Hadley Fraser showed up for two weeks rehearsal, almost forgot his line on stage, almost got singed by the props on stage, gave one of the best portrayals of Raoul in the history of the musical, and then dipped immediately from poto and its fandom
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@missmonty
Hadley Fraser showed up for two weeks rehearsal, almost forgot his line on stage, almost got singed by the props on stage, gave one of the best portrayals of Raoul in the history of the musical, and then dipped immediately from poto and its fandom

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I have character development thoughts on Lee Yeon! Buckle up:
After finishing the first season, I thought to myself that all this trouble (Rangās abandonment issues, Imugi, etc.) would have been avoided if Yeon had just followed his clear calling as a househusband instead of being a mountain god. This man just wanted to fall in love, keep house, and have little fox babies. Instead, for some reason, he was in charge of an entire territory. I figured it was a case of picking the wrong career and getting locked in, or maybe he was born to it somehow.
Yeon has been widely panned for abandoning his land and his brother for his love interest. While I think he certainly deserves some criticism, Iāve always given him more leeway for one specific reason: foxes mate for life. Itās true in nature, and they play it up for the gumiho mythology. When foxes pair up, they stick with their mate unconditionally. They live and die together. So while there was some degree of choice in Yeon leaving the mountain and Rang and going into Taluipaās service, weāll never know how much, because his nature would have compelled him to put his loyalty to Ah Eum above everything.
But now thereās another element at play: weāre getting to see how Yeon, and the others, became mountain gods. It turns out that they were handpicked as children. They were neither born to it, nor given the choice to pursue it. Based on their power, they were chosen by Taluipa to fill those roles. We even get a scene of them trying to run away from their training. And itās clear that at least two of them were not truly suited to their jobs. Moo Yeong destroyed his entire forest (for some reason we donāt know yet), and was turned to stone as punishment. And Yeon was too sentimental, with a built-in romantic weakness due to his species, and he had the stunning misfortune of falling in love with a human. Hong Joo seems to have been up to the task, and the strongest of them all, but it cost her family their lives.
So now Yeonās abandonment of his mountain makes more sense. Itās a job he never wanted in the first place, although he appears to have done his duty sufficiently for several centuries. But his powers are limited to his territory, and he doesnāt seem overly-enthusiastic about his position. And once heās incentivized to leave it all behind, he does it without a second thought.
Weāve also learned that Yeonās dad was abusive, not just absent. Yeon has that same edge of cruelty and aloofness that sometimes shows up, most notably toward his enemies and in a dilute form toward Rang. He was dedicated to raising Rang once he was in his care, but his initial meeting with his surprise sibling, just a child, was very āGod helps those who help themselvesā. Presumably, thatās the message he got from his father. Ironically, he now seems to have some grasp of attachment theory, as we see when heās taking charge of Mi Ho. He wants her to feel security, security he likely did not receive from his father and was ultimately unable to give to Rang. Although he fucked up with his brother, he did manage to do better than their father ever did, and has learned a lot from his mistakes.
Iām really excited that weāre getting more development for Yeonās character this season. Iām also wondering if his dad is still alive; weāve never been told he died, and since the season is very centered on the brothersā relationshipā¦
the thing about Lee Yeon is that he looks kind of goofy and like he's going to fall for every scam everyone pulls on him but. he's actually playing 3D chess and orchestrating Hannibal Smith-level shenanigans at all times
Yeon: "Don't hurt me! I have a little brother!"
Enemy: "You think I care about that?"
Yeon: "You don't understand. That's not a plea, it's a warning."
Rang kicks down the door.

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Actually there's a big difference between "putting your love first" and "not giving a damn about anyone but your love" you know? Unfortunately Lee Yeon was shown to be the latter in both his 1938 and 2020 versions and he only learned his little brother's value after he lost him! And Yes. They both were mean to each other in pervious season But one had a reason for that and the other was just being mean for the sake of being mean for no reason. S2 just proved again that Rang would have always welcomed Yeon back in his life and it was only Yeon who didn't want that to happen. Grief? Opium? Call it anything you want but truth is 1938Yeon was a guy who didn't even bat an eye when he heard the news about Rang not having much time left and the only thing that got his attention was the news about Ah eum and this one just can't be excused! There was no reason for him to be that indifferent about his brother's limited time to live! He wasn't fighting Rang at the moment, he wasn't angry with him either. He simply just didn't care and we are just supposed to believe this guy when he says he never abandoned his brother? He would only show up after getting the news about Ah Eum's reincarnation otherwise he would still be sitting somewhere, wasting his life w/o giving a damn about what was happening to his brother.. and that's something future Yeon was well aware of too coz that was literally his past... but the thing is it's just so unfair to Rang considering he's the one who's going to sacrifice his life and happiness for such "brother" and give Yeon a happy life with his eternal love! Then Why not showing past Yeon as someone who cared about his brother in his own way after saying it over and over that he never abandoned Rang? Like was it too much to ask for? To have Yeon in better light? To show him as a caring brother specially now that everyone knows what a big sacrifice Rang is gonna make for him in future? sorry but Lee Rang deserves so much better than this...
Damn right.
Show runners tried really hard to sell us on the romance that they forgot about respect to character development and staying true to character.
Pretty much all of them were consistent with how they were described by others except Yeon who was described as good or caring or even a hero but he never did anything to save anyone except when it involved saving or protecting his beloved. And that includes his brother.
You see glimpses of what his character couldāve been when he saves people in the past like he goes looking for a half brother he heard of, or hunts down those who kill humans but it just derived too much from it you even forget he was a person with wants, needs or wishes of his own (aka to be a human). Other than literally only saving Jiāa
Pity.
1938 tried to cash on the amazing relationship between the brothers and the chemistry but they canāt cover the character whole they created in S1
I must say, Kdramas and Cdramas have a quality that I can only describe as love for men. I've seen more shades of men in a handful of them than the 100s of American shows I've seen. It's not like they achieve this by degrading women. The women are just as important and well rounded as the men but I... I really don't know how to describe this other than they love men. As they are. Not the ideal man, just all shades an varieties of men. It's refreshing.
All men in k dramas are ideal men and curated in a way to be likable to female audiences. Shows that are aimed at men are very different. They are literally full of tropes and most times the lesser known or good dramas sacrifice character for the tropes.
Itās just a cultural difference that makes you feel that way .
But itās still ok to prefer that trope to say Hollywood or to find it cathartic or refreshing but itās base shouldnāt be misunderstood as something other than trope to sell views and curate idols and the ideal man they think women want, that caters to being a protector, making her the center of his universe etc.
the fact that Israel can precisely target ONE apartment in an entire residential block in BEIRUT to kill two hamas leaders, proves once again that they CHOSE to carpet-bomb Gaza and murder 31.000 Palestinians to "defend themselves" against Hamas. Israel CHOSE to kill civilians, they CHOSE to bomb every hospital, every school, every refugee camp, every residential block. israel does NOTHING to spare the lives of palestinians, they want to thin out the population of gaza so they'd be able to settle their citizens there.
this is a genocide it's an ethnical cleansing PLEASE WAKE UP don't stop talking about Palestine it is not a trend, people are still dying, Israel has no plan to stop if WE don't force it to, through public pressure and protesting and boycotting. it's the least we can do.
basically a lot of my problems boil down to me being really bad at waking up. and also really bad at going to sleep
The most memorable scene: Ma Zhe going into the freezing river. āLong Ge going into the lake after sunrise in winter makes it the coldest temperature of the day. It was quite risky, but heās so dedicated & thought it would be alright.ā X

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boss texted me "i appreciate you staying out of the drama in the office"
i literally have no idea what she's talking about
Then youāre doing a fantastic job at it.
Essentially Egypt suing Netflix for decade long afrocentrism that surrounded Cleopatra is hilariously ironic to meļæ¼.
The weird ass, tic for tac idea from afrocentrists to culturally appropriate other cultures because itās done so blatantly and commonly done to our own afro-culture is so dumb, and Iām glad the Egyptians are finally doing something about it.
Cleopatra was of Macedonian (Greek) decent, she was more than likely pale to olive color and apparently had blue eyes. Come on now.
Blue eyes were not a thing in Middle East, near east and not even in Ancient Greece. We were not black and we were also not āwhiteā nor ābrownā. Thereās a distinct population thatās very diverse that occupied areas from North Africa and Greece to Mesopotamia and Asia Minor, that donāt fit into those American-centric categories of race. And you can call it what you want nowadays in your censuses and change it based on religion or nationality but the reality is she had as little similarity to African blacks as she had to Western Europeans.
Hell, even blue eyes were considered godly in those areas so much so that we all have talismans and myths about magical competences of blue eyes and we used them to describe gods or demigods.
Ok but at the same time using Eurocentric paintings of medieval and renaissance European painters who pretty much painted everyone looking like them, itās not a good option to use such paintings to support the case she wasnāt black. Even tho she wasnāt but those European paintings are not accurate they completely dismiss her east Mediterranean and near eastern looks and features.
An American Historian's Attempt to Explain the Backlash to Netflix's Cleopatra Documentary
Hi friends. I am going to do my best to do this with nuance, though Iām probably sending this into the void considering my dearth of followers. I might actually blaze this, weāll see. Before I begin, my professional training in historical ethics is reminding me to disclaim that, while I have spent a not insignificant amount of time studying Egyptian history (especially the life and family of Cleopatra VII), I am not technically specialized in the classical period or Egyptology. That being said, I do have years of training in the academic field and am currently getting my PhD in history. I'm gonna try to link sources easily available to the public, but a lot of the nuance of academic scholarship is unfortunately stuck in academic journals and published books.
Anyway, Iāll get into it:

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Side note:
Sophie Okonedo played two famous Greek women. She was just brilliant as Shakespeare's Cleopatra @ The National Theatre
Also got the chance to see her as Medea @ Soho Palace summer just gone
Awesome woman
childhood was so crazy. my parents were kind of young. a meal seemed to last forever. i could run for ages. everyone was alive