Giorno Giovanna😳
Took me a while but I finally finished it
Also made some changes in the clothing
Since this post is doing good won't ya mind checking my Instagram @maikyyy_13

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@maikyyy
Giorno Giovanna😳
Took me a while but I finally finished it
Also made some changes in the clothing
Since this post is doing good won't ya mind checking my Instagram @maikyyy_13

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Part 3- terms used in necromancy
In the last two posts in this series, we looked at the definition of necromancy, and saw some examples for different kinds of necromancy rituals as they're depicted in ancient writings. This time we'll go over some basic terms.
First, there are actually two forms of necromancers:
psuchagogos- “soul evocator” or “soul charmer” or “soul leader”.
nekuomantis- “prophet of the dead”, or “diviner of the dead”.
Psychagogy was viewed as the art of influencing the soul by the means of rhetoric. Could be done on tombs, ashes in urns, and on dead with an unknown burial place. It seem that the psuchgogos were called to banish spirits, to lay them to rest. They locate bodies that were not properly buried, and listen to the anger of the souls. They rebury them or use replacement figures instead, and set them free. Sort of psychologists for ghosts.
Nekuomantis is simply a term for a person that uses a method of divination from dead people. One way to define it is "the performances of rite of divination from the dead"
// The main different I see (I could be wrong) between those terms is the direction in which the conversation with the dead is going- the psuchagogos is trying to guide the soul, meaning it serve a function for the dead. While the nekuomantis is trying to get information from the dead regarding the living.//
Necromantion:
A cave, a lake, or another place one will perform rites of necromancy at, then go to sleep, and hear the voices of the dead converse with him.
Incubation:
The grave attendees did not speak to the ghost right after the evocation and offerings, but went to sleep, either on the tomb itself, or somewhere else, while carrying something they shared with the ghost during the rite (a fleece, a blanket, or another object). The messages came to their dreams. The dead always tell the truth in dreams.
Different situations in a dream had different interpretations, like: dreaming of exchanging gifts with a dead person, kissing a dead person, sleeping on a grave, or a man dying twice= portend death. weeping over a corpse= successful business. dead returning to life= turmoils and losses.
Beans:
contain a substance called L-dopa that can induce insomnia, and hallucinations. Used in rituals and on the Roman festival Lemuria when the father of the household threw beans over his shoulder, so that the dead would pick up the beans instead of the souls of the living. There is no consumption of beans if one wants to have prophetic dreams with the dead, other source suggest to use beans for this exact purpose.
Katabasis:
The descending of the living downwards.
Haimakoiria:
Blood offering
Restless dead:
Those who died before their time, died violently, or those who were not buried properly, are more prone to be restless dead. Appear in the middle of day, not just the night.
I just like the idea how-
*Proceeds to spend all of my money buying useless art supplies*
, no matter how much i cry its never enough i never feel better
For the Wife of Bath, as for Hardt and Negri, love is a concept, a power, and an action: a vehicle that moves those it unites beyond things as they are. Approaching love as an action rather than as a sentiment, Hardt and Negri explain, “When we engage in the production of subjectivity that is love, we are not merely creating new subjects or new objects in the world. Instead we are producing a new world, a new social life.” Thus they transport love beyond romantic convention—or rather ask it to transport them there—by insisting on its revolutionary potential, its capacity to transform social life, not merely to idealize it or to envision it differently. There is no William Shakespeare here proving love is not love that alters when it alteration finds. Oh no—in this case, it is a never- fixed mark: love is not love that fails to alter what it finds. Hardt and Negri specify a radical love of the other and stress such love’s power to displace corrupt institutions, like the modern nation and even the family, and to replace the sovereignty that defines them with “constituent power,” and yet they cling to institutional form. “The central difference” between conventional definitions of institution and theirs “has to do with agency: whereas according to the conventional sociological notion institutions form individuals and identities, in [their] conception singularities form institutions, which are thus perpetually in flux.” Similarly, Chaucer’s reading of the Arthurian past suggests that institutions like the nation, law, literature, and even history itself coexist in flux, depending not only on alternative and intermediate institutions like the household and gossip but also on transmutable individuals like the Old Wife, singularities, in Hardt and Negri’s terms, who redefine these overlapping institutions by finding ways to be included in an ever-evolving social life. Despite Hardt and Negri’s desire to imagine a commonwealth free of national identities, sovereignty, and corruptible institutions, their vision bears an unlikely yet striking resemblance to Chaucer’s identity-obsessed imagination of England as a sovereign nation. Chaucer’s is decidedly a queer nation, in Burger’s vital formulation: it is in constant flux, being transported by something called love past time and convention, past things as they are even as it rests on history—but a history as the past never was, even though it includes sacrifice and pain.
- Susan Nakley, Living in the Future: Sovereignty and Nationalism in the Canterbury Tales

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no because what authority did chaucer have to write my favorite penis euphemism and my least favorite vagina euphemism both in the wife of bath's tale?
"his silly instrument" - excellent. accurate. it sure is silly.
"my chamber of venus" - no. shut up. what the fuck. never day this to me again. chamber.
Troilus was the original simp pass it on
likә ҩɾ rә⃨blog ?!
hiiiii, i liked your art very much! so i’m here asking very respectfully if you would let me use your fem bruno drawing as a pfp on twitter? credited on my bio ofc. the thing is i have a roleplay acc as fem “bruno” (cause i named her paula, like paolo bucci) but i lack material of her ): if you won’t i totally understand and have no problem! im an artist too so i’ll really respect your answer, ty for reading
Sure you can use it ;)
Let's welcome my new artistyle

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Ayo a New style lol
At this point i have like a 100 different styles because I can't stick to one😔
Hey guys I'm back with another artwork of my girlfriend 😏
Here's a transparent completely useless but I wanted to post
Pucci Looking Kinda hot in the anime so I wanted to draw him😩💕
I found this cosplay on Pinterest and couldn't resist but draw them aaaaa finally drawing him again he's a comfort character when it comes to Drawing lol 💕😈
Btw gonna go binge watch stone ocean
Hey....back with a new draiwng hope you like it!! This time it's Hermes😳 she's a literal goddess!!!
Stone Ocean fanart until stone ocean releases
ISTG IMMA BINGE WATCH THAT

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Colored Boruto Pages😤
That was so quick lol also I prefer coloring boruto pages because they're all clean without any 2nd shade tone
Also I prefer eida in black hair than blue black suits her sm but yea nice of author to make her blue haired or she resembles hinata too much
I'm Back with Fem Bucciarati 😏
This one is inspired with alot of Wlop's works, the way he does jewelleries and stuff
Took me around 3 hours? 😭