes less responsive to social experiences.
Cortisol – The Stress Hormone
Loneliness increases cortisol levels, putting the body in a chronic stress state. Over time, this can affect sleep, immunity, and emotional health.
📊 What Research Says
Long-term loneliness has been linked to:
• Increased risk of depression and anxiety
• Higher levels of stress hormones
• Reduced immune system functioning
• Changes in brain structure and emotional processing
Some neuroscientists even compare chronic loneliness to a biological signal, similar to hunger or thirst, that motivates humans to seek social connection.
🌱 Why Understanding Loneliness Matters
From a neuroscience perspective, loneliness is not a weakness — it is a biological signal for connection.
Just like hunger tells us to eat, loneliness tells us we need social bonding, empathy, and belonging.
Understanding the neuroscience behind loneliness helps reduce stigma and reminds us that human connection is not just emotional — it is neurological.
💭 Final Thought
Your brain is wired for connection.
Loneliness is not a failure of personality or strength; it is a neural reminder that relationships are essential for our survival and well-being.
And sometimes, the most powerful medicine for the brain is simply feeling understood.
I spent the last couple days making neurotransmitter trading cards for AP Psychology, and finally, they are finished…
We were basically allowed to do whatever as long as we have their names, 2 functions, surplus/deficit effects, type, and a representative picture. I—in my poor one piece brainrotted state—immediately went “i should make them transponder snails” and oh my god were these hard??? Like these guys are so simple but theyre so weird and hard to design at the same time????
Anyways. Heres hoping I get an A.

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we’ve done the “performance artist sits motionless while the audience is invited to Do Stuff to them” enough times now and it always goes the same way I think we should probably stop doing it
My objection is that it boils down to a weird game of consent chicken. Like, maybe in 1964 it seemed really shocking and novel, but any metro art gallery is probably within walking distance of a kink club where someone has laid out riding crops and flails and invited strangers to touch/bite/whip/strip/finger/fuck them and will be very sad if no one does. Of course there is nuance, but the kinkster can be understood as consenting and eager and capable of ending the scene.
What about the artist? They provide you with riding crops and invite you do Do Stuff to them without predetermined boundaries. To some extent they probably do want someone to do something edgy so the critics have something to write about. But the tension comes from the audience not really knowing what the artist actually wants to happen. It’s essentially a dare to discover what the artist considers an acceptable part of the piece. Of course it gets out of hand almost every time—it’s basically an exercise in bad kink negotiation.
As someone who in my time in university studied Marina Abramovic, the artist probably most well-known for performance art like this, I do have some thoughts and opinions on this.
I do agree that it is quite an overdone thing at this point. Hell, we did it ourselves as part of our class (though only with one another and not with strangers, and not with like, floggers or whatever - more like Sharpies or something, an open invitation to write on one another's bodies, that kind of thing). But I do think it's redundant to simply write it off as bad kink negotiation and decide its worth on that.
This is an art installation not just for the observer, but for the participant. As an outsider, it's easy to say "some people will always take it too far, people suck and there's no clear consent lines to indicate the border of discomfort and mental safety for the artist". But an artist knows this and chooses to do it anyway. And as an inflicter, you become a participant and part of the art. And suddenly, the art is not about the good or bad of people as a whole or just about consent - it's about you. How do you feel, doing this? What liberties do you take when you are given a green card? How does it feel to take those liberties, to inflict whatever action you perform, to do so under the eyes of others who are also told you are technically allowed to do this? How do you feel in relation to the artist? How do you perceive them? And what about the crowd? Are they the judge/jury? Are they a greek chorus, just there to reflect?
Yes, this is an art installation that can reflect on people as a whole. I think there is actually value in that throughout time, though. What is taboo to do now versus in the original days? What are people more willing to do? What is the artist more comfortable with tolerating? Is there more kindness or cruelty? How much frustration lies among the audience/participants, and how are they willing to exert those frustrations? What interpersonal actions are more valued in different times? But it also reflects on you as a person, on a deeply personal level.
This performance art piece is a mirror. On society. On crowds. On you as an individual. Experiencing it is something that is deeply visceral because of this, but perhaps also because how you let yourself come into close, intimate contact with strangers in a way you usually wouldn't - which, if that brings a certain feeling, whether of freedom or jubilation or deep discomfort, may also reflect on societal norms in your part of the world and of history. To observe and analyse is one thing. To experience it is another. And the whole point of this exercise is to experience it.
So yes, it is a risky thing on an emotional and physical level. The artist is aware. The participants tend to realise this too, or find out soon enough. And yes, it's repetitive and kind of overdone. But I think there is something valuable about still doing it, and getting to experience it. Yes, despite the risks. It holds value as an art installation across time and across different places in the world for its function as a mirror on both the individual and the group, and trust me - it is truly something special to take part in and experience, whether as the artist or the audience or inflicter.
Si je rencontre une personne je suis rassurée si je sais que je ne la reverrais jamais. Et pourtant je souffre simultanément de n’avoir jamais créé de liens assez fort pour qu’ils subsistent dans le temps.
À la fois dans la fuite et l’apitoiement.
"I take refuge in the void when my emotions overwhelm me.
They want to run down the slopes of my cheeks, so I swallow them whole."
Mone

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Dans le vide je me réfugie lorsque mes émotions me submergent.
Elles désirent dévaler les pentes de mes joues alors je les ravale de tout mon soûl.
Parfois, j’ai aucune idée de c’que j’raconte.
Et je me suis éprise en pleine conscience du personnage que je t'avais créé.
Cette peine sentimentale qui avait ébranlé mon cœur su nourrir mon envie irrépressible de t'écrire. Le souvenir de tes belles paroles effleurait mon cœur et cela m'inspirait.
Que faire d'une volonté ? Si ce n'est tout refaire foirer à nouveau.

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Y a pas de solution à la fugacité de l'amitié hein. La famille qu'on choisit. Qu'elle connerie. On se croirait dans un jeux d'échec ma parole. A la fin pas besoin d'être bon en maths pour voir que t'as plus grand monde sur le plateau.
Fête foraine de dépressifs
Ca me casse le cul de vieillir, plus va plus je suis névrosée. Ah ça! On est bien loin d'un vin qui se bonifie avec le temps. Mes angoissent s'accroissent, mes peines creuses des tranchées sur mon visage, les amis se raréfie non mais c'est quoi cette vie de merde (si si on y va)? Alors va voir un psy qu'on m'a dit. Beh v'la que j'ai commencé une thérapie. V'la 2 ans, et tu sais quoi? Toujours envie de crever! Ah par contre, je suis sobre depuis 9 mois grâce à ça mais l'envie de me pendre; elle, je peux pas en faire l'abstinence tu vois. "Oh tu vois j'ai fais une overdose de déprime alors je vais rester abstinente de toute dépression pendant quelques temps" déblatère t-elle à son journal intime " à dans 2ans! " 2 ANS, SI SEULEMENT!! 4 mois de répit max que j'ai pu avoir en 3ans. C'est pas une vie moi je vous assures. Le marathon de Joe en déclin. Peut être qu'on devrait créer une fête foraine de gens dépressif, ça nous permettrait à tous de faire des blagues et dire nos pensées morbide à tous va sans plomber l'ambiance! En plus les attractions nous ferait gonfler notre 2nd degrés. Putain le paradis des dépressifs. On se ferait enfin des potes enfin... Des potes potentiellement en fin de vie. Y a pas de solution à la fugacité de l'amitié hein. La famille qu'on choisit. Qu'elle connerie. On se croirait dans un jeux d'échec ma parole. A la fin pas besoin d'être bon en maths pour voir que t'as plus grand nombre de pion. M'enfin la solution se trouve peut être dans le contacte avec ceux qui sont au loin mais là malgré tout. Merci à vous. ♥