All it ever does is rain, Christophe Jarcot
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All it ever does is rain, Christophe Jarcot

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Zeeland - Middelburg (2) (3) (4) (5) by Rob Oo
Materials: A Study of Architecture & Print • Project 6
This project was so exciting yet overwhelming. As a final project, the scope was much bigger than anything else I have ever done for photography, since I was reviewing all of my photos taken this term and choosing which 5 would tell the best story. I settled on these, printed to Red River Polar Gloss Metallic 255, and matted the prints myself. I was so exciting seeing the prints laid out next to each other during this project and getting peer review on changes I was making.
While this project came late in the quarter, it was a really good encapsulation of what I accomplished.
Winter Blues • Project 4
Different sort of photo project, this one much more physical. Canvas matte print, framed.
This was a new and fun experience. I always enjoy post-production work, and this canvas was no different. I did struggle with the varnish application, the ink kept lifting and smearing which made the project longer and more difficult, but it was overall a great first canvas project, helped by the Breathing Color mounting system we had in the class studio.
I haven't talked yet about it here, but in my current photography class has been working through Rick Sammon's book Photo Quest and asking questions about the text in class. This week, we covered criticism in photography and I figured I could share my thoughts here.
"I find myself frustrated with Sammon's view of criticism. In personal experience, criticism is one of the ways that I grow most in design. Careful critiquing of a friend’s work is one way I feel respected and show respect to fellow artists. There is a difference between positive and careful criticism versus plain hating, but the dismissal of good faith criticism made this chapter a difficult read."
I don't mean this to be a slam of the book, or of Rick Sammon, but it takes two when giving and accepting criticism, and the way an artist approaches that conversation can make a huge difference on the outcome.
I want to add to this with some positives I took from the book. There was a lot to unpack in the book, and one point of tension I experienced with the book should not define my entire review.
Earlier when discussing competition: "I found the author's approach to competition in art and design to be really well-put, and more complex than a simple 'don’t compare yourself to others.' Looking at competition through the lens of individuality takes the pressure off [your work]".
And again with finding inspiration: "I appreciated the piece of advice he offered about 'think more input than output.' In my own journey, I find that I take on far more large projects than necessary. I myself like this suggestion because it is the one I need to hear the most"

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Whitman Winter • Project 5
It feel like forever since I've updated on here, but this is a recent project of mine. Working on capturing some of the architecture of Eastern WA. and emphasizing beauty and age.
My feet nearly froze off getting these shots, but the duck pond nearby made up for it.
‘Rain of Light’ © marcadamus
This photo does not feel like it was taken on Earth, the texture is beautiful.
Fairy Avatar by ThierryBornier
red terraces by ThierryBornier

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I haven't talked yet about it here, but in my current photography class has been working through Rick Sammon's book Photo Quest and asking questions about the text in class. This week, we covered criticism in photography and I figured I could share my thoughts here.
"I find myself frustrated with Sammon's view of criticism. In personal experience, criticism is one of the ways that I grow most in design. Careful critiquing of a friend’s work is one way I feel respected and show respect to fellow artists. There is a difference between positive and careful criticism versus plain hating, but the dismissal of good faith criticism made this chapter a difficult read."
I don't mean this to be a slam of the book, or of Rick Sammon, but it takes two when giving and accepting criticism, and the way an artist approaches that conversation can make a huge difference on the outcome.
Moving Out (Reprise) • Project 3
Portions from a series exploring my grandparent's home. As my grandmother moves out, I'm left remembering the place I spent every summer from my childhood through snow-covered images.
This has been a great reflection on the nature of natural light and the effects of snow in photography. This was also rather unique in that I mostly shoot towards the edge of under-exposed, and all these photos were aided by the snow in being incredibly bright.
Owl Roost • Project 2
Getting this out later than anticipated, but pretty excited by the recent shoot I completed. The end goal is a little lost here, as I was exploring different photo and fine art papers with this print. Shot on Nikon and printed to Red River's "Polar Pearl Metallic" to really bring out the corrugated roofing and add some flair to the blacks in the image.
Valda Bailey — Supernova II (print on museum glass, hand finished with citron gold leaf, 2017)
Blue Lilypond by Sandra Bartocha

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a bed of flowers ...by Sandra Bartocha
Looks almost like a painting... The blurring is poetic.
“when the light is gone…” by Sandra Bartocha
Beautiful work, I love the blending of purples and reds.