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@messymindofmine
About Me
South Asian (she/hers), Largely media and music focused. Media analyst by trade. This blog is a mix of whatever my messy mind latches on to.
Likes, follows and asks from old main blog ladyofthedragonsblog

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Reading mainstream "reviews" of Half Man often make me roll my eyes so hard. Like okay fine, I get that it's not as "straight-forward" as Baby Reindeer (although in hindsight I think Baby Reindeer is even more complex than it gets credit for) but to dismiss it as "unbelievable" and "too much" is what annoys me. I guess I shouldn't be surprised but I think it really speaks to how audiences have become very passive and expect media to a) make them feel good and b) spoon feed them the story rather than making them work for it and forcing them to sit with discomfort. I think a great recent example of a show that is uncomfortable but has a very clear message would be Adolescence but Richard Gadd has very openly pushed back on comparisons. Like I said, I guess I shouldn't be surprised that many people aren't getting it but it always annoys me how superficial so many audiences are nowadays. But I guess it just makes shows like Baby Reindeer, Half Man as well as a writer like Richard Gadd so important. I would even go as far as to say that this is how we know Richard is actually breaking taboos and pushing boundaries. A lot of the time these days, what's labeled as "challenging" and pushing boundaries is actually pretty standard social commentary that is easily explained and made as palatable as possible. Neither Baby Reindeer nor Half Man fall into those categories. The reason I bring up Baby Reindeer is because, even though it was so acclaimed and won so many awards, it was very clear to me even at the time the people weren't actually engaging with the material as thoughtfully as they could have. And this was made even more clear in the drama that followed. And now seeing a lot of "reviews" about Half Man signal the same thing. I don't know. I wish things were different. Obviously there are many of us who did and do get it and we appreciate Richard Gadd for who and what he is. And I guess the only way for society to ever come around is to have people like Richard who are willing to take the risk even as they are misunderstood by many
Why is the dialogue in Half Man so hard for some people to wrap their heads around? "Nobody talks like that" but that's not entirely true because some of us do have very extensive and flowery vocabulary. And even if you want to use the "unrealistic" argument, why is that such a bad thing? The whole idea is that this is a story that reflects a tragedy of Shakespearean proportions. And Shakespeare himself was out there inventing words and phrases that nobody was using during his time. And I don't even think the dialogue is all that dramatic for the most part. Most of it feels pretty real for how the particular characters would speak. I think the actual issue here is that a lot of people have gotten used to language that directly reflects the times we live in and while I don't think media depicting that is always a bad thing, I think it's actually important for us to have media that actually uses more literary and dramatic dialogue. Not every piece of media needs to directly reflect the daily reality we live in as though we are looking in a mirror. Sometimes we also need media that gives us a peek into something different.
Mona is so fascinating to me because while she is very clearly an avatar (or a proxy?) for Ruben and Niall, she is still written in a very sympathetic and meaningful way if you really look.
The first time we see her, she shows she has a very bold and even mean side with how she gets on top of Niall and makes him have sex with her. Yes, Ruben was the one who facilitated that but Mona was obviously more than happy to go along with it. Regardless of how Mona may have viewed it, we as the audience know that it was rape. And then she laughed at Niall when he was so clearly distressed. But she also clearly believed she was doing him a favour. And Niall mentioned he remembered seeing her dance which implies they saw each other (presumably in Ruben's presence) in the years between Niall leaving for uni and Ruben going to prison.
And then when we see her next, her and Ruben have apparently reconnected after he got out of prison. And it's clear that she does love him. Mona wouldn't have known the other extent of how Ruben's dad abused him but she clearly knew that his dad was abusive. And she did what so many women do in that situation where she felt she had to stay. She knew he was a wounded soul and she loved him and so she stayed. And she had all those posts emphasizing how great her and Ruben's relationship was for her social media. Not a particularly odd thing but itself but feels questionable when put into context of what her relationship with Ruben was actually like. And that scene when they're in the back garden with Niall and Ava and her and Ruben are all over each other in the way only a couple who feel like they have something to prove would be.
But she also had a defiant side to her. She fought to do her dance classes and she had an affair. And when her and Niall were there in the big, posh house that she shared with Ruben, she was the one who kissed Niall first. And she very willingly had sex with him. Obviously, Mona is the one who suffered the more immediate consequence of getting pregnant. And she, like so many women, didn't want to be a single mother.
She was lonely and the man she shacked up with while Ruben was in prison left her and she was lonely. But she was also a hypocrite. She wasn't wrong that Niall was thinking of himself rather than her in his insistence that she keep Baird's paternity a secret and that he was also operating with a bruised ego because she didn't view him the same as she viewed Ruben. She knew that Niall didn't really care about her at all. All it had been for both of them was a means of seeking control and revenge for how Ruben had treated them. Mona just didn't pretend otherwise. But Niall wasn't wrong that telling Ruben would have made things worse and she saw that for herself when Ruben interrupted her and Niall after Maura's funeral. She was also being selfish and spiteful because she outright says she partly wants to tell Ruben to fuck with Niall. But maybe her feelings were valid because she may well have figured out that Niall had spied on her for Ruben, manipulated her into getting drunk and revealed her affair. But she did choose to have an affair rather than leave Ruben. But maybe she was scared to leave him. But she also knew that her having an affair would hurt him. And maybe she even knew deep down that Niall was more important to Ruben than she was. And she hated him for that. But can you really blame her so much?
And when Ruben and Ava were making fun of Niall about his writing, she was the one sincerely interested. And she softly spoke to him again about his writing when she talked about Niall putting her in his book as a dancer.
Mona was very clearly a proxy character but she was by no means a flat character with no interiority. It's actually amazing how, despite limited screentime, she was written and performed in a way that she was able to convey so much if one looks for it.
I have not talked nearly enough about how phenomenal Jamie Bell is. What's funny is that I have been a Jamie Bell fan since long before I ever even knew who Richard Gadd was. And I would never have imagined the two of them together on my screen. But having followed Jamie's career for so long, it always surprises me when I see him on my screen. I guess because he tends to keep his head down when he's not working. But I remember nearly jumping out of my seat when I saw him after such a long time in his small role in All of Us Strangers. I was just so excited to see him.
I was very intrigued when I found out he was going to be in Half Man. I did not yet know the story behind it all and I find it endlessly amusing but also endlessly endearing that Richard is apparently at least as big a fan as I am. Probably bigger.
I've said this before but it really seems very fitting to me that Richard wrote this part with Jamie in mind. When I think of all the actors that I like who have a similar body of work that Jamie does, I honestly can't imagine anyone else as Niall Kennedy. But also, I have a hard time thinking of anyone who matches just how wide and varied Jamie's body of work is.
I knew I was in for a wild ride as soon as I knew Jamie was going to be starring and clearly I was right. I have always been in awe of how Jamie has managed to bring vulnerability to incredibly complicated characters who on paper are probably really unlikeable but the way he embodies Niall feels otherworldly. It never felt like I was watching THE Jamie Bell putting on an amazing performance. I just felt like I was watching a real person be abused, make terrible decisions constantly and felt equal parts angry and sad for him.
I know that this may have been an introduction to Jamie Bell for a lot of people. Despite having such a large body of work, he isn't an A-lister at all. And this is hardly the show to make him one lol. I would class him more as a really talented person who happens to have some fame. In a way, I'm glad that Half Man came out when it did because I think this is the best introduction to what kind of an actor Jamie Bell is before he officially becomes a Shelby soon. And there is no telling how the sequel PB series is going to go. I'm not sure if Duke Shelby could ever become as iconic as Thomas Shelby is but maybe he doesn't need to be. I just hope that seeing him in Half Man has inspired the people who didn't know who he was to learn more. Because trust me, he will always amaze you.

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This murder mystery storyline is really annoying me now. I knew it was a bad idea the moment it started but it's gotten progressively worse. It's bad enough that what was actually a pretty good depiction of a domestic violence storyline between two men turned into a whodunnit but now it feels like Todd has turned into a side character in a story that should have him front and centre. When do we get to see how he feels about Theo being murdered after everything? We still don't know what happened in between the time Todd was running away from Theo and the time Theo was murdered. When do we get to see Todd healing? Showing the healing process and the complicated feelings a survivor would feel could be a powerful storyline in its own right. But instead it's devolved into a mess where we're expected to care more about Sarah and Gary. It's actually pissing me off now.
Richard please help write him a happy tap dance role 🥲
Honestly as soon as we see Alby for the first time in episode 2, I recognized aspects in him that I have seen in real life. That very first interaction between Alby and Niall when Alby says he refuses to shake hands because it's a "social convention designed to keep us apart"? Oh I knew then and there this is a young man who has just recently entered the adult world, is coming from a somewhat sheltered background and has aspirations to be this super enlightened philosophical type. The issue is that he does not yet understand what that means because he has never actually experienced what it means to be the "proletariat" that he and Celeste label Niall as. It feels pretty pointed that Alby's accent is very different from that of every other character we see. The only other character who has a different accent is Celeste but that one is addressed point blank. Alby doesn't merely have an English accent, he has that received pronunciation accent that one is taught in the private schools where their wealthy parents can afford to send them and choose to send them so their kids can have every advantage possible.
This doesn't mean that his heart isn't in the right place but that's precisely it. I've met so many of those types who genuinely are well-intentioned but don't yet have the life experience to understand what they actually stand for. Niall may well have been a "proletariat" in the sense of coming from a working class background but Alby and Celeste's use of the term makes no sense to anyone who has an above surface level understanding of these things. Same thing with the shaking hands thing. There is no real logic to why Alby would choose this to be the thing that he takes a moral stance against but that by itself makes sense because this is a young man who is freshly an adult and is looking for a reason to showcase how against the oppressive social norms he is despite not yet fully understanding what those norms actually are both because of age and the sheltered middle class life he's very clearly led. I wouldn't be one bit surprised if Richard Gadd, coming from a Scottish working class background and attending Oxford School of Drama (no relation to Oxford University btw), would have encountered exactly this type of classmate at least a few times.
And then later, we see a much kinder side of Alby where he recognizes the "performer" in Niall and offers his solidarity. But then he still can't understand why Niall is struggling to accept his own sexuality because Alby is thinking of the homophobic violence he experienced and how he didn't let that stop him. Alby has no knowledge of what Niall's relationship with Ruben is actually like and he simply assumes it's a very general homophobia on Ruben's part. And then he takes care of Niall when he's so drunk that he wets himself. He makes sure that Niall gets back to his dorm safely and even puts his jeans in the wash for him. And despite his frustrations with Niall's internalized homophobia, and you can even say that those frustrations were valid, he doesn't push Niall at the start. And actually, one could even extrapolate that Alby's experience with homophobic violence at his previous uni was his first encounter with a world that didn't want to accept him and of course it traumatized him. And of course, he felt frustrated when Niall still refused to come out because as far as Alby knows, he made himself vulnerable and Niall is behaving in the same way as the other guy that he hooked up with at his old uni did. Alby clearly has the rather rigid moral beliefs that young adults experiencing the world for the first time often do because those beliefs have not yet been properly challenged. And honestly that's a pretty universal thing that transcends any time period.
But he also shows that he has enough awareness to recognize that what Niall is describing about having sex with Mona because Ruben engineered it is "dark." That's a pretty big thing for a young man of that time period to be aware of but of course his understanding is still relatively limited despite that. Plus Niall immediately brushes it off.
And he tries the "not shaking hands" thing on Ruben and Ruben (because of his own experiences) sees it as Alby thinking he's superior to him. It's not until later after Ruben has destroyed the kitchen and deeply upset Joanna and thrown his weight around that Alby starts making jibes at him. Bearing in mind that Alby does not know why Ruben is the way he is. And it's undeniable that there is an element of superiority in Alby's interactions with Ruben. Alby does, on some level, see himself as better than Ruben which is what Ruben picks up on. And you could even argue that Alby is better than Ruben because he doesn't behave the way Ruben does. But that's not really relevant. It's not homophobia that makes Ruben snap and attack Alby. That defense came much later. In that moment, it was Ruben already in a state of extreme anger and distress needing a reason to be violent. And Alby gave him that reason first by pushing his self-righteous statements and then by shoving Niall. And the reasons he did shove Niall was because of his own trauma with being physically attacked for his sexuality and the frustration he felt (which again was valid even if his reaction to it wasn't) over Niall not being honest plus Ruben going out of his way to cause destruction that the others had to clean up. It's not surprising that he would react the way he did to having Niall jump on him and covering his mouth. I'd say that's actually a pretty natural reaction to have. Him shoving Niall as hard as he did was obviously an accident that he immediately regretted but at that point it was already too late and there was nothing stopping Ruben. And to be clear, obviously Alby didn't deserve what Ruben did and Ruben did deserve to go to prison. That is not even a debate.
I do understand why it may be frustrating for people that the next time we see Alby as an adult, it seems like he's not holding on to any anger towards Niall but I think it makes sense when you take the context of young Alby into consideration. As far as Alby knows, Niall got his own brother convicted because he refused to lie and throw Alby under the bus. That is what Alby saw. He also saw Ruben threatening Niall. And when we see him after that, we are shown that he has greatly healed both mentally and physically. It's not like what happened has been forgotten because Niall does bring it up. But we have to put this in the context of the characters rather than what we as the audience see or believe. It doesn't feel so far-fetched to me that Alby would be able to not only forgive but even feel fondness and compassion for Niall when he sees him again because his last memory of Niall is Niall essentially standing up for Alby to get justice. And you could even say that Alby got justice at the expense of Niall because while Alby was able to get both the mental and physical help that he needed, Niall was not. And actually, there is a point to be made here about class and money but I think that needs its own separate post.
So an adult Alby who has a lot more life experience but has retained that compassion sees this boy that he had once known when they were young uni students still struggling with himself. And he still doesn't know the depth of it all but he sees the struggle. And this time, he's a lot better in how he encourages Niall to come out. He knows now just what Ruben is capable of and he knows that Ruben is in prison so it would be safer for Niall to come out at that point than it would have been had Ruben been free. But he also knows that Niall does need to tell Ruben because that's the one person that matters the most even though he still doesn't understand why.
And I actually do think Niall had feelings for Alby. The way that question is worded feels very deliberate. "Have you ever opened yourself up to have feelings for another man?" Not "love" another man. Have "feelings." Because feelings could mean anything. And when we go back to a young Niall and Alby in uni, Niall does feel something. It's one of the things that pushes him to the point where he drinks so much he wets himself. And then he mentions Alby by name when he calls Ruben that night. But having feelings is not the same as loving someone. Certainly not the same as the all-consuming love that Niall feels for Ruben. But that doesn't mean that there aren't feelings there. And I don't think Alby necessarily loved Niall in that way either. If we go back to the Alby we met for the first time, he does have that trait of wanting to "fix" someone. I don't think it's accidental that he ended up becoming a medical professional where "fixing" people is pretty much in his job description. That, mixed in with Alby genuinely caring about Niall and seeing the struggle and knowing that Niall made a big sacrifice for him (even if he doesn't understand quite how big), means that it doesn't feel quite so surprising that he would be drawn to Niall when they meet again. Or that he would be as forgiving as he was. And it's very clear that he hasn't forgotten what Ruben has done because we see and hear the fear when he asks Niall why Ruben is at the wedding.
This has gotten way longer than I intended and I apologize. But I say all this to say that Alby (or any of the other characters but I think they deserve their own posts) is by no means a flat character despite what may appear on the surface. The dots are there for us to connect. Yes, we have to do the work as an audience and I understand why that could feel frustrating for some people but I personally don't see it that way. I think it's such a rich opportunity. And it's one that is very deliberately given to us by Richard Gadd and also Bilal Hassan and Charlie de Melo through their performances of the character.
no wait come back. ruben and niall met when they were children. they’re two years apart—that’s two whole years ruben existed in the world without his other half; a chasm that would continue to grow over their short lifetime, with a bridge so teetering every move is precarious. when ruben kills niall in the barn that’s the first time since niall’s birth he’s been totally and completely alone in the world. do you understand this? ruben lived years without niall, yes—even went years without speaking to and seeing him, yes, but this is the first time they haven’t been alive together since the very beginning. how must it have felt to kill the person that is so much of himself? unimaginable; surely painful, but, in a twisted way, i bet it felt good too—felt good to have been the one to be in charge of how niall died. no sickness or old age or accident, but ruben’s own hand—there’s pleasure in that, in it being his own terms, his own decision. and isn’t that the tie back, isn’t that what it’s always been: ruben was born first and niall has never, not once, drawn breath without ruben already there first. so even the end has to pass through ruben. even niall’s last breath belongs to ruben.
Something I think about a lot re the finale is how we knew by ep 4 that Ruben at least wasn't making it out alive. And I pretty much figured that if Ruben wasn't then Niall likely wouldn't either. But then when I think about Lori's reaction to the gurney being wheeled out before the reveal and we don't know who's under that sheet but it almost doesn't matter because either way at least one of them is dead. And for Lori, at least one of the boys that she cares about is dead. And we don't really know what her relationship to Ruben is after they become adults especially since her Maura weren't together but Lori still had love for Maura. And while she may not have been perfect as a mother she loved Niall. And eventually, she would have to live with the fact that her son died at the hands of the same boy she took in and loved and asked him to take responsibility for when he was just a kid. And how she turned a blind eye to everything because she didn't know how to deal with it and the best thing she could think of was to send Niall off to university but that wasn't enough. In the end, she would have to live with a mother's grief and guilt.
And then there is Alby, Mona and Ava. Sure, all three of them are better off without Ruben and Niall in their lives but all of them have been impacted by them in some way. And all three of them cared about Ruben and Niall in some capacity.
Mona still felt some type of love for Ruben despite how horrible their marriage was. And even if she only wanted to get back with him after getting pregnant with Niall's baby because she didn't want to be lonely, that feeling was still real.
Alby had only just married Niall and even if he suspected that Niall wasn't really in love with him (at least not in the way one should be in love with someone they plan to spend the rest of their lives with), he cared about Niall and they did spend years together. And he would likely question if he could have stopped it.
And then there is Ava. Her and Niall's relationship was a facade from the start but that doesn't mean that neither of them cared about each other. I do think Niall cared about Ava in some way even if he very obviously didn't love her. I could actually see how he and Ava may have become friends and later Niall would push for it to become a romantic relationship. And she also had his baby. She was a witness to Ruben's abuse of Niall even if she didn't understand what was happening or if she didn't say anything. But she was there at the wedding and that must mean something. After all, even if Niall had invited her, she could have declined if she truly hated him or didn't want to see him.
And then Joanna who we see at the wedding and we know she cut Niall off a long time before that. And we don't see her for a long time and she's entirely absent until the wedding. And so much happened during her absence from Niall's life. What if she hadn't cut him off? Of course, she had a life of her own and it was being negatively impacted by Niall and she was well within her rights to set boundaries. But she did cut him off and Niall did suffer. And who knows? Maybe things could have been different if she hadn't cut Niall off. Or maybe everything would have turned out exactly the same. It's a question that can never be answered.
Honestly, I want to make individual posts for the characters of Alby, Ava and Joanna because even though they are essentially side characters and we very intentionally see them through Niall's perspective, a closer look shows that they are by no means one dimensional. There is a lot of interiority to them if one pays attention. That is the beauty of the writing in this show as well as the acting that brought it to life.
And in the end, Ruben and Niall died in that barn but there was a world outside that would keep on turning without them. And it speaks to the humanity of it all because no matter how much someone may have been hurt by the world and the people in it and no matter how much they may have hurt the world and the people in it, they still left a mark and their absence will be felt. For better or for worse.

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I can't help but feel like interviews for Half Man generally tend to skip over the sexual abuse/violence aspects of the show and the questions tend to be pretty vague in terms of how they talk about Ruben and Niall as characters. It's usually a rather vague question about their relationship and toxic masculinity. Now, as someone from the journalism and media field, I completely understand open-ended questions but it feels like most interviews tend to ask the same questions in different phrasing. And questions about the show tend to be quite surface level. And it feels like a shame because Richard Gadd is so open and generous in his answers. You can tell that he has no issue speaking about the sexual violence aspects of it himself and the bigger questions of victims, abusers and the complexities of relationships and masculinity. But the interviews themselves generally don't seem to give him much to go off of in terms of questions.
And it's not just Richard either. I get the same feeling from interviews with Jamie, Stuart and Mitchell as well. All of these actors seem so willing to dive into the nuances of the characters they play and the stories they are telling but the print interviews in particular don't really give them much. Idk maybe I'm being overly critical but I just feel like there is so much to unpack with this show and I don't expect every interview to be super in-depth but it just feels almost like a waste when interviewers just don't seem to even want to really dive into all the details of the show. Especially since, again, Richard, Jamie and the others have been so open about it.
I had a whole thesis on Scotland’s economic reality as a character and mentioned one thing that got it flagged so what I will say is:
Class and economic reality are foundational to the story. Niall’s relationship with Ava has to be partly rooted in his admiration of her social class. She’s in a respectable profession and is seemingly from the stable middle (or maybe upper middle) class.
Her beautifully appointed Victorian townhouse in the UK’s 3rd largest city is full of tasteful modern art and warm Danish lighting features that retail in the £1000s. Her father can lend Niall £30k without chasing him for repayment. She moves with that confidence you only develop when you know that when you fall, there is a stable & strong safety net to catch you.
Ruben and Mona’s house also speaks to their social class. Their working class origins are apparent in its size, style, and decoration. It’s modern and huge, almost like an American McMansion. The rooms are full of large, expensive furniture and furnishings that show no warmth, good taste or personality. Much like the relationships in the show, the house is their idea of how they think successful people live. Like they selected the most expensive items from a catalogue just because they could afford them. Down to the deer horn lamp in their living room that is probably £75 at NEXT (think a slightly nicer TJ Maxx, Americans), their taste is dictated by the Instagram influencers du jour, very nouveau riche. But it stands on a house of cards, Ruben doesn’t have the means to maintain it without a high-paying job and he has no one to turn to help him save it.
Ava belongs to the secure social class that can ride out the economic shocks of the day. Ruben can only dream of that. And that has to be enticing, if ultimately hollow, to a guy from a Glaswegian housing estate. His orientation notwithstanding.
With everything surrounding baby reindeer, do you have any opinions on the rfp craze?
This is a really interesting question! So I'll be honest, I personally am not a fan of RPF but I don't think people who are fans of it are wrong for it. I do think it's important to keep boundaries and remember that if you are into RPF, you are writing and reading about real people. I think what's happened in the past decade or so with social media is that the boundaries have become a lot more blurred and people forget that whoever they are writing about is a real person with a life of their own that isn't going to cater to what fanfiction one may dream up about them. I think as long as people are mindful about the fact that they are writing and reading about real people and respect boundaries, then me or anyone else not liking RPF is irrelevant.
I'm not sure if everything surrounding Baby Reindeer had anything to do with RPF directly but I do believe it really shines a light not only on how easy it is for people to forget that the people we see onscreen are real people but also how easy social media has made it to build a parasocial relationship with someone and/or treat real people like fictional characters that you have the right to make assumptions and theories about.
Thank you for sending me your ask and I hope my answer made sense lol.
It's interesting reading/watching interviews with Richard where the interviewer will mention the public reaction to Baby Reindeer and ask him if he felt pressure following that or how Half Man differs from it in that its fictional etc. And yet, they always seem to dance around the sensationalism that surrounded Baby Reindeer. Sure they may make a vague reference to how people tried to "decode" the facts from the fiction or they'll mention the lawsuit in passing but they'll never outright talk about how it almost became a collective manhunt where audiences didn't seem to care that real people were involved. They don't mention the way people turned both the characters we saw onscreen and the real life people into memes. They don't talk about the way audiences actually exposed an ugly part of our society with the way they tried to pick apart every detail of not only the show but Richard Gadd's own story.
Honestly, maybe it's better in a way that Half Man has been less sensational in terms of mainstream media attention. And maybe the aforementioned details aren't talked about much because it's not that relevant anymore (but then again maybe it is) or perhaps Richard Gadd himself chooses not to talk about these things which is more than fair. But the way interviews phrase the way they talk about Baby Reindeer just feels... interesting for lack of a better word.
Half Man | 1.02

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I keep going back and forth on if I should rewatch Baby Reindeer lol. On the one hand, I can see how Half Man intersects with Baby Reindeer in some ways in the way that great art from a great artist intersects with each other. On the other hand, I fear I may still be too fragile lol
I hate writing this in ways that are difficult to articulate, but I'm going through some very dire financial straits and I'd be incredibly thankful for any help anyone could throw my way. my fridge broke down and the chances that I'll have enough money to spare to get it fixed in the foreseeable future are pretty abysmal. absolutely no judgement or hard feelings if you scroll past this. the world sucks and life is getting harder for everybody. I get it
my p*ypal is [email protected]
thanks in advance ❤️❤️❤️