ultimately we all have to quit our jobs and walk into the sea


Janaina Medeiros

Product Placement
DEAR READER
Mike Driver

#extradirty

pixel skylines
todays bird
let's talk about Bridgerton tea, my ask is open

tannertan36
Three Goblin Art
Jules of Nature

almost home
I'd rather be in outer space šø
ojovivo

if i look back, i am lost

shark vs the universe

JBB: An Artblog!

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@maxplusmira
ultimately we all have to quit our jobs and walk into the sea

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Thinking too much about driving š
FrancisĀ AlĆæs, Nightwatch, 2004. Ā
Surveillance cameras observe a fox exploring the Tudor and Georgian rooms of the National Portrait Gallery at night.
Astronomy Sweater (England, 1980s) designed by Jamie & Jessi Seaton. Amgueddfa Cymru ā Museum Wales.

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"Never in life have I blushed. Russians do not do this."
whatās a little fujo fast food sometimes with friends. cheering at tha screen throwing peanuts when the dudes gets naked⦠sniff sniff.
A male sika deer captured by nature photographer yama_sato3 on X/twitter in the mountains of Hokkaido. During mating season, the increase in strength caused by rut can lead to rare cases of a rivalās head being torn off at the neck after locking antlers to fight for dominance. If the victor can survive with the extra burden until he sheds his antlers, heāll be able to continue his life, free of this brutally conjoined emblem of deathās inevitability that stares into his eyes.
Art by XI ZHANG

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pops of red š„µš
é儳ć®å® ę„便 / Kikiās Delivery Service 1989, dir. Hayao Miyazaki
Joanna Karpowicz ā The Fox's Wedding (Anubis Meets YÅkai) [acrylic on canvas, 2022]
Cat And Her Kitten (1920) ThƩophile Alexandre Steinlen

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short film by jonathan djob nkondo, posted to tiktok by the artist who did the sound, nicholas snyder
Transit Posters from Research: Design in Nature
Today we are featuring poster designs fromĀ Research: Design in Nature, edited byĀ John Gilbert Wilkins, published by theĀ Field Museum of Natural HistoryĀ and theĀ School of the Art Institute of ChicagoĀ in 1926. The portfolio features over 200 leaves of plates that were printed in the Field Museum pressroom and the Regensteiner Corporation of Chicago. The posters we are presenting today are from a poster competition for students at the School of the Art Institute in 1925.
John Gilbert Wilkins writes:
āLate in the school year of 1925, Mr. D. C. Davies, Director of the Field Museum, decided to offer a second Poster Prize. The contest was open to the second year class in Research of the School of the Art Institute. The director immediately began to cast about to find some available source for securing the necessary prize money to cover the various awards. Mr. Stanley Field, President of the Field Museum, saw the advantage of such a plan and expressed a desire to furnish the required funds. Thus one hundred dollars was set aside for this purpose.
The students were given the necessary data and required to select their own material from anywhere within the Museum, and make preliminary pencil sketches direct from the object. From these sketches poster designs were laid out, also in pencil, criticized and approved by the instructor, then finished in color.ā
View more posts about Research: Design in Nature.
View moreĀ posts about decorative arts and pattern books.
āSarah, Special Collections Graduate Intern