Miss Dynamic!

1. Download your video footage

I used to have an extension, but I get everything off of Youtube. You can just search ‘Youtube Downloader’. There are a few full competitions I’ve downloaded elsewhere, but mainly I’m looking for something very specific. Requests also get very specific.

2. Cut down to size in premiere

Once I have a routine picked out I bring it into Adobe Premiere and plot out the exact amount of frames I’m going to work with. I go in with the blade tool and clip down to the exact frames that I want to rotoscope.

3. Export as flv

Once I know what I want I export it from premiere, as a .flv video. Make sure you’re exporting the clip exactly so your flash file is neater. Go File < Export < Media. For the format, select .flv, and make sure your quality is at ‘best’. This makes drawing easier, but I also have a pretty RAM heavy computer, so I can run a lot of programs at once.

Keep in mind, I don’t think you can export as .flv on later versions of Adobe Premiere.

4. Upload to flash

Start a new flash document. I always work at 1920 x 1080, but my clips are usually smaller. I just import the smaller clips, since flash uses vectors and things resize cleanly. Open your document, then go File < Import < Import to Stage. Select your clip, and a dialogue will appear. Select the option ‘Embed FLV in SWF and play in timeline’.

After this, hit ‘next’ then ‘next’ and then ‘finish’ and your video will appear on an expanded timeline.

5. Keyframe

Make a new layer. this will be the layer you draw on! I like to make my .gifs using every other keyframe- but you could easily use every third or fourth keyframe! depends on your footage. I go for a smooth look, but because of the way I do it, it doesn’t always work out that way.

To make keyframes, drag out your timeline to the amount of time your clip is. Then, I like to go through the timeline using the . hotkey and the F6 hot key, F6 makes a new frame, and . moves forward on the timeline.

6. Animate

Time to draw! I always pick a bright color that isn’t present in the clip. I also prefer to work at the same zoom distance (usually 200%) and brush setting (I have a high smoothing at 40, and use the second smallest brush size). If you keep the same settings, everything is more consistent.

Here’s a timelapse (at x10 speed) of me drawing some frames of my Kyla rotoscope:

This is really the meat of how I make these micro animations- I just redraw it, almost frame by frame. It started as just a way for me to break down the movement in gymnastics, something I found so incredible I could barely comprehend how it worked. I’ve learned a lot by doing this. So this is how I began learning more about the sport. It takes a lot of time and patience to finish these things.

7. Resize

When everything is set, I resize it for tumblr. You’ll notice zooming out makes everything less wiggly, which is always satisfying. I select everything using the edit multiple frames tool, recolor to black, and make my frames a symbol. Then I delete the source video, and resize the canvas (generally to 500 x 500)

Often I spend a lot of time finagling the placement of the gymnast, too. It might look like she’s travelled all over the screen without an apparatus anchoring the video footage.

When you’re happy with it just go to file < export < export movie

choose the Animated GIF format and then choose your settings from there!

I have no idea if anyone is actually going to spend the time to make these like I do. I can go into detail and answer more questions about them as needed, I just know it’s a time consuming effort for something as simple as a .gif. But I did want to share that I take the time to make these frame by frame- there’s no magic involved, really. I just know how to set up a file. I do love the way they look, and I have toyed with the idea of making jewelry out of particularly striking frames.