لاعب النرد _ محمود درويش The Dice Player by Mahmood Darwish
Animated Poem by Nissma Roshsy

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لاعب النرد _ محمود درويش The Dice Player by Mahmood Darwish
Animated Poem by Nissma Roshsy

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"The Brothers Karamazov", Fyodor Dostoevsky (translated by Constance Garnett)
You can’t skip the messy part. The messy part is where you grow.
Yeah whatever.
“Resist much, obey little.”
— Walt Whitman (b. 31 May 1819)
If how I see this makes sense than I will never see myself here again. If it doesn't maybe we will cross paths. That could be much of a ask. Not giving in to the monotonous piling up to become engrossing. No more word play now or henceforth. I want to express clearly, I need to reach clearly.
Everything else has to fall into places.
Aur kya? Aue bohat khuch...

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ہم خستہ تنوں سے محتسبو کیا مال منال کا پوچھتے ہو
جو عمر سے ہم نے بھر پایا سب سامنے لائے دیتے ہیں
دامن میں ہے مشتِ خاکِ جگر ساغر میں ہے خونِ حسرتِ مے
لو ہم نے دامن جھاڑ دیا
لو جام الٹائے دیتے ہیں
فیض احمد فیض
from "Henry and June: The Unexpurgated Diary of Anaïs Nin, 1931-1932"
Husn o Jamal, Husn e Salooq, Husn e akhlaaq, Husn e adab, Husn o ilm, Aitraaz o Itifaaq, Nuqtah chee o rahzani, saqi o rind, kitaab o aql, yaad o yaadast, rah o rehbar, subh o shaam, dushman o dost, haq o sadaqat, shams o qamar...aur b bohat khuch...
Something about keeping on the move, not exactly leaving or escaping. But just moving, to arrive, to reach someplace, some old or new dwelling. Something about the milestones and sign boards, and for this very moment in time about the two parallels of life - one static and one not exactly leaving or escaping, but just a periodic shift, a pivot changed. Perhaps life finds meaning in the midst, more bitterly we throw a meaning at her, the life.
And what is with all the nostalgia, and all the imagination of past, a warm loving past we have. Some of us. Those negatives we have stored, the photographs, the real ones, those which were tangible, felt lived, felt relived. Was that real... could we just re create them, even for a small passage of time, even for one or two or some of the lives, the human lives who keep on the move. Not exactly leave or escape.
Not Anyone Who Says
by Mary Oliver
Not anyone who says, “I’m going to be careful and smart in matters of love,” who says, “I’m going to choose slowly,” but only those lovers who didn’t choose at all but were, as it were, chosen by something invisible and powerful and uncontrollable and beautiful and possibly even unsuitable — only those know what I’m talking about in this talking about love.

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I wish I had it in me to come near any transliteration of this masterly work from our Kashmiri poet Rahman Rahi Sahab. The imagination, the symbolism, the metaphors, the rhythm...I get consumed with all when my eyes lock on these verses. A sense of longing, yet a promise of humane self that makes life like a pendulum, of something having polarity, yet Rahi Sahab chooses to go beyound and has firm faith that even in that dwelling of wilderness and unknown, I won't loose my self, I won't forget where I come from and I would eventually return to the routine and the duty of life. But, but, for now, this is your time my beloved, so show yourself, where are you...
Irak : le jardin des murmures, de Hien Lam Duc. Editions Anako, grands témoins, 1999.
The urge to write in my mother tongue haven't been more. It's in my chest now, every time I utter, the words felt need, that the belongingness of my own self has to be part of them. Who do we write to in those micro blogs? What do we convey? If I am honest the more I write, the more personal I write about my self. The more I shed the shards of my being. Does it help? I know it does, I don't know how to articulate how it does. One of my favorite poems is دریاؤ (Daryaav), River. It goes about how a river would word it's journey as it flows- cutting rocks and carving ways, through towns and wilderness, through woods and meadows...than it compares to us humans, which helps it even more to make a point. There is a couplet that translates into the river saying to us, that I don't need to make a home or kindle a nest, and that I am happy in what life throws at me while I cut through rocks and lurch through cracks...
Home. You know it's that cold within, with that cold morning.
Our years in school, and writing essays about the 'Winter in Kashmir', I wonder what I used to write - what I wrote the first time and the following years. I would give anything to return to those essays that are somewhere on some shabby to neat note-copies, brown-sheet covered was never a thing. Now when I reminisce about those days, the little me is those vivid memories is covering and preserving them. For now I know they remain preserved.
I am sincerely praying, and in a sense working about, that every kid of Kashmir gets to have those calm memories, numb a lot of them, a frozen frame in far fastened frame of life, both detached and stiched to us. And that someday when they grow young and old, wherever they are in the world, perhaps after or maybe midst all the troubles of life, they will remember too, and let it all sink in. Maybe return Home 🍁 and seek that notecopy with me. ❄️
Anxiety I
by Tove Ditlevsen tr. Cynthia Graae and Michael Goldman
Anxiety is old it reeks of childhood it has no object is awakened by glances, words and sudden noise lives in recurring dreams where the one you love shows the deadly hatred he hides by day.
People’s eyes are yellow they are too close together and they have no lashes over them their menacing eyebrows run endlessly together the corners of their mouths dislocate and twist, watercolor-wet do not look at them slip away from any dangerous and keen attention.
Wrap yourself in rhythms and rhymes from the old bygone songs hide with the troll and the dragon the pure evil shy away from all affection even from the child who plays with and caresses the cat shy away from his expectation his memories his blocked future.
Seek the company of those who peacefully turned away want nothing from you libraries waiting rooms railway stations people with suitcases in hand have firm contours unknown goals in a world that is not yours.
All the others are transformed under your stare as if under windswept waves they know that you see their secrets and innermost thoughts hate your lurking and waiting you do not know the day of the catastrophe approaching by the hour.
Anxiety is old your father and your mother are safety and danger staring through your lover’s eyes and are not dead. Do not watch them. Lay flowers on the grave light candles at night fold your hands and hum in devotional horror the old forgotten songs.

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ہم تو فلک کے لوگ تھے ساکنان قریہ مہتاب تھے
تیرے ہاتھ کیسے آ گئے ہم تو بڑے ہی نایاب تھے.
before sunrise (1995)