culturally different yet morally aligned heroes.
boyfriends
Anon asked me to draw some more. so here you go, friends.
also, drawing cats is the bane of my existence. Iâm shit at drawing non-fantasy animals that arenât dogs, goats of anteaters???

if i look back, i am lost


Origami Around

Jules of Nature
todays bird

titsay
Mike Driver
taylor price

romaâ
đ
official daine visual archive
One Nice Bug Per Day
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EXPECTATIONS
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@maddogiie
culturally different yet morally aligned heroes.
boyfriends
Anon asked me to draw some more. so here you go, friends.
also, drawing cats is the bane of my existence. Iâm shit at drawing non-fantasy animals that arenât dogs, goats of anteaters???

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put this in the MOMA
images you can hear
Congress has set out a bill to stop the FCC taking away our internet. PLEASE SPREAD THIS AS MUCH AS YOU CAN.
https://www.congress.gov/bill/115th-congress/house-bill/4585

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chipmunk riding cat
WHYYYYYYYYYYY WERENâT YOU AT HEALTH PRACTICE?
Tweets from Parents (see 15 more)
anime for @dirkjohnweek day 3
i have⌠no recollection of ever drawing this. enjoy
2017 Comedy Wildlife Photography Awards Finalists (see 7 more)

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Mini SAI guide - "Blending (color blending)", "Dilution (opacity mix)", and "Persistence" settings.
Iâve had a general idea what these things did but wasnât completely sure what their specific functions were. I decided to sit down and figure it out, and I have thrown together a short reference guide for anyone who is confused about them. I know there are multiple translations of SAI floating around, so if some of these terms donât sound familiar, just know that Iâm talking about the three settings that appear under the texture in the brush tool settings (note that this wonât apply to any tool types except for brushes and watercolor brushes).
I donât claim to be an expert so if you find Iâve made a mistake, let me know so I can update it, thanks! :3
â-
BLENDING (Color Blending)
This controls how readily the brush will inherit any colors you are painting over with it. For example, a 0% blending setting will pick up no existing colors, treating it as if you were painting on a transparent layer. A 100% blending setting will ONLY pick up existing colors (provided there are any). So at 100%, the color youâre using wonât even show up, unless you move to a transparent area. Blending is not affected by transparent pixels, so if youâre drawing on a blank layer it will have no effect.
So you can see from this example that the color Iâm using gets harder to paint as the blending increases and more of the existing green is absorbed, until at 100% it is just completely turning green.
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DILUTION (Opacity Mix)
This controls how readily the brush will draw on a blank (transparent) part of the layer. A 0% Dilution will result in the brush painting very easily onto a blank surface, while a brush with 100% dilution will literally not paint on blank parts of the layer at all. Dilution is ONLY affected by transparent pixels. So it wonât do anything if the whole layer is already filled in (even with white). Dilution can be thought of as the inverse of the Blending setting in some ways.
So in this example, you can see that as dilution approaches 100%, the color Iâm painting with basically becomes invisible. In fact, if you were to switch to binary color mode and look at this layer, there would literally be nothing there anymore!
Keep this in mind - if you ever canât paint for some reason, check your dilution setting, it might have gotten accidentally bumped to 100!
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PERSISTENCE
This one goes hand-in-hand with blending. Basically, it controls how easily a brush shifts color as you are blending from one color to another. Rather, how long it âpersistsâ if you will. Like blending, Persistence is only really relevant when painting over existing color so itâs mostly unaffected by transparent pixels. Basically, the higher the persistence, the longer it will take for the color to shift as you make a stroke, and subsequently, from which color to which other color it is shifting is dependent on the blending setting.
So for this example Iâve done the same test with three different levels of blending. I turned off all pressure sensitivity (actually I just used my mouse) to emphasize the effects in a controlled environment:
If blending is at 0%, persistence fails to have any real effect. With pressure on, there is only the difference of having to push harder, but the results will be the same as far as I can tell.
At a happy medium of 50%, persistence increase causes the orange that the brush is picking up to last longer as it goes into the green, until it never shifts to blue at all.
At 100% blending, there was never any blue in the first place, because as we already know, full blending causes you to only pick up existing color. So the persistence setting changes only how fast the orange changes to green.
Persistence is dependent upon the blending settings, so having them somewhere in the middle will probably produce the most optimal results.
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CONCLUSION
Ultimately how you use these is up to you, and is largely dependent on what kind of brush youâre making and what it will be used for. And most of these settings are meant to be used together in unison, so play around with them a lot!
If you are confused, or not sure what settings you want or what settings you should be using, a safe bet is to put them all at about 50% - that will produce fairly average results that are easy to work with, and itâs easy to remember in case you want to experiment but donât want to forget your settings in case you decide to switch back.Â
Hope that helps!
nODO for those who need help with sai!
Friday, Cassini will dive into Saturnâs atmosphere and put an end to its nearly 20 year mission. Over those years we learned an incredible amount of information about Saturn, its rings, and its many moons. During the grand finale, Cassini will continue to send back information about Saturns atmosphere before burning up like a shooting star.
I havenât stopped thinking about this man
america is a PVP zone
Did the signs survive the Titanic?
Yes: Aries, Taurus, Gemini, Cancer, Virgo, Libra, Scorpio, Capricorn, Saggitarius, Aquarius, Pisces
No: Leo
Poor nepeta cannot catch a break

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All Eyes on Harvey
Our Earth-observing satellites, along with the cameras and crew of the International Space Station, are keeping a watchful eye over Hurricane Harvey as it churns in the Gulf of Mexico. When Hurricane Harvey blows ashore over coastal Texas on Friday night, it will likely be the first major hurricane to make landfall in the United States since 2005.
Above is a view of Harvey from NOAAâs GOES-East satellite captured on Aug. 25 at 10:07 a.m. EDT (1407 UTC) clearly showing the stormâs eye as Harvey nears landfall in the southeastern coast of Texas. As Hurricane Harvey continued to strengthen, we analyzed the stormâs rainfall, cloud heights and cloud top temperatures.Â
Above, the Global Precipitation Mission (GPM) core observatory satellite flew almost directly above intensifying Hurricane Harvey on August 24, 2017 at 6:30 p.m. EDT (2230 UTC) and we used the Microwave Imager instrument to peer through dense storm clouds to reveal the location of intense rainfall bands near the center of the hurricane.Â
And from the International Space Station, cameras were pointed towards Harvey as the orbiting laboratory passed overhead 250 miles above the Earth. The video above includes views from the space station recorded on August 24, 2017 at 6:15 p.m. Eastern Time.
The National Hurricane Center expects Harvey to be a category 3 storm on the Saffir-Simpson scaleâwith winds higher than 111 miles (179 kilometers) per hourâwhen it makes landfall. It will likely produce a storm surge of 6 to 12 feet (2 to 4 meters) and drop between 15 and 25 inches (38 and 63 centimeters) of rain in some areasâenough to produce life-threatening flash floods.
For updated forecasts, visit the National Hurricane Center. Ensure you are prepared for Hurricanes. Get tips and more at  FEMAâs Ready site. Get the latest updates from NASA satellites by visiting our Hurricane site.
Make sure to follow us on Tumblr for your regular dose of space: http://nasa.tumblr.com