Mellisonic

Use LFO to modulate Sweep Phase in full range so each note contains different partial frequencies.

Sound design and image by: htto://hamoid.com

Subtle modulation to the "Threshold" Harmony Effect is what gives this sound its harmonic movement.

Download the preset here: www.mellisonic.com/pp/HarmoniPad.adv

Use Aux Envelope to modulate Mask Offset, which creates an interesting effect whenever a key is triggered.

Image by hamoid.com

It's the "Drift" Motion Effect which gives this sound a life of its own. The Ring Modulator adds some sci-fi low-end dissonance.

Sound design: @jeffsamuel Image by: aBe (hamoid.com)

Detune only a few of the partial frequencies by applying a bit of LFO to the Harmony Effect Detune. It makes the tone more vibrant.

Image by aBe (hamoid.com)

Get the preset here:

The slow looping custom Motion Motif works in contrast to fast but limited modulation of the waveform Morph ratio. This contrast is easily seen in the Motion Visualiser.

Sound design: https://www.facebook.com/Jeff-Samuel-56981818989/ Image by hamoid.com

Use a low-speed Motion Effect (Curve) to make the sound slowly creep in. Use Aux-Envelope to slowly lower the Filter Cutoff for extra quirkiness.

Get the preset here:

A modulated low-pass filter on the overdriven Noise Exciter sounds like a familiar ocean, while a slow Attractor Motion Effect with a custom motif sounds like an unfamiliar one.

Sound Design: https://soundcloud.com/jeffsamuel Image by aBe (http://hamoid.com)

Increase the brightness gradually and change the unison detune amount up and down to create subtle tension in the tone.

The veiled effect is from the fast speed of a looped custom Motion Motif. The LFO-controlled Ring Modulator wet/dry value gives it an edge in the high-end which can cut through a mix.

Sound Design: jeff samuel

Image by @hamoid

Use auxiliary envelope to change brightness and motion envelope for each key trigger. At the very end, add high amount of chorus feedback to create quirky tone modulation.

Polyphylla Sound #5

The "Curve" sweep type gives a formant edge to the bass. Modulation of the oscillator morph, and the cutoff filters of both the oscillator and noise exciter, adds much life to a rather short sound.

Sound Design: Jeff Samuel

Change the the LFO modulation amount for Detune (by moving the Modulation Scalar) in real time to exaggerate the out-of-tune effect

Download the patch here: www.mellisonic.com/pp/Subadamantine.adg

The conservative scale of filter modulation keeps this heavily reverbed pad from sounding flat.

Sound Design: Jeff Samuel SC: @jeffsamuel

The rapid changes in the high frequency content is created by modulating the offset value of the Harmony effect "Mask" using an LFO.

Try turing around the value "Pulse to Square" & Brightness while playing to create a dynamic tone.

Use Drift (Motion Effect) to create subtle timbre change, and use Mask (Harmony Effect) to detune different partials by slowly increasing the Mask offset.