Hmmm I don't know if I could really do, like...an objective ranking or anything? Just more like this:
Chapter 1: Extremely good in terms of potential (I mean I wrote PT after playing it lol), but aesthetically probably at the bottom. It's a strong, solid foundation, but as with most foundations, it's not much to look at.
Chapter 2: Very funny; there's a reason the Darkner characters there have carried over so well across other chapters. Not difficult to play compared to others. WR might overshadow the parts that make this chapter good.
Chapter 3: Fun in that it tries out some new things, but a bit of a slog to replay. I'm actually glad that Toby removed the third board from this. Also has all the boss battles that kick my ass.
Chapter 4: Probably still my favorite overall. Great music, great aesthetic, really supercharges the plot, and made me love Susie so much.
Chapter 5: After the lore highs of the previous chapter I think some people were let down, but I also think they're too harsh on it and it'll feel better in the full context. This chapter was also just the most fun one to play, even for someone like me who is not good at platformers.
Bawwwwww I did hear about that, and just ugh, that scene was already so heartbreaking! Kris going out of their way to make sure that they'll walk her home no matter what just adds to it!
Uhhh no, I think it would be about him in the Flower Kingdom. All the flowers definitely set it up as a place for him to seek refuge and be safe. The shelter does not seem like an actual safe place for him or anyone else right now.
Don't know, since Undertale operates under different rules from Deltarune! We'll likely never know for sure.
A very ominous message, for sure! It at least seems to be related to a repressed trauma for Kris, but how...dunno!
It's clear that Susie is doing a lot better in the real world than she was previously, considering how much more social and interested she is in light world things like the festival. But yeah, whatever is going on with her home in the apartment is still so awful enough that she still feels safest and at home in the dark world. D: Toriel really is going to need to adopt her by the time we're done...
That is strange, thinking on it now, yeah. It seems like Ralsei knows everything that the Knight will do within the context of the prophecy, but is less clear on what it might have done outside of it, too.
Honestly, in general the idea of the Knight existing all the way back then is such a weird loop that it almost feels false without more information on how the Knight works. If there's anything that frustrated me about this chapter, it's how the Knight's existence just continues to be so obtuse.