Dogfight (1991) dir. Nancy Savoca
Claire Keane

★

if i look back, i am lost
Fai_Ryy
occasionally subtle
sheepfilms
hello vonnie

JVL
NASA

shark vs the universe
$LAYYYTER
2025 on Tumblr: Trends That Defined the Year

KIROKAZE
almost home
d e v o n
noise dept.
Noah Kahan

seen from Malaysia

seen from Poland
seen from Italy

seen from United States

seen from Germany

seen from Malaysia

seen from United States

seen from Türkiye
seen from Malaysia

seen from Germany

seen from United Kingdom
seen from France

seen from Türkiye
seen from United States
seen from United States

seen from Mexico
seen from United States

seen from Ukraine

seen from United Kingdom

seen from Malaysia
@millionsofplanets
Dogfight (1991) dir. Nancy Savoca

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The Last Black Man in San Francisco (2019) Directed by Joe Talbot
LITERALLY
No one gets ink stains like yours just out of a desire for money. LITTLE WOMEN (2019) DIR. GRETA GERWIG

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River Phoenix and Keanu Reeves walking through the city together | 1991
Forgive me. Maturity is making me poetic.
Angela Bassett as Rosa Parks in The Rosa Parks Story (2002).
“A good thing I try to keep in mind, is not to get lost. I try not to get caught up in the whole scene and get carried away. It gets so intense out there sometimes. It is so easy to get sidetracked and so involved in the mirror and the magazines that it carries you away into some la-la-land that isn’t really real. It’s too bad, because I know I am a figure for many people out there who are real people… so I try to at least be real” — River, 1988
Little Women (1994) | Little Women (2019)

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Audrey Hepburn photographed by Bob Willoughby at home with pet fawn Pippin while filming Green Mansions, 1958
Curiouser and curiouser!
ALICE IN WONDERLAND (1951) dir. Clyde Geronimi, Wilfred Jackson, Hamilton Luske
The fact that Little Women is about WOMEN struggling to make names for themselves and work extremely hard in a male-dominated world is why this film is so fucking relevant and it's a real shame and unsurprising that Greta Gerwig didn't get nominated for her masterpiece. I'm so upset :(
Shh, don’t tell anyone that the third segment of Cinderella II makes me happy.

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bong joon-ho was really like “parasite, on a literal level, is a movie about how a poor family slowly infiltrates the home of a wealthy family and takes over their residence. on a symbolic, allegorical level, it’s about how the wealthy are society’s parasites because they hoard wealth and resources, guard them selfishly, and leech from the working class. also water is a metaphor for how the consequences of climate change disproportionately affect the lives of the poor and disenfranchised and only manifests as a minor inconvenience for the rich. also the whole city is designed to physically mirror class stratification, with the wealthy family living on elevated ground while the poor family lives halfway underground.”
#why must a movie be good? is it not enough to sit somewhere dark and watch finn wolfhard act like a slavic androgynous bette davis?