welcome to the monkey pit

Less than two weeks to sign up for my storyboarding class! Hope to see you there!

Less than two weeks to sign up for my storyboarding class! Hope to see you there!

Less than two weeks to sign up for my storyboarding class! Hope to see you there!

Hey y’all! I’m teaching a class again!

If you don’t know me, I was the animation director on Castlevania, the animation supervisor on The Owl House, and a visual development animator on Spiderman: Across the Spider-Verse

While people usually only know me as an animator, over half of my work in the industry has actually been in storyboards. This year I wanted to teach a class about what I’ve learned, and how to get the most out of your storyboards in a TV production.

If you’re a beginner storyboard artist, someone who’s hoping to work in the industry, or a professional looking to learn some new tricks, this one is for you!

Hey y’all! I’m teaching a class again!

If you don’t know me, I was the animation director on Castlevania, the animation supervisor on The Owl House, and a visual development animator on Spiderman: Across the Spider-Verse

While people usually only know me as an animator, over half of my work in the industry has actually been in storyboards. This year I wanted to teach a class about what I’ve learned, and how to get the most out of your storyboards in a TV production.

If you’re a beginner storyboard artist, someone who’s hoping to work in the industry, or a professional looking to learn some new tricks, this one is for you!

Hey y’all! I’m teaching a class again!

If you don’t know me, I was the animation director on Castlevania, the animation supervisor on The Owl House, and a visual development animator on Spiderman: Across the Spider-Verse

While people usually only know me as an animator, over half of my work in the industry has actually been in storyboards. This year I wanted to teach a class about what I’ve learned, and how to get the most out of your storyboards in a TV production.

If you’re a beginner storyboard artist, someone who’s hoping to work in the industry, or a professional looking to learn some new tricks, this one is for you!

Hey y’all! I’m teaching a class again!

If you don’t know me, I was the animation director on Castlevania, the animation supervisor on The Owl House, and a visual development animator on Spiderman: Across the Spider-Verse

While people usually only know me as an animator, over half of my work in the industry has actually been in storyboards. This year I wanted to teach a class about what I’ve learned, and how to get the most out of your storyboards in a TV production.

If you’re a beginner storyboard artist, someone who’s hoping to work in the industry, or a professional looking to learn some new tricks, this one is for you!

Hey y’all! I’m teaching a class again!

If you don’t know me, I was the animation director on Castlevania, the animation supervisor on The Owl House, and a visual development animator on Spiderman: Across the Spider-Verse

While people usually only know me as an animator, over half of my work in the industry has actually been in storyboards. This year I wanted to teach a class about what I’ve learned, and how to get the most out of your storyboards in a TV production.

If you’re a beginner storyboard artist, someone who’s hoping to work in the industry, or a professional looking to learn some new tricks, this one is for you!