they need to come up with more words like necrosis and miasma and mausoleum and cadaver and morose and decrepit and stuff like that just so metal bands can expand their vocabulary

tannertan36

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@miriagreyhaven
they need to come up with more words like necrosis and miasma and mausoleum and cadaver and morose and decrepit and stuff like that just so metal bands can expand their vocabulary

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my favorite junji ito panel
it's totally ok to dislike things. right?
i have to go delete some posts
black eye 🖤
this gif is like a poem to me
"June" by Alex Dimitrov. to ME.

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cicero voice our late roman republic is. hold on why is it called that. what is happening. w
it is like. i am deliberately not posting that much about the nolan odyssey because i don't have much genuine interest and i find the whole like outrage theater people do at adaptations to be exhausting and unproductive and often misguided + i don't really care what celebrities are doing. but zendaya's 3000-year-old iranian earrings are like. such an on-the-nose fuck you. like 1. you can practically feel the stylist going "oh, it's old, it must be on-theme!" without really considering that ancient cultures are not interchangeable. but also 2. there's a very clear and important difference between ancient greece and ancient iran, in that there's a reason zendaya isn't wearing ancient greek artifacts on her ears--ancient greece has a cultural cachet that ancient iran does not, by virtue of its position as the perceived origin point of "western" (white) civilization. they are just interchangeable enough that zendaya can wear the artifacts of one civilization to a premiere of a work based on the mythos of another, but just different enough that she can get away with one but not the other.
and of course there's 3. which is that modifying and wearing a cultural artifact of dubious provenance taken from a country the us is actively bombing (and in doing so presumably destroying plenty of historic buildings/artifacts) asserts a certain lack of respect for and/or sense of ownership over that country's people and culture. and obviously this is what makes it seem like such a specifically heinous move.
Really important to note when it comes to (3) that the elite (and frankly Orientalising) appropriation of ancient Near Eastern artefacts as jewellery has a long colonial history. Cylinder seals are these little cork-shaped cylinders with pictoral or written designs engraved on them, and work the same way as a signet ring in that you could roll them over wet clay to leave an impression of the engraved relief on the clay to dry. They look like this:
(Cylinder seal of First Dynasty of Ur Queen Puabi, found in her tomb, dated circa 2600 BC, with modern impression. Inscription: 𒅤𒀜 𒎏 - Pu3-abi(AD) Nin - Queen Pu-abi. Nicked straight off Wikipedia as it's a fab comparison of seal / relief.)
In the British Museum you can find "Lady Layard's jewellery". Austin Henry Layard is a guy whose academic efforts I'm admittedly very indebted to. He was passionate about Venetian and Roman glass and did a great job re-popularising both styles in the UK, but more importantly he was the assyriologist who excavated Nineveh and the Library of Ashurbanipal—where we've found the majority of the Gilgamesh tablets. Pioneer figure in terms of Near Eastern archaeology... but check this out:
This is a necklace Layard had made for his wife. It uses real cylinder seals.
To quote the British Museum's entry on the item: One cylinder seal is Akkadian (about 2200 BC) and four belong to the second millennium BC, but eight are late Assyrian (about 1000-612 BC). Late Babylonian and Achaemenid stamp seals (about 600-350 BC) are used for the pendants and clasp.
Enid later wrote in her diary that, when they dined with Queen Victoria in 1873, it was 'much admired'.
Ancient Near Eastern artefacts, repurposed as jewellery in a set that doesn't give a single fuck about accurately dating them, let alone treating them with the sort of respect you might perhaps expect of items over four thousand years old. Instead they've become a mark of elite colonial status, an Oriental curiosity utterly separated from their historical context. They're 'old'. They're non-descriptly 'other'. Time and place dissolve into an attractive and vague exoticism.
All while the place these seals have been appropriated from is busy being exploited by the very empire this "jewellery" is being shown off to!
So to bring it back to your third point: you're absolutely right!!! And this has precedence dating right back to the start of Western study (and plundering) of the Ancient Near East. It's a carelessness, it's an ignorance of historical context, and it's explicitly colonial.
thank you for the added context!
I like how all the airline companies made checking bags more expensive and now while youre waiting for the plane all they do is beg you to volunteer to check your carryon bag for free
i can never wake up
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The spirit is willing, but the slime is weak.
Griffin McElroy
reblog this and tell me your favorite album written and performed by a woman?
been playing a lot of sudoku lately…
Do not let gamers near nonbinary characters
yeah
yeah
I love "gender bending" characters but HATE HATE HATE designs where canon buff dudes are wispy little fairy ladies and canon tiny women are beefy ass male linebackers. If you're not in it for JACKED WOMEN and TWINKS then what's what's FUCKING point
you understand my vision
I was gonna make a bunch of these to prove a point but realized halfway through that Lady Bane is my ultimate butch fantasy so now I have to go lay down
Anyhow I've been thinking about this concept lately so I have some additional thoughts on Acceptable Male Characters Who Would Be Legendary Female Character Design
If it pleases the counsel to consider:

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what the fuck are my mutuals doing
Settlers of catan
I don't know how to address this properly because I feel like every time I write about it I get the same misunderstandings from every direction.
the thing happening right now (at the very least in the US and UK) is that trans youth are actively and systemically losing access to healthcare. this has been gradually escalating since the start of the pandemic, and more young people lose healthcare every single year.
when I talk about this I tend to get two responses
"why do trans adults want to expand these experimental treatments to children who can't consent"
"providers offering care to trans adults is a step in the right direction, even if they aren't offering it to trans youth. the perfect is the enemy of the good. we can't fight our allies."
do you see how both the overtly transphobic version and the nominally "pro-trans" version replicate the same misinformation?
this is not a question of "should we expand access to trans youth?" trans youth have had access to medical transition care for a long time. what is happening is the care they already had access to is being made inaccessible and then criminalized systematically.
am I making sense? places refusing to offer care to trans youth are not "a step in the right direction" because that implies that the trend is expanding access that "begins" with trans adults and innately will gradually encompass young people. that is not the case. this is not a hypothetical thing that we can all have different theoretical opinions on. what is happening is the systematic revoking of healthcare.
the further this progresses, the more healthcare is restricted for more demographics. that's how this works. healthcare is being restricted across the board as part of the broader eugenics project. abortion is being restricted. vaccines are becoming more expensive. insurance companies are denying more treatments to disabled people. anti-fatness is surging. ableism is surging. there are active campaigns to get people to mistrust the very idea of healthcare in favor of "wellness" grifts. no one wears N-95 masks. this is the trend. it's been the trend.
I don't know how to communicate that we are not at an early step in a progressive trajectory, we are mid-stage in a eugenic order. please understand what I'm saying.