Carver Country
photographs by Bob Adelman, text by Raymond Carver. 1990 ©
“Raymond Carver’s gritty texts, combined with Adelman’s photographs of Carver’s people and haunts, re-create the world of this major writer, bringing to life the bleak, blue-collar towns, people, and places that became the inspiration for much of his work”.
Carver's stories are populated by characters who live in America's shoddy enclaves of convenience products and conventionality - people who shop at Kwik-Mart and who live in saltbox houses or quickly built apartment complexes. They don't seem to want much: ordinarily divided lives of work and home, food on the table, love and solace when they need them. They yearn for serenity rather than achievement.Still, there is vast unhappiness in them; they don't get the little they want. Carver's people end up being deserted by common satisfactions, and the stories are moral tales, really, explaining why decent men and women, dealt crummy circumstances in a plentiful world, behave badly in their intimate battles with selfishness. Written in an accessible vernacular, resonant with cryptic petulance and loud silences, the stories speak the language of everyday profundity.
In the small struggles of individual lives, Carver touches a large human note: When hope flies and impervious helplessness descends, where will we get our next boost from? What do we do now? Life in Carver's America isn't incomprehensible.
“There was a time when I thought I loved my first wife more than life itself. But now I hate her guts. I do. How do you explain that? What happened to that love? What happened to it, is what I'd like to know. I wish someone could tell me.”
-- Raymond Carver