About Me
South Asian (she/hers), Largely media and music focused. Media analyst by trade. This blog is a mix of whatever my messy mind latches on to.
Likes, follows and asks from old main blog ladyofthedragonsblog
Jules of Nature
$LAYYYTER
Alisa U Zemlji Chuda
PUT YOUR BEARD IN MY MOUTH
styofa doing anything
Mike Driver
Not today Justin
RMH
Today's Document
i don't do bad sauce passes
wallacepolsom
will byers stan first human second
"I'm Dorothy Gale from Kansas"
let's talk about Bridgerton tea, my ask is open
trying on a metaphor
AnasAbdin
Keni

Product Placement

shark vs the universe
Peter Solarz

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@messymindofmine
About Me
South Asian (she/hers), Largely media and music focused. Media analyst by trade. This blog is a mix of whatever my messy mind latches on to.
Likes, follows and asks from old main blog ladyofthedragonsblog

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I had a whole thesis on Scotlandβs economic reality as a character and mentioned one thing that got it flagged so what I will say is:
Class and economic reality are foundational to the story. Niallβs relationship with Ava has to be partly rooted in his admiration of her social class. Sheβs in a respectable profession and is seemingly from the stable middle (or maybe upper middle) class.
Her beautifully appointed Victorian townhouse in the UKβs 3rd largest city is full of tasteful modern art and warm Danish lighting features that retail in the Β£1000s. Her father can lend Niall Β£30k without chasing him for repayment. She moves with that confidence you only develop when you know that when you fall, there is a stable & strong safety net to catch you.
Ruben and Monaβs house also speaks to their social class. Their working class origins are apparent in its size, style, and decoration. Itβs modern and huge, almost like an American McMansion. The rooms are full of large, expensive furniture and furnishings that show no warmth, good taste or personality. Much like the relationships in the show, the house is their idea of how they think successful people live. Like they selected the most expensive items from a catalogue just because they could afford them. Down to the deer horn lamp in their living room that is probably Β£75 at NEXT (think a slightly nicer TJ Maxx, Americans), their taste is dictated by the Instagram influencers du jour, very nouveau riche. But it stands on a house of cards, Ruben doesnβt have the means to maintain it without a high-paying job and he has no one to turn to help him save it.
Ava belongs to the secure social class that can ride out the economic shocks of the day. Ruben can only dream of that. And that has to be enticing, if ultimately hollow, to a guy from a Glaswegian housing estate. His orientation notwithstanding.
With everything surrounding baby reindeer, do you have any opinions on the rfp craze?
This is a really interesting question! So I'll be honest, I personally am not a fan of RPF but I don't think people who are fans of it are wrong for it. I do think it's important to keep boundaries and remember that if you are into RPF, you are writing and reading about real people. I think what's happened in the past decade or so with social media is that the boundaries have become a lot more blurred and people forget that whoever they are writing about is a real person with a life of their own that isn't going to cater to what fanfiction one may dream up about them. I think as long as people are mindful about the fact that they are writing and reading about real people and respect boundaries, then me or anyone else not liking RPF is irrelevant.
I'm not sure if everything surrounding Baby Reindeer had anything to do with RPF directly but I do believe it really shines a light not only on how easy it is for people to forget that the people we see onscreen are real people but also how easy social media has made it to build a parasocial relationship with someone and/or treat real people like fictional characters that you have the right to make assumptions and theories about.
Thank you for sending me your ask and I hope my answer made sense lol.
It's interesting reading/watching interviews with Richard where the interviewer will mention the public reaction to Baby Reindeer and ask him if he felt pressure following that or how Half Man differs from it in that its fictional etc. And yet, they always seem to dance around the sensationalism that surrounded Baby Reindeer. Sure they may make a vague reference to how people tried to "decode" the facts from the fiction or they'll mention the lawsuit in passing but they'll never outright talk about how it almost became a collective manhunt where audiences didn't seem to care that real people were involved. They don't mention the way people turned both the characters we saw onscreen and the real life people into memes. They don't talk about the way audiences actually exposed an ugly part of our society with the way they tried to pick apart every detail of not only the show but Richard Gadd's own story.
Honestly, maybe it's better in a way that Half Man has been less sensational in terms of mainstream media attention. And maybe the aforementioned details aren't talked about much because it's not that relevant anymore (but then again maybe it is) or perhaps Richard Gadd himself chooses not to talk about these things which is more than fair. But the way interviews phrase the way they talk about Baby Reindeer just feels... interesting for lack of a better word.
Half Man | 1.02

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I keep going back and forth on if I should rewatch Baby Reindeer lol. On the one hand, I can see how Half Man intersects with Baby Reindeer in some ways in the way that great art from a great artist intersects with each other. On the other hand, I fear I may still be too fragile lol
I hate writing this in ways that are difficult to articulate, but I'm going through some very dire financial straits and I'd be incredibly thankful for any help anyone could throw my way. my fridge broke down and the chances that I'll have enough money to spare to get it fixed in the foreseeable future are pretty abysmal. absolutely no judgement or hard feelings if you scroll past this. the world sucks and life is getting harder for everybody. I get it
my p*ypal is [email protected]
thanks in advance β€οΈβ€οΈβ€οΈ
I know I keep harping on this but it really does feel so incredibly important that Richard Gadd writes by himself. And both shows he's done are done through a singular perspective. This is so unusual in television today but it's so important. And he puts himself within the show as either the central character or the character that the central character's life revolves around. I think it really adds a brilliant layer to the story. I hope he continues exactly how he is and continues to break my brain with every new project.
This may not be super coherent because I am currently operating on very little sleep and a lotta caffeine lol but the thing about Half Man that truly gets me as someone who literally has whole-ass degrees in studying media is that it's so dense. And I mean that in the best way. As was already obvious even as the show was airing and has become even more obvious since, everyone is taking something different from the show depending on their own views and experiences.
But I swear, I could write a whole essay based on this show and all the layers to it. Layers that, quite frankly, I'm not sure are always obvious. Even to me, as someone who is not only trained in this but is prone to ruminating on art and media, it feels like there is so much to unpack beyond the general discussions that have been had. And there really has been so many great discussions where I've felt like I've been validated but also been provided insight into an aspect of the show that I didn't have insight into previously. The late 80s-early 90s Scottish elements just as an example. Because of course, that was very intentional and adds yet another layer to the story.
I've said this about Richard Gadd before but I really do believe he's very unique in what he's doing. And as much as I hope I don't have to wait too long for something new from him, I will wait if I have to because the two year gap between Baby Reindeer and Half Man was more than worth it to me. And tbh I don't know if my brain could handle too much of his writing too soon either lol. There is such a thing as too much mental stimulation after all lol. But yeah, I genuinely believe that I could write a paper based on his writing. And that is not something I feel with the vast majority of media even when I thoroughly enjoy it.
BABY REINDEER (2024) Episode 6

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i want to push their faces together like ken dolls
Every time you close your eyes And feel his lips, you're feeling mine
Jamie Bell and Richard Gadd on Niall Kennedy and Ruben Pallister relationship
we actually have to kill ourselves in ways no ones ever killed themselves before.
Sue Zhao, 'I loved you in all the ways that I could'

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I must die. But must I die bawling?
β Epictetus, 'Discourses'
half man (2026) // late in the long apprenticeship, carl phillips