do not underestimate my ability to burn it all to the fucking ground

Origami Around
Claire Keane
almost home

❣ Chile in a Photography ❣

Product Placement
AnasAbdin
Keni

pixel skylines
I'd rather be in outer space 🛸
PUT YOUR BEARD IN MY MOUTH
$LAYYYTER
NASA

Discoholic 🪩
we're not kids anymore.
i don't do bad sauce passes
tumblr dot com
DEAR READER
sheepfilms
todays bird

seen from Malaysia

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@mad-centipede
do not underestimate my ability to burn it all to the fucking ground

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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@academia-lucifer
i’m very self aware. which unfortunately hasn’t solved anything

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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instagram | photos are my own, reblogs fine, do not repost/reuse
Frida Kahlo, from a letter wr. c. November 1933, featured in The Letters of Frida Kahlo: Cartas Apasionadas

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
fatima aamer bilal, excerpt from moony moonless sky’s ‘i am an observer, but not by choice.’
[text id: my fist has always been clenched around the handle of an invisible suitcase. / i am always ready to leave. / there is not a single room in this world where i belong.]
Sara Torres, from her novel titled "X Is Where I Am," orginally published in March 2026
afternoon nap
Detail — Portrait of Philippe de Croy (1460) by Rogier van der Weyden † Savonarola by Michael Hussar

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
Albert Camus, from a letter to María Casares featured in Correspondance, 1944-1959