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"This is how he gardens: fifteen minutes of intense effort, fifteen minutes of ecstatic contemplation."
— Louise Glück, from Vespers

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Kazuma Ogawa , Iris Kæmpferi, 1896
Les glaneurs et la glaneuse (2000, Agnès Varda)
Edgar Degas, Untitled (The Hourdel Road, near Saint-Valéry-sur-Somme), 1895
The past has a future, something it becomes, and that transforms it. Like the facts themselves, the person, the "I", who experiences it and looks back on it discovers that it is not singular, but plural.
— Claudio Magris, from Danube

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Ali: Fear Eats the Soul | Rainer Werner Fassbinder | 1974
Shoah | Claude Lanzmann | 1985
The Color of Pomegranates | Sergei Parajanov | 1969
Vincent Van Gogh (Dutch 1853-90), View of Arles, Flowering Orchards, 1889. Oil on canvas
There is a silence where hath been no sound There is a silence where no sound may be In the cold grave, under the deep deep sea.
The Piano 1993 dir. Jane Campion

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"We take almost all the decisive steps in our lives as a result of slight inner adjustments of which we are barely conscious."
— W.G. Sebald, from Austerlitz
Florine Stettheimer /
"Costume design (Georgette) for artist's ballet Orphée of the Quat-z-arts." c. 1912. Gift of Miss Ettie Stettheimer. © Estate of Florine Stettheimer.
Niki de Saint Phalle
Toni Erdmann | Maren Ade | 2016
Orlando dir. Sally Potter (1992)

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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"I have known only what I don't want. I’ve always had a thorn in my side, and I’ve always thought, When this thorn is removed I’ll think about what I want. But then that particular thorn would be removed, and I’d be left feeling emptied out. In a short time another thorn would be inserted into my side. Then, once again, all I had to think about was being free of the thorn in my side. I’ve never had time to think about what I want."
— Vivian Gornick, from The Odd Woman and the City: A Memoir
Harald Sohlberg, , Moonlight, 1907