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Victorian woman in mourning, c. 1800sÂ

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Plunge! Photo by Jean Angelou
Punch to the nose, circa 1950s

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Hiroshima Mon Amour (1959)
Directed by Alain Resnais Cinematography by Michio Takahashi and Sacha Vierny
“You destroy me. You are good for me.”
Vladimir Lubarov

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“Un po’ di pendulite.” F. Di Salvo
Joan Jonas, 1970
Joan Jonas. Vertical Roll, 1972
“I wanted to develop my own language, and the minute I started performing, I began to invent in a different way—through my body movements.” —Joan Jonas
In a new episode from the ART21 Exclusive series, artist Joan Jonas—who represents the U.S. at this year’s La Biennale di Venezia​ in an exhibition presented by MIT List Visual Arts Center​—recalls the beginnings of her performance work from the late-1960s and early-1970s.
For Songdelay (1973), seen here, Jonas worked with artists such as Gordon Matta-Clark, Carol Gooden, Tina Girouard, Steve Paxton, and Penelope. “We all helped each other and worked together,” recounts the artist, “and people really enjoyed being in other people’s works.”
WATCH: Joan Jonas: New York Performances
IMAGES: Joan Jonas, Songdelay, video stills, 1973. Featured in the ART21 Exclusive episode, Joan Jonas: New York Performances. Artwork courtesy of the artist and Electronic Arts Intermix, New York.

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Red Hair on Blue Dress (1969)
Domenico Gnoli