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Incredible but true, I have finished a art despite the ongoing horrors
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@mollywauk
🖤 Them
Incredible but true, I have finished a art despite the ongoing horrors

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Continuing the species swapped nein
-fjord may be safe from his chronic tusk pain but now nott is his height, the torment will never end
- yasha adopts a regular broad sword so she can handle it like her usual blade in her new tiny form
- Caleb keeps holding people with his tail subconsciously. The former teiflings of the group are very endeared by this
-Beau is experiencing severe cuteness aggression
-nott is tall enough to hold Caleb in her arms properly cause now she can convince people that he’s her son
SPECIES SWAP
somewhere in the distance you hear a crowd screaming "yasha", definitely not created by prestedigititalzation
DOOMED BY THE NARRATIVE

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As always, I'm so here for Aabria and her attention to the world, both the small details and the larger implications, how grounded her character is in its histories and realities, using that character knowledge to put things together and move things forward so swiftly elegantly, cutting through confusion and argument.
"Wasn't Thjazi called Shadow?"
Tossing the Iron nail to Julien.
Quickly cutting through all the noise to reveal the truth.
While playing Thaisha, Aabria is so conscious of the world and Thaisha's worldview. As a woman whose religious culture has been persecuted nearly to extinction. As a person from a race that every other race of Aramán was happy to leave in subjugation; the suffering of the Runjani was a fair price for their comfort.
You can viscerally feel this in her gentle but clear acknowledgement of Bolaire, her tone when she asked him why he was so angry.
"What exactly do you find to be foolishness, Bolaire?"
The calm, despite the fact that, when it comes down to it, he is angry that the actions Thjazi set in motion blew up his comfortable life. The same actions that liberated the Runjani afterlife. He doesn't think "a couple hundred" Runjani souls are worth it.
"So you're not angry, you're afraid."
It reminded me of when Aranessa was breaking down and overwhelmed because her life was blown up and she has to make hard decisions to move forward. Thaisha used the same gentle, but firm tone then.
"You always had to make a choice and the world was always chaos. It's just touching you now."
There's such weight and truth behind the way Aabria carries Thaisha. I look forward to her Soldier table, but I feel for what the rest of the tables will be losing without her presence.
Thimble, Thimble!!! My darling girl!!!
CR portrait 2 of 8
Cracks knuckles here we go, CR portrait 1 of 8
An ode to Occtis 🫀💀

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Either Julien in “Set Me Free” or Thimble in “Horizon”?
those wings almost killed me <3
Fjord Stone and exploration of masculinity through his blind commitment to Ukotoa only to find that’s NOT what he needed and then finds comfort in the Wildmother and starts using his real voice again. He’s still strong and still a man, but he’s not leaning on the ideas of what he thought those traits were “supposed” to be, he’s finding his own way to be those things and allows himself to be himself, rather than something cobbled together from outside sources
Have you ever seen three ducks try to grab onto one piece of bread
thaisha lloy, the woman that you are

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Had some fun drawing Mollymauk and creating this beautiful one-line lighting scenario ✨️
Can I simply say that Aabria's exploration of orcs as a metaphor for Blackness and the legacy of slavery is a fucking masterclass. Today's bit, about every ancestry killing their gods because "the gods loved their system so much they knew someone would have to become the 'new orc'"??? HELLO????? just an UNBELIEVABLE amount of emotional nuance, but it's delivered so clearly that it always makes me stop to think "oh, shit, that's a clear metaphor for a problem and/or set of emotions obviously related to the Black American grappling-with-slavery's-legacy experience that I'd never even considered"