I'd rather be in outer space 🛸
Lint Roller? I Barely Know Her
2025 on Tumblr: Trends That Defined the Year

Love Begins
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Stranger Things
Keni

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KIROKAZE

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"I'm Dorothy Gale from Kansas"
Cosimo Galluzzi
will byers stan first human second

if i look back, i am lost
todays bird
let's talk about Bridgerton tea, my ask is open
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@mirabile---visu

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"In North American and European universities, we are taught to consider the worldliness of people, objects, images, and texts. But this is a worldliness taught in a “dimensionless place,” as Glissant would say, a place that vacates it of its true social relations. We are seeing today, in the glaring shadow of genocide, that the university has space only for the abstraction (and monetization) of black, brown, queer, indigenous and working-class worldliness while having no space for the material realities of their being. There is no place of and for Palestinians in the disciplinary definition of academic worldliness especially on American, Canadian, and European campuses.
Glissant is clear in teaching us that mondialitié is not universalism (or globalization) but a worldliness that is determined by our relation to knowledge of the world; knowledge and experience constituted through communal, not individual, experience (or perhaps filiative experiences if we combine Said and Glissant). In this relation to the world, colonial, marginalized, and racialized subjects know a world that is otherwise imperceptible and illegible to—if not negated by—those in power and those of privilege, those who themselves have dragged so many to genocide, to the “abyss.”"
Matt Lifson, Falling in love with the poison you slap in my mouth, 2020
Oil on linen
Uschi Obermaier smokes a huge blunt, 1969.
In her autobiography “Das wilde Leben,” she claimed that her breakfast usually consisted of apple juice, a line of heroin and a joint.
Ornella Muti at a party organized by Cartier in Paris, 1987

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Sun Never Shines - Ryan Debolski
stay up, hold up / henni alftan
He was looking for his black flower. The color of an orchid can change the meaning of a flower, red, white, purple, and they all conveyed passion.
– Alexander Theroux, Captain Birdseye’s Expedition
Needlepoint Collage Tapestry, Framed. Wool.
Material Culture

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Mary Oliver, from “There you were, and it was like spring”, Red Bird
Shiny piece of indigo-dyed cloth used to make face masks (burqa) a completed indigo-dyed face-mask, and half of another face-mask pasted into a scrapbook.
Doing basketry work. Oman, 1985. Gigi Crocker Jones
Braiding and making coloured tassels. Jiddat al Harasis, Oman, 1992. Gigi Crocker Jones

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The incense burners are empty, and you have dreamt all the dreams.
The sacred and the erotic, the material and the ideal, all live and are bound together, like vellum pages preserved in the arcane libraries of distant palaces.