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6: What makes this fic special or different from all your other fics?
7: Where did the title come from?
8: Did any real people or events inspire any part of it?
9: Were there any alternate versions of this fic?
10: Why did you choose this pairing for this particular story?
11: What do you like best about this fic?
12: What do you like least about this fic?
13: What music did you listen to, if any, to get in the mood for writing this story? Or if you didnât listen to anything, what do you think readers should listen to to accompany us while reading?
14: Is there anything you wanted readers to learn from reading this fic?
How long has it been since you first discovered Archive of Our Own (AO3) and learned what it was?
*NOT âhow long has it been since you first posted something there?â or âhow long has it been since you created an account there?â The poll only asks how long it has been SINCE YOU FIRST DISCOVERED AND LEARNED ABOUT THE SITE
How long has it been since you first discovered Archive of Our Own (AO3) and learned what it was?
Less than a year
A year
2-3 years
4-5 years
6-7 years
8-9 years
10 years
11-12 years
13-14 years
15-16 years
17 years (ever since the year the site was created back in 2008)
I donât know what AO3 is
Voting ended onSep 17, 2025
*This poll was submitted to us and we simply posted it so people could vote and discuss their opinions on the matter. If youâd like for us to ask the internet a question for you, feel free to drop the poll of your choice in our inbox and weâll post them anonymously (for more info, please check our pinned post).
Logically I know that Iâve been reading fanfic for a loooooong time⌠but seeing it in actual years makes me feel so old. And this is just from when I switched over to AO3, I was in FFN and Wattpad for like at least a couple of years before I discovered AO3. đ
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I need to admit something to the US Tumblrinas. Philadelphia isn't a place to me. It's a cream cheese. You say "philadelphia" or "philly" and I immediately, and exclusively, think of the cream cheese. "Twelve people die in Philadelphia disaster" wow that must've been a Molasses Flood style event
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Shout out to all the Black ppl that can no longer participate directly in the fandom they love because of the stresses of racism đđž you contain multitudes of value and I'm sorry that the color of your skin and the power of your voice makes people not want to acknowledge that.
Chapter 1: You'd Rather Die Than Take Your Eyes Off Me
His eyes followed you through the crowd, like a damn clichĂŠ. You could feel them in every inch of your body, and God did it feel good. It felt powerful. To know that a man like that couldnât keep his eyes off you, it was addictive. It was also incredibly wrong, yet in some ways, that set your fire even more ablaze. The dirtiness of it, the illicitness, turned you on in ways youâd never known were possible. Just the thought of sneaking off and satisfying his hungry gaze had you dripping.Â
âHey, are you okay?â Youâre torn from your thoughts by the gentle, ever-worried tone of Steveâs voice. Your body instantly flooded with guilt.
âIâm fine, just thinking about dad again.â You feel dirty for using your dead fatherâs memory to lie to him, but you couldnât exactly tell him the truth. You couldnât even imagine the fallout from that.
âIâm fine, just thinking about the intoxicating feeling of another man coveting me. Thinking about how amazing it would feel to give in to those heated glances and get absolutely ravaged by the man throwing them at me.â
âI wish I could say it gets easier, but grief is unpredictable.â Sometimes, you wish he werenât so perfect. That he didnât always say or do the right thing. It was annoying how he was always so good, like a damn cartoon character. It made your flaws stand out all the more.
âYeah ââ Steveâs hand began to rub the small of your back, and the gaze piercing your skull intensified in response. The world suddenly felt too hot and too small. It felt like everything was closing in on you. âI think I just need some air. Iâll be right back.â You turn to leave, and his hand grips yours, stopping you.
âDo you want me to come with you?â His worry sounds genuine, yet thereâs something in his eyes that makes you question if he knows. But if he did, why is he still here? Why stay in this sham when he could have gone back to her? Hell, he still could.
âNo, I just need a minute to myself. Collect my thoughts and all that.â You wave your free hand in a dismissive gesture. âThank you, though, for being here.â You reach up and press a kiss to his cheek before pulling your hand away and disappearing into the crowd, anotherâs eyes still following your every movement.
And doesnât that speak volumes about the whole thing? Within seconds of leaving Steve, heâd lost you in the throngs of men and women milling about the hall, but those damned eyes. Those damned eyes never lost you for a second; you could feel them as they followed you down corridors filled with party goers, slipping between gaggles of drunk women fawning over each other and even drunker men barely standing upright. They followed you right through several twists and turns, until suddenly it was just you and those damn eyes in one of the small studies.
âYou have to stop.â You donât turn around, but you feel him approach behind you. Hands coming to rest on your waist, his warm breath ghosting the shell of your ear.
âWhy?â His gruff voice comes out in barely a whisper. His hands pull you back, your torso falling into his own. âClearly youâre enjoying it.â One of his hands had drifted from your waist down your thigh and disappeared between the slit in your dress, his fingers caressing up your inner thigh to make contact with your core. He began running his nose along your throat as his fingers caressed you, pulling a slow, low moan from your throat.
âBecause heâs a good man and he doesnât deserve this.â You manage to breathe out between moans as he slips a finger past your underwear. You were in a losing battle between what you knew was right and what you desired.
âThen leave him.â The finger had slipped inside you at this point, almost completely driving thoughts of Steve from your head.
âI canât, you know I canât.â You begin to writhe against him as he slowly pumps his finger. âIt wouldnât be right, not after what heâs done for both of us.â You manage to dislodge him enough to turn in his grasp, hands coming to rest on his chest. You should push him fully away, but you canât seem to bring yourself to. Caught in a never-ending war between your head and your heart, with no one to turn to for advice.
âStaying with him out of obligation feels crueller than momentarily breaking his heart.â He gently lifts your head, the cold metal of his prosthetic fingers brushing the underside of your chin, sending a new wave of shivers down your spine.
âJames.â You sigh out his name in a frustrated tone. âThereâs nothing momentary about the woman he stayed for, leaving him for his supposed best friend.â
âAnd staying with him out of guilt because he âstayedâ is somehow less cruel. Steve can be naĂŻve, but heâs not a fool.â
âWhy do you keep doing that?â The way he says âstayedâ has bothered you for weeks.
âDoing what?â You let out a little âhmphâ.
âYou say he âstayedâ like you're putting air quotes around it.â Thereâs a glimmer of something in his eyes that you canât quite place, similar to the glint in Steveâs when youâd told him you needed air. Like he knows more than heâs letting on.
âLila?â Your eyes widen at Steveâs muffled voice coming from just outside the door.
âHide!â You hiss out in a whisper, pushing James towards the glass doors on the other side of the study.
âWhere?!â He bites back at you as you continue to push him.
You hear the doorknob begin to wobble before you can respond to him. Your heart drops to your stomach as you rush back to the other side of the room to intercept Steve. Your hand meets the knob just as the door starts to swing fully open.
âLila?â Steve stands before you, worry etched on his face, and a new wave of guilt washes through you. âYouâve been gone for a while, and I started to worry. I know how awful your panic attacks can get.â He raises his hand to caress your face, the other coming up to circle your waist.
You feel nothing and that alone causes even more guilt and shame to flood your body. There was a time when you would have revelled in his embrace, craved it even. Now it feels almost cold, mechanical, obligatory.
âIâm fine, Steve, I promise. Like I said, I just needed a little air.â You glance behind you at the open glass doors, any trace of James long gone. The thought pains you, and your traitorous heart aches for it to still be his arms holding you.
âThat air canât have been doing much, doll.â His hand brushes up your arm, so both are cupping your face.  âYouâre as hot as a furnace still.â Something in you revolts at him calling you doll, and youâre once again hit with the dreadful feeling that he knows what you were really doing mere moments ago.
âDoll?â You brace your hands against his chest, once again reminiscent of your embrace with James, although this time you seem to have the strength to push Steve away. âSince when do you call me doll?â You canât help the disgust that seeps into your tone on the word.
âWellâŚâ Thereâs a moment, a small lapse in his façade that causes you to catch a glimpse of unease in his gaze. You're struck, for the third time that evening, with the horrible feeling that youâre being kept in the dark. It disappears almost as quickly as it appeared. âI am from the 40s, Lila, our lingo was quite different back then.â He seems to emphasize the word lingo, as if to drive home his point by using the somewhat outdated term. Â
âIn the nearly twelve years Iâve known you, Iâve never heard you use that kind of lingo.â In fact, aside from a few phrasing differences and sentence structuring, his speech wasnât that different from your own.
âAnd Iâve never seen you so hung up on a word.â You take a physical step back when youâre hit by the vitriol in his words.
For all your arguments and near to total breakups over the last twelve years, heâs never used that tone of voice with you. It was eerily reminiscent of the condescending tone your grandfather used to take with you.
âYou know, I think you're right. I think the air didnât do anything.â You take another step away from him. âI think I should just go home and rest.â Thereâs a look of regret on his face as you say this. No. Not regretâŚÂ Annoyance perhaps?
âLet me ââ He starts to take a step towards you, and you hold your hand up to stop him.
âNo, I think itâs best if Iâm alone for a little bit.â You go to walk around him, and for the second time that evening, he grips your wrist. Thereâs something different about the way he does it this time, though, less concerned and moreâŚÂ possessive.
âLila.â Thereâs an edge to his voice that youâve never heard before, like a deep-seated anger, as his eyes darken in a way that sends a chill down your spine. Some part of your brain, the logical part thatâs been dealing with terrible, overbearing men your whole life, starts blaring alarm sounds.
âWeâre fine, Steve, I just underestimated how much this event would affect me.â You begin to fawn, your go-to strategy to subdue. You place a hand on his cheek, leaning in to kiss the other. âYou said it yourself; grief is unpredictable.â His grip on you loosens, and his eyes lighten a touch.
âYouâll call me when you get home.â Itâs a statement, not a question. âSo I know you're safe.â Itâs added almost like an afterthought, but sounds like it has the caveat of âand aloneâ embedded in it.
âOf course.â You force a small smile onto your face as you brush past him, to the door.
âFor what itâs worth, I think Tony would be proud of what youâve done with the company.â His parting words hit you like a brick shattering glass. Every illusion and lie is scattering around your brain in shards of broken, sharp edges.
The reader gets her world view upended by visiting someone from her past.
Chapter 1: Like Father, Like Son
Kitchen Off Limits (The fic that started it all)
Life Knocked You Down? Get Back Up. (Part two in my ongoing Bruce x Reader series)
Ao3 Series (Read all parts in one convenient place and be the first to read new chapters when I post them.)
Check out my other works on Ao3
Chapter 2: Sins of The Mother
âWhy didnât you tell me about my father?â Your mother sits in her living room, blatantly ignoring your entrance to her home. âMother?â She turns the page of her book before gently placing it on the table beside her.
âI did start to wonder if you were finally going to visit your poor mother when the news of your patronage was revealed.â She picks up her teacup and gestures towards the chair across from her.
âThis isnât a social visit.â You grumble out while reluctantly taking a seat.
âObviously.â She responds dryly. âWeâve barely spoken a word to one another since I told you not to marry that awful Wayne boy.â
âWhy do you hate him so much?â
âWhy donât you? After every terrible thing thatâs happened to you since becoming acquainted with that man, how can you possibly stand to be around him?â She raises a single, perfectly sculpted eyebrow. âRegardless of whatever simpering, pathetic answer you have for that, I donât hate him. I simply know you could do better.â There's an ever-present air of pretentiousness wafting off her as she sips her tea. Â âHow many times have I told you not to slouch like that. Itâs very unbecoming, not to mention awfully un-ladylike.â
âIn case youâve forgotten Iâm an adult, and Iâll sit however I damn well please.â You slouch further into the couch in an act of admittedly childish defiance.
âThis is exactly the type of regressive behaviour I feared that Wayne boy would encourage in you. Youâve completely forgotten how to act in polite company.â
âYouâre not âpolite companyâ, youâre my Mother.â Coming here was a mistake; the same mistake youâve made every few years over the nearly two decades since youâd fled this stuffy intellectualist hellhole. âAnd thank you for reminding me why I shouldnât even bother trying with you anymore.â
âOh, do come off that incredibly high horse of yours, dear.â She stands, smoothing out her skirt. âWe both know these visits arenât about some âmisguided attempt to make amends.â Theyâre about your ego. Things arenât going the way you want them to in your personal life, so you come here to try and blame me for everything thatâs ever gone wrong.â She moves to the bay window on the far side of the sitting room. âI was never as terrible a mother as you constantly try to make me out to be.â She opens the cabinet under the window bench and removes what appears to be a scrapbook. âI may have been strict, but you and I both know I was never cruel, never raised a hand towards you in anger.â
âBut you never raised them in love either.â Your voice is shaky and small, so eerily reminiscent of the mons-⌠man youâd left in that hovel of an apartment mere hours ago. âI canât remember a single time you hugged me as a child, nor an encouraging word. It was always a criticism, a scolding look, a disappointed glance across the table. I needed a mother and all I got was a governess.â
âYes, well, you and I are very different, arenât we?â She places the album in your lap before returning to her seat. âYou wanted those boys, with every fibre of your being, and Iâm sure you want children of your own with that awful Wayne boy.â
âThey are my children, whether or not Bruce and I have a baby, those boys will always be my children.â
âYes, because you have a nurturing spirit. It was always my biggest regret about you. Nurtures like you donât last long in this city, especially not in the circles youâve landed yourself in.â She almost sounded concerned for you. âPoor Martha was a nurturer, and look how that ended for her.â Your mother shakes her head. âWhen I found out about my pregnancy, I was prepared to do the right thing. Your father was an engaged man of prominence, and I was in the midst of getting my first PhD it made sense to terminate.â  Your world starts to tilt. Youâd always assumed your mother never wanted children, but to hear straight from her mouth that she tried to terminate you⌠Thereâs a pain in your chest, and you canât help but think of the boyâs face when you said those hurtful things to him earlier this evening. âOf course, I went to him first. I figured I could squeeze enough money out of him to cover the appointment, even more if I threatened to go to the press. But instead of wanting to get rid of you, he paid me to keep you. I never truly understood why, especially when you turned out to be a girl, but he continued to pay for your well-being, so I raised you as instructed.â
âYou should have taken the money and aborted me anyway. Would have saved both of us a whole hell of a lot of trouble and heartache.â
âOpen it.â She gestures at the album sheâd placed in your lap. âMy words will never be good enough for you; you never did respond well to logic. Such an emotional little thing. Perhaps those will finally show you what my words canât.â
You crack open the album and are greeted with picture after picture of yourself. Each photo is accompanied by a description depicting when, where and why it was taken. The meticulous handwriting of your mother is scrawled across each page, with the descriptions getting less factual and more... emotional.
âMy father paid you to keep a detailed photo album of me, so what? Is this supposed to make me feel better about having a mother who doesnât love me?â Your mother rises from her chair once more.
âThat trust fund your father left you in his will, that I'm sure he attributed to himself, or your grandfather; That was the money he paid me to keep you.â She moves towards the stairs. âI did send him a few photos over the years, but that album⌠that was mine, and mine alone.â She ascends the stairs, seemingly aloof to how sheâs upended everything you knew about your life.
If you could be so... wrong about your own mother, what else could you be wrong about?
Chat, is it considered âabusive roommate behaviorâ to release a raccoon into the living space after you have asked your roommate for months to please clean up their messes (they do not pay any of the mortgage)
For context, when I used to live alone I would do something called âPrincess Timeâ where I would do an initial sweep (to remove any significant hazards) and then I would release a raccoon into the living area and clean. This helped because I would 1) feel like a princess and 2) the raccoon would bring attention to things my ADHD brain had decided to ignore and Iâd quickly clean that stuff up.
So like, if Iâm expected to clean the house now, I will be doing it in the way that is most effective for me. And anything that has not been cleaned up after months of having sit-down talks and sending reminders and being promised things will change, might be deemed âtrashâ by the trash panda and thrown away.
We havenât done since we moved into the house, because I didnât want to cause my roommate or their cats destress or have their things destroyed by a raccoon
I am a raccoon biologist and one of the few people in the state allowed to take in captive bred raccoons that had been possessed illegally. The raccoon in the photos is Moonshine, but she is currently at the animal sanctuary where I work as I had been quarantining multiple new intakes from an abuse case. I still have two males (Rum Tum Tugger and Electra) left in my home enclosure as we are getting them neutered and then hopefully sending them to an AZA accredited zoo.
I wanna make things very clear that underneath all the whimsy, I am a trained professional.
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The next part in my Bruce x Reader series. This one will be a multichapter, so check back for updates!
Read the first part here (Kitchen Off Limits)
Second part here (Life Knocked You Down? Get Back Up.)
Or read it all on (AO3)
The aftermath of Jason's choices and an introspective look on how far the apple falls from the tree.
CW: Angst, Anger, Parental Issues (Mostly Mommy Issues), Refering to People as Monsters, Dysfunctional Relationships
Chapter One: Like Father, Like Son
âEven now, after everything youâve done, he still believes you can be saved.â You stand in front of the monster that parades around in your sonâs face.
 âAnd you donât.â The thing speaks with a sadness in its voice. It tugs at the long dead part of you that cared for the boy he used to be.
 âI donât know.â You turn away from him, unable to continue looking at your dead sonâs face. Some part of you, deep in the bowels of your heart, wants to believe that your Jason is still in there somewhere. The smiling, joking boy with a thirst for reading and knowledge that rivaled your own. But itâs hard to see Jason in the face of it. The thin who blew up a city. The very city he knew his brother lived in. How could that⌠that thing be the same boy who used to follow you around the manor?
 âBut you do; you know me, Mom.â You thought you did. Thought that youâd be able to recognize your son anywhere, but the man standing in the room with you is a stranger.
 âNo, I have no idea who you are.â He grabs your arm and pulls you to face him once more.
 âYes, you do. Itâs still me, Iâm still Jason.â Thereâs a desperation in his tone, pleading. Itâs like a twisted imitation of the boy you once loved.
âYou may have his face, his voice, his name, but youâre not my Jason. My Jason would never have done the things youâve done.â His face hardens at that, a determination setting in. Like a child digging their heels in and refusing to move.
 âI did what had to be done.â He crosses his arms, adjusting his posture to portray indifference and authority. The entire thing oozes Bruce in the worst way.
 âFor a man who detests his father, you sure do come off the most like him.â Itâs a low blow, and you know it. The vindictive part of you, that part that feels eerily like your own mother, said it to wound this thing wearing your son's face. That part of you wanted him to hurt even just a fraction of the way you hurt.
 âDonât⌠Donât say that. Why would you say that?â His whole demeanour changes, crumbles right before your eyes.
 âWhy would you blow up BlĂźdhaven? WHY? Knowing Richard could be there, having seen my grief. Watched it played out in news spots and gossip columns and Bruceâs security footage. You actively attempted to put me through that once more, and now you stand here in front of me, unrepentant of your actions, and demand forgiveness? You demand I retake up the mantle of your mother while actively trying to rob me of another child, rob me of the very man I love. A man, may I remind you, is the only reason I became the real Jasonâs mother in the first place.â Youâre in his face now, pushing him back with each new accusation.
âMom⌠you donât understand. You werenât there. He-â Youâd had enough of his excuses. It was always someone elseâs fault, always the things that happened to him that made him this way. Never taking any accountability for the very real things he did. The choices he made.
âBatman didnât kill my son. The Joker didnât kill my son. You did.â It was the final nail in the coffin, there was no coming back from this one.
âThatâs enough.â Bruceâs commanding voice echoes through the hovel of an apartment.
âI was already leaving.â You turn your back on that thing once more, brushing past Bruce without even a glance.
âMimi, let me take you home.â Richard. Itâd been nearly three months since that night, yet you still couldnât sleep without the nightmares taking over. Every time, youâd awake in a panic and call Richard. You felt guilty about disrupting the boy's sleep, but hearing his voice reacting to you in real time was the only thing capable of calming the panic.
âI bet youâd forgive the replacement if heâd done the things I have.â The thing calls out after you. A last-ditch effort to wound you the way youâve wounded him. You turn, making sure to make eye contact with it before you deliver the final blow.
âTimothy never would have been in your position to begin with.â With that, you leave the apartment for good. Richard follows close behind you. Both he and Bruce had been hesitant to leave you alone these days, clearly for good reason.
âMimi, you really should let me take you home. Youâre in no condition to drive.â He places himself in front of you. You brush him aside and mount his old bike, youâd practically claimed it as your own at this point.
âIâm not going home, or at least⌠not our home.â You start the bike and turn to Richard once more. âDonât follow me, and that goes for Bruce as well. I have a personal matter to take care of.â With that, you place the helmet on your head and take off in the direction of Gotham University.