੯‧̀͡⬮ snoopity snoopy 🍉🍉🇵🇸🇵🇸

I finished this brushbuddy art doll earlier this week and he is very cute. It's got a wire armature inside and is fully posable, including the leather fingers and toes. (There are also magnets in the feet to potentially stick it to things later.)

euphoria 💫🪩💜

characters who are gone/will be less prominent in season three of the pitt

heather collins: gone

samira mohan: gone

victoria javadi: less prominent

baran al hashimi: less prominent, won't be in the first episode

joy: most likely gone

(kiara and gloria: gone. these are side characters, but their roles were replaced by white and/or masculine actors in season 2)

emery walsh: gone

characters who are equally prominent or are getting more screentime in season three of the pitt

trinity santos: still there

emma nolan: still there

parker ellis: still there/promoted(!!)

mel king: still there

cassie mckay: still there

dana evans: still there

dennis whitaker: still there

frank langdon: still there

robby: still there

Throwing together a quick chart, I compiled the WOC characters (with lines and have some impact on story lines) who are working in the hospital in whatever capacity across seasons 1 and 2, and should have a reason to return each season if the writing actually accommodated it.

Realistically Noelle won't be back since her and Robby were officially done at the end of S2, Joy was confirmed to be in maybe an episode or 2 so she could be thrown in the gone category for how little presence she'll have, Shamsi by default has to take a reduced role (if she's even included at all) with Javadi having a reduced role for S3.

Side note: in both Seasons 1 and 2 we had 4 WOC as part of the main cast:

S1: Collins, Mohan, Santos, Javadi

S2: Mohan, Santos, Javadi, Al-Hashimi

Unless they have someone else joining that they haven't announced yet we are officially down to 3 being in the main cast

the patterns are patterning here and the pitt is definitely keeping realism alive by treating the woc (and especially the black women) as disposable

The record is a time capsule of a relationship in all of its highs and lows. It’s my attempt at capturing love from both sides of the coin. The hope and the disappointment. The insanity and the clarity. The entanglement and the unraveling.