writer & aspiring artist. feel free to send asks or tag me in things regardless of whether we're mutuals. tech enthusiast interested in cyberpunk worldbuilding. avid lover of nuance.
#heart-thief valentine
valentine myśliwiec | 33 | corpo techie | nonbinary (she/he/they)
former Arasaka employee with complicated feelings about the company that molded her and then tossed her out. loyal enough to help Takemura accomplish his goals and cynical enough not to trust any of Hanako's promises. skilled in getting things done but not in combat. willing to help anybody but herself.
#the damn things overlap
longfic covering the game's events from Valentine's POV after doing Hellman's and Evelyn's quests in Act 2, with some canon divergence and a vastly accelerated timeline. caught between her determination to help Takemura in his plan for revenge and her decision to let Johnny have her body, all the while avoiding the question of her future, which is growing shorter by the day. a story about becoming a martyr, the dangers of success, and the art of avoiding difficult problems.
ships:
#twin human highway flares - goro/valentine
#a pair of open graves - johnny/valentine (neither romantic or platonic but some secret third thing)
#nothing gold can stay - abernathy/valentine
smut fics:
the binds that tie
valentine ties up and soft doms goro
everything where it belongs
valentine/goro domestic fluff with a dash of forbidden relationship
when her edges soften
johnny/valentine post-game bonding activities. combative. homoerotic. johnny is borrowing a body based on a deal that clouds made with alt while valentine is back working at arasaka.
cwe 755 - improper handling of exceptional conditions
victoria/valentine corpos vying for control at work. what if the relic could be used for some... recreational stimulation?
thread-safe
valentine/goro au where everything is worse. goro refused all of valentine's advances and pined from a distance. after a stint back at arasaka, she fled with johnny, kerry, rogue, and alt to las vegas. goro is sent to retrieve her. contains two story branches based on whether he succeeds.
see all my cyberpunk fics here on ao3
other tags of note:
#cyberpunk meta
#felix talks tech
wip wednesday
#art!!
#my art
#my fic
and of course:
#felix is a hater : when I get annoyed at cyberpunk worldbuilding
last note: I do have most virtual photography filtered, because quite a large percentage of it has people looking into the camera or close-ups on faces and having so much of it on my dash was stressful and exhausting. If you are a mostly vp-focused blog I may not follow or may be low on interactions, and that's why. It's nothing personal– unfortunately this is the best solution I've found to keep myself sane. If we're mutuals feel free to show me stuff or tag me if you'd like me to take a look at something cool :) And thank you to all who have tagged things as #eye contact cw or #scopophobia because I do like to peek at things from my mutuals from time to time and its helpful to know what I'm in for.
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I like to think Valentine ends up (unintentionally) making people around her rethink gender. Haven't decided yet but I like the idea that she through absolutely no will, desire, or encouragement of her own, she inspires Rogue to finally transition. Goro has never felt drawn to question his gender, but out of support and a sense of curiosity double-checks his homework into a sort of cis+... I think he is very drawn to the way Valentine plays with job + gender by initially identifying as thief, and he eventually comes away with the idea that he's as much a soldier as he is specifically a man. To me Johnny is a misogynist guy who Likes Strong Women, and never consciously works on that (and probably never will), but I also think being in Valentine's body awakens an experimental itch he would deny if ever asked outright.
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i was curious what would happen if you tell kerry you don't have time to listen to his problems. apparently he still considers v one of his best friends bc he still invites you to boat drinks, which is kind of sad
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The thing about a good character flaw is that it has to be the same thing as their greatest strength just turned up too high. the person who loves deeply and therefore controls. the person who sees everything and therefore trusts nothing. the person who is so loyal they lose themselves. there are no clean villains and no clean heroes and once you understand that in fiction you can't unsee it in people. everyone is just their best quality at the wrong volume.
Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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(cw: drug use + some dissociation, body horror/identity crisis. ~1k.)
There’s always something about four am that makes a bleak outlook bleaker, and Johnny is glad he’s too stoned to really feel it. It follows him around, black dog– or maybe just some black cat. A whole bunch of bad omens, on repeat. He can’t seem to relax, no matter what he does. V is dozing in his lap, gonked out of her mind, twitching and shivering in a high he couldn’t reach. If he could, he’d dive in with her. She’s so out of it she doesn’t even seem to notice when he moves her out of the way so he can get up to take a piss.
Habit leads him back to Kerry’s room. He’s still asleep where Johnny left him, curled up next to the empty space he’s left behind. He pads quietly across the hard floor, swinging the door most of the way closed behind him without making the noise of latching it.
When he’s finished he lingers in front of the mirror instead of returning. Today is not one of those days where his face makes him sick; it’s only the reflection of a dead man looking back at him. This isn’t his body. His body is moldering several feet underground. His body is ash and worms. His body is still lying back on that couch.
She’d tried to slither away when he wasn’t watching. Crawling on her belly back to the viper pit. For what? The man who’d gotten her soul split in two and had been too proud to touch her.
“Hey.” Kerry catches him by surprise, crossing the cold tile and putting his hands around Johnny’s hips, familiar calluses skating across his skin. His voice is low, graveled by fatigue. “Can’t sleep?”
“V’s up,” he says. He turns on the faucet and brings a handful of water to his mouth to wash out some of the fuzziness. That just makes him aware of how thirsty he is, so he bends and drinks straight from the stream until it makes him start to feel sick.
Kerry’s hand is running up and down his spine. “She okay?”
“She’s fine.”
Kerry’s silent for a while, but Johnny’s not in a hurry to rush him so long as he’s combing his fingers through the hair plastered to the back of his neck. “You okay?”
Johnny opens his mouth to answer, watching the face in the mirror. It’s all wrong. He should have gone to Kerry sooner, should have let Alt pack him away until they could grow him a clone body. It’s V’s fault he rushed things, and now he’s stuck like this, in this body. He should have killed that old dog when he had the chance. He should kill him now.
“Johnny,” Kerry says, turning him around so his back is to the sink. “Hey,” he says, a little quieter, cupping Johnny’s face. Fifty years he’s been dead, and Kerry still wants him. Fifty years and all his bullshit, and Kerry is cradling his face like he’s someone who had been worth waiting for. “You still with me?”
“What kind of question is that?” Johnny asks, and the words come out an accusation. He exhales, gripping the counter so his knuckles go white and numb.
Kerry’s staring at him with that look on his face that makes him old. Rogue has it too, sometimes, when she’s looking at him. Like there’s something they know that he doesn’t, just because they sold out. Like they pity him because he’s got the guts to do what they won’t.
“You’re high, Johnny.”
“So what?” He brushes off Kerry’s hold because he can’t feel those hands right now without thinking of V at his back, her breath on his neck while she watches. It’s all a fucking lie, and he’s clinging too tightly to something he never deserved, like a ghost that can’t move on. “What the hell do you care?”
Something flips like a switch in Kerry. He shoves Johnny back, crowding him so the stone of the countertop is digging uncomfortably into his thighs. “I don’t know, Johnny, why the hell do I care? Is it just some giant fucking mystery to you? Are you that stupid?”
This time instead of waiting for an answer, Kerry yanks him down by the dogtags into a kiss. Johnny falls apart, sliced and portioned into raw hunger. The kiss turns bloody, but Kerry doesn’t complain like he usually does when he breaks skin. His grip on Johnny’s shoulders is so tight it’s painful, but it feels good to be needed. It settles the itch in his skin, makes his hands strong and sure.
He picks Kerry up by the hips and turns to set him down on the counter, following the driving bass line he’s setting down, the foundation over which he can spark and soar. His mind slips away while he’s still chasing Kerry’s mouth, flickering back when he sees his face in the mirror, arched while Kerry scrapes his teeth over his neck.
It's just some stranger. A dead man. Frankenstein, hollowed out by his own monster.
“Johnny,” Kerry is saying, insistently. His eyes are so blue, even in the dim light. He still smells the same, still tastes the same, but he’s not the same.
Johnny leans in to kiss him again, softly this time. He closes his eyes. Kerry’s hand is running up and down his spine. “Yeah. I’m with you.”