An Archive of Our Own, a project of the Organization for Transformative Works
UntangledĀ | Chapter 01: Shattered Glory
Cassandra is on her very first guard assignment when Flynn Rider steals the crown of the Lost Princess. Against her fatherās orders, she chases Rider into the woods - and discovers a mysterious tower instead.
What if Cassandra had found Rapunzel first?
a Cass-centric fic, set during Tangled but heavily inspired by the series
UPDATE 21/04: got plagiarised :( see post with full details here.
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Print and download Waiting in the Wings sheet music from Rapunzel's Tangled Adventure. Sheet music arranged for Piano/Vocal/Chords, and Singer Pro in F# Major.
OFFICIAL sheet music for Emmy Award WinningĀ āWaiting In the Wingsā!
Originally drafted this as a rb to @birb-tangleblog's darker Mind Trap AU Ask response here, but I decided to make it its own post! Hoping I'm articulating myself well enough below so apologies in advance if I'm rambling too much lmao:
Like, generally speaking, and I say this as a big Cass fan -- I think this direction for Cass might be hard for some fans to envision or accept? And I only say this because I've noticed, probably now more than ever, when fans like or dislike a character, they insist on putting them in 1 of 2 buckets: they're either a "good" or "bad" person. But I don't think that's the best framework to use. It's shallow, and arguably unfair to a character and their writer(s).
Exploring characters' capacity for good or harm is fun. There are 2 perspectives that float around: (A) "This character would not [say/do] that," and (B) "Okay, but what would make them [say/do] that?" And I think both ideas can coexist (within reason, I guess? IDK, I can relate with both lol).
And with that said -- people are fallible, and so no one is truly a "good" person. Like we all (I hope) and Cass, at her core, strive to be good. We see it from her constantly throughout the show. She's ambitious and seeks glory, sure, (and those aren't inherently negative qualities at all, though I feel people perceive them as such) but that doesn't negate her pursuit of justice etc etc.
This darker track's intrigued me for years because I love Cass, and her anger and capacity for contempt is part of why I love her. I've been drafting a separate post talking about how people try to position her different traits as a reason why she's a bad person and therefore a bad character (and I would say those are 2 distinct things that people conflate/fail to acknowledge in meta), but her Moonstone era/villain arc/whatever-you-want-to-call-it is her breaking point.
And (apologies for parroting you here, Birb, lol but--) when she feels all this resentment towards Rapunzel after a months-long, exhausting journey; her father for holding her back; the (what I interpreted as) sexism in the guard/kingdom culture limiting her opportunities; Adira's arrogance and interference; and this condescending, cocky bastard of a man who didn't hesitate to beat and humiliate her in front of her friends -- plus the pain of her scorched hand, the Moonstone, and an ancient demon whispering in her ear -- there's no better target than the Brotherhood, especially Hector.
In a grittier AU where MoonCass truly breaks bad, whatever her motivations, I 100% believe she'd sink her teeth into the chance to torment Hector as payback. He's an older man, he's a knight, and he's fiercely loyal to his kingdom -- he's a mirror of what she wanted to be and could have been, and that infuriates and... liberates her.
Cass wanted to be an esteemed warrior like him, someone who made a name for themselves in their ranks, but she also sees how far he'd go to lose himself, destroy himself for his king and she... feels repulsed by it. He was going to bring the Tree down with them all, and for nothing, and the senselessness of it repulses her. So she takes all of that out on him over and over and over again.
And, like you said, Hector's never learns. She's stubborn and so is he, foolishly so. Adira, on the other hand, is ever-pragmatic, and is determined to survive as long as possible until they can find a way out. Just like the Tree, Hector can't help but mouth off, keep biting back. For all his skill and precision, he lacks restraint -- and in some ways, like Cass, that'll be his undoing.
(Speaking of capacity, their dynamic is also fascinating to me because I think they could both bring the best and worst out of each other. In another life, Hector could have been a mentor to her. But in this, he's just a washed-up knight who ends up being her punching bag.)
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i just feel the need to express my love for lute. she's my other favorite alongside alastor. i love lute guys. i love lute so much.
first of all, she's a "living weapon" type of character which!!! yes!!! she's not on the extreme end of that spectrum, i'd say she's like in the middle of living weapon if it's juxtaposed against a Normal Person (no idea if that makes sense). still, the obedience and devotion so deeply ingrained in her is beautiful. it's horrifying but beautiful. you feel her grief and rage in every scene. you feel how much she genuinely believes that what she's doing is right, which makes her stand out so starkly against the rest of the cast that does bad things, because you know that many of them are doing it knowing they're bad. but lute thinks she's doing it all for the good of heaven and the good of the cause she believes in. and you can just tell that she is completely loyal to that idea.
i want to see her worldview shatter. this is why i love the idea of lute falling to hell. i want to see lute face such serious consequences for her actions that, instead of vindicating her, making her rethink everything she's ever known. i want to see her pick herself up and put herself back together. i honestly want to see her make up with vaggie, too, who would be the only person who truly understands what her life and trauma is like.
lute could never be a villain to me. she's one of the most tragic characters. raised to be a weapon, fell in love with the an unobtainable person, that person dies when you can't even attempt to save them, and you live knowing that someone you left for dead and their mercy is the only reason you keep standing. but honestly, i can't help but think that lute probably wishes vaggie had just killed her, so she wouldn't have to live with the grief, at the same time as she channels all of that energy into repaying what she experienced at any cost.
seeing lute's grief supersede her allegiance to the executioner's cause was sooo satisfying. we're seeing the cracks in her worldview already, because if the cause doesn't mean as much as adam did, then can the cause really mean anything at all?
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they should invent a time in the day where you can escape the tragedies of the past without worrying about the horrors of the future or the catastrophies of the present.
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ā#UNWELL UNWELL UNWELL,,#I MEAN. NATURALLY THEM FOR THIS PROMPT RIGHT, #I have been changed.... for good...., #oh they know why they're both crying but admitting it aloud would mean saying goodbye so, #better just to weep...ā