Description: When Johnny is sent to investigate suspicious steam coming out of a sewer, he doesnât expect a woman from another dimension to climb out of it. You look at him like heâs your knight in shining armor, and he realizes very soon you possess the ability to completely derail his life.
Inspired on the movie Enchanted â¨
Tags/Warnings: whimsy!reader, fluff, humor, cheeky references to other characters and universes, yearner!johnny being down bad for women out of this world.
Notes: Iâve been feeling whimsy lately and itâs all thanks to my dear @vividxpages, so this one is dedicated to her đ¤ Iâve also missed writing our dramatic prince Johnny, and ended up giggling a lot while writing this. Enjoy đŤśđź
Masterlist
Johnny had just walked out of the shower when his Fantastic Watch⢠beeped. Wrapped in only a towel from the waist down, he steamed the remaining water off his body as he reached for it.Â
âSteam rising from a sewer system detected in Midtown, please go check it out â Reed.âÂ
He chuckled. The situation seemed a little bit dramatic to call a whole superhero, but Johnny Storm never missed a public appearance if the opportunity arose. He quickly got dressed in his blue suit, making sure his hair was fully dry before smiling to his reflection, and stepping out into the living room.Â
Ben, who was reading a book on one of the large couches, watched Johnny stroll to the kitchen island to snatch a fresh Maisieâs cookie from the batch H.E.R.B.I.E was putting on a tray, giving him a little pet in the process.Â
âHey, J,â Ben called, just as Johnny reached the balcony and burst into flames. âIf you find anything weird down there, try not to flirt with it,â he teased without looking up, and a robotic giggle was heard from the kitchen. Â
Traitor, Johnny thought, narrowing his eyes at Herbert.Â
Ben thought he was so smug ever since the whole Herald fiasco. But Johnny, ever the sweet summer boy, just gave him a pearly white condescending smile before finally taking off into the night.Â
A few minutes later, Johnny lands in the middle of a street in Times Square, where traffic has stopped and a crowd has gathered around a rattling sewer lid. Thereâs indeed thick white clouds coming out of it, and Johnny can feel the high temperature as he lands next to them.
People gasp when they see him, then cheer and whistle because salvation has arrived.Â
âHuman torch!â âWhatâs happening?â âI told the mayor he needed to check on the system ages ago!â
âAlright everyone, back up,â he puts on a smile, shooing people away with his arms. âI got it coveredââ
A loud metal sound makes him turn around, and the manhole cover blasts upward landing on top of a car nearby with a loud crash. People scream and scatter away, and Johnny flames on instantly, absorbing all the heat that pours out of it.
The white steam subsides, replaced by some lilac, glittering particles that make Johnny cough a few times, swatting at it with his gloved hands. Once Johnny can see clearly againâor maybe notâhe notices thereâs something peeking out.Â
Is thatâŚa hand?Â
A hand comes out to grab the edge of the sewer, but he sees no claws or scales or weirdly colored skin, noâŚitâs a womanâs hand wrapped in delicate lace gloves. Then the other hand comes out, clearly trying to prop themselves up.Â
Johnnyâs fire dies when he sees no imminent danger, and he frowns at the small coughs coming from inside, stepping closer to see when something finally emerges from the sewer.Â
You emerge.Â
âOof,â you say, using all your strength to climb out ofâŚwhatever you were in.Â
The puffy white gown youâre wearing spreads around you as your heels finally touch the ground, layers upon layers of sparkling fabric drag through the glittery pavement when you straighten yourself up. You brush away dust from your giant skirt, too lost in your own world to notice that the crowd around you has gone dead silent, and Johnny looks flat out bewildered.Â
That is, until a car blasts its horn, making you jump so hard you almost fall back into the sewer. Â
Strong, warm arms wrap around your waist, catching you immediately. You yelp, clinging to your savior, and thatâs when your eyes finally meet. Your breath hitches, but all you needed was one look to that perfect blonde hair and those bright blue eyes to exhale in relief.Â
âOh, thank goodness!â you say giddily, âIs this the Barbie Kingdom?â
Johnny doesnât answer because quite frankly, what the fuck?Â
You donât seem to mind, your melodic voice keeps spilling out excitedly. âMy bad, Ken. I know itâs not a kingdom anymore! That democracy thing you have going on is spectacular, I really admireââ your enthusiasm dies out a little when your eyes dart around, realizing thereâs zero pink in this place, only strangers, a bunch of weird colored lights, and the guy youâre holding onto for dear life is looking at you like youâre insane. âBut thisâŚdoesnât look like Barbieland,â you add with a nervous laugh. âAre youâŚa prince?âÂ
Barbieland. A prince?Â
(I mean, heâll take the compliment, but ????)Â
Johnnyâs confused gaze darts all over your face, then down to your dress. A wedding dress. There are actual sparkles woven into it, and heâs sure your skirt alone weighs more than him. The white fabric is pristine and you smell like flowers, not like you just crawled out of a sewer.Â
And you just called him Ken. Thank God Ben is not here.Â
âUmm, kind sir?â You snap him out of his trance, still gripping his forearms. âCan you please tell me what kingdom is this?âÂ
He looks at you, then at the crowd thatâs just as confused as him, before replying hesitantly.Â
â...Manhattan?â He says, and it does very little to calm you down. He clears his throat, finally releasing you from his grip so you feel more comfortable. âYou can call me Johnny, by the way,â he says, giving you his best trademark smile.Â
You smile back at him, but it doesnât quite reach your eyes.Â
âWell, Johnny of Manhattan,â you say, wrapping your arms around yourself and trying to avoid making eye contact with the people whispering around you, and the noise of those weird metal boxes with wheels. âDo you know Andalasia?âÂ
Even with all the extensive space knowledge Johnny possesses, he canât really point out a place in the universe named like that.Â
âIs that your planet?â He asks, making you chuckle softly. Johnny delights in the sound, he feels like any moment now birds will wake up to surround you and start chirping.Â
âItâs my world,â you say, your voice turning more nostalgic now. âI was meant to marry The Bat Prince Edward today, my Eddie, and now Iâve fallen into this terrible place...âÂ
ââŚRight.â
Johnny tries to consider all options.
Maybe you hit your head? Or you were some junkie? A very dedicated theater kid? Method actor? Or maybe, crazy idea, you were telling the truth. He doesnât get much time to dwell on it because your laced gloved hand suddenly reaches for his.
âPlease, can you help me go back?â You ask desperately.Â
Johnny looks where your hands meet, and decides to ignore the creeping blush on his face and the intrusive thoughts. Sheâs engaged. Sheâs probably crazy. But sheâs so beautifulâno! Stop it, Johnny.Â
The last time he had a crush on a woman that showed up unannounced on his planet, things had not ended well.Â
âI know someone who might,â is all he says, avoiding your eyes. Since when does Johnny Storm get shy?Â
You squeal immediately, practically leaping into his chest to give him a hug he certainly wasnât expecting. Johnny laughs surprised, trying not to get lost in your sweet perfume. A white flash suddenly blinds you, and your eyes widen in panic at the crowd closing in.Â
âJohnny, who is she?â âAnother Herald?â âIs this for a movie?âÂ
Without thinking you cling tighter to Johnny, who youâve decided is the only person you can trust in this weird place, and that does something alarming to his stupid little heart. Red flag, red flagâwhatever, he decides to step up to the role, shielding you from the photographers.Â
âAlright, showâs over everybody!â He announces with a smile, never losing that golden boy persona, before turning back to you. âOkay, princess, youâre coming with me,â he says, pointing upward.
â...How?â You ask, staring up at the sky with a frown.Â
âYou just hold on, and try not to scream,â he winks at you, and before you can react heâs picking you up bridal style, bunching the skirt of your dress so itâs not on the way. âIâll try not to scorch it, but no promises.â
âScorch it? What do you meaâoh my godâŚâÂ
The night sky glows with fire coming out of this manâs body, as he flies you across the Manhattan realm. Truth to be told, coming from a world of magic and curses, this may not be the craziest thing that has ever happened to you.Â
You land on the balcony of a tower that looks absolutely nowhere near the ones made of stone back home. And thank the universe youâre too busy gawking at the view, because Johnny is able to sneakily pat the ends of your dress that caught on a few flames without you noticing.Â
âOh wowâŚâ you whisper, placing your gloved hands on the railing, overwhelmed by all the movement and lights and floating things. âYour world is strange, Johnny of Manhattan,â you laugh softly.Â
Johnny chuckles, and wow, this is not what he thought his night would be like. But then you gasp, pointing at the sky.
âWe have the same moon!â You exclaim, placing your elbow on the railing and your cheek on your palm as you stare longingly at the sky. âDonât you like it, Johnny? Knowing sheâs always there?â
Johnny smiles, but heâs not sure itâs because of the celestial body heâs admired since he was a little boy, or the way you seem completely mesmerized by it.
âIâve always loved her,â Johnny says fondly, stepping next to you with both hands on the railing, but he doesnât look up. His eyes stay on you. He watches you sigh dreamily, and it makes him smirk. âIs this the part where we start singing about our heartâs wishes?âÂ
âWhat? Noo,â you chuckle, without taking your eyes off the moon. âIt just means home must be close if we can see the same starsâŚâÂ
Right, home. Johnny forces himself to take his eyes off you, and as he peeks inside the empty living room, he notices Ben is no longer there. Perfect.Â
âCome on, letâs go inside, princess,â he says, and you turn to him with a smile.Â
He bows to let you go first, and you do a little bow in return. Your enormous skirt barely manages to cross the threshold with a few tugs. The black fabric at the ends, courtesy of the human torch, drags across the carpeted floors as you slowly take in every detail. He guides you into a big metal box, and presses a panel. You extend your arms for balance as the thing begins going up all of a sudden.Â
âFascinating,â you whisper.
Johnny watches you with a smile and pride blooming in his chest. The Baxter Building is a marvel even for normal people, to you? It must be mind blowing. The innocent awe in your face makes Johnny feel that familiar flutter of butterflies in his stomach he hasnât felt in a long time.Â
Bad Johnny.Â
âOkay, number one rule,â he clears his throat, compensating by the thing he does best: joking. âWeâre going into the ogreâs swamp, so youâre better off not touching anything.â
He feels proud of it, at least until you look at him horrified and recoil in fear.Â
âAn ogre? Oh no no no noâŚâ you shake your head, reaching for the panel and pressing it frantically until the thing stops moving. âI donât like those, absolutely not.â
âNo, wait, sorry,â Johnny apologizes. âIt was just a joke. Weâre going to my brother in lawâs lab, and heâs a bitâŚparticular,â he explains, and only presses the button to keep going up when you nod. âJust uhâŚfollow my lead, and youâll be fine,â he says, when the elevator comes to a stop.
He stretches his neck, bouncing slightly on his feet and giving himself a small pep talk you canât really understand. Then the doors open to another colorful, open place that makes your eyes go wide. Johnny strolls in first, and you follow behind like an anxious lost puppy.Â
âReed!â he calls out dramatically, to a figure leaning over a counter. âI bring gifts from my mission!â
The manânot ogre, thank the starsâReed, doesnât even look up from what heâs doing. His intention to ignore Johnny doesn't last long though, because he hears a pair of heels clicking on the floor that definitely donât belong to his brother in law. He lifts his gaze, and his eyes immediately land on you.
âWhy is there a bride in my lab?â He deadpans, looking at you up and down. âFor the love of God, Jonathan, donât tell me youââ
âUh-uh,â Johnny cuts him off, holding a finger in the air before spreading his arms in a flourish to gesture at you. âI present to you: the steaming sewer.â
âHiii!â You smile politely, waving at Reed. âAre you the ruler of this realm?â
Reed now looks at Johnny, exasperation written all over his face. âExplain yourself.â
âShe came out of the sewer,â Johnny shrugs, looking too smug for his own good. âDress and all.â
âI did,â you nod enthusiastically, not really helping at all.
Reed sighs, rubbing his eyes with the tips of his fingers, but by the time he opens them again, youâve already wandered to one of his old models with a curiosity that reminds him of his own son.Â
âOooh, whatâs this?â You ask, reaching for a red lever.
âNo, donât touchââ
You gasp in delight as the lights flicker when you pull on it, but Johnny catches your hand just in time before you pull the whole thing and cut the power of the entire building. He gently guides you away from the counters, smiling apologetically at Reedâs resting bitch face.Â
Ogre, indeed.Â
The doors of the metal box you arrived in open again, and a woman storms in carrying a child in his arms. He doesnât even look a year old.Â
âNot only are you working late, but youâre messing with the power while Iâm trying to put Franklin to bed and Iââ The woman stops in his tracks when she sees you standing in the middle of the lab. Her eyes go to Johnny, and she only has to raise her eyebrows for him to look like a scolded child.
âSue, I can explain. Donât panic, sheâs just aââ
âPwincess!â The baby in her arm babbles, clapping his little hands together.
You coo at the baby, but stay put where you are, not wanting to crowd the woman narrowing her eyes at you. You gather the fabric of your dress and give them a little curtsy.
âThank you, little bean. But Iâm not a princess yet,â you say, pressing one hand to your chest.Â
Sue notices the way you clutch the fabric of your dress nervously, and curiosity gets the best of her.Â
âDid you escape from your wedding?â She asks, but thereâs no real malice behind it.Â
âI didnât escape,â you shake your head, looking down to the floor. âI believe someone may have tried to kill me and I ended up here instead.â
âOh honey,â her expression softens, not entirely sure why she believes youâre harmless to her family. At least at this moment.Â
Johnny does, and he sighs, because now youâve activated Sueâs mom instincts. How is he supposed to not get attached?
At least she wonât be telling him to kill you.
âWhere exactly did Johnny find you, sweetheart?â She asks, bouncing little Franklin on her hip.
âJohnny says itâs called a sewer!âÂ
Sue just nods, looking between Reed and Johnny but the latter just smiles with a shrug. A sudden blue light washes over you, but before you can panic Johnny shows you itâs coming from a little device Reed is hunching over.Â
âHeâs just scanning you to see how we can help,â Johnny explains reassuringly, and you nod as the light keeps going all over you.Â
âFascinating,â Reed says after a few minutes, walking away from the thingy to circle you. âNo traces of chemical intoxication. Her body has adapted to survive in our environment, but her clothing fibers are unlike anything Iâve seen on this planet.âÂ
âOh! My dress was hand sewn with the help of my friends. Mouses and rabbits are very talented when it comes to special fabrics,â you say matter of factly.Â
âMouses and rabbits.â Reed repeats and you nod happily. Jesus Christ.Â
âH.E.R.B.I.E told me you were all here. Whatâs going on?â A new voice echoes across the lab as the doors open again. âUhh, is Johnny getting married and didnât tell us?âÂ
You turn around to see a tall man made out of orange rocks and your shoulders sag in relief. Finally, someone normal around here. But before you can ask him if he knows how to get to your kingdom, Reed is already gesturing for him.
âPerfect timing, Ben. Team gathering. Now.âÂ
Ben obeys, following him without taking his eyes off you. Sue walks past you, and Franklin giggles when he tries to grab one of your puffy sleeves and fails. Reed motions them deeper into the lab, and Johnny walks backwards to look at you.Â
âDonât touch anything,â he mouths, and your eyes drift immediately towards another lever device on the counter. âEspecially that!â He whisper-shouts, and you nod innocently, clasping your hands behind your back. Â
He flashes you a grin before jogging to meet the others, who are already explaining the situation to Ben. You can hear the whispering, but you canât really make out what theyâre saying, so you distract yourself with your own dress.Â
On the far corner of the labâŚ
âShe came out of a sewer, and you believe sheâs a princess?â Ben asks, biting back a smile as he watches Johnny roll his eyes.
âShe could be delusional. Experimenting a psychological episode perhaps.â Reed says.
âThen why didnât your scans show anything?â Johnny crosses his arms.Â
Reed hesitates, because the machine may not show physical abnormalities, but your mental state is a different thing.Â
âMy love?â Reed asks the person he trusts the most in the room.
âShe looks harmless,â Sue shrugs, shifting Franklin whoâs starting to fall asleep on her shoulder.Â
âShe is harmless,â Johnny says immediately.
âYou've known her for like twenty minutes,â Ben teases.Â
âYeah, and in those twenty minutes sheâs been overwhelmed, yet polite enough to ask for our help. After all weâve seen lately, I think weâre safeâjustâŚlook at her.â
They all glance back.Â
Youâre standing exactly where Johnny left you, carefully lifting the edge of your gown and gasping in visible distress when you notice it has turned black.
âOh noâŚmy dressâŚâ
Johnny mentally slaps himself when you look at the singed fabric with a sad face. Okay, maybe flying in flames while carrying a hundred pounds of magical tulle had been a bad idea.
âSo whoâs the lucky fella?â Ben whispers, nudging his arm to get his attention.
Johnny takes a second too long to take his eyes away from you, before turning back to the group with the answer.Â
âShe said she was marrying some prince named Eddie,â Johnny explains, trying to sound as casual as possible. âBut I donât trust him, what if heâs the one who sent her away?â
âOrâŚmaybe you just want to steal his bride,â Ben says without hesitation, making Sue snort. Even Reedâs mouth twitches.Â
Johnny groans, stepping back to point between them defensively.Â
âNo, no, no. I know what youâre thinking, and youâre wrong! Absolutely wrong,â he defends himself, but his family has the audacity to laugh in his face.Â
âJohnnyââ
âNo! This isnât another Shalla-bal situation,â he insists, crossing his arms. âThat was months ago. Besides, can you really blame me? She was gorgeous.â
âAnd do you think the princess is gorgeous?â Sue asks with a knowing smile.Â
He glances at you once again, and itâs a bad idea, because Herbert has rolled into the room too and now you are bending slightly so you can pet his weird head. You were actually petting him. The droid is complimenting your dress, and you thank him giddily because you somehow understand what heâs saying.Â
âI fear the gown may be ruined, though,â you add with a small laugh.
âIt still looks pretty on you,â Johnny blurts out loudly from his spot.Â
You straighten up to look at him, and your flustered face makes it difficult for him to not smile like a lovesick puppy. What the hell is happening to him?Â
When he turns back around, everyone is staring at him. Johnny closes his eyes with a grimace, sighing.Â
âI walked right into that one, didnât I?â
âI say youâre toast already,â Ben says, amused, placing a heavy hand on his shoulder. âGood thing you can handle some heatââ
âIâm not handling any heatââ
âAlright!â Reed shuts them up. âUntil we understand what happened, we canât exactly send her anywhere,â Reed says, exhaling in defeat.
That makes Johnny perk up immediately with a smile thatâs nothing but trouble.
âSo weâre keeping her?â He says.Â
âWe are letting her stay temporarily because she clearly needs help,â Sue corrects, giving him a warning look. âAnd you are going to behave.â
âYes, absolutely!â Johnny nods, way too fast and completely unconvincing. Sue narrows her eyes at him. âYour mistrust wounds me, sister. Iâm always on my best behavior.â
She glares at him one last time, before gesturing with her head at the group to walk back to you. She notices H.E.R.B.I.E has stuck to your side, and seems to be charmed by you as much as Johnny is. Which is another positive point in your favor.
âYou can stay with us until we figure things out,â Sue says with a reassuring smile. âWeâll do our best to find your home.â
Your eyes go wide, the relief washing your face makes you look even brighter. Johnny has to keep himself from clutching his chest dramatically.Â
âOh, Iâm eternally grateful to all of you,â you say, lifting the fabric once again to do a full curtsy. âBut especially to you, Johnny of Manhattan, because you were the one to trust me enough to bring me to your castle,â you add with a smile, straightening up and walking toward him to pressing a soft kiss on his warm cheek.Â
Johnny stills on his spot as your lips delicately graze his skin, before you pull apart a walk alway like nothing happened. His hand lifts instinctively to touch the spot you kissed, and this time his familyâs snickers are inevitable.
Maybe Ben was right. Maybe heâs toast. Burned toast.Â
As he watches you obliviously hum a little tune for Franklin, whoâs drooling away on Sueâs shoulder, acceptance hits him like a train.Â
He was absolutely doomed the second you climbed out of that sewer.Â
Thank you for reading this small fairytale! Feedback is always appreciated đđŚ
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Tags: No Use of Y/N for Reader-Insert; Gender-Neutral Reader-Insert; Boss/Employee Relationship; Protectiveness; Kissing; Fluff; Angst; Hurt/Comfort; Fix-It; Protective Zeno; Smoking; Zeno Lives
Word Count: 3,315
Summary: You are Zeno's personal mercenary but you are also his partner outside of business. When you accompany him to Raccoon City to get Grace to release Elpis, you don't expect that the experience will make you finally admit that you might love this idiot just a little.
Also on Ao3: Here
a/n: Title is from THE DEATH OF PEACE OF MIND by Bad Omens.
Also not Victor catching strays in one of my fics AGAIN đđ sorry I think he's neat as a villain but his fans scare me and I had to block many Victor tags on tumblr just so I could stop seeing him naked đ that probably translates in me making sure he's as repulsive and mean in my writing as I think he is in canon. Sth sth every action has an equal and opposite reaction etc. // More Zeno yapping under Read More
Requested here
Obviously just my own hcs but I dont think Zeno got much formal training in combat? He shows a lot less discipline in his movements and stance compared to Wesker for example, his clothing is WAYYY too impractical for combat, and idk something about the way he moves when fighting Leon in the bad ending screams inexperience. I like to chalk it up to "the virus gave him all these powers so what need does he have for combat training when he can knock your teeth out with one punch and he can dodge bullets?" yk.
This fic is, in a way, also a character study of Zeno. I think the reason I wasnt big on him during the gameplay of requiem was bc he seemed so cool and dangerous but when it mattered most he fumbled everything: from injecting himself with sth unknown without a second thought, to turning into a temper tantrum throwing overgrown toddler afterwards, to pathetically getting his head severed just like that. It was a let down and he seemed like kind of a joke to me. But he's grown on me in the past 2 months and I like how complex he is, even with how little information there is about him, when you sit down and analyse him a bit. He's impulsive and emotional and erratic in a way that Wesker never was - at least not when Chris isn't involved lmao. And I loved exploring that a bit in this fic <3 he's a great character but so much more different than Wesker. I wish the average resident evil fan (especially the UGH dudebros online) could see that and stop making fun of him for being Wesker from Temu or wtv the fuck. Aside from sharing a voice actor and a face model (and DNA presumably), they couldn't be more different if they tried.
You've been working with Zeno for a long time now. Not long after the Connections gave him his assignment, he quickly realised that there were a lot of things to do and places to see that he simply did not have the hours in the day to take care of â or simply didn't feel like doing.
So that's where you came in.
You hate using the term âmercenaryâ to describe what you do; it sounds so crude, so⌠evil. Instead, you prefer to think of yourself as a provider. Goods, services, errands. Whatever the client needs, you provide. Need that guy to not be breathing anymore? You're their person. Gotta meet with some shady people to make good on a deal but don't have time to show up in person? You've got them covered. Everything a client needs, you provide. And you never ask questions.
Zeno is, by far, your favourite client, though. So much so that you ended up accepting his offer of being kept on retainer with the clause that you won't do work for anyone else while you're on his payroll. It's not really a chore, since you like doing things for him and he pays you more than enough to cover any potential losses by no longer accepting other contracts, but also because it's him.
What you like most about working for Zeno, perhaps, is just how fun it is to be around him. He's very uptight and somber most of the time and you think he takes himself entirely too seriously. Because of that, he's also very easy to rile up. You love teasing him and getting him all puffed up like a kitten, but you also love making him lose that suave, iron-clad control he pretends he has every time you get the chance.
It doesn't take you more than a few months of working for him on and off to realise he finds you attractive. It takes a few more weeks of being exclusive to realise that he also likes you as a person. After that, blurring the line between business and pleasure comes easy and you don't regret a single second of it, not when he looks so good with his face between your legs and when he moans so sweetly when he enters you. You grow fond of him and oddly protective. You might even be falling in love a little.
Which is why you don't let him go to Raccoon City alone. He may be pumped full of that nifty virus that gives him all those cool powers while you're just a hired gun, but out of the two of you, you are the one actually trained for combat situations where brute strength or speed aren't enough. Besides, you don't trust Victor as far as you can throw him and you're not about to leave Zeno all alone to walk into the metaphorical lion's den all by himself.
âI can take care of myself, you know,â Zeno tells you in the helicopter while you wait for Victor and the co-pilot to finish getting ready for another takeoff. On your right, Grace, who was looking out the window towards the expanse of forest you're about to fly over in a minute, looks towards you curiously but doesn't say a word. You know she's wondering who you are and what your stake in all of this is, but you're not about to reveal all your secrets to her any time soon. Even if you feel sorry for the poor girl.
âI am aware,â you respond in a level tone. You adjust your hold on your AR-15 as you shift in your seat so you can be closer to Zeno and whisper in his ear. âMaybe I just like watching you doing your big boy job, ever thought of that?â
You don't miss the way his skin prickles at your proximity or your words, nor the way he has to flick his zippo open and closed to give his hands something to do in lieu of grabbing you by the back of the head and kissing you senseless the way you know he really wants to right now.
With that, you settle back down properly with a self satisfied smirk on your face just as the helicopter takes off and starts carrying you towards a city you've only ever heard of but never visited. You remain quiet the rest of the journey, only really breaking your silent vigil at Zeno's side to throw Grace a protein bar from the stash you keep in your jacket pockets when her stomach starts rumbling in the middle of the ride.
She thanks you with a bright blush and stuttered words of gratitude, which you find downright adorable, but only give her a wordless shrug in response.
Several hours later, when it's just you and Zeno on the ARK platform waiting for Grace and Leon to return, as you know they will, you walk up to him with a frown and settle down next to him, leaning back against the railing with your shoulder pressed tightly against his. You pluck the freshly lit cigarette from his hands and take a deep drag before passing it back.
âI don't like this, Z,â you mutter in a low voice, your eyes scanning your surroundings for threats even as your posture stays relaxed.
âWhich part? Having Elpis so close at hand yet still so far away or Grace running around this place uselessly and wasting my time?â
âThe part where something doesn't smell right. And I'm not talking about your godawful nicotine breath,â you explain while actively taking another drag from Zeno's cigarette and ignoring the way he rolls his eyes at the unnecessary, hypocritical jab. âJust⌠Don't do anything rash, will you? I don't want to find myself another employer and a new boyfriend.â
âI'm never rash,â Zeno argues even though you both know that he is a deeply emotional person who tends to rush into things because he lacks patience and has a deeply rooted need to please and prove himself useful. This trait has led him down dark paths and dead ends more than once. You don't want to know where it might lead him now, not in this place. âBesides, don't I have you to take care of me? My knight in shining armour as it were?â
You look up at him unflinchingly when he turns towards you and starts crowding you up against the railing, the floppy sleeves of his black leather coat brushing up against you when he lifts his hands up to cup your face between his big palms. You can see the yellow of his eyes shining behind the two layers of lenses on his glasses and the light sheen of sweat glistening on his brow. Your eyes trace the black marks on his face, ones you could probably draw in your sleep with how intimately familiar you've become with them, before they come to rest on Zeno's lips.
âOf course you have me. You always will,â you murmur sincerely before you lift your head up in a silent request and wait for Zeno's lips to come crashing down on yours. He doesn't hesitate or waste time before he's kissing you, all tongue and passion, while his hands grip your face in a gentle hold that few would think him capable of.
That's what you love so much about this man full of contradictions: he is, outwardly, made up entirely of harsh lines and sharp angles, with a gravelly voice and a jagged frown that warns everyone to stay away, to tread carefully, to not upset him. But on the inside, after shedding nothing more than a single layer if you only know how, lies a man full of insecurities who yearns to be soft and to be cradled, to be vulnerable and a safe haven for someone else in equal measure. It's why you decided to stick by him in the first place, why he makes you feel so protective of him in spite of all the reasons a rational person would have to laugh at you for the sentiment; one day, this world will hurt Zeno in a way the Connections didn't prepare him for and you want to be there to pick up the pieces if you can't spare him the hurt entirely.
He lets his forehead rest against your own for a few breathless seconds after the kiss ends, but he has to pull away when the sounds of Grace and Leon approaching reach his ears. He squeezes your cheek once in parting before he turns around and walks up to the approaching pair and you simply watch him go.
You immediately bring your guard up once Grace types in the code necessary for releasing Elpis. Thankfully, nothing bad happens, but when that compartment opens up and reveals a bunch of vials with a strange, glowing liquid in them, you eye them suspiciously. Grace takes one, which you don't bother to prevent or stop since your main concern is Zeno, but when Zeno grabs one and walks away with it, you straighten up and slowly follow.
âY-you promised,â Grace protests, moving as if to shield Leon from view.
âYes, that I would let him live,â Zeno begins meaningfully as he approaches the DSO agent slumped weakly in the middle of the metal platform. And, look, you've known Zeno for a while, right? So you've come to anticipate his moods or reactions to things, sometimes even what he's about to do next. So when you see his hand tightening around that vial, you already know what's about to happen. He's about to do something rash. The exact same thing you told him not to do.
You can't stop him, not by grabbing it out of his hand or shoving him aside to make him stumble and drop the vial, not when you're too far away still. Instead, you lift up your rifle, take aim, and just as your reckless, stupid boss-slash-boyfriend lifts the blasted vial so he can inject himself with the unknown liquid inside, you pop a bullet in its center and watch it blow up in his face in a messy shower of broken glass and yellow liquid.
âAgh! Why did you do that?!â Zeno roars, whirling on you in an instant with a snarl on his face that you don't take personally.
âBecause we don't inject ourselves with the mystery liquids we found in defunct underground facilities!â you snap back at him angrily. âHonestly, Z! How do you even know that thing won't kill you?â
âI would notââ
âTh-they're right!â Grace chimes in, interrupting what would have otherwise been a wonderful tirade from Zeno about his biological prowess and how untouchable he is, as you very well know. âElpis is Spencer's atonement. It's an antiviral!â
âSee?! You could have lost your powers, idiot!â
âYou don't know that! What does she know, anyway?â Zeno yells. You can see him clenching his fists in frustration and you know that he can't be reasoned with right now â everything he's been working on for years has basically amounted to nothing. There is no weapon. There is nothing the Connections wanted here. For all intents and purposes, despite Zeno delivering on his promises to those wretched people, he has failed. You don't even blame him for being frazzled and all over the place in the face of this catastrophic failure. But you're not about to let him hurt himself or worse in his desperate need to prove himself useful.
âI'll show you what she knows,â you snap, completely fed up with the entire thing, and march over directly to Grace so you can snatch the vial she grabbed out of her hands. She yelps and tries to hold onto it but you're much stronger and better trained than her so she is no match. Then, before anyone else can react, you punch the needle directly into Leon's neck, releasing the liquid into his body, then let the empty vial clatter to the floor as you step away from him.
It doesn't take long for his own black marks, similar to Zeno's though not quite as advanced, to slowly fade away into translucent scars that are barely even visible in the aftermath.
âSee?! Moron!â
Zeno's eyes widen as he stares at the now markless Leon already trying to get back to his feet and seeming much better off than a moment ago. You can see the cogs turning in Zeno's head and you know that he's realised, by now, that you basically just saved his life.
That creepy laughter you've hated from the first moment you heard it makes your head snap in the direction it came from and your eyes alight upon Victor's form, now missing an arm, just as he removes his goggles and lets them clatter to the metal walkway without care.
âAmazing,â he breathes, sounding like a damn choir boy seeing Jesus in person with his own eyes. It makes you narrow your own in his direction and you fix your grip on your rifle, fingers tight around the weapon and ready to fire, as you approach Zeno again and come to stand beside him. You watch them both intently as they go back and forth, gaze glued to Victor but still keeping an eye on Zeno as he walks closer to the doctor, but don't interfere in their vitriolic exchange.
âYou are nothing but an imitation!â You can see Zeno's eyes widening behind his glasses from where you stand and it makes your heart constrict at the genuine hurt in his expression at the doctor's careless words. You know how close they hit to real insecurities he has.
âIt's over, Victor. The Connections is done with you!â Zeno retaliates, voice definitive and made of steel as he tries to cover up his momentary lapse in control.
You don't see the tentacle coming. For the rest of your life, you are going to replay that moment in your head and kick yourself for still being so defenseless in the face of superhuman abilities like Victor's and Zeno's in spite of all your training and combat experience. Because when Victor extends that tentacle, intending to decapitate you if Zeno's assessment is accurate, you're too slow to notice it, let alone dodge the swipe or shoot the tentacle away.
It's Zeno who saves you. The untrained, reckless, arrogant son of a bitch you've gone and fallen in love with and decided to follow into the ninth circle of hell despite all the reasons why you shouldn't have. He sees the threat coming when you don't. And he wraps you up in his arms, his hold tight and secure around your body, then yanks you away from Victor's tentacle and retreats with you into safety.
You blink up at him, uncomprehending of what just happened in the span of a few seconds, if that, as your heart beats a million miles a minute.
âZ, whatââ
âNo time. We have to get out of here. You can thank me later,â Zeno interrupts you, voice harsh in that way it always gets when he's under pressure, as his eyes flicker urgently around the platform. You peek out at the scene you left behind from the cocoon of Zeno's hold only to see Leon back on his feet and facing off against Victor instead. Well, that's convenient.
âSounds like a plan. Lead the way.â
Instead of letting go of you so you can follow behind Zeno and get out of here, though, he instead hoists you up into his arms and damn near teleports where Elpis was released, pocketing the remaining vials of antiviral then vaulting around the two fighting men that seem to have forgotten about you two and heading for the exit.
âThis is really unnecessary, I want you to know that,â you protest, grumbling when Zeno completely ignores you and keeps running at his inhuman speed that frankly makes you sick from the vertigo. You decide to hide your face in his chest to spare both of you from seeing your last meal make a reappearance, and while it feels weird to be the damsel in distress being carried to safety for once, it's also not a wholly unpleasant experience. Zeno smells like sweat, cigarette smoke, and expensive cologne, a smell you could use to guide yourself home if you suddenly went both blind and deaf. He smells like safety, like comfort, like all the things you gave up on when you became a mercenary and never thought you'd ever get to have, at least not in this life.
You make it outside right as the whole thing seems to collapse in on itself. You watch the ARK go down and find it in yourself to spare a moment to think of Leon and Grace and to hope that they made it out alive as well â despite everything that happened and your own loyalty to Zeno, you have nothing against those two. You sincerely hope they're alright.
âI think you can put me down now, Romeo,â you quip from Zeno's arms once you are fully back on the surface and walking at a normal pace again.
âI'm not letting you go until we are back in the chopper and headed home,â Zeno bites back. âYou almost died.â
Your heart aches and melts into a puddle at how quiet his voice is. He sounds scared. Like he really cares. Like it would've killed him to watch you die at Victor's hand â tentacle?
You lift your hand from the crushing grip it still had around your rifle and cup his face tenderly right over those black marks spidering across his skin.
âI'm sorry. I never wanted to be a liability to you. But thank you for saving me, Zeno.â
You can spot a glimmer of tears gathering on his lash line, making his pretty white lashes sparkle in the light of the helicopter you're headed towards, but you don't call him out on it. He leans into your gentle touch and takes a deep breath to compose himself before he lifts his chin and puts back the protective shell that has more cracks than not after the harrowing day he's had.
âConsider us even, I suppose. You save me, I save you.â
âHmm, I like the sound of that. Just me and you against the world, huh Z?â You chuckle softly under your breath, tone growing pensive, and are overjoyed to see Zeno's lips curl up into a small smile of his own right before he climbs into the helicopter and barks at the pilot to take off immediately. He finally sets you down now, letting you settle down in the seat next to him as the pilot lifts you into the air and gets you away from this blasted ruin of a city, but he doesn't let you go far. Zeno puts an arm around your shoulders, the weight grounding and comforting in equal measure, and lets you snuggle into him and under the heavy leather coat that you're frankly surprised never fell off even once tonight.
âJust me and you,â he echoes, voice quiet and for your ears only, before he plants a kiss on your hairline and pulls out another cigarette from his pocket. You watch him light it without complaint and only part your lips to accept the filter between them when Zeno's gloved hand presses it to your mouth without prompting.
You exhale, watching the smoke get carried away by the heavy wind, and close your eyes as you let yourself sink back into Zeno and the protection his silent presence promises. Maybe you don't need to be the one picking up pieces anymore. Maybe you can rely on someone else for once in your life.
Tags: No Use of Y/N for Reader-Insert; Gender-Neutral Reader-Insert; Boss/Employee Relationship; Protectiveness; Kissing; Fluff; Angst; Hurt/Comfort; Fix-It; Protective Zeno; Smoking; Zeno Lives
Word Count: 3,315
Summary: You are Zeno's personal mercenary but you are also his partner outside of business. When you accompany him to Raccoon City to get Grace to release Elpis, you don't expect that the experience will make you finally admit that you might love this idiot just a little.
Also on Ao3: Here
a/n: Title is from THE DEATH OF PEACE OF MIND by Bad Omens.
Also not Victor catching strays in one of my fics AGAIN đđ sorry I think he's neat as a villain but his fans scare me and I had to block many Victor tags on tumblr just so I could stop seeing him naked đ that probably translates in me making sure he's as repulsive and mean in my writing as I think he is in canon. Sth sth every action has an equal and opposite reaction etc. // More Zeno yapping under Read More
Requested here
Obviously just my own hcs but I dont think Zeno got much formal training in combat? He shows a lot less discipline in his movements and stance compared to Wesker for example, his clothing is WAYYY too impractical for combat, and idk something about the way he moves when fighting Leon in the bad ending screams inexperience. I like to chalk it up to "the virus gave him all these powers so what need does he have for combat training when he can knock your teeth out with one punch and he can dodge bullets?" yk.
This fic is, in a way, also a character study of Zeno. I think the reason I wasnt big on him during the gameplay of requiem was bc he seemed so cool and dangerous but when it mattered most he fumbled everything: from injecting himself with sth unknown without a second thought, to turning into a temper tantrum throwing overgrown toddler afterwards, to pathetically getting his head severed just like that. It was a let down and he seemed like kind of a joke to me. But he's grown on me in the past 2 months and I like how complex he is, even with how little information there is about him, when you sit down and analyse him a bit. He's impulsive and emotional and erratic in a way that Wesker never was - at least not when Chris isn't involved lmao. And I loved exploring that a bit in this fic <3 he's a great character but so much more different than Wesker. I wish the average resident evil fan (especially the UGH dudebros online) could see that and stop making fun of him for being Wesker from Temu or wtv the fuck. Aside from sharing a voice actor and a face model (and DNA presumably), they couldn't be more different if they tried.
You've been working with Zeno for a long time now. Not long after the Connections gave him his assignment, he quickly realised that there were a lot of things to do and places to see that he simply did not have the hours in the day to take care of â or simply didn't feel like doing.
So that's where you came in.
You hate using the term âmercenaryâ to describe what you do; it sounds so crude, so⌠evil. Instead, you prefer to think of yourself as a provider. Goods, services, errands. Whatever the client needs, you provide. Need that guy to not be breathing anymore? You're their person. Gotta meet with some shady people to make good on a deal but don't have time to show up in person? You've got them covered. Everything a client needs, you provide. And you never ask questions.
Zeno is, by far, your favourite client, though. So much so that you ended up accepting his offer of being kept on retainer with the clause that you won't do work for anyone else while you're on his payroll. It's not really a chore, since you like doing things for him and he pays you more than enough to cover any potential losses by no longer accepting other contracts, but also because it's him.
What you like most about working for Zeno, perhaps, is just how fun it is to be around him. He's very uptight and somber most of the time and you think he takes himself entirely too seriously. Because of that, he's also very easy to rile up. You love teasing him and getting him all puffed up like a kitten, but you also love making him lose that suave, iron-clad control he pretends he has every time you get the chance.
It doesn't take you more than a few months of working for him on and off to realise he finds you attractive. It takes a few more weeks of being exclusive to realise that he also likes you as a person. After that, blurring the line between business and pleasure comes easy and you don't regret a single second of it, not when he looks so good with his face between your legs and when he moans so sweetly when he enters you. You grow fond of him and oddly protective. You might even be falling in love a little.
Which is why you don't let him go to Raccoon City alone. He may be pumped full of that nifty virus that gives him all those cool powers while you're just a hired gun, but out of the two of you, you are the one actually trained for combat situations where brute strength or speed aren't enough. Besides, you don't trust Victor as far as you can throw him and you're not about to leave Zeno all alone to walk into the metaphorical lion's den all by himself.
âI can take care of myself, you know,â Zeno tells you in the helicopter while you wait for Victor and the co-pilot to finish getting ready for another takeoff. On your right, Grace, who was looking out the window towards the expanse of forest you're about to fly over in a minute, looks towards you curiously but doesn't say a word. You know she's wondering who you are and what your stake in all of this is, but you're not about to reveal all your secrets to her any time soon. Even if you feel sorry for the poor girl.
âI am aware,â you respond in a level tone. You adjust your hold on your AR-15 as you shift in your seat so you can be closer to Zeno and whisper in his ear. âMaybe I just like watching you doing your big boy job, ever thought of that?â
You don't miss the way his skin prickles at your proximity or your words, nor the way he has to flick his zippo open and closed to give his hands something to do in lieu of grabbing you by the back of the head and kissing you senseless the way you know he really wants to right now.
With that, you settle back down properly with a self satisfied smirk on your face just as the helicopter takes off and starts carrying you towards a city you've only ever heard of but never visited. You remain quiet the rest of the journey, only really breaking your silent vigil at Zeno's side to throw Grace a protein bar from the stash you keep in your jacket pockets when her stomach starts rumbling in the middle of the ride.
She thanks you with a bright blush and stuttered words of gratitude, which you find downright adorable, but only give her a wordless shrug in response.
Several hours later, when it's just you and Zeno on the ARK platform waiting for Grace and Leon to return, as you know they will, you walk up to him with a frown and settle down next to him, leaning back against the railing with your shoulder pressed tightly against his. You pluck the freshly lit cigarette from his hands and take a deep drag before passing it back.
âI don't like this, Z,â you mutter in a low voice, your eyes scanning your surroundings for threats even as your posture stays relaxed.
âWhich part? Having Elpis so close at hand yet still so far away or Grace running around this place uselessly and wasting my time?â
âThe part where something doesn't smell right. And I'm not talking about your godawful nicotine breath,â you explain while actively taking another drag from Zeno's cigarette and ignoring the way he rolls his eyes at the unnecessary, hypocritical jab. âJust⌠Don't do anything rash, will you? I don't want to find myself another employer and a new boyfriend.â
âI'm never rash,â Zeno argues even though you both know that he is a deeply emotional person who tends to rush into things because he lacks patience and has a deeply rooted need to please and prove himself useful. This trait has led him down dark paths and dead ends more than once. You don't want to know where it might lead him now, not in this place. âBesides, don't I have you to take care of me? My knight in shining armour as it were?â
You look up at him unflinchingly when he turns towards you and starts crowding you up against the railing, the floppy sleeves of his black leather coat brushing up against you when he lifts his hands up to cup your face between his big palms. You can see the yellow of his eyes shining behind the two layers of lenses on his glasses and the light sheen of sweat glistening on his brow. Your eyes trace the black marks on his face, ones you could probably draw in your sleep with how intimately familiar you've become with them, before they come to rest on Zeno's lips.
âOf course you have me. You always will,â you murmur sincerely before you lift your head up in a silent request and wait for Zeno's lips to come crashing down on yours. He doesn't hesitate or waste time before he's kissing you, all tongue and passion, while his hands grip your face in a gentle hold that few would think him capable of.
That's what you love so much about this man full of contradictions: he is, outwardly, made up entirely of harsh lines and sharp angles, with a gravelly voice and a jagged frown that warns everyone to stay away, to tread carefully, to not upset him. But on the inside, after shedding nothing more than a single layer if you only know how, lies a man full of insecurities who yearns to be soft and to be cradled, to be vulnerable and a safe haven for someone else in equal measure. It's why you decided to stick by him in the first place, why he makes you feel so protective of him in spite of all the reasons a rational person would have to laugh at you for the sentiment; one day, this world will hurt Zeno in a way the Connections didn't prepare him for and you want to be there to pick up the pieces if you can't spare him the hurt entirely.
He lets his forehead rest against your own for a few breathless seconds after the kiss ends, but he has to pull away when the sounds of Grace and Leon approaching reach his ears. He squeezes your cheek once in parting before he turns around and walks up to the approaching pair and you simply watch him go.
You immediately bring your guard up once Grace types in the code necessary for releasing Elpis. Thankfully, nothing bad happens, but when that compartment opens up and reveals a bunch of vials with a strange, glowing liquid in them, you eye them suspiciously. Grace takes one, which you don't bother to prevent or stop since your main concern is Zeno, but when Zeno grabs one and walks away with it, you straighten up and slowly follow.
âY-you promised,â Grace protests, moving as if to shield Leon from view.
âYes, that I would let him live,â Zeno begins meaningfully as he approaches the DSO agent slumped weakly in the middle of the metal platform. And, look, you've known Zeno for a while, right? So you've come to anticipate his moods or reactions to things, sometimes even what he's about to do next. So when you see his hand tightening around that vial, you already know what's about to happen. He's about to do something rash. The exact same thing you told him not to do.
You can't stop him, not by grabbing it out of his hand or shoving him aside to make him stumble and drop the vial, not when you're too far away still. Instead, you lift up your rifle, take aim, and just as your reckless, stupid boss-slash-boyfriend lifts the blasted vial so he can inject himself with the unknown liquid inside, you pop a bullet in its center and watch it blow up in his face in a messy shower of broken glass and yellow liquid.
âAgh! Why did you do that?!â Zeno roars, whirling on you in an instant with a snarl on his face that you don't take personally.
âBecause we don't inject ourselves with the mystery liquids we found in defunct underground facilities!â you snap back at him angrily. âHonestly, Z! How do you even know that thing won't kill you?â
âI would notââ
âTh-they're right!â Grace chimes in, interrupting what would have otherwise been a wonderful tirade from Zeno about his biological prowess and how untouchable he is, as you very well know. âElpis is Spencer's atonement. It's an antiviral!â
âSee?! You could have lost your powers, idiot!â
âYou don't know that! What does she know, anyway?â Zeno yells. You can see him clenching his fists in frustration and you know that he can't be reasoned with right now â everything he's been working on for years has basically amounted to nothing. There is no weapon. There is nothing the Connections wanted here. For all intents and purposes, despite Zeno delivering on his promises to those wretched people, he has failed. You don't even blame him for being frazzled and all over the place in the face of this catastrophic failure. But you're not about to let him hurt himself or worse in his desperate need to prove himself useful.
âI'll show you what she knows,â you snap, completely fed up with the entire thing, and march over directly to Grace so you can snatch the vial she grabbed out of her hands. She yelps and tries to hold onto it but you're much stronger and better trained than her so she is no match. Then, before anyone else can react, you punch the needle directly into Leon's neck, releasing the liquid into his body, then let the empty vial clatter to the floor as you step away from him.
It doesn't take long for his own black marks, similar to Zeno's though not quite as advanced, to slowly fade away into translucent scars that are barely even visible in the aftermath.
âSee?! Moron!â
Zeno's eyes widen as he stares at the now markless Leon already trying to get back to his feet and seeming much better off than a moment ago. You can see the cogs turning in Zeno's head and you know that he's realised, by now, that you basically just saved his life.
That creepy laughter you've hated from the first moment you heard it makes your head snap in the direction it came from and your eyes alight upon Victor's form, now missing an arm, just as he removes his goggles and lets them clatter to the metal walkway without care.
âAmazing,â he breathes, sounding like a damn choir boy seeing Jesus in person with his own eyes. It makes you narrow your own in his direction and you fix your grip on your rifle, fingers tight around the weapon and ready to fire, as you approach Zeno again and come to stand beside him. You watch them both intently as they go back and forth, gaze glued to Victor but still keeping an eye on Zeno as he walks closer to the doctor, but don't interfere in their vitriolic exchange.
âYou are nothing but an imitation!â You can see Zeno's eyes widening behind his glasses from where you stand and it makes your heart constrict at the genuine hurt in his expression at the doctor's careless words. You know how close they hit to real insecurities he has.
âIt's over, Victor. The Connections is done with you!â Zeno retaliates, voice definitive and made of steel as he tries to cover up his momentary lapse in control.
You don't see the tentacle coming. For the rest of your life, you are going to replay that moment in your head and kick yourself for still being so defenseless in the face of superhuman abilities like Victor's and Zeno's in spite of all your training and combat experience. Because when Victor extends that tentacle, intending to decapitate you if Zeno's assessment is accurate, you're too slow to notice it, let alone dodge the swipe or shoot the tentacle away.
It's Zeno who saves you. The untrained, reckless, arrogant son of a bitch you've gone and fallen in love with and decided to follow into the ninth circle of hell despite all the reasons why you shouldn't have. He sees the threat coming when you don't. And he wraps you up in his arms, his hold tight and secure around your body, then yanks you away from Victor's tentacle and retreats with you into safety.
You blink up at him, uncomprehending of what just happened in the span of a few seconds, if that, as your heart beats a million miles a minute.
âZ, whatââ
âNo time. We have to get out of here. You can thank me later,â Zeno interrupts you, voice harsh in that way it always gets when he's under pressure, as his eyes flicker urgently around the platform. You peek out at the scene you left behind from the cocoon of Zeno's hold only to see Leon back on his feet and facing off against Victor instead. Well, that's convenient.
âSounds like a plan. Lead the way.â
Instead of letting go of you so you can follow behind Zeno and get out of here, though, he instead hoists you up into his arms and damn near teleports where Elpis was released, pocketing the remaining vials of antiviral then vaulting around the two fighting men that seem to have forgotten about you two and heading for the exit.
âThis is really unnecessary, I want you to know that,â you protest, grumbling when Zeno completely ignores you and keeps running at his inhuman speed that frankly makes you sick from the vertigo. You decide to hide your face in his chest to spare both of you from seeing your last meal make a reappearance, and while it feels weird to be the damsel in distress being carried to safety for once, it's also not a wholly unpleasant experience. Zeno smells like sweat, cigarette smoke, and expensive cologne, a smell you could use to guide yourself home if you suddenly went both blind and deaf. He smells like safety, like comfort, like all the things you gave up on when you became a mercenary and never thought you'd ever get to have, at least not in this life.
You make it outside right as the whole thing seems to collapse in on itself. You watch the ARK go down and find it in yourself to spare a moment to think of Leon and Grace and to hope that they made it out alive as well â despite everything that happened and your own loyalty to Zeno, you have nothing against those two. You sincerely hope they're alright.
âI think you can put me down now, Romeo,â you quip from Zeno's arms once you are fully back on the surface and walking at a normal pace again.
âI'm not letting you go until we are back in the chopper and headed home,â Zeno bites back. âYou almost died.â
Your heart aches and melts into a puddle at how quiet his voice is. He sounds scared. Like he really cares. Like it would've killed him to watch you die at Victor's hand â tentacle?
You lift your hand from the crushing grip it still had around your rifle and cup his face tenderly right over those black marks spidering across his skin.
âI'm sorry. I never wanted to be a liability to you. But thank you for saving me, Zeno.â
You can spot a glimmer of tears gathering on his lash line, making his pretty white lashes sparkle in the light of the helicopter you're headed towards, but you don't call him out on it. He leans into your gentle touch and takes a deep breath to compose himself before he lifts his chin and puts back the protective shell that has more cracks than not after the harrowing day he's had.
âConsider us even, I suppose. You save me, I save you.â
âHmm, I like the sound of that. Just me and you against the world, huh Z?â You chuckle softly under your breath, tone growing pensive, and are overjoyed to see Zeno's lips curl up into a small smile of his own right before he climbs into the helicopter and barks at the pilot to take off immediately. He finally sets you down now, letting you settle down in the seat next to him as the pilot lifts you into the air and gets you away from this blasted ruin of a city, but he doesn't let you go far. Zeno puts an arm around your shoulders, the weight grounding and comforting in equal measure, and lets you snuggle into him and under the heavy leather coat that you're frankly surprised never fell off even once tonight.
âJust me and you,â he echoes, voice quiet and for your ears only, before he plants a kiss on your hairline and pulls out another cigarette from his pocket. You watch him light it without complaint and only part your lips to accept the filter between them when Zeno's gloved hand presses it to your mouth without prompting.
You exhale, watching the smoke get carried away by the heavy wind, and close your eyes as you let yourself sink back into Zeno and the protection his silent presence promises. Maybe you don't need to be the one picking up pieces anymore. Maybe you can rely on someone else for once in your life.
Summary: What life is like when youâre Zenoâs personal assistant.
Warnings: Smoking, bio-terrorism. Zeno kinda a jerk sometimes but you both chill af. Zeno gets beheaded.
Working for Zeno and the connections pays extremely well. A job's pay you found yourself living comfortably with and then even some after bills to even spoil yourself occasionally.
The only price? Your damn sanity. Zeno is fine, annoying sometimes at best with his demands. Its the connections that are up your ass constantly demanding reports, and files of how much money Zeno is spending on his endeavors.
You were stressed, and exhausted constantly. Running around like a chicken with its head cut off.
Due to you being tired and stressed almost 24/7. You didn't take shit from anybody. Even Zeno himself.
Zeno found you amusing like this, annoyed at him and seeing your nose scrunch up was adorable. He would pick on you occasionally, but he would still give you what you wished.
Due to being constantly around Zeno, you smelled of second hand smoke. At first when you started working for Zeno, the smell of it made you have nasty headache's.
But now since you've been working for him a few years now. It didn't even bother you anymore. Still, you hated smelling like cigarettes. Thank god you found a good detergent for your clothes.
Since you've become accustomed to what Zeno needed. You always made sure to pack a lighter and the brand of cigarettes he likes in your pocket if he manages to smoke through what he has.
Zeno often places a cigarette in his mouth and leans toward you expectantly, smiling at you when you pull out the lighter and light it for him. Mumbling a thank you before taking a long drag.
Zeno likes to test you sometimes and enjoys it when you call him out for his bullshit. Others are shocked you say such things to him, as Zeno could kill you anytime he wanted.
At the mention of it. You only scoff. "You're telling me he could kill me in an instant? You think I give a fuck ? I welcome it if he does!"
When meeting Gideon for the first time you're the only one that's suspicious as hell with his plans. But Zeno's ego quickly takes over and tells you that it was the only lead to get Elpis.
When you heard that when Zeno kidnapped Grace you were pissed. This was NOT stated in the plans.
Zeno picked up his phone on the helicopter and was amused when he say your name on the caller ID.
Grace was looking at him weird when he heard your voice yelling at him. But that look in Zeno's eyes she could tell he wasn't angry. Was he...yearning? No. It couldn't be.
You had taken a private helicopter to the underground facility to demand answers to Zeno. But by the time you got there. You walked in on the scene of Zeno and Gideon arguing while what you assumed was Grace and some guy nearby.
Cue your shock when Zeno was decapitated right in front of your eyes.
Confusion mixed with....anger filled your senses as you hurried over when that guy and Gideon left to fight somewhere else.
"Oh no. You're NOT dying, you son of a bitch." You hiss as you roll his body over. Quickly digging inside your workbag. Quickly finding his head you manage to store it safely into a cold area.
This man was signing your paychecks. If the connections found out he was dead. You wouldn't get paid. Let alone, probably fired.
Deep inside the facility, you managed to store his head and body in a formaldehyde liquid to keep his body perfect and intact.
By the sheer power of will and not wanting to lose your job. You manage to bring him back to the connections and rapidly explain that you could fix him. If only given time.
How? Well, you had no idea. But your paycheck was on the line. And that was a pretty damn good motivator.
Stitching Zeno's head back to his body was easy enough. But making sure that the small strain of the Uroboros virus and the Mutamycete mixed together seemed to be a more difficult feat. But with the connections having it on hand. It was your last hope.
It took weeks on end. But the first stirring of Zeno waking up you were rushing over. Hugging him tightly.
"Oh thank god you're alive..." You rasp. "I can finally get my paycheck!"
Zeno was groggy and confused when you peppered his face in kisses. But eventually leaned into you.
You'll explain what happened later. But right now. You needed him to sign that check.
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Practice drawing sketch.
I think I am too stubborn in the drawing sketch after started drawing comics
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Tags: No Use of Y/N for Reader-Insert; Blood and Violence; Gun Violence; Canon-Typical Violence; Presumed Dead; Grief/Mourning; Crying; Heavy Angst; Unplanned Pregnancy; Single Parents; Kidnapping; Non-Consensual Drug Use; POV Alternating; Established Relationship; Mutual Pining; Albert Wesker Lives; Soft Albert Wesker; Protective Albert Wesker; Reunions; Getting Back Together; Family Feels; Happy Ending
Word Count: 17,754
Summary: Your and Albert's paths diverge when he takes the Alpha Team to Spencer's Mansion while you go off on your own mission. Fate conspires to keep you apart: you go missing and get declared dead, Albert is assumed to have died in the Mansion. Neither fact is true, but neither of you know that.
Going deep into hiding while carrying Albert's baby isn't how you envisioned your life to go, but you make do. That is, until you get kidnapped by someone from your past several years later and your daughter finally gets to meet the father she only heard about. And Albert? He isn't going to let you die on him for the second time - he is going to get you back, no matter what it takes.
Also on AO3: Here
Requested by anon here
a/n: don't come for me if you're a gideon fan pls
The explosion knocks you aside so forcefully that all the air leaves your lungs all at once as your back hits the ground harshly. You wheeze, holding your ribs and hoping nothing is broken, as the facility you were sent to investigate â ostensibly because of a string of recent disappearances, while in reality Umbrella is just trying to take out the competition again and sent you to gather intelligence from the company's private servers â goes down in a pile of rubble and flames.
The plan was easy â get in using your clearance to âinvestigateâ the premises as a S.T.A.R.S. officer, do some corporate espionage under the guise of looking at their employee records, then get out with the promise of calling them for a follow-up on the investigation should it become necessary. Only⌠neither you, nor Albert, nor Umbrella for that matter counted on the competition getting wise about the true motive behind your presence here nor Umbrella's involvement in the disappearances that gave you a reason to be here to begin with.
Their research facility blowing up sky high was not, however, in either of your plans, if you had to guess.
You barely made it out with seconds to spare. All your equipment, including your badge, walkie-talkie, and gun are somewhere in the rubble â the mercenary these people hired to take you out wasn't out to play and it took everything in you to escape him with just a few cuts and a lot of bruises, even if you had to sacrifice your stuff in order to get away.
Now here you stand, leaning up against a tree for support, as the flames lick ever higher in front of you, dark smoke rising up and choking the evening sky in its entirety.
What to do?
The research facility you're watching burn down to a crisp was placed, rather originally in your humble opinion, in the middle of fucking nowhere on the edge of a forest about an hour outside of Raccoon City. Your car is useless, having been parked too close to the building, and no other vehicles are in sight. You can't call for backup either, not with your only source of communication lying somewhere between the pile of rubble and the flames in front of you.
You heave a deep sigh of exhaustion and annoyance as you realise your only option is to pick a direction and walk. Civilisation is bound to jump at you at some point, right? If nothing else, stupid tourists are always hiking alone in places they aren't supposed to, maybe one of them will have a satellite phone on them that you can borrow.
As you begin the slow walk in the direction you're pretty sure you came from â hard to be certain given the mild concussion you suspect you're sporting and the rapidly falling darkness making everything look the same â your mind drifts towards home and, more importantly, towards Albert.
You've known Albert Wesker for about five years now, ever since you started working for Umbrella as a young prodigy researcher. At first, your run-ins were minimal and infrequent, both of you working on separate things and very rarely having cause to acknowledge each other for more than pleasantries. But a little over a year ago you were assigned to the Tyrant Project as an assisting partner to Drs. Wesker and Birkin, as well as co-opted as a member of the S.T.A.R.S. Alpha Team Wesker has been captaining since its inception, and that's when everything changed.
The cold and aloof man you thought Albert to be was actually deeply funny in a dry yet ridiculous way. Long nights spent working overtime in the labs with him led to you doubling over in laughter with cheap takeout in your lap, choking on your noodles, while Albert picked at his spring rolls with an entirely too self-satisfied smirk on his face at making you lose composure.
Boring days spent writing useless reports and investigating nonsensical cases while trying to act like you had no history with Captain Wesker were followed by geeking out over samples together in the evening â while trying to very seriously pretend like you both had more composure and professionalism than that â and gossiping about which member of S.T.A.R.S. you found most aggravating to work with.
It was gradual and it almost snuck up on you both, but slowly yet surely your professional relationship transitioned into one of deep, mutual respect and infatuation. Around three-four months ago, when neither of you could take the unspoken tension anymore, it culminated in you jumping his bones in the middle of the lab one day and Albert taking you back to his place so he could ravish you in all the ways he'd been fantasising about for months up until that point.
It's new and maybe hasty, but you love him. And you know that he feels the same even if he can't say it â it's in his eyes when he wakes up to find you still in bed next to him the morning after you went back to his place together, it's in the arm he wraps around your waist when you're walking down the street, deftly pulling you closer just in time to avoid getting knocked over by a speeding kid on his bike. It's the little things and the big ones and you honestly think, in the moments when you allow yourself to imagine a future beyond Umbrella and beyond Raccoon City, that you've found the love of your life in him. That you wouldn't mind spending the rest of your life at his side, whatever that life might look like. You'd follow him to the ends of the universe if he asked.
Which is why you're very loudly cursing Umbrella out under your breath as your tired feet trudge through the darkening woods in search of some proof of civilization in order to get help.
The plan was to go on this last mission so as not to arouse suspicion, then cut your losses after Alpha Team's mission at the Spencer Mansion concluded. Albert wanted to use this opportunity to gather some data on the Tyrant you've worked so hard on while also getting his hands on as much insider Umbrella knowledge as he could and you â well, you just follow wherever Albert goes. You can recognise a sinking ship when you see one so you would've packed your metaphorical bags and jumped overboard regardless, but with Albert having a more solid plan in place, you were down to cut and run together after fucking Umbrella over one last time.
But now with this mission going pear shaped in the most wonderful of ways you won't be able to do that. Alpha Team is probably in the middle of getting killed up in that Mansion by now and providing Albert with all the combat data for the Tyrant that he needs â you were supposed to be done here hours ago and be ready to leave that wretched city as soon as he returned. Now, you'll be lucky if you don't get killed by a wild animal by the time the sun rises over the horizon.
The night is cold even in the middle of summer and the oppressive darkness doesn't help. You trudge through the forest tiredly, grateful that at least your flashlight survived your showdown with the mercenary, and try to think about Albert's warm hands rubbing feeling into your exposed arms or his hot breath against your neck, sending shivers of another kind down your spine. You miss him. You wish you were back at his apartment, snuggled up with him on the couch and watching bad Spanish soap operas on TV while making fun of the ridiculous plots, not freezing to death and trying to ignore the aching in your entire body after a surprise assassination attempt.
By the time you run into another human soul you feel like a stiff breeze could knock you over and out. Your salvation comes in the form of a single mother commuting to the next city over from Raccoon City so she can drop off her kid at her ex husband's. The idea of going all the way there and then back to Raccoon City isn't exactly your idea of fun, but Albert doesn't pick up when you try calling him from the woman's phone and you don't want to risk waiting around for hours on the side of the road for the next person headed in RC's direction willing to give you a ride.
Grateful but exhausted beyond words, you accept the woman's help and climb in the back seat next to her daughter, where you fall asleep and become dead to the world as soon as the car starts driving again.
The kind woman letting you hitch a ride with her doesn't ask too many questions on the way back. You make small talk just to be polite and she seems more than happy to ramble for the hour it takes to get back to Raccoon City from where she dropped her kid off. Hearing her talk about said kid, though, captures your unwilling attention. From the way she talks about her daughter you'd think that kid invented goodness in the world. It makes you wonderâŚ
You've never given children too much thought until now, honestly. You weren't the type to dream about that white picket fence fantasy as a little girl, more focused on your own stuff and on planning your academic future instead. Albert has never brought up the idea either, one way or another, and you haven't considered the possibility of creating a family of your own with him until now. Obviously, now is not the time for children, but your mind can't help but wander towards a far-off future where your last name might be Wesker and whatever house you're living in with Albert is filled with not just you and him, but a tiny combination of the two of you as well.
You don't hate the idea as much as you thought you would. Not if it's with him.
You get the woman to drop you off a few blocks away from Albert's place, thanking her for the ride and promising to be more responsible in the future about having a ride home after going hiking alone â weak excuse, but she seemed to buy it â but when you get within eyesight of his building you have to stop dead in your tracks, feeling your heartbeat get stuck somewhere in the middle of your throat.
Those are Umbrella soldiers. Two SUVs are parked in front of his building, a dozen or so men milling about and waiting for someone to buzz them in. You don't know what time it is â sometime in the afternoon, if you had to guess â but Albert should be back from the Mansion by now. And Umbrella should be nowhere near his residence.
One of the hired guns lifts his head right at that moment and, unfortunately, spots you from across the street. He yells something you can't make out, then lifts his gun and aims the scope right at you. You gasp and turn on your heel then start running like you've never run before, flinching when the building facade next to you explodes in a shower of debris as a spray of bullets hits the place you were just in.
You use every bit of combat experience and stealth training you have to confuse your pursuers and lose them in a crowd before doubling back in the direction of your own apartment. You haven't been living there full-time for weeks now, not since Albert suggested moving some of your things into his place â for convenience, he said aloofly, since his apartment was closer to the R.P.D. â but you still have important stuff stashed away there, like a packed bag for emergencies and a spare weapon. Umbrella knows your address, but they also know of your involvement with Albert, so you hope that they won't think to come here just yet or if they do, that they'll think it too obvious a place for you to go to immediately after nearly being gunned down in the streets by their own men.
You observe your apartment building and the surrounding area for five minutes, give or take, before you decide that either it's safe to go inside or the risk is worth it anyway. You nod in the direction of the doorman but hurry up the stairs before he can wonder at your disheveled appearance and ask any awkward questions.
Your apartment is dark and, for all intents and purposes, seems empty. The air is stale since you haven't been by to air the place out in a while, but at least it comforts you with the proof that nobody has been circulating fresh air in here since you last visited. You don't turn any lights on. On muscle memory alone, you navigate your place and find the bag you stashed a long time ago in your bedroom, checking to make sure you have everything you need before pulling the gun and knife out of their compartments and stashing them in their holsters on your person.
You're straightening up, ready to shoulder the bag and hightail it out of here before trouble arrives, when the floor creaks and you hear your front door clicking shut. The noise is nearly silent â or would've been if you weren't on high alert and in survival mode right now.
You swivel around in one swift move and have your arm raised, knife at the ready, just in time to parry the hit that would have knocked you out cleanly. An Umbrella soldier greets you but before you can think or say anything else, she starts attacking. All your mind can focus on is eliminating the threat after that, leaving no room for asking questions.
While you're grappling with the woman in front of you, another soldier emerges from behind her â probably the one who closed the door behind him â and you have to kick the woman away from you and dive behind the dresser to avoid being filled with bullet holes. You whip your pistol out of its holster and return fire, but the weapon gets knocked out of your hands by a swift kick from the woman you were just fighting. You yell in pain and frustration then tackle her to the ground, grunting while you parry every other hit from her but raining fists down on her face in retaliation. A well placed punch to the jaw has her stunned for just a moment and it's just long enough for you to pull your knife out once more and stab her viciously in the neck. She gasps, gurgling wetly as she chokes on her own blood, then goes limp as you remove the knife from her neck and let her blood spray everywhere before jumping off of her and turning back around to face the other remaining soldier.
Chest heaving and covered in blood, you come face to face with the barrel of your own gun. The sight brings you up short for the moment and you freeze.
âCome quietly now or I pull the trigger.â
You stare up at the man cross-eyed for a moment, giving the illusion that you're thinking about it, before you sneer at him and spit on his shoes in response.
âI prefer option number three,â you reply before jamming your knife in his wrist at the same as you push the hand away from you. He presses the trigger on reflex and the gun goes off uncomfortably close to your ear, deafening you for God knows how long, but you don't have time to spare a thought for that. In the same movement, you yank the knife out of his wrist and kick him in the balls where you know their armor is shit, then throw the already bloody knife straight at his face where it lodges itself in his left eye. He screams, stumbling back into the wall, but before he can fully wrap his hand around the handle to yank the knife out â bad idea, at any rate â you drag him forward by his vest, knock him to the ground, then place your boot on top of the handle and stomp. The knife goes all the way in with a squelching, crunching sound that grates on your good ear, the man screams some more, then he falls silent. He probably passed out from the pain, if you had to guess, but you don't waste too much time thinking about that.
Every single bone or joint in your body protests as you straighten up. You yank your vest off and use it to wipe away as much of the blood on your person as possible, then throw it to the ground and grab a baggy hoodie from the closet and yank it on over your undershirt. You leave the knife where it is, unwilling to waste time trying to yank it out of that idiotâs face, but scoop your gun up from the ground and stash it under your hoodie, kept out of sight but where you can quickly pull it out and use it should you have to. Then, without wasting any more time, you grab your emergency bag and leave the apartment as quickly as you entered it.
You go up to the roof instead of going down, knowing that if these two chucklefucks followed you inside then there are bound to be more Umbrella goons waiting for you downstairs. The rooftop is blessedly empty but you make sure to prop a wooden plank against the doorway and jam the biggest brick you can find against it as well, for good measure.
One thing you've always hated about this apartment building is how close the next one is to you. You've often argued with the bastard whose window is right opposite yours because he always turns the music on at the highest volume possible after midnight and leaves the windows wide open â even with yours firmly shut, getting away from the noise is impossible.
But now, that bad architectural design is working in your favour. Swiftly and without hesitation, you make your way to the edge of your building and nimbly hop over to the rooftop of the neighbouring one. Once up there, you jump down to the fire escape, the rooftop access door here being firmly shut, and in a few quick jumps you find yourself back on solid ground, landing right next to the dumpsters behind the building.
A couple of stray cats startle at your sudden appearance and hiss at you in disgruntlement, but you simply roll your eyes at them and start walking.
Despite it being the end of July, the grey hood of your hoodie goes up so it can hide your disheveled appearance better and, hopefully, help you not be as recognisable. You look towards your apartment building out of the corner of your eye as you walk casually in the opposite direction and you aren't surprised to see the same Umbrella goons from Albert's apartment standing around in front of yours. Thankfully, you pass by unnoticed this time around and manage to get away and out of their sight successfully.
You walk like this, paranoid and on your guard while trying to seem relaxed and unbothered, for a few more blocks. Finally, when you feel like your body might give out from all the strain youâve put it through in the past twenty-four hours, you reach a small parking lot in a residential area where a nondescript Toyota Camry is waiting for you. You crouch down next to it, bending your arm under the car and patting it down until you find what you're looking for, then emerge victorious with your prize: the car keys.
You unlock the car, throw the bag in the passenger seat, then get behind the wheel.
You let your forehead rest against it for a few, precious moments, while you take a few deep breaths and try to get yourself under control. You're exhausted even with the brief nap you caught in that woman's car earlier. You likely have a couple of bruised ribs, some cuts and scrapes, about a million bruises all across your body, and the mother of all nauseas. And you're worried about Albert.
Honestly, if you weren't so stressed and tired, you'd probably be crying like a baby right about now, but fortunately for you, your body can't even handle that at the moment. Instead, you take a few deep breaths while trying to ground yourself in the present, then lift your head back up and put the keys in the ignition.
You pull out of the parking lot then take off out of there without a backwards look, making for the exit out of Raccoon City and thinking only of getting as far away as possible, praying to whatever might be listening or watching that Albert is safe, and hoping that you'll get to reunite in a few days at most and laugh together about Umbrella's failed attempt to kill you over a glass of wine at some fancy restaurant somewhere sunny and foreign of his choice.
Your knuckles tighten on the steering wheel and make the bones jut out with the strength with which you're gripping it. You have to hope it will happen, otherwise you'll go insane thinking of the alternative. Your eyes stray over to the bag sitting innocently in the passenger seat, the phone you stashed there whose number only Albert knows remaining worryingly silent. He's okay. He's fine. He has to be. If you keep repeating that to yourself it might even turn out to be true eventually.
***
Two days you spend jumping from cheap hotel to even cheaper motel, waiting for any sign of life from Albert. When nothing happens, you give in to your worry and desperation and find the nearest public library in whatever small town you've holed up in today and hack into the R.P.D.âs database for any clue about the fate of the S.T.A.R.S. team and their captain.
What you find chills you to the bone.
Dead.
Albert Wesker, PhD, S.T.A.R.S. Alpha Team Captain, and your boyfriend, is dead. Killed in action. Body never recovered.
You stare blankly at the computer for a long time, the black words on white background swimming in front of your eyes and failing to make any more sense than they did the first time you read them with every minute that passes. You only wake up to the reality of your situation and future when the screensaver comes on and forcibly breaks you out of your stupor.
Silent tears track down your cheeks and leave a fiery path behind but you wipe them away quickly and blink the wet spots out of your eyes. You click through the recent reports uploaded to the police database to see that you've also been declared missing, presumed dead, while most of the S.T.A.R.S. members have also been killed in action: among the survivors you can count Officers Redfield and Valentine, as well as Burton and Chambers. Your eyes narrow momentarily at those names, cursing them silently in your head and wondering what kind of world you live in where a stupid, naive rookie like Chambers is alive but your beloved Albert isn't. But you don't allow your bitterness to overwhelm you.
You leave the police database as cleanly as you entered, leaving not a trace of your presence there, then erase your browsing history and get back to your feet. A wave of nausea washes over you and you have to hold tightly to the chair you just vacated so you don't tip over, then shake your head to clear your vision and will your stomach to settle down before leaving the library and making your way back to the motel you're staying in tonight.
Once you reach the room you rented, that's when you finally break down. You curl up in the middle of your bed, ignoring the cheap laundry detergent scent invading your nostrils and the scratchy surface of the bedsheets, and bury your face in the top pillow as you start crying like you've never cried before in your life. Loud, ugly sobs escape you and you feel like your world has come to an end. A gaping wound sits where Albert is supposed to be. He can't be dead. Not him, not your Albert.
What are you supposed to do without him now? What even is the point of anything? It was supposed to be you â the two of you together, giving Umbrella the middle finger and going off to be successful scientists on your own. Now, all of that is over before it could even begin. That tentative future you envisioned a mere few days ago has shattered and all you can do is stare down at the pieces and try to create a new picture out of the mismatched shards. All you end up doing is cutting yourself open on the sharp edges, though.
For days, you wallow. Your routine becomes waking up dehydrated, with puffy eyes and a pounding headache in your skull, then emptying your stomach for approximately twenty minutes while you regret every life decision that has brought you to that moment. Then, you order room service while you halfheartedly brush your teeth and fix your appearance as much as possible, and end up spending the entire day holed up in your room, thinking about Albert and spiraling.
A week after learning of Albert's fate, you wake up drenched in sweat after a dream of attending his funeral with a crying toddler hiding their face in your chest. You barely make it to the toilet in time.
The dream, while incredibly cruel and distressing, is useful for one thing: it makes a light bulb light up in your head and give you a possible explanation for why you've been feeling so inexplicably sick for the past week or so. With more than a little dread in your heart, you go to the nearest pharmacy and pick up a bunch of pregnancy tests then take them all to the shitty bathroom of your accommodation and wait for your fate to be decided by a bunch of plastic sticks with pee on them.
The sight of those two red lines on all the tests doesn't surprise you, but it still makes you slide down to the cold, tiled floor and break down into heartbreaking sobs for the second time this week.
You make the decision to disappear that very night. You knew you couldn't stay in this limbo forever, a decision needed to be made sooner or later in spite of the overwhelming grief in your heart. You don't know what to do about the fetus â you have nowhere near the necessary mental capacity to deal with that right now in a way that wouldn't be influenced by grief and despair one way or another â so you just shove that knowledge to the back of your head and jump back in your getaway car before taking off once more.
You can't stay here. Umbrella know you aren't dead, though why they're publicly pretending like you are eludes you. Regardless, their reach is wide, especially in the United States, and you can't risk them finding you and killing you or worse. The choice is easy after that.
Having prepared for this well in advance, it's not that hard to use the fake documents you had forged for you a couple of years ago and get on the next flight out of the U.S. You pick somewhere remote though not cut off from civilization, small and pleasantly quiet but where you won't stand out too much by looking like a foreigner. It doesn't take long to set up a new life there and within a month, you have a house, a job, and a brand new, civilian-friendly past that makes you blend in perfectly with the locals.
You also gather the courage to visit a gynecologist. The blood tests and ultrasound spell it out very clearly â you're pregnant with Albert's baby. In spite of being cautious and using protection, the strong little heartbeat pounding like a war drum in your ears is a testament to your and Albert's relationship, proof of his life and presence in your life, a reminder of what he meant to you and what he still does. The smart thing to do would be to get rid of it. You know that, the fetus probably knows that. Albert would advise you to do it, too, if he could tell you that. You aren't in a position to be pregnant, not when Umbrella could show up at your door at any moment and drag you back to one of their facilities or kill you point blank.
Besides, what do you know about raising a kid? How can you take care of a baby when you still wake up with wet tear tracks on your cheeks, crying out Albert's name in a dark, empty room? The kinder choice would be to spare the poor thing the experience of having you as a mother and forgetting about the whole thing entirely.
But your heart squeezes in your chest, the muscle threatening to burst out with your agony, when you think about removing that tiny kernel of life out of you, the last piece of Albert that you have. It's so illogical and irresponsible. It's downright stupid. But you can't bring yourself to do it.
You end up keeping the baby.
To your eternal relief, Umbrella don't track you down to your small little town in the middle of nowhere. The life you're building for yourself is not easy but it's peaceful â the baby in your stomach keeps growing day by day and you fall in love with it with every whispered story about their daddy that you speak to it late at night, when the phantom touch of Albert's hands makes your chest ache and your lower lip tremble.
You find out it's a girl and name her Athena, deciding that if she can't have her father in her life then at least she can share an initial with his name instead. You raise her the best you can â sometimes you fumble and you both end up frustrated and in tears, but you also try to make it right and make up for her lack of a father. You love her more than life itself and make sure to teach her how to defend herself, how to survive in this world that is so much darker than the one you've built around her to protect her. You tell her about Albert every day as she grows up â she doesn't know his voice or what he looks like, but she knows as much about him without ever having met him as a human being could.
When Athena is twelve, you find out that he's alive. It's by complete accident that you do â the news of Kijuju being shut down and quarantined as a consequence of a mass outbreak of some âas of yet unknownâ virus sounds too similar to a B.O.W. incident for it not to raise any alarm bells in your mind. Despite being firmly out of that world and doing your best to remain that way, you've kept yourself aware of stories like this, always wary of being found out after all or simply caught up in a similar incident â the last thing you want is your daughter experiencing something like what happened in Raccoon City after you left. You only heard about it and it was enough to make you have nightmares for weeks after the fact.
So when you hear about Kijuju, you look into it. You know how to go in and out of places without being detected by now so you don't bother with checking official sources, knowing better than to expect real facts as opposed to heavily edited government propaganda. You go digging. And what you find leaves you in a daze. For the second time in twelve years, you read world-shattering news about Albert on a computer screen and are left staring back at it in a complete state of total shut-down.
You don't know how you function during those next weeks following the discovery. Athena is worried â even at her young age, she is very perceptive and knows you as much as a child can know their sole parent when most of their universe revolves around them â but you try to push through and act like everything is alright. You're conflicted.
On the one hand, you feel elated, happier than you remember being in a long time. The love of your life is alive after all. Your daughter's father is alive. Your dear, precious Albert. You want to track him down immediately, call him, find him, visit him, burrow into his skin and never let him out of your sight again. Athena deserves to know her father from something other than stories. Albert deserves to know that he has a daughter and to get to know her even if he's twelve years too late. You deserve to stop feeling like half of your soul died in a Mansion in the Arklay Mountains and to start living again for someone other than your child.
But common sense kicks in sooner than you'd like.
What Albert is doing is dangerous. What he tried to do is dangerous. That life is dangerous. Ever since you decided to keep Athena, you've been doing everything in your power to keep her as far away as possible from everything that has to do with the life that almost killed you and which you thought killed him. Going after Albert and dragging him into your lives would only mean dragging danger back too. For Athena, who is innocent and pure and should remain that way, untouched by things like bioweapons and viruses and corporate espionage, but also for Albert. You and Athena would only be a weakness, a distraction, something to exploit by his enemies and use against him as leverage or as a bargaining chip.
No, it's better if he doesn't know about you. It's better if Athena doesn't know about him. It's cruel to both of them and it kills you inside to make this decision for them, you know neither of them would probably forgive you if they knew⌠But it's the only decision you can rationalise making. It's simply the safest option.
âMom, are you sure you're okay? You know you can talk to me, right?â Athena eventually asks over dinner, shortly after you've made your decision.
She's picking at her pasta worriedly and it makes a heartbroken smile appear on your face to see her little pouty face looking so down and worried on your behalf.
âI know, baby,â you answer softly and extend a hand towards her cheek so you can rub some sauce off of it and make her scrunch her nose at the invasion of her âbubbleâ. âI've been feeling a bit down but I'm okay now, I promise. Everything is alright now.â
Athena throws you a dubious look but thankfully she loses that wrinkle between her brows that is an exact copy of Albert and resumes eating her dinner with a bit more enthusiasm. âIf you say so.â
âPinky promise,â you vow, washing down the guilty lump in your throat with your glass of water, then change the subject before she can see the haunted look in your eyes by asking her when she wants you to take her to the botanical garden for that playdate she mentioned yesterday.
It's not easy, looking your daughter in the eye and lying to her, but you do it anyway, no matter how much it kills you, because you know that it's the right thing to do. She can hate you later in life when she finds out the truth, you won't begrudge her that â she can do whatever she pleases, anything at all, if it means that she'll remain safe and happy and won't know the pain of losing a loved one to the harsh realities of the world like you do.
That is your cross to bear and you bear it gladly. Even if it might very well kill you one day.
***
Some might call you crazy but your motto for the past sixteen years has been âit's not paranoia if they're really out to get youâ and if you're being honest, it really hasn't let you down even once in those very long years. Ever since finding out about Albert still being alive four years ago, your paranoia levels have gone through the roof when it comes to your and your daughter's safety.
It might be illogical â after all, Albert has been alive the entire time and nothing happened in those first twelve years you were ignorant of that fact. But it feels like the universe works on Looney Tunes logic sometimes, like if you look down then that's when gravity will start to affect you. Because of that, you've been living in a constant state of overpreparedness and vigilance, as if simply knowing Albert is alive is going to attract Albert-sized problems and send your carefully built house of cards tumbling to the ground with just a look.
And in your defense, while the proof of your paranoia is about four years late to arrive, arrive it motherfucking does.
You see, for the past two weeks, you've noticed heavier traffic on your street than usual. Cars that look normal enough, with license plates that match the area, have been parked around the neighbourhood, and somehow always in places with a good vantage point for monitoring and observing your house. Nothing about them screams weird out of context and from an outsider's perspective, but you, nonetheless, know the truth. And if that weren't enough, you've also noticed suspicious glinting lights coming from high up places â such as nearby rooftops â that somehow always manage to disappear when you take a closer look in that direction. You know the glint of a sniper in the sun when you see it.
You don't know who your secret admirers are. You don't know what they want. Your only consolation is that they seem to be interested in you specifically and not your daughter. It's not much, but it puts your mind slightly at ease.
You dust off all your weapons while Athena is at school, taking your gun apart to clean it and oiling it for the first time in quite some time. You start hiding straps under your clothes, around your thighs and ankles, at your wrists, where you keep knives you can take out at a moment's notice. When you and Athena retire for the night, you double and triple check the locks, arm and rearm the security system until satisfied, then stay up an extra hour past your usual bedtime just to make sure that no one is trying the locks or getting other funny ideas.
Honestly, if it was just you, you'd also be changing up your routine to make it extra harder on the stalkers to get a grasp on you. Unfortunately, Athena would notice immediately and start getting worried â your darling daughter is like a momma bear when it comes to you, always so sensitive to your moods and quick to try to find what's wrong and fix it; she's taken it upon herself to be âthe man of the houseâ and you're far too amused and charmed by the prospect to put a stop to her behaviour, especially since you are very careful to reinforce the idea that you are the parent and not the other way around. She seems to enjoy the âresponsibilityâ and the idea that she is taking care of you the same way you've been taking care of her since birth. It's cute, honestly.
But that being said, your overprotective teenager will certainly catch on that something's off if you suddenly start switching up the routine, and that's the last thing you want to happen. Athena needs to be protected; she doesn't need to know when that is actively happening.
Still, you aren't paranoid for nothing.
As the suspicious behaviour continues to happen, you prepare. You start tracking Albert down in earnest, needing an actual location instead of the general knowledge of his whereabouts that you've been holding for the past four years â yes, you've been keeping vague tabs on him because you are a fool in love who loves torturing herself with having the man she loves so close yet so far away (and also because if you don't make sure he's still alive every other month or so you might actually go insane). He's not an easy guy to track, let me tell you, but you're not you for nothing. You've been in love with this man for so long and you got to know him so well during the brief period you got to have him in your life that you know to look where most people wouldn't.
Once that's done, you get to planning. You buy two plane tickets with no fixed date â and nearly drain your savings account but who's counting â and stuff them in an envelope together with all the important documents pertaining to you and Athena. You pack a bag holding essentials for Athena and bare minimum for you and stash it all behind the washing machine in the laundry room, the one place guaranteed to not be snooped into by your daughter.
And then, you get to writing.
You write two letters. One is for Athena. You explain everything about your former life as clearly yet as succinctly as possible. You tell her about her father, about finding out about his status four years ago, and about choosing to keep that a secret for everyone's safety. You apologise but tell her you'll understand if she can't forgive you. And then you give her Albert's details and instructions on how to get to him, telling her in no uncertain terms that she is to seek him out and stay there. Under no circumstances is she to get any ideas and go looking for you if anything happens to you and she has to make use of all these instructions.
âBy any normal person's standards, I will most likely deserve anything that might befall me after everything I did when I worked for Umbrella. This isn't me seeking penitence â I knew what I was doing was bad as I was doing it and I doubt I would change anything, not even in retrospect, since all my bad deeds are what brought me to your father. No, this isn't me feeling sorry for myself. I simply don't want you anywhere near the kind of people who would come after me. Your father and I might be bad people who've done bad things, irredeemable by all standards. But that doesn't mean you have to be one too. Be better than us. Be kinder. Hate us, if you must, just stay alive long enough to do it. Stay safe, my little warrior. And remember that you make me proud every day that you are alive.
Love, Momâ
The other letter is for Albert.
You put both of them in individual envelopes, writing their names clearly on each of the missives, then place them on your nightstand in a place you know Athena will find them if she goes looking â which she will, if anything happens to you.
The dreaded day, as expected, isn't late to come.
You drop Athena off at school in the morning as usual, accepting her kiss on the cheek with a smile before returning it with one on the forehead, and leave her with a reminder to turn in her essay today if she doesn't want her teacher throwing a fit again. You pull out of the parking lot with a sigh then switch lanes when you approach the stop light so you can head in the direction of your workplace. When you look in the rear view mirror, one of those suspicious cars is idling right behind you.
When you get out of your car once you arrive at your destination, you can hear the slamming of car doors and heavy, decisive footsteps heading in your direction. You pull a knife out of its hiding place and your gun, readying yourself for a fight, but you are already too late to resist. Something stabs into your neck, a tiny pinprick that paralyses you almost immediately, and you have to hold on to the open car door for balance as you half turn to regard your assailant through eyelids that are getting harder and harder to not let close.
âAh, Mrs. Wesker. We finally meet. But that's not quite right, is it? Should I say instead⌠Doctor? You haven't practised in more than a decade, though, from what I've been able to gather. Regardless, my name is Doctor Victor Gideon, glad to make your acquaintance. I'm sorry about this, but we have some business to attend to, you and I. Don't worry, these gentlemen right here will take excellent care of you on the way to our destination. Wouldn't want to damage the goods, now would we?â
You stare up at the unnaturally tall man with the weird goggle-contraption on his head and the foul-smelling breath but you don't get to formulate a response before whatever dart you were hit with completes its effect and knocks you out entirely. You feel arms catching you and hear murmuring voices above your head, but it's like hearing it all as if you're underwater. Your last thoughts are of your daughter and the weird vindication of having been right.
It really isn't paranoia if they're truly out to get you.
***
When you aren't there to pick Athena up from school at the end of her day, she doesn't think much of it at first. Sure, it's a bit odd that you didn't say anything about running late or not coming at all because of a work emergency or something, but Athena is a big girl and she can get home all by herself without issue. It's not the first time she's had to take the bus home and it probably won't be the last either, even if you usually prefer to drive her places instead of entrusting her safety to the city's public transport network.
Athena bids her friends goodbye after ten minutes of waiting for you without luck, then she starts walking towards the bus station. The text thread with you remains silent, her messages left on delivered but not read whichâ yeah, it doesn't mean anything, you might just be really busy at work or your phone died and you haven't had a chance to charge it yet but⌠This smells fishy to Athena. You just don't do this kind of thing.
You're the most laid back overprotective mom in the history of moms. You let Athena do pretty much anything as long as she's being safe about whatever it is and comes to you for help the second something goes wrong, but you also require regular check ins, her location turned on at all times, and you always make sure that she can reach you at all times, regardless of what you're doing or where you are. It's just not like you to not pick her up from school without prior warning and to go radio silent in both texts and calls afterward.
Athena starts chewing on her bottom lip in worry as she settles in to wait for the bus to arrive.
When she was younger, she used to make up all these wild scenarios in her mind whenever you were gone for more than twenty minutes at a time. If you said you'd be home at five thirty and the clock struck five thirty five with you nowhere in sight? Oh, she was already planning the funeral and wondering what kind of family she'd be placed with after she was declared an orphan.
One time, when she was about seven years old or maybe older, she can't remember, you had to do some overtime at work and it just so happened that it started raining so hard Athena was worried the windows were going to give out under the strength of the downpour that very same evening. And because she knew you didn't have an umbrella with you and your car was in the shop for a minor repair, little Athena had the brilliant idea to sneak out of the house while the old neighbour who watched her while you were at work napped on the couch without a care in the world, all so she could bring you an umbrella so you wouldn't get soaked on your way home.
All of this to say, Athena worries about you. Always has, always will. You're her mom, the best there is, the prettiest, the smartest, the most badass. She wants to be like you when she's older and she will fight anyone on your behalf if given half a chance.
So when you pull a disappearing act like this on a random day in the middle of the week without explanation? All those wild scenarios of finding you dead in a ditch somewhere rapidly come back and make a home for themselves in her mind.
It's after she gets on the bus that it occurs to Athena to just call your workplace and see if they can put you on the phone for her real quick. She's never called there before since she's never needed to, but you made sure to save the front office's number as well as your direct supervisor's in Athena's phone in case of emergencies. Fumbling with her phone for a second, Athena scrolls down until she finds the right number and presses call, lifting the phone to her ear with trepidation and hoping that she's just being stupid.
âHello? Uhm, this is Athena, I'm calling to see if you could put my mom on the phone for me? I can't reach her on her personal cell,â she says as soon as the call gets picked up, giving your name to the person on the other end and waiting for the confirmation that you'll be there shortly. Unfortunately, her hopes are dashed.
âI'm sorry, kid, but she didn't show up today. We've been trying to reach her all morning after we realised she wasn't simply running late, but we haven't been able to get a hold of her yet.â
âOh⌠That'sââ Athena can feel herself getting choked up so she clears her throat and blinks repeatedly until she feels more in control of her emotions, then resumes speaking as if nothing happened. âThank you for letting me know and sorry for the bother.â
âNo bother. Hey, are you a minor, though? It might cause problems if you've been left unsupervised and we didn't alert the authorities. So actually could youââ
âNope, I'm all good! Gotta go, bye!â
Athena slams the end call button with more force than necessary before blocking the number entirely and releasing a very heavy breath in response. She fiddles with the now locked phone anxiously, biting her lip and trying not to cry. What the fuck is she supposed to do? Something is going on here, something that is very clearly wrong. You never showed up at work? You never miss a day unannounced unless Athena needs you home. You were clearly on your way there after you dropped her off in the morning!
And now you're not answering any of her calls or texts either.
The panic and anxiety in her chest don't lessen once she gets off the bus and starts walking home either. All sorts of scenarios, each one more outlandish than the other, run through Athena's mind as she walks towards home without any sign of life from you. By the time she finally gets home and puts her key in the lock, she's almost managed to convince herself that you just fell suddenly ill after dropping her off so you went home, and she's just going to find you half-delirious with fever on the couch but perfectly alive and all in one piece. But when the front door swings open and nothing but silence and the ticking clock in the living room greets her, fear grips Athena's heart and refuses to let go.
âMom?â she calls out tentatively as the door falls shut behind her and her school bag drops to the floor in the middle of the entryway without ceremony. âMom! Are you home? What the hell happened? Mom!â
There is no answer.
Athena almost rips her shoes off her feet, not sparing a glance to where they land when she throws them away, then starts searching the house frantically, running from room to room and yelling your name as she goes. Her voice gets louder and more panicked the longer she goes without finding hide nor hair of you. She can feel her heartbeat in her temples, a broken staccato that spells danger, death, tragedy. No. Anyone but her mom. Nothing is supposed to happen to you! You're mom!
Finally, Athena bursts into your bedroom, the farthest from the front door and the last room to remain unchecked, but your bed looks untouched from when you made it in the morning and there is no sign that you've been in the room since you left it. Full of despair and not knowing what to do, Athena collapses on the edge of your bed and grips her hair tightly as she starts crying uncontrollably.
She sobs and whines your name between hitched breaths for long minutes. Every time she thinks she might calm down, the reality of her situation crashes down upon her once more and sends her into a fresh spiral. It's ironic in a way â that something terrible has clearly happened to you and all Athena wants is for you to be here so you can tell her what to do.
She's not a grown up. She's as far from being a grown up as humanly possible and this fact has never hit her as hard as it's hitting her right now â hopeless, helpless, and alone.
Eventually, Athena's tears subside and she emerges into the real world with not an ounce of a clue about what she's supposed to do. She should call the cops probably, right? That's what you're supposed to do in these situations. Maybe you got into a car accident and the other driver ran off. You could be dying slowly without help on the side of the road somewhere as we speak. Or worse, what if a creep got a hold of you and you're being held against your will somewhere, scared and fighting for your life? That stuff happens more often than you'd think!
But still⌠Athena can't imagine you in either of those scenarios. You're the most careful and skilled person she's ever met and she isn't saying that just because you're her mom. You're a goddess with a gun in your hands and don't even get her started on knife handling. Athena knew how to disarm a fully grown adult before she learned how to roller skate.
You're no ordinary mom, that much Athena has gathered over the years. You're tight lipped about your past, giving nothing away beyond âbeing a former special forces officer and a medical researcherâ, but Athena knows this much: you wouldn't let yourself die in a car crash so easily and not many people could probably get the drop on you, least of all your run of the mill local creep.
âFuck! Where the hell are you, mom?!â Athena groans, despair creeping back into her voice, and as she rubs a stressed hand over her face her eyes fall on your nightstand.
She knows the contents of that nightstand better than her own. She's always bothering you and getting all up in your space, after all. âLike velcro,â you said once, years ago, with a fond smile on your face and so much love reflected in your eyes. So Athena can consider herself something of an expert on the things she is likely to find in your room and, more specifically, on your nightstand. And that is not one of them.
With trembling hands, Athena reaches for the conspicuous envelope propped up innocently on the wooden surface and grasps it cautiously between her fingers. To her surprise, the envelope is thicker than she expected, but when she inspects it closer she realises that it's not just one but rather two. One bears her name, which in and of itself is worrying enough. But then she flips the other one over and her heart stops in her chest for a second: this one bears a name she's only ever heard but never truly known, a name she only knows how to pronounce with love and longing and grief wrapped around the syllables because that is the only way you've ever spoken it. The name on the envelope is her father's.
âMom, whatâŚ?â Athena mumbles, mystified, and gingerly places the package bearing her father's name on the bed next to her in favour of opening the one clearly meant for her.
What she finds in the letter encased within is not what she expected. Words like âundercoverâ and âUmbrellaâ and âbio-weaponsâ float in front of her eyes without making much sense. It's like she knows all those words individually but not put together. But then it gets worse. You tell Athena about her father not being dead and about hiding that fact from everybody for the past four years. And then⌠Then you tell her of your suspicions about being watched and your expectation that something might happen to you. Athena reads your instructions about grabbing the bag of stuff you stashed in the laundry room and finding her dad and she can't believe her eyes.
You⌠You are such a moron.
So determined to protect her, to keep her safe, to spare her the knowledge of the horrors of the world⌠and not once remembering that she isn't quite the naive little kid she once was, that you don't have to bear the weight of the world on your shoulders and suffer alone.
A small part of Athena feels hurt that you kept such a big part of your life hidden from her for all these years. A bigger part feels betrayed that you didn't tell her the truth about her dad. But mostly⌠Mostly, Athena feels heartbroken on your behalf. You've dedicated your entire existence to raising and protecting her, not once expecting anything in return for all the sacrifices you've made for her. âThat's my job as your mom,â you always say and sure, it is, but Athena has seen what other people's parents are like and she feels like you deserve a little more recognition than that.
This entire time, for the past four years, while Athena was living her life without a care in the world, entirely clueless, you were suffering silently through the knowledge that the man you love more than anything is alive somewhere in the world and you can't do anything about it without possibly putting all of you in danger.
And now you're sending her to him, the man you loved so much you made Athena love him without ever having even met him, and you're telling her to not go looking for you, to leave you to your fate and hate you for keeping secrets if that's what it takes, anything, everything, as long as it means she is safe and sound.
Athena can't do that. She loves you too much for that to ever be a real option.
But she will follow your plan, that she can do. She'll grab that bag and go to the airport. She will use one of the plane tickets you purchased, she will get on that plane, and she will find her dad. And then she will make sure to tell him that it's his turn to do something for her for once and that is tracking you down and bringing you back home in one piece.
That is Athena's plan. And honestly? She likes it much better than yours.
***
For the past sixteen, nearly seventeen years, Wesker has been living half a life. He's gone through the motions, made plans, executed them, failed, tried again â he's done everything he was supposed to do and everything he envisioned in his future.
But throughout it all, there has been an empty space at his right, a hole in his heart, a name on the tip of his tongue but never uttered.
He did it all. But he did it alone.
When he awoke from the Tyrant's fatal hit, much later than he'd planned but still with time to spare to get out of that accursed Mansion, his first thought was of you. After he cursed Umbrella and the Red Queen AI for locking him out and derailing his plans of snatching important insider information so he could trade it, as he went through the Mansion and fought Lisa Trevor time and time again, as he ran through the woods to get away from the explosion before it could tear him to pieces â all of his worry turned to you.
Where were you? Had your mission gone alright? Were you safe? Were you waiting for him?
He couldn't call you because his phone had been destroyed somewhere between the Tyrant and his escape from the Mansion. His arrival back in Raccoon City was delayed as well. He couldn't exactly just waltz back in, not with S.T.A.R.S. likely assuming he had perished in the laboratory and Umbrella even more likely being out for blood as payment for his double crossing.
He would never regret anything more than he regrets taking so long to get back to Raccoon City. But he wouldn't know to regret that until much, much later.
When he finally made it back, it was to find his apartment ransacked with no trace of you. You were a smart girl, you knew not to wait around for him and get yourself caught or possibly killed, so he wasn't too worried when he didn't find you there. But then he went to your apartment and what he found there⌠He didn't want to believe his eyes at first. Signs of struggle, thrashed apartment, dried pools of blood covering nearly every inch of your bedroom floor. And in the middle of it all? Your vest â bloodied, torn up, and singed in places.
Wesker was not an overly emotional and easily shaken man. He was quite logical, in his own opinion. But as he stood there in the middle of your apartment staring at your ruined, bloody clothing and that pool of blood⌠He felt like a cavern had opened up inside of himself and was rapidly sucking up all the life out of him.
He didn't want to believe the worst. After all, no body, no crime, right? But when he went to your last known location, that damnable mission he hadn't wanted to let you go on alone, all he found was rubble and charred splinters. If you'd ever even been there at all, all evidence was likely lost or left for the authorities to find among all that debris.
Hacking into the R.P.D.âs records hadn't yielded any results either: you had never reported back after your mission and, after several attempts to contact you and no luck in tracking down your whereabouts, coupled with the evidence in your apartment, you had been declared missing and presumed dead.
Days, he spent tracking you down. Long, precious days that he wasted trying to find a ghost that just wasn't there. If Umbrella had you, then they had hidden you well. If you were hiding from everyone, including him, then he had no hope of finding you unless you wanted to be found â you were very good at turning invisible when you wanted to. And if you were deadâŚ
Wesker didn't want to accept that possibility. It made no sense. It was unacceptable. He was a god, had finally surpassed his humanity, had shed his weaker, human limitations, had, at last, rid himself of Umbrella and their oppressive, narrow visions of what the world should look like â he couldn't lose the most precious thing he had now, not when he was finally getting everything he'd ever wanted!
He remembered only too late that slip of paper you gave him months ago, before you even took that next step in your relationship and became more than just colleagues, but when he did⌠When he punched in the numbers and dialed and waited for the ringing to start and for your breathtaking voice to answer the phone and call out his name⌠He was met with a beep that rang out with finality and a robotic voice telling him the number was not in service.
He moved on. He had to. He left Raccoon City, set his plans in motion, tried to tell himself that he was just doing what he had always planned and that a few months-long tryst would not be his undoing â Albert Wesker was above such petty human ailments.
But his heart knew better. He had loved you. More than he ever thought himself capable of, more than he could bear. Your sudden, violent, mysterious disappearance from his life left a gaping hole in everything that made him up and left him feeling adrift in a world that suddenly lost all meaning. What was the point of any of it if you weren't there to bask in it with him? What was he changing the world for, if not for you?
Wesker tried to move on, he truly did. He buried himself in his work, dedicated all his energy towards achieving that end goal of a perfect world that he believed was his due as well as his duty as the god he had become. But in the quiet moments between experiments and death defying battles, memories of you haunted him and his heart ached as he almost felt the ghost of your touch upon his tense shoulders and the whisper of your breath against his ear as you leaned in to tease him about working too hard.
He never gave up on you, even if all his searches ever yielded were disappointment and dead ends.
Nowadays, Wesker's life is rather meaningless, even more so than it used to feel like in the early days of coping with your disappearance. The grand culmination of his decade-long planning and testing ended in disaster. He is lucky to have escaped that volcano with his life, even if his pride took a rather devastating hit. Ever since Kijuju, Wesker's plans have come to a rather sudden halt. He hasn't bothered to come up with anything else, hasn't thought of how he might still achieve his initial plan. That uncomfortable brush with death put things into perspective in a way that left him feeling aimless once more. He was alive, true, but what was he doing with his life?
His thoughts, as they once did in the beginning almost obsessively, turned towards you once more and all he can think about is how to find you. Even if it's just to get confirmation that you're dead, he needs that closure. You haunt his dreams and darken his days with the glaring absence of your light â he needs to know what happened.
It's on a random day that has the makings of being special not at all when his vast and complicated alarm system blares with the presence of an intruder. Wesker lets out an irritated sigh, expecting a false alarm due to some curious wild animal or worse, nosy villagers getting too close to his hideout yet again. When he checks the security cameras, however, that is not what he finds.
The girl standing in front of his gates couldn't be further from a curious animal or meddlesome villager if she tried. She's young, a teenager if he had to guess by her appearance and style of dress, and she's wearing a bulging backpack that is weighing her down but which seems rather important, given the way she's wearing it backwards and the arms she has wrapped around it. She looks uncertain, anxious perhaps, as she bites her lower lip and shifts her weight from foot to foot, but she keeps resolutely staring at the camera and waiting to be acknowledged.Â
In spite of himself, Wesker buzzes her in. After all, what could a mere teenager do against him in a fight?
He observes her trek from the gates up to the front steps, something familiar about the way she carries herself, how she checks her surroundings, or maybe how she looks niggling at him and brushing up against that tender, still raw sore spot in his heart that bears your name, but he banishes the feeling to the back of his mind as he finally rises from his chair and walks out of the room so he can meet his uninvited guest in the entryway.
She has her back turned to him when he arrives, very clearly taking in the architecture, and for a moment â just one â he feels like he's looking at you. But when the girl turns around her features are all wrong, jumbled up and mismatched, and the illusion breaks.
For a long time, silence stretches unpleasantly like chewing gum between his shoe and the sidewalk, as they find themselves in a staring match. She has blue eyes, Wesker notices, and the shade is so eerily similar to the one of his once human eyes that it makes his stomach turn as his slitted gaze regards her where she stands. Her nose reminds him of you, the way it seems to curve in the same exact way yours did, but it's not just that. He can't put his finger on it, but it's like staring at a blurred picture and filling in the blanks, like the more he focuses the less he sees, but if he takes a step back and unfocuses his eyes he can see your face exactly, staring back at him in a near perfect mirror.
It makes discomfort swirl in his gut as he takes a subtle step away from this strange creature. Maybe you've been on his mind too much lately, if he's seeing you in the faces of teenage strangers nearly twenty years after he lost you.
âYou're older than I thought you'd be,â she says at long last, being the first one to break the silence.
Wesker's eyebrows rise in surprise and baffled offense as he makes his head turn back to face her.
âExcuse me?â
âNo, yeah, I always thought you were, like, close to her age. All those stories I heard and not once did she think to mention how old you were. Bit of a cradle robber, weren't you?â
Wesker rears back in shock as the kid just ignores his words and continues to insult him. Just what the hell is going on here?
âWhat are you talking about?â he grits out, fists tightening in frustration. âAnd who are you, exactly? What is your purpose for coming here? How do you know me?â Because he certainly doesn't know her.
At that, the teen's shoulders draw up as if she's readying herself for battle, the corners of her eyes and mouth tightening with determination, perhaps even worry. It makes Wesker curious, God only knows why, and he watches her intently for what comes next.
âI know you from my mom. You could say I grew up with you, in a way, even if we don't know each other. I thought you were dead until, like, a day ago, so trust me when I say that this is as much of a surprise to me as it will be to you. As for the rest⌠I think you should probably read this first. Then, we can talk.â
Her nonsensical words don't clear things up any more than the prior silence did â if anything, they just make Wesker even more confused. And when she unzips her backpack slowly and pulls out an envelope from its depths, holding it tightly between her fingers for a moment before visibly steeling herself and handing it over to him with the clear message that he is supposed to take it, he grows even more baffled. Still, he takes it from her hands, his grip steady even if his heart has started beating like a war drum in his chest for no apparent reason.
When he looks down at it, his own name stares back at him, but it's not that fact that makes him stop and stare at it as if he's seen a ghost. No, it's the fact that the handwriting is familiar. So familiar that, for a moment, he thinks he might be hallucinating.
Wesker's eyes dart back up to the teenager in front of him, clearly asking a question he cannot formulate verbally, but she gives nothing away. Her eyes are guarded and her stance is too, as if she is bracing herself for something bad but won't move out of the blast radius if it kills her.
âYou should open it. I don't know what it says, but I'm guessing it's important.â
Wesker looks back down at the envelope. His hands tremble visibly now as he gently, slowly tears it open and pulls out the contents inside: a letter and a handful of photographs. Before he even starts reading, he knows what he'll find inside. He can feel it, he can almost taste it â the things he missed all those years ago, the way fate worked so beautifully to keep you two apart, your thought patterns as you tried to solve a problem you only had half the information on in front of you. Not unlike him, for that matter. But he starts reading nonetheless. How could he ever do anything else?
'My dearest Albert,
Words cannot express how sorry I am that these are the first words you hear from me in more than sixteen years, but that is how things must happen and I will not apologise for my actions.
When Umbrella was after me and I thought you dead, the most heartbreaking yet wonderful of news reached me in the form of debilitating morning sickness (which, by the way, why is it called that when it lasts throughout the day?): I was pregnant with your baby.
Perhaps I should have aborted her, it might have been kinder, but the thought of erasing the last trace of you from the world and my own body was unbearable. So I kept her. I ran away and hid us both so well no one could find us. Or so I thought. I named her Athena and raised her the best I could. I told her all about you and made sure she knew you even if you weren't with us. She is so smart and so kind and strong, so much like you but still the best of both of us. She makes me proud just by existing. I know you'll feel the same when you meet her.
If this letter reaches you then it means my worries have borne fruit. Someone has found me. I don't know who or why or how but I know that Athena must be protected at all costs. Please look after her and don't resent her for not being me. Love her the way I've loved her and make sure she stays the same kind girl I've been blessed to raise for the past sixteen years.
There hasn't been a day that I haven't dreamt of you, your touch, or your kiss. I wish I could've seen you one last time before I go. I wish I never had to make the choice to stay away for all our sakes. I wish a lot of things had been different.
Please don't hate me for what I did, you know you would have done the same. And don't forget that I love you, more than words can say. Please forgive me.
Eternally yours,
Your dear heart.'
Wesker doesn't realise it but tears have been steadily falling out of his eyes and dripping onto the letter from the moment he read the first word on the page. His eyes trace your handwriting obsessively, making note of every familiar curve and loop, every comma and full stop, every spot where you pressed the pen too harshly into the paper as emotion overtook you for a moment before you could resume your writing.
He lifts his head slowly, damp letter clutched in one hand like a lifeline, and looks at the teenage girl standing nervously in front of him and truly sees her for the first time since she got here.
The familiarity makes sense now. The fun house mirror effect, the way his heart ached just looking at her. She is your spitting image but with hints of him thrown in, the most obvious of all being his eye colour standing out so clearly on her face.
âCan I⌠May I touch you, Athena?â he asks in a voice so hoarse he doesn't recognise it as his for a moment. His eyes drink her in and his heart pangs when her eyes widen in surprise and she nods so very hesitantly in response.
Wesker takes a step closer, then another. His hand is slow to reach her, as if he is afraid that his touch will make her crumble into dust and disappear from his life as swiftly as she entered it, but when his fingers come to rest upon her cheek she doesn't flinch nor wither away. Her skin is warm and soft, a baby really, in the grand scheme of things. He cups her face so tenderly and looks down into her eyes as his heart fills with so much love and longing and regret.
âYou are⌠as beautiful as your mother. And just as smart, if she is to be believed,â he adds, lifting your letter to eye level meaningfully.
âNah, she just likes to talk me up. She's biased,â Athena denies instantly, though her cheeks heat up with abashment and her eyes light up with this very pleased sort of pride that he recognises well.
âNaturally. We often are about the people that we love,â he agrees. He runs his thumb gently across her cheek one last time before pulling away reluctantly, loath to invade his daughter's personal space more than he already has. He is, after all, a stranger to her. âI'm sorry for not giving you the reunion you mightâve wished for, but your mother is in danger and I did not like how final that letter sounded at all. What can you tell me about what happened?â
âOh my God, yours too?! I'm gonna have words with her next time I see her!â
âGlad to see that we are on the same page,â Wesker concurs in response to Athena's exasperation and clear intention to not leave you to your fate simply because it would be too dangerous to track her down.
âI was gonna emotionally blackmail you into helping me anyway so this just saves me time, not gonna lie,â she admits without shame, shrugging her shoulders in a âwhat can you do?â way. She truly is his daughter, isn't she? âSo, here's what I knowâŚâ
***
Your awakening is slow to come but violently harsh when it does. There is pressure behind your eyelids and at the back of your skull, a persistent headache accompanied by dizziness the second you try to move your head to relieve it. It doesn't take long to recognise the effects of sedation.
Harsh, white lights are assaulting your vision, which doesn't help with your lightheadedness at all, but you squint stubbornly in spite of them and ignore the urge to puke as you take in your surroundings. The room you just woke up in doesn't tell you much about where you are, but it gives you very unpleasant, familiar vibes â old-fashioned yet sterile somehow, it reminds you of the Spencer Mansion.
You're sitting in a leather armchair, slumped over somewhat but tied down with intricate rope that you might be able to get out of if you had access to a knife. However, when you start wiggling around to reach one, you find that your holsters are empty.
âPlanning to leave us so soon, Doctor? Very disappointing, I must say.â
You startle at the sound of that deep, slightly raspy voice, head whipping in its direction and body becoming tense with the anticipation of danger instantly. You didn't hear him come in. The man who stands before you is an abomination â around seven feet tall, if you had to guess, with unkempt, unwashed hair, cracked, reptilian-like skin, and a pair of rather confusing goggles covering his eyes. He's dressed oddly, too, not sporting the standard white coat you'd expect of a doctor, as he proclaimed when he kidnapped you, but rather a leather one, made of snakeskin at a guess, that goes past his knees.
You glare up at him when he starts approaching you.
âI don't enjoy being kidnapped, so no, I wasn't planning on sticking around.â
âAh, but what a shame that would be,â he retorts as he walks slowly towards you, footsteps loud and deliberate in the empty room. âWe have so much to discuss, after all! So many interesting things to go over.â
âAnd what would those be? I haven't put my degree to use since Raccoon City fell, I'm afraid my skills are a little rusty. Besides, I'm not looking for a job at the moment.â
Gideon tuts in response as he gets near. A hand reaches towards you, just as grey-looking and cracked as the rest of him, and brushes against your temple in a way that is entirely too intimate for your liking. You flinch away from it, angling your head the other way, but that hand strikes quickly, snake-like, and grasps you by the chin so it can force you face to face with the monstrous doctor.
âSuch lip on you,â he growls, hisses really. It's at this close range that you notice his tongue is forked like a snake, too. âI remember you used to be more respectful in your Umbrella days, Doctor. Of course, that was before you caught Wesker's eye and forgot all about us mere mortals. Fitting, that his betrayal ruined everything for you, too. How's the single mother life treating you?â
You hiss and spit in his face in response to that and he rears away from you with a disappointed sigh as he snags a handkerchief from his pocket and wipes the spit away.
âKeep my family's name out of your filthy mouth,â you warn in a low voice trembling with anger. âI don't remember you, though you clearly know me, so that must mean you were some insignificant sycophant running around the place, right? So what is it, did I steal your spot on the research team and now you're back for revenge? Or were you a Spencer fanboy and your feelings got hurt because I dared disrespect his company by leaving when it started sinking?â
Gideon's posture changes throughout your speech and you know you hit jackpot when he jabs a finger in your direction rather angrily, even as he keeps his distance this time.
âYou and your paramour were nothing but double-crossing cowards! Him even more so, after his assassination of Spencer in his own home.â Well, that's certainly news to you. You have no idea why Albert would kill the old man, not with having missed so much of his life, but you're sure your love had his reasons. âBut no, my dear Doctor, that is not why you are here. You see, I've been working with an independent organisation to finish Spencer's work and I'm afraid I've hit a snag.â
âAnd you think I can help you with that?â
Gideon laughs loudly, throwing his head back as if you've said the funniest joke he's ever heard.
âNo! God forbid. I doubt you'd have any worthy insight into the problem even if I trusted you not to mess things up on purpose out of pettiness. Which I don't. No, Doctor, what I need from you is much, much simpler. I simply require you to be here.â
You raise a confused eyebrow in response as you scoff.
âThat's it? How does that possibly help you?â
âIt's quite simple, really,â Gideon begins as he starts to circle around you once more. His towering frame comes to a stop right behind you and the predatory aura radiating from him makes your body tense all over as you wait for him to strike, unable to turn around and keep him in your sights as you are. âWe just need to wait for your daughter to run home to daddy and fetch him for us, see? We knew we couldn't capture Albert Wesker on our own, nor get him to come to us willingly. So I had the brilliant idea to track you down and use you to lure him here instead. And you played right into my hand, didn't you? Now we just have to wait.â
Your eyes widen in horror as you realise what you've done by planning for Athena to go to Albert in the event of your disappearance or death. You know Albert could never sit back and let you be hurt, not even if he is furious with you for staying away even after knowing he wasn't dead. He may have changed in the years you've been separated, but his devotion to you and your safety you do not doubt. But because of that very same devotion, he might be walking into a trap right now. All those years you stayed away, all the suffering you went through at being separated from your love for your family's safety â all of it useless. You were always doomed to be used against him, you just didn't know it.
âNo⌠No! What do you want with him, you foul-smelling beast?! I won't let you hurt him, you hear me?â you scream as you start thrashing around in your bindings, trying to turn your head around so you can spit in his face once more. The monster doesn't let you, though, and soon you feel the pinprick of a needle in your neck for the second time as your eyelids start to droop once more.
âNothing he doesn't deserve, Doctor. Of that, I can assure you,â Gideon murmurs in your ear, his words entirely too unsettling, before you lose consciousness once more and drop your head forward.
***
The next time you wake up, you feel still half asleep â an error in dosage, probably, that caused you to wake up while still feeling the sedative's effects. You're strapped to a table though, curiously, only your feet are tied down. In your arm, a needle connects your veins to a blood bag, hung up on an IV pole, and you can see that it's nearly full.
This time around, you're alone and it even seems like you may remain that way for a while. You don't want to know what Gideon wants with your blood nor do you wish to find out and, even though you still feel sluggish from the drug he injected you with to knock you out, you force yourself into a sitting position and gingerly take the needle out of your arm. It hurts like hell and blood wells up where you took the needle out, but that is not important right now. Gripping the needle as steadily as you can, you bend forward with a groan trapped between your teeth and start fiddling with the locks on the straps trapping your legs to the gurney until they finally give, opening with a blessed clicking sound and letting you free your legs.
You stumble to your feet, feeling dizzy for a moment as gravity reasserts itself, then you scan your surroundings. You're in the same room you woke up in the first time. It's bare and holds nothing of interest, so you make your way towards the door and try the handle. To your relief, it opens.
The hallway you emerge into is dark and eerily silent. You walk on light feet, trying to mask your presence as much as possible, but you have to stop for a few seconds every now and again to lean against the wall and let the nausea pass.
âC'mon, keep going. Albert needs you, don't stop now,â you mutter to yourself through gritted teeth and push away from the wall once more as you force yourself to endure.
It's a bit of a walk but eventually your eyes latch onto bright light spilling into the corridor ahead of you and when you get there, you find yourself staring down at what looks like the reception area of whatever medical facility Gideon took you to.
You have to give it to whoever designed this place, it certainly looks elegant and imposing. It'd look much better if it wasn't completely devoid of life and if it didn't send shivers down your spine in response, though.
As you stand there, frozen in indecision about where to go first â stay behind and try to take Gideon out, even if you don't have a weapon, or make a run for it and hope you meet Albert on the way and he doesn't walk into a trap you're not even in? â Gideon himself walks into view, bursting into the foyer from a side door at the end of the double staircases converging on the receptionist area. His back is to you so he doesn't see you. Instead, his focus seems zeroed in on something out of your sight â the entrance slash exit, if you had to guess.
You get your answer less than a minute later when you hear doors banging open and, before you can even process that, Albert walks into view.
Your breath stutters and you fear that it might stop completely at the sight of him. You drink in the sight of him, unable to tear your eyes away, and a lump forms in your throat as tears start gathering at your lash line.
He is so beautiful. Your hands yearn to reach for him, to run your fingers over his skin and feel the warmth of him, the solidity, the proof that he is here and he is yours. He looks older, more worn down, and his eyes are a different colour now, but that fire burning in their depths and the murderous, protective rage in his stance tells you all you need to know â he is still your Albert, your darling, precious love.
âWhere is she?!â Albert demands, voice raised in pitch though not quite yelling.
Gideon, either a stupid fool or an arrogant one, remains unfazed in the face of such barely restrained anger.
âDoctor Wesker. How kind of you to join us. Please, come in.â
Albert takes a threatening step forward as he stares Gideon down, his eyes blazing a fiery red instead of the tumultuous gold they were before.
âI don't have time to spare for your clever speeches, Gideon. Give me back my beloved before I bring this building down on top of your corpse.â
Your heart leaps in your chest and squirms with longing and relief at his words. He can't be too mad at you if he's using that term of endearment even now, nearly two decades later.
But you don't have time to dwell on it or bask in the warmth Albert's words provide because Gideon is a sneaky son of a bitch and your love is too consumed by rage to see the trap laid out for him. You lean over the railing slightly to get a better look at them and that's when you see the gun in Gideon's hands â both the real one and the medical injector one.
âYou're right, you're right. We really shouldn't delay things further,â Gideon agrees silkily and before you can do more than open your mouth in a warning that dies in your throat, Gideon shoots Albert. You gasp but the sound is drowned by the reverberating gunshot that echoes in your ears rhythmically, matching the rapid pace of your heartbeat.
You expect to see Albert on the floor or at least several feet away as he staggers from the violent force of being shot point blank, but instead you see him a few inches to the left of where he initially stood, with a perfect hole in the wall that was, before, at his back. What the�
âCute,â Albert drawls. âIf I were still a pathetic human like you, I'm sure that would have worked on me.â
âOh, but you underestimate me, Doctor Wesker. I know exactly what you are. In fact, I was counting on it,â Gideon replies, voice dark and sinister. Things click into place in those split seconds between Gideon saying that and him raising his hand that holds the medical gun â whatever virus has given Albert the power to⌠what? teleport? dodge bullets at the speed of light? whatever it is, Gideon has accounted for. He knows he can't subdue Albert in the usual ways. So he fires off a regular gun, gets Albert to lower his guard and not expect Gideon to attack again once it becomes obvious that such methods would be futile, then he fires off another round when Albert doesn't expect it, only this time it's not a bullet.Â
You don't think about your next move. It's not even a question. With a cry of Albert's name, you jump straight over the balustrade and onto the desk below, then use it as a springboard so you can tackle Gideon from behind and wrestle the gun out of his hands. At least, that's what you try to do. In reality, what ends up happening is that Gideon turns around at the sound of your voice â you would've loved the element of surprise but you didn't trust your speed and accuracy so you had to verbally warn Albert too â and catches you mid-air, letting your legs dangle several inches above the floor as he holds you up by the throat. You gasp, feeling your airways constricting, and try to futilely scratch at his hand to get his unfairly strong grip to loosen.
âYou disappoint me, Doctor,â Gideon tuts angrily. âMaybe I should just snap your neck right now. After all, you are of no use to me anymore.â
Your eyes widen as tears fill your eyes and you desperately look over Gideon's shoulder to lock eyes with Albert. You try to convey sixteen yearsâ worth of unspoken things in that look, pouring all the love and regret you've been harbouring in your heart where Albert is concerned. Gideon's fingers tighten around your neck and you open your mouth in a desperate brain's attempt at survival even as you know you're not getting oxygen through there any time soon, lips vainly trying to form words meant for your love and only him.
Albert snarls, eyes blazing a deep crimson that looks downright demonic, and before your rapidly fogging mind can grasp what's happening, you see Albert's arms wrapped around Gideon's head and pulling, twisting his neck unnaturally before there is a crunch and a pop, followed by a spray of blood shooting upwards. The hand that was holding you aloft and suffocating you slowly disappears abruptly and you fall to the tiled floor with a series of coughs and wheezes as you try to get air back into your lungs.
âI don't like people threatening what's mine.â
You look up through eyes blurred by tears and blood to find Albert standing tall behind Gideon's fallen body, the man's head held in his hands for a moment longer before he throws it away like trash and steps over the corpse without sparing it another look. His eyes find yours immediately and then he's rushing to you, all traces of composure gone from him as he falls to his knees next to you and grasps your face between his broad, warm palms.
âBeloved. Dear heart. There you are. Oh, how I have dreamed of this. You're okay, you're alive, you're here.â
Your eyes well with proper tears now and you let them spill as you nod back at him in reply. All the fear, the worry, the pain you've kept locked up for the past few hours, days, weeks, years, come pouring out and you clutch at Albert's shirt with the force of a newborn baby, shaking and trembling with the need to have him near.
âAlbertâŚâ is all you can say before you're sobbing loudly â with exhaustion, with crashing adrenaline, with relief. Albert doesn't hesitate to wrap you in his arms, pulling your bloody mess of a body into his own and cradling you like you're the most fragile gem in all the world. You sag into him and you finally feel like you can rest. You're home now. You don't have to keep fighting, to shoulder everything and worry yourself into an early grave â you can rest now and let him hold you, let him handle it and be in charge.
You rub your dirty face into his chest, inhaling deeply and breathing in the scent of him â sweat, soap, and traces of days-old cologne. Something in your chest splinters open and spills magma into your insides, melting you down into a puddle from the inside out, and all you can do is cling to him and trust him to put you back together at the end of it all.
âMy love, my heart, my beloved,â Albert murmurs into your hair and maybe he's been saying it the entire time but it's only now that your hearing starts to work again and you register the sound of his voice as well as the rumbling in his chest as he speaks. âI've got you, I have you, darling, it's okay. It's alright now, you're home. I have you.â
You just keep sobbing into his chest as he repeats those words to you over and over again, strong, familiar hands keeping you together and running gently through your hair and down your spine.
When you finally run out of tears and the shock of it all seems to leave you, you feel like you could crash for the next two business days at a minimum. Your head feels heavy and your throat hurts when you swallow, and to top it all off, the nausea and dizziness are back.
âI don't think I can stand,â you say when Albert gently pulls you up so you can stop lying sprawled out on the ground.
âThat's fine. I can carry you,â Albert brushes off easily.
As promised by both you and him, your knees buckle as soon as you try to stand under your own power, vision whiting out for a moment as your stomach rebels, so Albert simply scoops you up as if you weigh nothing and cradles you against his chest as he starts walking, once again stepping over Gideon's corpse as if he's part of the decoration.
The world sways gently with you in his arms and you close your eyes briefly, both to calm down your nausea and to let yourself get grounded in the moment, in reality. When you open them again, you look up at Albert's face curiously â at the new lines around his eyes and mouth â and study his peculiar irises and pupils intently.
âThe cat eyes are new,â you decide to comment at length after Albert has walked out of the building with you and started down the steps leading out of the property entirely. You notice several dead bodies in various stages of dismemberment along the way but you don't pay them any mind.
âDo you like them?â
âHmm⌠Well, I don't hate them.â
Albert's lips twitch in amusement as he spares you a brief glance.
âI'll take it.â
You lift up your right hand and place it gingerly over his cheek, rubbing your thumb over it as you feel the now wrinkled texture, altered with age and years you missed, in stark contrast with the smooth skin you remember from your memories. Fresh tears well in your eyes and you can't do anything but swallow painfully.
âI missed⌠so much. So many years wasted, Albert. I'm sorry. I'm sorry I stayed away even once I knew. I was justââ
âNone of that, beloved,â Albert interrupts gently yet firmly. He leans into your touch since his arms are busy carrying you, but his eyes bore into yours with all the weight of the seriousness and sincerity of what he has to say. âYou are not to blame. You did good, hiding away and protecting yourself and our child. You did what you had to do. And now you are home, back where you belong. Both of you. I won't let anything happen to you ever again. I will keep you safe now.â
You nod tearfully, too drained and emotionally wrung out to argue any further, and you catch the edge of Albert's smile when you let your hand drop back down so you can lean your head back against his shoulder before you close your eyes again. You fall asleep against him before you're even through the gates but that's okay. Albert carries you the entire way to the helicopter without complaint, buckling you in and keeping your head cradled in his lap as he gives the pilot the all-clear to take off and take you home. Athena awaits you and beyond that? Whatever it is, it has to be good â after all, you'll have Albert with you this time around.
EPILOGUE
Your life post-kidnapping doesn't change much, all things considered. You still have your job â a sudden illness that you had to be taken out of the city for treatment for on short notice easily explained your abrupt absence and smoothed things over with your bosses â and Athena still has her classes, her homework, and her friends. The house you've lived in for the last decade and a half is the same, as is the bed you're sleeping in.
But now there is Albert.
He's there when you get off work, a kitchen towel slung over his shoulder and a ridiculous apron tied to his waist, warm food bubbling on the stove or roasting in the oven as he comes up to you and greets you with a kiss on the lips. He's there to pick Athena up from school and take her to the botanical garden or the planetarium, letting her ramble on and on about the little things she's obsessed with with a smile on his face even when he already knows everything she's telling him and more besides. He's there in every room of the house, little traces of him everywhere that tell you that you're not hallucinating and you haven't gone insane; he really is here and he's here to stay.
And best of all, at least in your very humble opinion, Albert is there in your room and in your bed. Every night, his strong arms wrap around you from behind and pull you into his chest so he can hold you as you fall asleep. Every morning, his warm, solid body is pressed up against you in some way and it reassures you of his presence before your waking mind can even remember that it's supposed to send you into a panic about his whereabouts.
You have a ring on your finger now and his last name attached to yours. He calls you wife and you call him husband and Athena calls both of you gross and embarrassing but she still smiles this dopey little smile when she catches you and Albert being disgustingly sweet and in love.
It's not perfect, of course. Despite growing up on stories about him, Athena is still getting to know Albert as a person and getting used to having him in the house and in her life. She still mostly defaults to you as an authority figure, not that Albert begrudges her that â in many ways, he is also getting used to being a parent and learning all that it entails. But the important thing is that you're together at long last. You're there to smooth the way for them and unruffle any feathers when they clash â which they do, often, because of course Athena had to take after her father in all the ways that cause you headaches â but even when they have to settle on the mutual silent treatment for a few hours before calling a truce and going back to normal, your husband and daughter will also agree on one very important thing and that is you. Their love for you and interest in making you happy and your life easier will always bring them together and make them compromise on things â anything as long as it puts that quietly elated look on your face at seeing them get along and make progress in their relationship.
And honestly? You couldn't ask for more in return.
You love both of them so much it's hard to quantify sometimes. You never thought you'd get to have this: both your daughter and your love, living with you and being happy, the family you once envisioned on a hitchhike back to Raccoon City after nearly getting blown up in the woods.
It's weird and all out of order, but it's yours. And that's really all that matters at the end of the day.
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Description: You read in a magazine the trend of asking your boyfriend âAm I allowed to get fries?â in front of the waitress to see his reaction, and you decide to put your very devoted, very dramatic boyfriendâwho literally gives you anything you wantâto the test.
Warnings/tags: humor, fluff (?), being his diabolical gf, johnny needs compensation for the severe emotional distress you caused, allusions to smut.
Note: Inspired on the tiktok trend, but make it 60âs! I just had to put johnny in this scenario lmao. Enjoy đŤśđź
masterlist | archive
Lunch dates with you were Johnnyâs absolute favorite. No matter what kind of restaurant you chose, he always insisted on sitting on the same side of the booth as you. Because why on earth would he sit across from his girl when he can sit next to her?Â
So thatâs where you found yourselves that sunny Sunday afternoon. Squeezed into red cushioned seats at a new diner Johnnyâs been meaning to bring you. He orders first, as usual, making sure to give you as much time as he can for you to decide what you want. You pretend to go over the menu options as he talks to the sweet waitress, a woman in her late forties with big blonde hair and lipstick that matches the seatâs leather.Â
âIâll have a double cheeseburger, with fries on the side and a coke, please,â he says, tapping his fingers absentmindedly on the table.Â
âSure thing, hun. Want cheese on those fries? Chili?âÂ
âSurprise me,â he replies with a wink, making the lady chuckle as she scribbles down her notepad.Â
âAlright, torch. And for your girl?â
He turns his whole body to you, setting his elbow on the table. âWhat do you want, princess?â The question is followed by a soft smile that almost makes you backtrack from your devious plan. Focus.Â
âMmm, not sure,â you frown, doing your best to sound innocent as you set down the menu. âAm I allowed to get my own fries?â Your voice comes out soft, borderline hesitant.Â
Johnnyâs face goes through the five stages of grief in a matter of seconds, as he processes the words you just threw at his face. You can see him searching back through the archives of your relationship for the moment when he became a controlling boyfriend and somehow missed it.Â
A strangled âWhat?â Is all that comes out his mouth. He doesnât even turn to the waitress, whose eyebrow has almost reached the roof, keeping his eyes on you.Â
âI meanâŚif thatâs okay,â you add, and Johnny feels like heâs having a stroke.Â
âOh, so thatâs how it is,â the waitress hisses, nothing like the sweet voice sheâd used on him minutes prior, placing a hand on her hip as she keeps glaring at Johnny for answers. âWell?âÂ
Johnny panics even more, his eyes darting nervously from you to the waitress as he tries to remember what language he speaks.Â
âNo! No, no, no. That is not how it is,â he stammers, looking at you with desperate ocean eyes. âAllowed? What do you mean allowed, baby? When have IâIâve neverââÂ
You only give him a tiny shrug. For a moment he thinks itâd be better to set the whole restaurant on fire than continue existing in this plane of earth.Â
âOf course you can have your own fries, princess. You can have all the fries, Iâll even give you mine!â He says quickly. âA-and anything else you want.â
The waitress, who doesnât believe a word he says anymore, huffs and turns to you.Â
âYou want your fries, sugar? Iâll get you friesâa mountain of them,â she says sweetly. âDonât you worry, Iâll make them extra special.â
âOhâthank you, youâre too sweet,â you say shyly, smiling softly at her.Â
âMy dear itâs no problem, coming right up!â She chirps, then she turns to Johnny, looking at him up and down with a slight scrunch of her nose. âDonât worry, fruitcake, Iâll get yours as well. Extra extra special too.âÂ
You see him literally sink into his seat before she finally turns around and leaves toward the kitchen, muttering something under her breath. Johnny just stares at you with a look of utmost heartbreak and betrayal.Â
âBaby, why would you phrase it like that? Allowed? Your own?? Since when do you need permission?â He runs a hand through his hair, completely spiraling. âHave I ever, in the history of knowing you, denied you anything? Iâve gotten you every single thing youâve ever wantedâeven the things you havenât even asked for!â
The devil on your shoulder tells you to see how far you can go with your diabolical plan.Â
âAre you sure about that?â You ask, halo of innocence placed perfectly in place.Â
âI HAVE!â he protests, so loud that the waitress glances over from her spot. And if looks could kill, the Fantastic Four would be opening auditions for someone who can set themselves on fire and not die. âBaby, donât do this to meââ
The waitress finally returns, and slams down the biggest plate of fries known to mankind on the table. They look golden and crispy, shining in all of their glory. She pushes them toward you, looking at Johnny dead in the eye. Next to it, she places a smaller plate with a few scattered fries you can count with your fingers, and what looks like a teaspoon of chili on top of them, pushing it towards Johnny.
Well, he was surprised after all.
âDonât worry, fire boy. This oneâs on the house,â she say, deceptively sweet.
âWait, no, Iâll pay for themââ
âIâll get your burger,â she says flatly and walks away.Â
âSo what, Iâm chopped liver now?â Johnny exclaims to his miserable âside of friesâ, turning to you exasperatedly. âSweetheart, what have you done? How do I know she didnât spit on mine? She said extra twice!â
You chuckle, but his tragic ocean eyes finally manage to crack your resolve. Ugh. Fine.Â
âRemember the cover you did last month? For that teen magazine?â You start. He nods slowly, remembering the ridiculous charming pose heâd done. âI was reading it the other day, and I saw something about this trend where girls ask their boyfriends if theyâre âallowedâ to order something and it makes them panic.â
You bite back another chuckle, while Johnny just looks flabbergasted, to say the least.Â
âYouâŚyou pranked me with a magazine that has my own face on it??âÂ
You nod proudly, reaching for a fry without a single care in the world. He exhales, rubbing his face like a weight just got lifted off his shoulders.Â
âYouâre so lucky I worship the ground you walk on,â he shakes his head, voice muffled by his hands. âBut youâre evil. My fragile heart canât take this.âÂ
âOh come on, fire boy. Itâs not that bad! I got us free fries,â you sing-song.Â
âThatâs notâsweetheart, you know Iâd buy you the whole restaurant if you want fries,â he says, still distressed, in a way youâre not used to coming from him.Â
âHey,â you soften, reaching for his hand. âI know, Johnny.â
âDo you?â He insists, feeling bad for something he has never even done.Â
âBaby, I know,â you give him a little squeeze, guilt taking over your features. âYouâre literally the least controlling person on the planet. I just wanted to see your reaction.â
He nods, bringing his free hand to clutch the pearls he doesnât have in theatrical devastation. âYou gave me a heart attack there, princess,â he exhales dramatically. âAm I allowed to cry?âÂ
You snort, slapping his arm weakly. âWhen have I ever denied you anything?âÂ
âRight now. Youâve denied me the will to live.â
âOh my god, Johnny!â You laugh louder this time. You finally see the corner of his lips curl at that. âOkay, for the record, Iâm sorry.â
âWeâre talking about severe emotional damage here, sweetheart, and âsorryâ doesnât cut it.â
A yelp escapes your lips when his warm hands close around your waist, hauling you straight into his lap in a matter of seconds. You instinctively grab onto him as the table gets bumped, the glorious mountain of fries loses a few casualties that slide dramatically onto the table.
âJohnny!âÂ
âWhat?â He says innocently, tightening his grip on your waist. âAm I not allowed to hold my girl?â He tilts his head, mirroring your earlier tone perfectly.
âYouâre never letting that go, are you?â You groan, even as you canât fight the smile growing on your face.Â
âNope,â he shakes his head. âI need to process my trauma somehow.âÂ
âUh-huh. Got any better ideas?â You tease, brushing a few strands of blonde hair out of his forehead. He closes his eyes briefly, in his head your soft touch is enough to forgive you for every crime youâve ever committed, but he has to keep it together.Â
You want âcontrollingâ? Oh heâll give you controlling.Â
âI have many ideas, love,â he says smugly, then leans closer to you, warm breath ghosting over your ear. âIf youâre gonna ruin my reputation in public, maybe I get to ruin you in private as compensation.â
Your breath hitches, making him chuckle this time.Â
âAnd for the record? Youâre allowed anything you want,â he whispers, placing a soft kiss on your jaw. âEspecially me.âÂ
Thank you so much for reading đ¤ feedback is always appreciated <3 beautiful divider by @uzmacchiato
Taglist: @callmefatherr
I have taglists for my separate fics/series but if you want to be added to the general one just let me know.
After the events of Loyalty Wesker isn't doing great, good job his chief of staff is there for him. (Albert Wesker x Reader)
I've been writing this for two years, anyway here's more vulnerable Wesker
Warnings: Character experiencing shutdown and becoming nonverbal (Based on my personal experiences so your milage may vary)
AO3: Here
It takes you a while to notice it but something about Wesker seems off, heâs more irritable than usual, he looks like he hasnât been sleeping and he snarls practically every word. Not that any of those are cause for concern individually. Itâs Wesker by conventional standards he is usually quite âoffâ but something is different this time and normally it wouldnât bother you, because you can trust him to take care of himself. So you try to ignore it, this sort of thing happens sometimes and past experience has taught you that you do not want to be the one who brings it up. The emotional state of your boss is none of your business, well itâs none of your business until it starts affecting the project, but really is none of your business. After a week and a half you are forced to concede you are worried about him, especially when you realise that this sudden mood change is coming right off your rather unfortunate abduction by forces as yet unknown.
So you stride into Weskerâs office, like you usually do with a stack of files. The door closes sharply behind you and his head snaps up to glare at you. He looks tired.Â
âWhat do you want?â he snarls, glaring at you.
âLatest security reports, last months expenses and that personnel analysis you wanted.â You say dropping the whole pile on the edge of his desk.Â
His face does not soften as he looks from the files to you.
âOf course.â And an incline of the head is the only acknowledgement he gives you, which usually means you are dismissed.Â
Wesker does not look well, he looks tired, which is unusual and worrying. You are used to him seeming never to sleep, being in the lab at all hours but he never seems to look it, the troubles of mere mortals never seem to touch him. Another thing to add to your list of concerns about your boss.Â
âWill there be anything else?â You ask, making no move to leave.Â
âNo, that will be all.â Comes the curt reply, dismissing you from his office.Â
âBoss, have you been sleeping?â You ask, bracing yourself.
If anyone was watching this encounter, it would seem like Wesker does not react, beyond a shift to give you his full attention, but you know him well enough to see catch the subtle way he tenses, unsure.Â
âI do not believe you are being paid to babysit meâ He snarls.
âNo I am not, but youâve started snarling at all the techs, instead of just some of them and youâre threatening the security staff, which they have been taking offence to.â You reply as calmly as you can manage walking this knife edge.
âI fail to see how that is any of your business.â His voice is dangerously low.Â
âIâm your chief of staff, this is exactly business. Whateverâs going on you are paying me to deal with it.â It is an oblique statement but this is not the kind of job where you can explicitly offer support to your boss after a traumatic experience.
âYour concerns are noted.â Is the only response you get as he returns to his work and all the tension bleeds out of the room.Â
You nod respectfully, as you leave, on the threshold you turn, âIâve got your back if you need anything.â You say and just to be safe, you are out of the door before Wesker can respond and⌠Youâre not really sure what youâre worried heâd do to you for overstepping but you are not eager to find out. The offer seems to come to nothing, until nearly a week later you hear a knock at your door.Â
You have been in the business long enough that you have the funds to sort your own lodgings and despite many of your employers offering you reasonable accommodation, you always rent yourself somewhere with a little more privacy, when you can. Never anything fancy, just a quiet, cash in hand, no questions asked kind of place. You never tell anybody that you do this and you are quite hard to track, it gives you peace of mind that any of your less trustworthy colleagues wanting to go through your kit or kill you in your sleep will have to put in the work to get the chance. For your current job you have a small studio flat on the middle floors of a crumbling highrise. At this point in your career you could probably afford somewhere that doesnât threaten to collapse when you run a tap or catch fire when you turn on the light, but after a few security upgrades you have everything you need for cheap, you also learned a long time ago that you are intimidating enough that landlords tend not to question what youâre doing.Â
It is three AM and there is a deconstructed pistol on the table and someone is knocking on your door. Rising quietly you cross the short distance to the door, pausing only to draw a knife from its hiding place under the chair. First you check the security chain and the locks, then you peer cautiously through the peephole. The sight before you surprises you, outside your door at an unholy time in the morning is Wesker looking despondent and out of place. Disregarding any possibility of a trap, you quickly set about unlocking everything and throwing the door open.Â
âYou look like hell boss.â You say before you can stop yourself.
Wesker doesnât respond, he just steps into your apartment and you let him. You do not ask him how he found you.Â
âWhat do you need?â You ask.
He does not respond, he just stands there between the kitchen and the rest of the room.Â
âBoss?â You try.
Still nothing, his gaze darts around the room, breath coming in short audible gasps. Something is obviously very wrong with your boss and you have no idea what to do. Moving slowly you sheath the knife and assume a non threatening stance.
âAlbert?â You hesitantly ask, that worked last time.Â
His head snaps to you and you are sure his eyes are boring into yours from behind his sunglasses.
âAlbert, what do you need?â You repeat, keeping your voice soft and even and your eyes on his, but you have a creeping suspicion that sudden moves would be a mistake.Â
Again Wesker does not respond, just stares at you, his breath comes in harsh panicked rasps. Suddenly he rocks forward and seizes you by the shoulder, his grip is tight like he is using your presence to ground himself. Suppressing a wince, you place your hand gently over his.Â
âIâve got you.â You say, as reassuringly as you can manage, as the grip on your shoulder tightens, itâll probably bruise by tomorrow but you canât bring yourself to care about that at the moment.Â
This is not how you were expecting your evening to go, but this is not the first time youâve done something like this and it is not likely to be the last. All you have to do is help your boss to come back to himself, in such a way that makes him feel safe and not inclined to kill you for seeing him like this. How hard can that be? Probably quite hard actually, but needs must when the devil drives. In your rather limited experience, with yourself and a few buddies from your storied career, what Wesker needs is a safe place to rest and sleep, then when he wakes up something to eat. This is just one of those situations when someone needs a little extra help.
âOkay boss, I know you haven't been sleeping, so let's get you some of that,â you say very gently, guiding him across the room âand see where we can go from there.â
Wesker doesnât resist when you help him out of his coat, drape it over a chair and sit him on the edge of your bed.Â
âAlbert,â you begin gently, âIâm going to help you get comfortable, if you want me to stop, tap me twice on the hand, you understand?â
He nods, itâs the first proper response youâve had from him since you let him in, which feels like progress. and, making sure to telegraph your movements, gently guide him out of the waistcoat, which joins the coat over the back of the chair. His hand grips your wrist as you work on his shoulder holster.
âEasy boss I know you can sleep in it but youâll sleep better without.â You reassure, and wait for him to decide what to let you do.
The hand on your wrist retreats and you slip the holster off and over the chair with his coat and waistcoat. You take the time to make the weapon safe before continuing and loosening a few shirt buttons so he can breathe easier. Next you drop to a knee next to the bed, and set to work on his boots, the heavy sort of combat boots with good support and a lot of laces, you begin working at the knot.
âGods damn boss, what sort of knot is this?â You say a little incredulous, how does he ever get out of these, âNext time we need to restrain someone Iâm leaving it to you.â You continue.Â
When the first boot finally gives you have to rapidly stifle a display of triumph, thereâs no need to spook Wesker any more than he already is. The other boot is easier now you have defeated the first, then you pair his socks and stuff them into his left boot. Now is the dangerous part, or the more dangerous part, none of what you are doing right now feels particularly safe.
âIâm going to empty your pockets and get your belt free, then weâll get you some sleep.â You say.
First you do the pockets, of which there are many and the contents are varied and interesting, you drop them into his right boot. Then comes the belt, you fumble with the buckle trying to avoid eye contact, questioning why Wesker has to dress well instead of just using a webbing belt with a side release buckle, but you finally get it and slide it free catching the knife and sheath as you coil it on the table.Â
That is the hard part over, if he was going to kill you tonight it would have been then. You slide his knife under your pillow for the night and go for the lights, plunging the small apartment into darkness, the only light now creeping in under the door from the hall. Returning to Weskerâs side, you guide down and under your blankets. Finally you reach for his sunglasses and fold them on the bedside table, you can see the faint orange glow of him watching you in the dark.
âAlbert, itâs safe, sleep, Iâll keep watch.â You state, it still feels weird using his first name.
The plan is to sit with a gun and hope he feels himself in the morning, but he catches your wrist again as you turn.
âStay.â He says it's the first time heâs spoken since he arrived.
âWhat?â Is your only response, he couldnât possibly be asking what you think he is.
Then he tugs your wrist, heâs strong enough to pull you off balance, he does mean what you thought.
âIâll stay.â You soothe, stretching and sliding in beside him.Â
This is definitely not how you expected to end your day, but if this is what he thinks will help who are you to argue. You cross your arms and roll to put Wesker at your back and keep an eye on the door. Just like you would in the field, your body between him and any danger.Â
Falling asleep wasnât the plan, neither was waking up with your boss tightly wrapped in your arms. If he wakes up like this he is definitely going to kill you on principle. Swearing in your head you try to shift gently and untangle yourself only to be met with a pair of red-orange eyes.Â
âShit.â You mutter, pulling all your limbs back with such haste you end up on the floor.
Wesker props himself up on an elbow to look at you in your heap, âI cannot claim to have had many bed partners, but I have never had one recoil like that in the morning.â He says exasperated by your antics.
You pick yourself up awkwardly, trying not to notice the way his hair falls out of place across his forehead.
âBoss, Iâm sorry, I didnât mean to put hands on you like that.â You say, evenly masking a flurry of emotions with professionalism.
âI assure you if I had been displeased with the arrangement you would not have woken up.â He states, it sounds like he is suppressing a sigh and only half succeeding, but the usual bite isnât there.
âOf course sir,â you agree, relaxing a little, âwould you care for coffee?â You ask finally, looking for anything to do.Â
He accepts your offer with a nod and you busy yourself with finding two clean mugs, a rather hard task, whilst he puts himself back together. When you return to his side, Wesker is as put together as usual. He thanks you for the coffee. You find yourself standing at something close to attention as you sip at your own mug trying to ignore the strangeness of it all.
âThank you.â He says quietly when he places the now empty mug in the sink.Â
âItâs nothing, sir.â You shrug.
âIt is more than nothing,â the exasperated edge is back in his voice, like you are missing something obvious, âI appreciate you allowing me the space to-â he pauses again like he is trying to find the right word, âto recover.â He settles on.
You shrug again, âThese things happen sometimes, Iâm glad you trusted me with this Dr Wesker, Iâve got your back if you need anything.â You say it like itâs the most simple thing in the world, not something bordering on the extremely unprofessional.
With that Wesker inclines his head to you, slips his sunglasses on and exits your apartment, you hadnât even realised he had allowed you to look into his eyes for so long. After a few minutes it was like he was never there, just an unmade bed and a mug in the sink.Â
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You are a mercenary working for Albert Wesker, which can be a pretty eventful job sometimes too eventful when you are both grabbed by a rivals in the bioweapon business. (Albert Wesker x Reader)
Warnings: Violence, Blood, Mild Torture (If I missed anything please let me know)
AO3: Here
You have been working in what you liked to call the âprivate sectorâ for a not inconsiderable amount of time, it pays well and you get to meet what can charitably be called âinterestingâ people. One such interesting person you have met is Albert Wesker, who just so happens to be your boss now and to say that Wesker fascinated you would be a bit of an understatement. The two of you first met in Raccoon City when you had both been in the employ of the Umbrella Corporation. You had been a member of the Umbrella Security Service or U.S.S, for those that like an acronym, which is one of Umbrella's many paramilitary wings because all legitimate pharmaceutical companies need a private army to guard their facilities. At that time Wesker was one of the scientists working in the possibly secret labs that you guarded doing things that were probably a breach of the Geneva Convention and that are definitely too complicated for you to understand. When you met him for the first time he seemed to just be a talented virologist, which is impressive, but not the kind of impressive that turns heads in your business. Though the blonde scientist got a lot more interesting when you discovered just how capable he really was, you had seen him in combat maybe once, maybe twice during your time with U.S.S that was what really caught your attention. The pair of you had cultivated some form of mutual respect back then and he had given you the tip to jump ship, which you were pretty sure saved your life, shortly before he supposedly died. Though you later learned that his âdeathâ was just a cover for Wesker striking out into the âprivate sectorâ himself and from there he more or less poached you into the world of international bioterrorism, which was only slightly more illegal than what you were used to, and at this point whatâs a few more war crimes on your list of charges, not to mention you you still get to work with Wesker.
Overall, your time working directly for Wesker has been some of the most interesting of your rather sordid career. A fact that you were rather resenting right at this moment as you huddled behind the shell of your transport with bullets screaming over your head and thudding into the doors of the 4X4. You had been driving to a rendezvous with some less than savoury people that were selling something that Wesker wanted when you had been ambushed by some even less savoury individuals and despite it being your job to know about these sorts of things at this stage you had no idea who they were or how they had pulled this off. Wesker was also looking rather put out by the situation, which was a little worrying as he very rarely showed any sort of emotion but you trusted your boss and you really couldnât have hoped for better company. You take a deep breath as you pop your head up from cover and fire a few rounds at the arseholes to buy yourself some time.
âI count five, bossâ you say as you duck back down, raising your voice slightly to be heard over the crack of gunfire.
Wesker nods almost imperceptibly before also rearing up from his crouched position, letting off a few shots as covering fire as he makes his own assessment of the situation.
âThat would seem to be the caseâ Wesker replied in his usual clipped tone as he sprang up to fire again. At this point you had worked with Wesker long enough that you fell into a comfortable rhythm covering for each other and you were confident that you were going to come out of this encounter more or less in one piece.
This confidence turns out to be wholly unearned as neither you and Wesker managed to notice the additional mercenary force coming up behind you until it was much too late. Wesker notices the mistake before you do, and turns to face the second threat. You catch this movement out of the corner of your eye, but the first you properly notice the shift in the tide is when someone presses the hard muzzle of a pistol into the base of your skull and growls a threat into your ear. You comply once your boss gives you an almost imperceptible nod, dropping your weapon and raising your hands. Your captors waste no time in securing the two of you, the full kidnapping works, zip cuffs, search for and subsequent removal of weapons, head bags, very professional. They are not taking any chances as they move on from the scene but at least they havenât killed you, the inside of your skull would definitely not improve the condition of the 4X4 in any meaningful way.
The back of the truck you are thrown into could probably be described as crappy and already had cargo. You had no way of telling if it was just you, the boss and whatever was in the crates or if they were smart enough to leave a guard with you, so you err on the side of caution and keep your mouth shut. Wesker seemed to have the same idea and remained similarly quiet. The rough back roads the vehicle seemed to be going down jostle you rather badly and on more than one occasion the motion rolls you into Wesker with some force, causing him to let out slight exhalations of surprise that you could only just hear, it feels strangely intimate like you were hearing something private. You have no idea where you were or where you are going and you really hope that Wesker is less disoriented by the jostling and darkness. With little else to do and no way to safely communicate with your boss, you instead busy your mind with the three key questions that the encounter so far has left you with. One who the fuck? Two why the fuck? And three what part of Wesker is digging uncomfortably into your spine?
The answer to question three is probably the easiest from the way you were restrained and assuming he was restrained in a similar manner you could guess it was his knee. Youâd been this close to him before but that had been in less stressful situations, and maybe it was the adrenalin but this feels different. You try to dismiss the feeling as a byproduct of your irrational brain chemistry, but some deep rooted instinct is screaming at you to protect him. Even though rationally you know that Wesker is perfectly capable of looking after himself, but then again it is more or less part of your job to keep him as safe as possible, so making sure he survives this is a very rational goal. Happy with the mental gymnastics you just performed to justify feelings that you really donât need or want to unpack right now, you focus on keeping yourself as close to your boss as possible despite the uneven roads.
Question one and two can be answered at the same time as if you can work out who then why should follow. The force that has managed to abduct you and Wesker is well organised and disciplined, but as far as you can tell is not wearing the colours of any military or technically sanctioned paramilitary groups that you know of, so that would make them independent mercenaries, which means anyone could be bankrolling the operation. So you canât actually answer either question, which is annoying but a force like this raises some red flags about who youâre sharing the locality with aside from the unsavoury types you had vetted and employed.
Youâre on the road for a while even after you went through your mental checklist of questions and you had moved on to mentally disassembling and reassembling various weapons to distract yourself. Eventually the vehicle stops and you lurch sideways, barely catching yourself before you get a face full of floor. Itâs almost instantaneous the way they grab you and force you from the truck and into some kind of structure, probably a tent given what light change you catch through the bag. Wesker is still with you, at least you think you hear him being shoved into the same sort of uncomfortable folding metal chair that you are also secured to and have never encountered outside of illicit interrogations. It annoys you that the bastards know itâs âto the chairâ not âin the chairâ because it will make escaping harder and more painful. Again the change is quick, almost disorientating, as they yank the bag off your head and the tent comes into focus. Two entrances, five mercenaries that you can see and Wesker as you had suspected similarly restrained in front of you and when you see his face you canât help but laugh, somehow those sunglasses he always wears have managed to stay undamaged on his face. You only stop laughing when mercenary No. 1 takes offence to your mirth and punches you hard in the stomach forcing your body to fight against the restraints in an attempt to force oxygen back into your lungs, but that doesnât stop you. You only stop giggling like some school girl stereotype when your boss shoots you a look that tells you itâs time to be professional.
The first words spoken come from a mercenary you hadnât caught sight of up to that point, âMister Wesker and⌠Associate, not to be cliche but we have been wanting to speak to you for some timeâ he says.
The pause is noticeable and you donât like the implications or the tone of the statement but it is not your place at this moment to do anything about it. Wesker raises an eyebrow but says nothing, and you momentarily distracted yourself wondering whether it should have been Doctor Wesker rather than Mister Wesker.
The talkative mercenary continues âYouâre a big shot scientist in the bioweapon business and you should be working for us, you obviously need better protectionâ he says and you bristle silently at the many incorrect assumptions and implications in his statement.
The mercenary is standing with his back to you and you canât see Wesker as he responds, but he sounds as composed as ever as he replies âIf you were seeking employment all you needed to do was contact my chief of staff.â
The statement makes you want to chuckle but you remain composed, the talkative mercenary does not find it funny and demonstrates his displeasure by striking Wesker across the face.
You donât have a clear view of the blow landing but you can hear it, a violent collision of leather and bone, against the softer area of Weskerâs temple and crunching through the metal and glass of his sunglasses. The mercenary recoils as your boss raises his head and you understand why, Weskerâs eyes are not human, glowing an unnatural orange- red colour with slitted pupils. Itâs no wonder youâd never seen him without the sunglasses before, your boss notorious bioterrorist, Albert Wesker, wanted in several countries for the illegal trade of bioweapons is himself some form of bioweapon, that or he has some wicked cool contacts, which seems unlikely. This revelation changes nothing for you, not really, he is still your boss, but it does dramatically alter the current situation, as he lets out an inhumane growl and rises from the chair with the loud sound of snapping shackles and grabs the talkative mercenary. You donât have a good view of what Wesker does, but you know the sounds of excessive and fatal violence and that is what the commotion sounds like. Mercenaries begin to pour into the tent and somewhere in the melee the chair you are secured to topples backwards and you land painfully on the floor and it gives you an even worse view than you had started with.
It takes at least five minutes and equipment that is definitely prohibited by the Geneva Convention to eventually subdue Wesker, and you do not get to watch any of it from your incredibly uncomfortable position on the floor of the tent. You spend most of the fight trying to dislocate your own thumb in order to join your boss but you are unsuccessful, you tear a deal of skin and feel blood running down your hand. Though you do manage to trip an errant mercenary as she rushes past you and you also deliver a few well placed kicks before Wesker is slammed still struggling onto the ground next to your head. You can hear him snarling as you turn your head to face him making eye contact for the first time, there is an inhumane fire behind his eyes that probably should scare you but it doesnât. It takes five very large individuals to restrain and manhandle your boss from the tent and out of sight, followed by almost all of the mercenaries that had been in the tent.
You can no longer hear the commotion that Wesker is causing, when the only remaining mercenary finally picks up your chair.
He looks you up and down, but is not openly threatening just yet, âIâm a fan of your work, that thing in France was inspiredâ he says with a smile that does not reach his eyes.
It is not what you were expecting but it might give you an angle.
âReally?â you ask, âNot many people know that was one of mine, Interpol doesnât even know I was there.â You say with a grin, trying to build rapport.
âNo they donât but some people in the business know, itâs probably why the bosses want to recruit you.â He says conversationally, now that is useful information and probably means you might have a chance to live through the rest of the day at least.
âIâm already contracted at the momentâ you mutter âAnd youâve met the boss, do people really think I would flip?â you add, as a strategic afterthought.
The mercenary just shrugs and makes to leave, he turns at the tent flap âThe bosses will be along shortly to talk to youâ he says and leaves you alone.
So much for trying to build rapport. Your attention turns back to trying to slip your bonds, but you remain unsuccessful.
It takes what you guess to be thirty minutes before another pair of mercenaries enter the tent, you make another educated guess that these two are the bosses that were mentioned to you earlier. You try to project an air of easy calm like you when meeting with these people while not under duress, itâs a difficult thing to pull off but you think you manage it.
âThere is no need to look so agitated.â Says the one on the left, a heavy set woman with tattoos creeping up her neck.
Normally you would make some kind of wild gesture at her comment but considering the situation that is not feasible, so you settle for speaking instead âWell Iâm feeling pretty agitated, Iâve been shot at, kidnapped, assaulted, generally threatened and it turns out my boss has got whatever the hell he has going on, going on, but youâre right I should chill out a bit.â You say, sarcasm dripping off your words.
Neither mercenary reacts to your statement, the one on the right moves out of your eye line, you can hear him doing something behind you, as lefty begins speaking âI thought this was going to be harder, but as you have already stated your boss has proved unworthy of your loyalty,â she says, you do not like the way she is talking about Wesker, âI would like to offer you a position within my organisation, you are capable, loyal and you have exceptional experience handling bioweapons.â She finishes as her partner hands her a file, which she flicks through slightly menacingly.
You let out a long sigh, and made a big show of considering her words, âWell, it is an interesting offer. I have a few questions though, what would the salary be? What service would I be performing? Are there any perks?â You ask conversationally, trying to buy yourself time.
âIâll double whatever you are earning now, the work is pretty standard for the business and the main perk right now is that I donât have Joe shoot you right nowâ she responds like this is a perfectly ordinary conversation, while Joe cocks a weapon near your head for emphasis.
You make a face like you are considering the offer, âWhen you put it like that, I am in,â you say hiding your contempt behind a nervous smile, âSo is there a contract I need to sign or do we just shake on it?â You ask calmly, you finally have a plan.
Your would be boss gives a derisive snort.
âShaking would be fine for now.â She replies and nods to Joe to let you loose, which completes the first step of your plan, you stand up from the chair and extend your hand for her to shake. She accepts your hand with an air of confidence and you yank her off balance, use her momentum to take the back and snap her neck. As she falls you pull the handgun from her side, to shoot the remaining mercenary between the eyes. Joe is dead before he realises what is happening. It is all over in seconds and you have to act quickly to continue your escape because the noise will likely attract someone to investigate, so you set about cobbling together some kind of disguise from the outfits of the two corpses in the tent, then you need to hiding them, you do not have time to do it properly but you manage to stash them both out of sight, which should be fine for a little while.
You slip out the tent and into the shadows of the mercenary camp proper, it is larger than you had hoped but youâve done this sort of stealth operation before, granted that was almost five years ago and ended with you in hospital for multiple gunshot wounds, so just donât make the same mistakes. From a cursory lap you can get a pretty good idea of the layout of the camp, it is a combination of a few abandoned concrete buildings and tents, with a rudimentary vehicle depot on what you would guess to be the north edge, you also note the constant perimeter and internal patrols as well as some static guard posts. Once you have gathered all this information you find a quite shadowy corner to take stock of the situation and in your professional opinion it is not good. The place is well guarded, you are stranded behind enemy lines, separated from your only friendly, who is being held in a yet undiscovered location and you have no extraction plan short of stealing a vehicle and hoping you donât get shot. At this point you have completed most of your escape plan, if you were less loyal or you owed Wesker less, you would just cut your losses and run, but that is not an option you canât just leave him like this, especially considering what they might do as he is not technically human. So you do the only thing you can do and search the camp for where they are holding your boss, it takes longer than you wanted and you run into a few unexpected complications, which means that you have to improvise a lot, which in practice involves a lot of pretending to be busy, acting like you are supposed to be here and inevitably ends with you choking a number of mercenaries into unconsciousness or to death depending on how you feel about them personally. After the display Wesker gave in the tent there are only a few places that a sensible person would hold him.
It is the second building you check, if you were them you probably would have picked the same place, it is an isolated concrete structure with no windows and a solid metal door. It is dark inside, lit by only a few battery powered lamps. The mercenary group running this operation are in the same business as you and whilst this sort of thing really isnât your scene you know what people are like, so you have suspicions about the state you will find Wesker in and none of them are good. You donât actually need to see him to know that all your fears have been realised, you know it is worse than you had imagined the second you slip silently past the unguarded door into the building. The first thing that hits you in the gloom is the smell and oppressive atmosphere, the entire room smells of blood and fear and pain, you have never been a person with a lot of emotional control, itâs what got you thrown out of the special forces but you are a professional and when you are on the clock you act like it, but in this moment you realise that that will be impossible. As your eyes adjust to the darkness your gaze falls on Wesker first, he is naked and restrained to a load bearing pillar in the centre of the room in a half kneeling position with his arms twisted painfully behind him and seeming to support most of his weight, from your position by the door he seems only semi- conscious at best with his chin dropped onto his chest. You vaguely note that you are getting tunnel vision, but you cannot help it as you begin to advance, you need to get your boss loose and get the fuck out of here, you are so focused on Wesker that you almost miss the fact that he is being circled by two mercenaries, a fact that you realise too late as both of them have definitely noticed you.
âAh,â begins one of them, he is wearing a hooded jacket with the hood pulled over a thatch of blonde hair, âYou come to join the fun? Itâs still got a lot of fight left in it.â He continues, harshly shoving Weskerâs shoulder and you nearly bite through your tongue, to stop you snarling at his words.
This presents a fine opportunity to get Wesker free if you can hold the ruse so you say âYeah.â Hoping that they mistake the tremor in your voice for excitement rather than barely contained rage.
The first mercenary beckons you forward âWe are a little short on equipment but we can make do, whatâs your tool of choice?â He asks.
You take the opportunity to consider that, what could you use to quietly dispatch the two bastard, you plotting is interrupted by the second mercenary finally speaking up, he is unremarkable but is carrying a rather impressive assault rifle, âI âavenât seen you about, âave I?â he asks gruffly.
You do not have any time to come up with a lie so you improvise, âProbably not mate, boss just brought me in. I have not really become acquainted with anyone, but I figured coming here for a little entertainment might help me meet some like minded colleagues.â You say, you have no idea where that came from but you roll with the momentum âI favour blades.â you address the reply to the first mercenary as you produce a large knife you stole earlier.
âAn individual after my own heart.â The first mercenary says as he snakes an arm around your shoulder and guides you forward, again you nearly bite through your tongue, to stop yourself doing something stupid. As you both approach, Wesker raises his head fixing his fire coloured eyes on the pair of you and snarls, if he recognises you he does not show it.
You can feel the second mercenaries eyes watching you suspiciously as the first mercenary speaks again, âNow this is like nothing you have ever seen before, watch thisâŚâ he says and grabs a handful of Weskerâs hair dragging his head up and drawing his own knife across your bossâs cheek.
The motion draws a groan of pain from Wesker and the sound breaks something in you, the mercenary starts talking to you again but you cannot hear him over the sound of the blood rushing in your ears. He keeps talking as he draws a few more bleeding lines across Weskerâs chest, you ignore him testing the balance of your stolen knife.
The mercenary sinks the knife carefully between Weskerâs ribs and laughs at the sound it pulls from his throat. You use the sound as cover to fling your own blade into the throat of the mercenary eyeing you with not nearly enough suspicion, you strike true and he collapses into a gasping gurgling heap. Next you seize the first mercenary from behind and in a move that any trained fighter would call stupid drag him to the floor with you. The fall to the hard concrete stuns both of you momentarily but you recover quicker and move over him and finally let go of your control. You rain blows down on the man's head, chest, neck and whatever surface you can sink your fist into. You do not notice his ineffectual attempts to get you off him. You do not notice the hot splash of blood on your face and arms. You do not notice the pain in your knuckles. Until exhaustion forces you to stop. You are mildly surprised when you rub a hand over your face and it smears blood from your forehead to your chin. It takes a little while for your rational mind to catch up with you and your actions. You might have broken your hand, but you feel better having vented at least some of your rage. It is a struggle to stand up and assess your situation, it is not as bad as it could have been, but you should not have lost control, it is unprofessional and puts you in more danger. On the plus side it is unlikely that anyone heard the commotion and if these two were supposed to be on guard duty you have until the shift change to get the hell out of here.
You drag yourself to crouch in front of Wesker, gods it is tiring work beating a man to death, but you can rest when you are safely out of this place.
The boss can barely raise his head to face you and his red- orange eyes donât seem to be able to focus on you, âHey boss, itâs me,â you say hopefully but get no response, which is not good, âBoss, Wesker itâs me, itâs Y/L/N boss, we need to get moving,â you try, gently bringing your hands to rest on the sides of his face, but he just jerks back snarling faintly, seeming not to recognise you.
This is not the first time you have seen a person like this but you really do not know how to help him and moving him in this state feels like a bad idea.
So you try speaking, one last time âAlbert,â you say firmly, âItâs just us, youâre safe, Albert I need you with me.â You say, you donât know where the words come from, they are far gentler than you can usually muster, but it seems to work.
Weskerâs eyes finally focus on you and he mutters your name, your first name, he never uses your first name, only your surname, itâs more impersonal and professional which is Wesker all over but you cannot expect him to really be himself at the moment.
âYou back with me boss?â You ask with a grin, he only responds with a nod but it is enough. âExcellent boss,â you mutter just to break the silence, âletâs see about getting those restraints off,â you continue as your eyes wander over his form trying to make a plan until something stops you dead in your tracks.
You utter a quite âFuckâ when you notice the knife still lodged between Weskerâs ribs, under normal circumstances or what passed for normal circumstances it would be incredibly dangerous to even attempt to remove it, but these are far from conventional circumstances even by your standards.
âOkay, boss Iâll get that blade out then get you loose, this is going to suck and Iâm sorry.â You say gently and yank the knife free from his body before you finish speaking. Wesker lets out a half suppressed roar of pain and you let out a breath you did not realise you were holding.
âVery good, boss, Iâm going to get you down now. Then we can see to your injuries and get you some clothes.â You say as you move to release his restraints.
Without the support of the restraints, Wesker slumps forward and you just manage to get your arms around him before he crashes onto the hard concrete. He is heavier than you expected.
âOkay, Boss can you stand?â You ask gently, still supporting most of his weight.
âI will have to.â He whispers practically into your ear.
You nod in acknowledgement, as you lower him into a sitting position so you can do what you can for his stab wound. When you get a look at the injury, it does not look as bad as you were expecting.
Your confusion must be written across your face as Wesker lets out a frustrated sigh âThe injury is of no concernâ He practically growls.
You are not a medical professional, not that those credentials would necessarily help in this situation, but Wesker probably knows what he is doing so you have to take his word for it, he is a doctor after all.
You give him a quick âOkay boss,â as you begin to strip a few items off the mercenaries that you eyeball to be roughly his size and toss the clothes to him, all whilst doing your best to respectfully ignore his state of undress.
Itâs nothing you havenât seen before but you are painfully aware that your future employment and possibly continued breathing privileges rest on your reaction to everything that has happened today. In the spirit of pretending everything is fine and normal you turn back to Wesker in time to watch him struggling into a hoodie a size too big for his slight shoulders, on the plus side he has won the battle against the trousers.
âWell boss I think weâre shit out of luck for boots, but it is not that far to our exfil so you can probably risk going without.â You say as you help him manoeuvre his stiff shoulders into the offending garment.
He accepts your help wordlessly and you sensibly keep your mouth shut about it. The clothes help him look a little less conspicuous, if you ignore the blood and the fact he is not wearing shoes but if your plan works that shouldn't matter.
âOkay boss, I have a plan.â You say, voice full of completely unearned confidence.
The sound of bullets smashing through the rear windshield and dancing on their deadly ricochet course through your stolen jeep makes you think that this escape plan could have used some more work. In your defence it had been going well, you were practically carrying Wesker, for the ruse not because he needs supporting or so he insists, towards the vehicle depot yelling that something was loose and had savaged your friend, it all fell apart when a community minded mercenary tried to help Wesker and got two in under the chin for his trouble. It was a stroke of luck to find a vehicle that you did not have to hotwire, luck that promptly ran out when people started shooting at you. Another bullet passes dangerously close to your head as you make a sharp turn at high speed and you keep your foot on the accelerator until you hit a major population centre and have to start obeying traffic laws. The red light ahead of you signals the end of the chase and the beginning of a great deal of work when you get back to HQ. You let out a long laugh as the light turns green and the tension bleeds from you as you turn towards base.
It wasnât unusual for you to need a change of clothes during your work day. You had been the assistant to the Fantastic 4 long enough to know that things often got messy.
What was unusual is that you never replaced your last back up outfit. Usually, your bottom desk drawer is packed neatly with an outfit change down to the shoes, so as you opened it and saw nothing, you cursed yourself for not replacing the outfit you used last week.
You were covered from head to toe in some sort of chemical sludge Reed had been working on in the lab. When he asked you to hold the beaker, you should have known better. He swore to you it was completely harmless, even though the hole it burnt in your blouse was telling you otherwise.
You were just a personal assistant, not a science related one, but when it came to being an assistant to a bunch of scientists, accidents often happened.
âFuck me,â you whispered under your breath.
Sue perked up, âwhatâs wrong?â
âI never replenished my backup outfit drawer,â you said, shutting it and placing your hand on your hips.
Sue laughed lightly, âI canât believe you even need one of those, but Iâll grab you something, come on.â
You followed her into the living space of the Baxter Building and she grabbed something comfy that sat neatly folded in the laundry basket.
âThese should be okay, you don't have any important meetings today, do you?â She handed you the outfit.
âNo, this should work,â you said, smiling and taking the clothes from her.
You made your way to the guest room and cleaned up in the bathroom before making your way back to your desk in the lab to continue work for the day.
Johnnyâs POV
The doors to the lab swung open, and Ben and Johnny made their way in.
âIâm just saying Ben, it would be sacreligious not to -â he cut himself off and stopped in his tracks.
Johnny slapped the back of his hand onto Benâs rocky chest, making Ben stop in his tracks.
âWhat?â Ben asked, looking at Johnny.
He followed Johnnyâs gaze to where you were sitting at your desk.
âGawking at your little crush again, hot head?â Ben said jokingly.
âBen, you donât understand, be still my beating heart.â He swallowed, âthose are my clothes.â
Ben looked across the room at you, bent over your desk, scribbling something down. The phone was held in between your ear and shoulder, and you were talking animatedly to whoever was on the other end.
Sure enough, the crew neck you were wearing had J.STORM across the back in big blue letters, and the blue flannel pants were rolled at your waist because they were a few sizes too big.
âBen youâre going to have to hold me back, Iâm going to propose right here in the middle of the lab.â
Ben laughed at that, and it caught your attention. You turned, still on the phone, and gave them both a shy wave.
Johnny made a noise in the back of his throat that resembled an injured animal and Ben laughed at him, again.
Ben slapped Johnny on the back as you hung up the phone, âgo say something before she thinks something is seriously wrong with you,â he whispered.
Readerâs POV
You pretended to be very interested in the notes you were scribbling down related to the phone call you just ended. But from the corner of your eye you watched as Johnny peeled himself away from Ben and started walking toward you.
Which was ridiculous, because youâd known Johnny Storm for years now. Youâve seen him on fire, crash land, burn dinner, flirt with strangers, flirt with coworkers, flirt with lamps. None of this should have made your stomach twist the way it did, but he was Johnny, and he always managed to have that effect on you, even when he wasnât trying.
Still, when he stopped at the edge of your desk, you suddenly forgot how to sit like a normal person and your hands were sweaty.
âHey,â he said, voice softer than usual.
You looked up, immediately aware of how oversized the sweatshirt felt, how the sleeves nearly swallowed your hands and how ridiculous you looked, as opposed to your typical work attire. âHey.â
There was a beat. Johnny rubbed the back of his neck, rocking slightly on his heels, like heâd forgotten his own script.
âI, uh,â he cleared his throat. âI like your outfit.â
You snorted before you could stop yourself, rolling your eyes. âWow. Very original, Storm. What, you say that to all the girls in the lab?â
He grinned, but there was something different there, less cocky, more fond, but still a smirk. âNope. Just the ones stealing my clothes.â
That made you blink.
âWhat?â
Johnny leaned in just enough for you to catch the faint smell of smoke and soap, lowering his voice like he was sharing a secret. âCheck the back.â
Heat rushed to your face instantly as the realization hit you. You groaned softly, dropping your head into your hands. âOh my god. Sue didnât say anything.â
He laughed quietly. âShe didnât have to.â
You peeked up at him, mortified. âI didnât mean toâmy clothes got ruined by Reedâs lab slime and these were justââ You gestured helplessly at yourself. âI didnât know they were yours.â
Johnnyâs smile softened. âYeah, well. Iâm not complaining.â
Your cheeks burned hotter. âI look ridiculous.â
âIncorrect,â he said easily. âYou look⌠really good.â
That made you go quiet, fingers worrying at the hem of the sweatshirt. Youâd always been a little shy around him, never quite sure where the teasing ended and something real might begin.
Johnny noticed. He always did.
He tipped his head, eyes warm. âYou should wear them more often.â
You laughed nervously. âI donât think Sue is running a Johnny Storm wardrobe rental service.â
He stepped back, pointing at you as he started to turn away. âI am.â
Then he winked, âfor you, that is.â
âWhat are you up to, Storm?â You crossed your arms and tilted your head at him.
âWell, since you are borrowing my clothes I feel like you owe me.â
You raised your eyebrow, âowe you what exactly?â
âA date. Tomorrow night, at 7,â he said confidently.
You shook your head and laughed, âyouâre serious?â
He shrugged, âas a heart attack.â
You exhaled sharply, looking at his face for any signs of foul play, but all you saw was sincerity, and maybe a little bit of nerves.
âAlright, itâs only fair.â You turned, trying to act casual and go back to your work.
âDonât be late,â you added smoothly.
âWouldnât dream of it, sweetheart,â he said, turning on his heels, trying to contain the buzz of excitement coursing through him.
Your breath hitched as he walked off like he hadnât just short-circuited your brain, leaving you sitting there in his clothes, heart racing, face burning, and absolutely no chance of focusing on your work for the rest of the day.