everyone line up i've got one bottle of testosterone gel and there's 17,000 of you i'm about to pull a move not seen since jesus did the bread and fish glitch 2000 years ago
ojovivo
Aqua Utopia|海の底で記憶を紡ぐ

One Nice Bug Per Day
"I'm Dorothy Gale from Kansas"
Game of Thrones Daily
$LAYYYTER

if i look back, i am lost
Claire Keane
he wasn't even looking at me and he found me

★
Sweet Seals For You, Always

blake kathryn
let's talk about Bridgerton tea, my ask is open
Xuebing Du

pixel skylines
TVSTRANGERTHINGS
h

tannertan36

JVL
seen from United States
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seen from Lithuania

seen from India
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@malintzyn
everyone line up i've got one bottle of testosterone gel and there's 17,000 of you i'm about to pull a move not seen since jesus did the bread and fish glitch 2000 years ago

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These folks are cosplaying as the characters from Romance of the Three Kingdoms. The guy with the sword is Emperor Liu Bei. His horse is guided by Guan Yu, his military general, and the sword Liu Bei uses is Guan Yu's signature weapon. It's also worth noting that Liu Bei, Guan Yu and Zhang Fei (who's not depicted here) famously sworn in a brotherly bond and refers to each other as brothers.
The horse following him is ZhuGe Liang, Liu Bei's advisor (you know because he's wielding a fan, which is his signature... tool, some games shows him use it as a weapon).
Also throughout this whole thing they're speaking mock archaic Chinese extremely badly.
Translation:
Liu Bei: I shall borrow the power of Guan Yu's sword! *Smacks the balls*
ZhuGe Liang: Your Majesty, this shot was dopeth as fuck! *Uses his fan to push a ball in* - Liu Bei: Ball #3 goes in the top left hole. *Scores correctly* ZhuGe Liang: Your Majesty, why is your sword so rusty? Liu Bei: This is the Blade of Tetanus! Ha ha ha. - Guan Yu: Big Brother, the horse seems hungry. *puts some hay on the table so the horse shoves all the balls into the hole as it eats* Liu Bei: What a good horse Di Lu (Liu Bei's horse) is! Scored so beautifully, how timely it knew to be hungry!
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The bottom caption reads: Dangerous moves, do not copy. Fictional acting, for entertainment purposes only, not to be seen as bad influence
"subtext" and "buttsex" being anagrams of each other is an example of order and harmony in the universe
Willy Wonka
2023 wonka
2005 wonka
1971 wonka

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candyman candyman
"I don't know how to feel about 154 people wanting to see furry Willy Wonka"
- Me
The 2005 movie was a bit of a hyperfixation for 5 year old me so making memes about it 20 years down the line out of nowhere feels pretty weird lol
Malevolent: threshold (2026)
I like kellin
hgheheheheehgg hheee

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This getting your eyes and mind hijacked by an eldritch being is easy
The pool story in the king in yellow: polygamy would have saved them
“I asked chatgpt-” Oh yeah!? Well I asked the King in Yellow, and – as he’s a god of the arts – he was pretty pissed off! But you know what? Come closer. Closer. I get it. You’re human, and error is in your nature. But you know what’s also in our nature? Change. I haven’t lost all hope in you yet, so here’s the deal. You and I are gonna go meet up with Boris Yvain – a friend of mine – and we’ll all have a little chat about rectifying this issue of yours. Depending on how things go, he might even let us use his indoor pool afterwards!
The King In Yellow, Chambers, Robert W.
im invading tumblr again, after a 3 year hiatus🤔

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I wish modern media would take even more ideas from the original The King in Yellow novel to incorporate into their adaptations references.
One of the things I miss the most is the reason why people go mad after reading the play. It's not the case of witnessing horrors of the universe as is with Lovecraft. Instead, the play is described as "beautiful, terrible in its siplicity and irresistible in truth". It's scary in the second act but it's not as horryfic as it is profound.
People don't go mad because of their minds not being able to comprehend the knowledge and horrors behind it. They go mad because their perception of reality is shifted. The truth is simple and beatiful and scary and people WANT it to be the truth as well.
It's paradoxical. The King in Yellow is terrifying. People who meet him fear him. And yet they want to model their reality on Carcossa. They want to talk about the play and the king and the story. They want to read it despite knowing It's dangerous and many people who had read it went mad.
They're enticed by the beauty of it and truth and madness. And are willing to spread it to others. Thats what makes it so interesting
The fun thing about the short story collection The King in Yellow (classic of horror/weird fiction that was an influence lovecraft) is that only the first 4/10 are about the titular cursed play. The next few are unrelated weird fiction, but then the last couple have absolutely no speculative elements. Just stories about young artists falling in love in Paris, but told in the same narrative voice as the horror stories, in a collection which has "Tales of Mystery and The Supernatural" on the cover, which produces roughly this effect: