YUZU

Yuzuru Hanyu @ REALIVE 2026 💙

Kenshi Yonezu & Yuzuru Hanyu: Bow and Arrow | Medalist OP

Figure skater Yuzuru Hanyu (29), who marked two years since announcing his decision to turn pro on the 19th, agreed to an interview. He spoke at length about his two years as a professional, his present and the future, his fateful encounter with a program, and the "ideal" he is pursuing. We will be publishing Hanyu's words, who continues to evolve as an athlete and artist, for three consecutive days. The second and final instalment are a stand-alone interview. (Interviewer: Takagi Megumi)

Part 1:

Hanyu-san appeared dashingly at the studio in Sendai. As soon as he arrived, he started the interview by saying "Thank you." His quick thinking and agility were as good as ever. His black jersey looked good on him as always.

"Honestly, my first year as a professional was a bit of a trial-and-error state; I was constantly thinking about whether I should do this, whether I should do that, what I should do. But this (second year) has been a year in which I have clearly understood what I want to express, and what I want to do as a professional."

Though he was thoughtful at times and carefully choosing his words, he was smiling throughout the interview. Looking back on the past two years, his expression showed how contented he has become as a professional.

It all started with a one-man show “Prologue”. “GIFT,” the first solo Tokyo Dome performance by a skater in history, lasted two and a half hours in which he skated alone. In "RE_PRAY", the second instalment of the ice story following "GIFT", he took on his first national tour.

"In the second year, with 'RE_PRAY', the ice story was completely formed. I think the big thing about the second year was that I was able to properly establish what pieces existed in the story and what kind of story I wanted to tell."

He wrote the story himself, served as executive producer, and performed "Ice Story" by himself. With "RE_PRAY," he created a new form of entertainment that combines gaming and skating.

"It's the same when I choreograph various programs, but I think that the essence of what I want to express is always the idea of 'living' and the constant presence of something like a 'prayer' towards 'living'."

He has changed the concept of a professional skater. He can perform quadruple jumps and perform programs in a variety of genres. His evolution as an athlete and an artist continues in his third season.

"I have finally established the foundation for what I want to do, so as an extension of that, I am wondering how I can improve my skills in terms of expression. In order to convey myself, I believe that I cannot improve my level unless I have a strong technical foundation, as I have always said since my competitive days. I feel that my third year will be a time when I will be working on improving both my technique and my physical strength."

He will be turning 30 in December. He says that his present life is different from the future he envisioned as a teenager. He was supposed to have turned professional after the 2018 Pyeongchang Olympics and retire from skating in his 20s.

"The way my stamina and technique have developed is completely different from what I had imagined, but it gives me a real sense of how much more I can achieve, and a sense of great potential for the future. I now feel that humans can achieve much more than I had thought."

He won consecutive Olympic gold medals in Pyeongchang and after his third Olympic Games in Beijing, he turned professional. He had an incredibly intense 20s. What will his 30s be like? "Nothing in particular has changed," he continued, tilting his head.

"While still cherishing who I am, I think that showing my skills and facing skating are a big part of what makes me happy. I want to always have within myself a reason for my existence, a meaning to the past 30 years for everyone. It's not just because my fans watch me, or because skating is all I have, but I want to create more clearly within myself the core of my life in my 30s."

Skating with soul. "Pursuing the ideal," he wrote on his coloured paper. The story of professional skater Yuzuru Hanyu has just begun.

-What have the past two years been like since you turned professional?

"As an athlete, I have really thought about many things in a stoic way up until now. Of course, this is true in terms of technique, but I think I have always been thinking about victory in particular. To be honest, in my first year as a professional, I was feeling my way around; I spent the whole year constantly thinking about whether I should do this, whether I should do that, what I should do. I think this (second year) has been the year in which I have clearly understood what I want to express, and what I want to do as a professional."

-What have you come to understand clearly?

"In the first year, I had 'Prologue,' and I was feeling my way around whether I could skate solo. I was also working on 'GIFT' at the same time. At the time, I wanted to write my own story, and I wanted the audience to experience how the programs they had seen up until then would change as they watched them. This was something I had vaguely thought about since my competitive days. I was able to make this a reality in my first year. In my second year, I had 'RE_PRAY,' and I felt like I had completely formed the ice story. It wasn't just about trying to figure out how to skate by myself or changing perspectives by putting what I wanted to express into a story. I think the big thing about my second year was that I was able to properly establish that this story has these pieces, and that this is the story I would like to convey."

-What kind of year will your third year be?

"I have finally established a foundation for what I want to do, so as an extension of that, I am wondering how I can improve my skills in terms of expression. As for conveying myself, I have always said since my competitive days that I can't improve my level without having strong technique as a foundation. I feel that my third year will be a time when I will be working on improving both my technique and my physical strength."

-Memories from the past two years?

"There are a lot, of course. I can't really say just one, but I've had so many different, precious experiences. Most recently, the completion of "RE_PRAY". I had that feeling that it was received well. I'm currently in the middle of the production process (laughs). It's my motivation to keep working hard, it's my driving force."

-Are you currently working on any new projects?

"I've been creating new programs and other things. I've started digging deeper into what I want to express. Because I've been working alone for so long, the emotions that come out of me tend to be biased. My ideas haven't fundamentally changed that much, so my repertoire hasn't expanded that much. But I do feel that my experiences with 'RE_PRAY' and other such things are the driving force behind the birth of new emotions and new expressions."

-Will Ice Story continue to create themes by asking itself these questions? 　

"Whether it was when I was creating 'RE_PRAY,' or when I was choreographing programs like 'Goliath,' 'Aqua,' and others, I think that at the core of what I want to express is the idea of 'living,' and the constant presence of something like a 'prayer' towards 'living.' So, what I want to convey on top of that and what I want to dig deeper into may affect the way I present myself depending on the program at hand."

-You'll be turning 30 in December. How does it compare to how you imagined your 30 would be?

"When I was 18 or 16, to be honest, I imagined I probably wouldn't be skating anymore by 30 (laughs). I would turn professional at 24 immediately after the Pyeongchang Olympics, and I thought I'd be active for about five years and then be done with skating. But the way I've developed my stamina and technique is completely different from what I imagined, and I feel a real sense of realization that I can still do so much, and a great sense of possibility for the future. Right now, I feel that humans can still do much more than I thought."

-What kind of person do you want to be in your 30s?

"Nothing has changed in particular. However, the more I polish my way of expression and the more time I spend constantly practicing and facing myself, the stronger my sense of self is becoming, and I feel like my foundation is becoming more and more established. In this way, I will continue to cherish myself in my 30s. But I think that showing my skills and facing skating is a big part of what makes me happy. I want to always have a reason for my existence, a reason for living for the past 30 years. Not just because my fans watch me, or because skating is all I have, but I want to create a clearer core for myself in my 30s."

Part 2:

It has been two years since figure skater Yuzuru Hanyu (29) announced his professional debut on the 19th. In the second part, he spoke to Sports Hochi in an exclusive interview about his "fateful encounter" with a certain program. (Interviewer: Megumi Takagi)

-Does time pass differently now compared to when you were an athlete?

"When I was a competing athlete, I could just keep thinking about things like building my physique or practicing skating. But when I'm creating something or choreographing a program or doing things like that, I don't have time to just practice. So, I thought, 'I won’t be able to practice during this period, so I'll just try to maintain it’, or ‘I'll try to keep it to a certain level, and since I'm currently in the production period, it can't be helped if I cut down on sleep.' I want to provide something good, and when I think about all sorts of things, I can't sleep. To begin with, I'm the kind of person who tends to live an unhealthy lifestyle (laughs). I know I should sleep more for my skating, or eat more of this or that, but it just keeps falling apart."

-How much sleep do you get?

"It depends on the day. If I feel like I can't take it anymore, sometimes I'll sleep for eight or nine hours straight, and sometimes I fall asleep without realising it. On the other hand, there are also days when I'm awake all day. It's normal to stay up all night even though there's no need to. But it's at times like those that stories are born. It's hard to put into words. It's not that different from writing lyrics or composing music. I guess that's just how it is. I've accepted it and thought that this is just my style." 　

-During the rehearsals for "Notte Stellata" in March, you said you were "nervous about the new program."

"Of course, I felt nervous about performing it in front of everyone for the first time, wondering if I’ll make a mistake or if everything will be okay, but if anything, I thought it's great, and the people around also thought it's great. But when that circle expands from me to people who are close to me, and then to my fans and to the general public, honestly I'm really scared about what people will think. People have completely different values, and there's no doubt that the impression people get when they hear a program or a song is different for each person. So I do feel a bit scared that it may go in the wrong direction."

-How have you felt about that over the past two years?

"I've created a lot of programs, including 'RE_PRAY', and it makes me happy to see that people have different preferences for the programs they like. Some people say they like my self-choreographed programs, and others say they prefer programs that are properly choreographed by a choreographer. Some people say they prefer programs that are more like traditional figure skating, and conversely, some people prefer programs that are more over-the-top, like 'MEGALOVANIA', so it really varies. That's also one of my strengths. I'm really happy that everyone has different interpretations of the programs and likes them."

-What programs would you like to try in the future?

"I actually want to make a 15-minute program, but I'm worried it might be difficult."

-Is that a physical thing?

"Of course, it's physically demanding. For example, even if I don't jump that much, I don't want it to become boring. I want to create something with so-called contemporary movements, but I don't think I can keep up."

-There’s a concept.

"I have a vague idea, but I'm not sure if I can go that far yet. I don’t know. I haven't found a song that I want to skate to yet. I just don’t think I’ve found a song that I want to skate to for 15 or 20 minutes."

-"Danny Boy" (※1) has a more empathetic and gentler feel than ever before. Is this due to the fact that your range of expression has expanded over the past two years, or is it a change from within?

"I do feel like I've become able to express emotions that were already there in new ways. That's true when I skate to 'Notte' (Notte stellata) or 'Spring' (Come, Spring). I've been able to express things like compassion or prayer through the melody, the way I use my hands, the way I use my upper body, and so on. Up until now, I've been doing classical, pop, and instrumental pieces, and 'Come, Spring' was originally a pop song. This time, I used a jazz melody, which was something I hadn't done before, and I think the biggest difference is that I feel like I've finally become able to do it. Of course, I think part of it is that I'm getting older and becoming more mature, but I feel like I’m catching up a bit in the way I use my body to express that, and in my thought processes."

-"Danny Boy" was recommended to you by Hoshino Gen.

"That's right. I met Gen-san (※2) on the show and he said, ‘This is a good song’. At that moment, I had a feeling that this was it. I decided almost immediately that I was going to skate to this song."

-Did it come easily?

"It's hard to find songs that inspire me and songs that, when I first listen to them, I can imagine myself standing there and skating to them. I've been searching really hard for songs, but it's not easy to find one. But that song just came to me. I had a feeling that this was it. The melody was not something I could choreograph by myself, and I felt that this song needed to be skated over and over again to mature, so I immediately thought of David (Wilson, ※3) and asked him for help. It was a quick development with the song, and I felt like it was a fateful encounter."

[※1] Performed by Keith Jarrett. Debuted at "Yuzuru Hanyu Notte Stellata 2024" in March this year. [※2] He appeared as a guest on Hoshino Gen's show "Ogen-san's Sabusuku-do" (NHK, broadcast last August). He played the role of "Ogen-san's younger brother" and talked about music. [※3] Canadian choreographer. Choreographed "Romeo and Juliet" for the free skating at Sochi Olympics, "Notte Stellata," and "Spring, Come", among others.

Part 3:

The final episode of an exclusive interview with figure skater Yuzuru Hanyu (29), who announced his professional debut two years ago on the 19th. He talked about "full effort," "mind, technique, and body," and his "ideal" as an athlete. (Interviewer: Megumi Takagi)

-During a press conference for "RE_PRAY," you said, "I can still improve the composition."

"Originally, in practice, I was practicing 'Messenger of Ruin' with the final axel as a 3A3T (a triple 1/2-triple toe loop combination jump). Sometimes I would also practice the first toe loop in the second half as a 4T3T (a quadruple toe loop-triple toe loop combination jump). I probably wouldn't be able to do it in a real performance, but I was practicing it as a way to build up my stamina and improve my skills. I had some time to spare, so I thought I'd like to do it if possible. I tried it on the final day of the Miyagi performance, and there were some flaws. I guess I was hoping that if I practiced more, I'd be able to do it."

-Will there be a composition as difficult as that (※1) this season as well?

"I would like to do it. However, I think the composition will be completely different depending on what I want to express. Is the challenge a quadruple jump, or something more physically difficult? Also, I think the way it is presented will be completely different depending on whether I am challenging myself expressively. If possible, I would like to improve the composition. However, when it comes to a tour, I wonder if I am really 100% confident that I can deliver something good to everyone. I think it is necessary to always consider the balance and make sure I am not overestimating myself."

-It was the same in the ice shows and exhibitions when you were competing, and of course it's still the same now. Why are you able to give it your all every time?

"On the contrary, I feel more uncomfortable if I don’t give it my all. Performing in front of people is in itself something that may or may not please them, but in that moment, it may also be a catalyst for a change in someone’s life, even if just a little. If it were my own performance, I don't think I could show a half-hearted performance."

-Is that always the case?

"Always. I think I've been like that since I was little. I think my physical ability is pretty high, but if I didn't give it my all, I wouldn't reach that level. Therefore, I had to remove that limiter and try to catch up with my sister (Hanyu started skating because of his sister, who is four years older than him) or try to reach her level, since I couldn’t get that far unless I gave it my all. For example, when I was a novice and I couldn't jump the triple or double axel properly. Other kids could jump them, but I was flexible, didn't have much muscle strength, and wasn't blessed with a body that was so good in terms of explosive power, but when I thought about wanting to be better than everyone else, or wanting to catch up with everyone else, that's why I kept giving it my all. I removed my limiter more than other people. Because I didn't want to lose. I wanted to be praised (laughs). So, removing the limiter is normal for me probably from a young age. I have an older sister, so there’s always someone at home to aspire to. So, I guess I had to remove the limiter in everything. And now I have a sense of responsibility. Because I am Yuzuru Hanyu, the question of how far I can go in my pursuit is gradually coming into play and giving it meaning. If I were to talk about my childhood, I think that's probably what it was like."

[※1] In "RE_PRAY"'s "Messenger of Ruin," he completed a highly difficult routine just like in a competition, including a single quadruple Salchow and toe loop, five consecutive quadruple toe loops, and two triple axels.

-How do you increase your concentration before a performance?

"In my case, theoretically, I think that if I can get excited or create a situation that I find enjoyable, I will naturally be able to concentrate. So, although I don't sing it out loud, I think that getting into music is what turns on my concentration switch. It's like my blood gets pumping, or like the switch in my brain changes. I guess it's the song, the music."

-You are still a complete athlete. Athletes often use the phrase "Shin-Gi-Tai” *," but where does ‘mind, technique, and body’ fit into your perspective, Hanyu-san?

"In the end, I think there's no point if you can't find a balance. If you excel in one area… For example, if your heart becomes very strong at one point, but your technique is not strong enough to match the size of your heart, then the heart itself will probably be destroyed and you will be swallowed up. So you definitely need the technique to express your heart. Even if you spread that heart and technique widely, if you don't have the physical strength, if your body itself isn't functioning well, then you will be swallowed up by your technique and your heart. In the end, I think if you really want to level up, you have to make everything bigger."

*心技体 (Shin-gi-tai) – Shin = mind/heart, Gi= skills/technique, Tai = physique/body

-What is an athlete?

"Now, I have the opportunity to work in various professional fields and have more opportunities to come into contact with people whom I really respect, I think that the people I consider to be the very best are all athletes. For example, there is the NHK programme ‘The Professionals’, and people like that are really athletes. Personally, I think the way they use their time, or the way they use their heart and soul, to achieve a certain goal or ideal is what makes them athletes. I don't know whether to call that an athlete or a professional, but that's how I've always been since my competitive days. I think that's what I would like to call myself, an athlete."

-You've often used the word "ideal" since the latter half of your competitive days. It sounds like a declaration of determination not to compromise on that.

"The reason I started talking about my 'ideal' towards the end of my competitive days was because, well… To be honest, I wanted to perform a certain way, but after all, it didn’t always lead to positive evaluation. That's when I decided to shift towards pursuing my ideal."

-Perhaps around Autumn Classic?

"The most significant was Autumn, I guess…Autumn 2019…? At that time, I had no choice but to reconsider and realise that the most important thing was to do what I wanted to do and perform the kind of performance I was aiming for, rather than worrying about scores. I felt that this was equal to making the fans happy. From then on, I am still on that same path. After I become a professional skater, I have to pursue it even more. Because I am skating for the fans. The ideal is getting higher and higher, and I am chasing that ideal."

Post-interview notes:

Last year, one year after turning professional, Hanyu-san sent a message to his fans to Sports Hochi. "I will continue to strive for my ideal and continue to constantly renew that ideal," he wrote. I think that this past year has been exactly like that.

The path he should take must have become clearer now. His expression was bright and full of contentment. We asked him to write down his aspiration for his third year on a coloured paper. He wrote, "Pursuing the 'ideal’”. "I'm skating for my fans, so the ‘ideal’ will get higher and higher," he said. Beautiful skating that blends in with the music. A range of expression that can only be achieved with advanced technique. I hope that Hanyu-san will continue to cherish the "ideal" skating that he has carefully cultivated. (Takagi Megumi)

Happy 2nd Pro anniversary to our angel 🪽

The Underlying Thoughtfulness in Yuzuru Hanyu's Expression, His Empathy Toward Others 

I wanted to capture his eyes peeking through his fingers as he placed both hands on his face. When I conveyed my intent for the shoot, Yuzuru slightly tilted his head two or three times. Dressed in a mint-green dress shirt, he began moving to the music he had selected. For several seconds, he kept his arms down and didn't strike the pose I had requested. "Did I not explain it well enough?" I wondered to myself, but soon realized that wasn't the case. As I waited for the right moment while taking photos, Yuzuru's hands slowly moved toward his face, as though it were part of his choreography. The pose and expression were slightly different from what I had imagined, but it was Yuzuru's interpretation that had shaped them. With a sense of surprise at the unexpected, I felt a rush of joy. Even without checking the images, I knew a powerful photo had been born.

I believe that Yuzuru values not just surface beauty but the flow of emotions and movements of his body that lead him to a particular pose. For him, it is surely a process of putting his heart into his expression. This process is something that can't be captured in a single moment of photography. However, the final expression he creates carries warmth. The way he opens his eyes, bends his fingers, or tilts his neck-these subtleties convey the underlying emotions. That's why the feelings behind his expressions come through in his portraits.

Yuzuru carefully considers the photographer's intent, reflects on it, and then expresses it through his own body. At the core of this meticulous process is his kindness and thoughtfulness toward others. It's because of his empathy and gentleness that he can choose the best way to express himself while considering how others will perceive it. Without technique, this cannot be conveyed. But technique alone is also not enough.

The shoot ended more than 20 minutes past our scheduled time. The sun, nearing the summer solstice, had softened its glow as it began to lose its intensity. Feeling both apologetic and deeply grateful for Yuzuru's full commitment, I bowed my head to him. When I looked up, Yuzuru was still bowing, his right hand placed over his chest.

Two years have passed since Yuzuru transitioned to being a professional skater, and I feel that his empathy toward others has only deepened. Perhaps this has been nurtured through his encounters with various creators and staff in the process of bringing works to life, through both painful and joyful times during his new challenges. I found myself wanting more people to know Yuzuru's current figure skating, his words, and his expression. The strength and warmth that Yuzuru possesses now are even greater than before he began walking this new path.

OPEN MY WINDOW Open your own window. Hanyu Yuzuru special photoshoot.

Yuzuru Hanyu Hanyu Yuzuru / Born in Miyagi Prefecture in 1994. He won two consecutive gold medals in men's singles figure skating at the Sochi 2014 and Pyeongchang 2018 Olympics. He has also won numerous World Championships and Grand Prix Finals. In 2018, he received the People’s Honor Award. After turning professional in July 2022, he became a producer and held three solo shows, including "GIFT" and "RE_PRAY." He also has a picture book titled "GIFT" (text: Yuzuru Hanyu, illustrations: CLAMP).

What do you see from your window, Hanyu-san?

One summer day in a house studio, Yuzuru Hanyu was sitting by the window. He gazed at the garden, which glistens in the quiet sunlight shining through the trees. Behind the sound of the shutter, Erik Satie’s "Gymnopédie No. 1," which he had selected from his iPhone playlist, was playing on the portable speaker.

"During shoots, I always choose a song that suits the situation and the intention for each shot. Since turning professional, I've had more opportunities to be photographed not just as an athlete, but as a person and an artist, and each time I am reminded of how many people put in a lot of time and effort to create a single photograph. When I heard that today’s theme from BRUTUS was 'windows,' I approached the shoot as if I were trying to fit myself into a crafted story."

At the beginning of the score for "Gymnopédie No. 1," the performance instructions read, "Slowly, with sorrow." The gentle yet melancholic melody resonates with the struggles a skater must have faced both physically and mentally, before and after achieving glory. Hanyu-san, what do you see from your window?

"When I used to live in Toronto, my house was on a high floor of a building, so I could see the whole city. It was raining in the areas covered by clouds, but I often saw rainbows in the gaps between the clouds where it wasn’t raining at all. That scene left a strong impression on me. I also can’t forget the view I saw from the airplane window during overseas trips. Whether it was on my way to Europe or coming back, I can’t recall clearly, but the plane was flying above the clouds, and only the moon shone brightly amidst the surrounding darkness. The brightness of the moon made it impossible to see the stars, and that scene was so beautiful that I rested my forehead against the window and gazed at it for a long time."

A town in the rain and with a rainbow. Darkness and moonlight. Even these scenes seem to suggest the journey he has taken so far. During the photo shoot, Hanyu was photographed from both inside and outside the window, but which side does he prefer?

"Personality-wise, I guess I'm the type who likes to keep to myself. I'm an introspective person, and I've often thought deeply about myself and people since I was little, so in that sense I might be the type of person who prefers to close the window and focus on being alone. However, I believe that even the most sociable and cheerful people need personal space and sometimes want to close all the windows. But those windows must have handles on them, so that when the time comes, someone else can open it for them, or they can open it themselves… That's what I was hoping to express in that window-shoot I did earlier."

He announced his transition to a professional career in July 2022. It was a declaration of his unwavering commitment to move forward. Although he stepped away from the competitive world where he compared himself to others, his battle with himself continues as he strives for even greater heights. He has already achieved three solo shows, a first in the figure skating world, all of which were a huge success. If we were to compare Hanyu to a house, would it be that he didn’t move to a new house when he turned professional; rather, the house itself remains the same, but the direction the window opens and the view from it have changed?

"Well, it’s true that my fundamental personality hasn't changed at all from before I started skating to the present. I have always been inquisitive and curious, often wondering, 'What is a human being?' In that sense, it is the same house. I probably have windows facing all directions, and I probably hang blackout curtains over them. Sometimes I want to feel the morning sun coming through the east-facing window, and other times I don't want to see anything and keep all the curtains closed. I think humans, myself included, are very selfish and interesting, and sometimes we wish to be part of society, and sometimes we just want to shut ourselves away in solitude. "When I'm on tour, I might close the curtains. I want to block out the noise around me, concentrate on myself, and deliver a good performance. Afterwards, I'll secretly lift the curtains to see how the audience reacts (laughs)."

In his solo performance tour "RE_PRAY" from 2023 to 2024, Hanyu himself became the protagonist of a role-playing game, blending skating performances and videos to express a world of opposites, such as success and failure, life and death, light and darkness, and game-over and continue. This unprecedented ice show struck a universal chord with audiences from all walks of life, touching their hearts. What’s next for Hanyu, who always exceeds the expectations of his fans?

“I can’t reveal the details... but I’m constantly thinking about new songs and programs. I said earlier that I haven't changed, but since I became a professional, the way I spend my time has obviously changed, and I don't have time to just sit idle anymore. This year I turn 30, and every day I reflect deeply on what I’ve worked hard for nearly 30 years and the meaning of my existence now.”

After the interview, we returned to the studio for the rest of the shoot, where we could hear Matsutoya Yumi's "Yasashisa ni Tsutsumareta Nara" playing in the background. "Open the curtains..." Perhaps now is the time to open windows in various directions and take in new input in anticipation of the next step. I tell myself that everything I see is a message.

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