mirabile visu

Zeina Hashem Beck (زينة هاشم بيك), 'Tired of Knocking' broadside, [from 'Dear White Critic /', The Adroit Journal, Issue 24, January 2019. © Zeina Hashem Beck], Expedition Press, Kingston, WA (then Seattle, WA), 2020, First edition of 200 copies

Octavia E. Butler, Kindred, Doubleday & Company, Garden City, NY, 1979 [DreamHaven Books, Minneapolis, MN]

Federico Federici, cumulative composition (of simultaneous conversations), (Olivetti Studio 46, pigment liner, graphite on paper), 2026 [© Federico Federici]

From: glieffimeri, [Monologointeriore], [M3], (inkjet printing on transparent paper, 29,7 x 21 cm; whole and details), 2026 [© Lucrezia Guarnieri]

Sonia Delaunay 1885-1979: Rhythmen und Farben, Museum Bellerive / Museum für Gestaltung Zürich, 1987 [Cover Art: © Pracusa S.A.]

Lebenswerk des typografen und malers Hans Bächer 1917-2007, Design by Philipp Broger (Sichtwerk), Museum Thalwil, Thalwil, 2009 [typoswiss]

Raad Khair Allah, Unveiling Arab Feminism through Multilingualism. Etel Adnan, «Journal of World Literature», Volume 10, Issue 4, Special Issue: Multilingualisms: Views from the Global South, Edited by David Damrosch and Delia Ungureanu, Brill, 2025, pp. 588-607 [Art: © The Estate of Etel Adnan / Adagp, Paris]

Cocteau Twins, The Spangle Maker, (12" EP), BAD 405, 4AD, 1984 [Covet The Cover]

"In North American and European universities, we are taught to consider the worldliness of people, objects, images, and texts. But this is a worldliness taught in a “dimensionless place,” as Glissant would say, a place that vacates it of its true social relations. We are seeing today, in the glaring shadow of genocide, that the university has space only for the abstraction (and monetization) of black, brown, queer, indigenous and working-class worldliness while having no space for the material realities of their being. There is no place of and for Palestinians in the disciplinary definition of academic worldliness especially on American, Canadian, and European campuses.