marinadiamandis: 6 months dye freeee

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"I'm Dorothy Gale from Kansas"
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if i look back, i am lost
$LAYYYTER
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@marinaroyal
marinadiamandis: 6 months dye freeee

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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âPrimadonnaâ - Marina and the Diamonds (2012), dir. Casper Balslev
Marina and the Diamonds performing at Lollapalooza Chile on March 20, 2016.
âHollywoodâ - Marina and the Diamonds (2010), dir. Kinga Burza
To Be Human is probably the most important song on this record for me, because thematically it sums up the headspace that Iâve come from in the past 3 years. I think the subject matter is really important, it talks about unity. I namecheck a lot of places around the world SĂŁo Paulo, Verona, Angola, Chicago, Kyoto, Hiroshima, Greece. When I was writing that I wanted to create this picture of humanity, because in our political climate we are constantly being made to see other people as âotherâ. If youâre from a different culture, youâre seen as different and potentially dangerous and I really hate that. I really think thatâs a sad way to see humanity. So I wrote this song really thinking about that, and for that reason it really forms a core part of the record. Marina - To Be Human (2019)

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Marina Diamandis photographed by Charlotte Rutherford for Froot on October 24, 2014.
âPrimadonnaâ - Marina and the Diamonds, 2012
Marina performs âTo Be Humanâ live in Manchester on May 10, 2019.
Ain't it funny how it all adds upâwhen you're always tryna push your luck?
MARINA eras + diamonds

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Love + Fear tour outifts
MARINA photographed for PAPER Magazine by Eric T. White
âIâm here because I want to be here and not because a fourth album was due, because Iâm not someone to go through the motions. If I didnât do music, there are so many other things I could do.â
âtoo afraidâ - MARINA, 2019
MARINA for LâOfficiel USA, photographed by Michael Beckert (2019)

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MARINA. / LOVE + FEAR (PART I.)Â
MARINA photographed by Zoey Grossman, 2019