Lygia Clark, Ovo Linear, 1958 (em Instituto Tomie Ohtake)
Doug Jones

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Lygia Clark, Ovo Linear, 1958 (em Instituto Tomie Ohtake)

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O espaço no qual vivemos, pelo qual somos atraídos para fora de nós mesmos, no qual decorre precisamente a erosão de nossa vida, de nosso tempo, de nossa história, esse espaço que nos corrói e nos sulca é também em si mesmo um espaço heterogêneo. Dito de outra forma, não vivemos em uma espécie de vazio, no interior do qual se poderiam situar os indivíduos e as coisas. Não vivemos no interior de um vazio que se encheria de cores com diferentes reflexos, vivemos no interior de um conjunto de relações que definem posicionamentos irredutíveis uns aos outros e absolutamente impossíveis de ser sobrepostos.
... dos abismos que separam as expectativas juvenis da realidade da maturidade, o que já foi falado por tantos outros sobre a natureza ilusória de nossas escolhas, sobre a decepção em que culmina a procura de enganos, sobre o presente como fragilidade e o futuro como domínio da velhice e da morte. Enrique Vila-Matas (em Ribeirão Pires)
lyotard – dominique gonzalez-foerster – filmes
Isso é sobre arte ou sobre eu mesma?
DGF
"d'acuité et de douceur dans le regard porté sur le monde, cette poétique rigueur" Jennifer Flay sobre Dominique Gonzalez-Foerster. Le Monde. Fev. 2007

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até 2016! (em Instituto Tomie Ohtake)
Trim
O que penso em bancas de jornal.
#ClippedOnIssuu from SEXO ÁGIL Revista de ação. Mulheres e machismo, por Karina Buhr e Camila Fudissaku. www.karinabuhr.com.br
#dominiquegonzalez-foerster #Ryo #film

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[...]
I'm a strange aberration In this land of potted plants and boxlike houses Where the girls like mouses Breathe a long sigh of resignation I resign myself to keep on growing All the seeds I'm sowing I'm a strange apparition In this land of grammar schools and gala days The ladies set in their ways [...]
Le bestiaire
How to make one thing out of several things?
André Wongenscky
"In the end, it's the relationships between places and objects that are the most important and not the objects themselves".
Marta Pan in: Obrist, Hans Ulrich. DOMINIQUE GONZALEZ-FOERSTER – the conversation series. Köln, Verlag Der Buchhandlung Walther König.2008. p.50.
(...) A central emptiness is much more powerful than a full center. Dominique Gonzalez-Foerster

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My dear! You lie in the grass, looking up / Not a soul around / All you hear is the wind / You look up into the open sky, up into the blue above, where the clouds roll by / It is perhaps the most beautiful thing that you have ever done or seen in your life. Ilya Kabakov
The Great Wall, Drawings for Manhattan