The Birdcage (1996) dir. Mike Nichols

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The Birdcage (1996) dir. Mike Nichols

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Would you like to go on a space walk, Dr. Grace? Project Hail Mary (2026) dir. Phil Lord, Chris Miller
JENNIFER'S BODY | 2009 dir. Karyn Kusama
Mark 'Markiplier' Fischbach as Simon 'The Convict' Iron Lung (2026) dir. Mark 'Markiplier' Fischbach
every leverage dynamic ⮎ jim sterling & sophie devereaux
and here we have the most valuable piece in that collection gone missing and my favorite art thief on the premises.

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@pscentral 25-26 gif(t) exchange happy new year, @blueskiesandstarrynights! 🩵
comic about grace passing away and reflecting on it with rocky and adrian (with inspo from carl sagan)
Grace think fondly of his scar if you even care.
@PSCENTRALÂ EVENT 50:Â COLORS
BLACK AND WHITE + COLOR
Battleship Potemkin (1925) dir. Sergei Eisenstein Pleasantville (1998) dir. Gary Ross Sin City (2005) dir. Frank Miller, Robert Rodriguez Belfast (2021) dir. Kenneth Branagh The Tingler (1959) dir. William Castle Rumble Fish (1983) dir. Francis Ford Coppola His Motorbike, Her Island (1986) dir. Nobuhiko Obayashi Lady Vengeance (2006) dir. Park Chan-wook High and Low (1963) dir. Akira Kurosawa Mary and Max (2009) dir. Adam Elliot Schindler's List (1993) dir. Steven Spielberg
I’ll Believe In Anything (Wolf Parade)

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PROJECT HAIL MARY (2026) -> Silhouettes
TED LASSO 2.06 "The Signal"
TRANSCENDENCE TRAILER âť– SUDDEN SNOW
Death is not the enemy of love. The real enemy... is the blessings given by deluded gods.
♡
simon grace mate, question
i wouldn’t call it that
simon care about grace <…> want to make sure grace is not hurt, question
yeah, yeah, buddy. of course.
good good then simon watch grace sleep. rocky busy busy with ship recovery and watching own mate adrian so simon watch grace sleep so he is safe
<…>
question
yeah, buddy. all night. straight on until morning. uh. promise. <clears throat> promise, statement.
bonus:
good good because grace can die in sleep statement
he what—
grace, poking his head through the door: Not more than a typical human. Rock, cheese and crackers, stop telling people that.
((p.s. do you know how much simon would appreciate a sunrise))
đź’šMerch Itemsđź’š
A keyring for your keychain?! Kaching! These adorable chibis are repping your favourite show and gang! Designed by the amazing @/purrresa_designs (insta) !
https://embracethedeceptionzine.bigcartel.com/

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I know nothing about the comic Supergirl is based on or the themes it carried over from the comic aside from what I've seen folks mention, but I keep seeing stuff like how Lobo was cool but ultimately pointless as a character.
Lobo was actually very important to the movie as a foil to Kara in Ruthye's arc. He is not on the same level as them as a protagonist, but he needs to be established as a character early enough to give his presence some weight.
Because the real meat of his presence in the movie is his conversation with Ruthye where she says Krem killed her family for no reason, "for sport", and then Lobo calls that a reason. And then talks about how he kills for money. He's outright enthusiastic about the potential of her becoming a killer herself while Kara doesn't want that for her.
For Kara, no reason, not even revenge, is enough for Ruthye to carry the weight of taking a life, but for Lobo, who views sport or money as good enough of one no matter how superficial, revenge is definitely enough.
That's also why he was witness to the final scene with Krem. Because of what he represents in her arc, he needed to see Ruthye walk away from the path he wanted her to take and choose Kara's. And he needed to see Kara do the final blow because of what Kara represents: being good but not nice. She may take this life and carry that with her, but it still won't make her anything like him.