Curiouser & Curiouser

Because DreamWorks was concerned about theological accuracy, Jeffrey Katzenberg (former Disney chairman) decided to call in Biblical scholars, Christian, Jewish, and Muslim theologians, and Arab American leaders to help his film be more accurate and faithful to the original story. After previewing the developing film, all these leaders noted that the studio executives listened and responded to their ideas, and praised the studio for reaching out for comment from outside sources.

The animation team for The Prince of Egypt included 350 artists from 34 different nations. Careful consideration was given to depicting the ethnicities of the ancient Egyptians, Hebrews, and Nubians properly.

Both character design and art direction worked to set a definite distinction between the symmetrical, more angular look of the Egyptians versus the more organic, natural look of the Hebrews and their related environments. The backgrounds department, headed by supervisors Paul Lasaine and Ron Lukas, oversaw a team of artists who were responsible for painting the sets/backdrops from the layouts. Within the film, approximately 934 hand-painted backgrounds were created.

Silks and such were hard to repair on campaign, but still expensive so soldiers tended to try and save the bottom half of pants or sleeves if they got cut and torn. There was lots of different ways to try and salvage them:

You could tie it up with a ribbon, or hastily sew it back on but decoratively like top row forth from the left is, or just stuff it in your boot like the guy above does.

Story of my life people. You know what’s real ? The struggle.

(via Saturday Morning Cartoons: Baopu #15) by Yao Xiao