Marlon Portales (Cuban, 1991) - Nocturno III (2025)

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Marlon Portales (Cuban, 1991) - Nocturno III (2025)

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Edmund Cieczkiewicz (Polish, 1872-1958) - Pokusa i Zmory (Temptation and Nightmares) (ca. 1920)
"Les Jardins de Nuit" (censored version) - Mixed media: colored pencils, pastels, ink, and gold leaf on paper. I created this artwork in 2020 for my book Forgotten Gods.
Tuesday Riddell — The Moon (23.5 karat gold leaf, silver leaf, gold and silver powder, pigment and paint on lacquered board, 2025)
Tuesday Riddell (British, 1992)
Photography by Xuebing Du

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Tannhäuser in the Venusberg, 1901 John Collier
Dmitry Makushin (Russian, 1996) - Late October (2025)
Sarah Theresa Lee (Irish, 1980) - Modern Love (2024)
Johanna Seidel (German, 1993) - October (2025)
Untitled (Plate) by Viola Frey. California, America. 2002.
Arkansas Museum of Fine Arts.

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Shield by No Two Horns (Hunkpapa Lakota). 1870.
Denver Art Museum.
Mohammed Sami (Iraqi, 1984), Poor Folk II, 2019. Acrylic on canvas, 88 ⅛ x 112 ¾ in.
Mohammed Sami (Iraqi, b. 1984), Meditation Room, 2022. Mixed media on linen, 280 x 230 cm
Mohammed Sami (Iraqi, b. 1984), Infection II, 2021. Mixed media on linen, 210 x 180.5 cm

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Mohammed Sami (Iraqi, 1984), Childhood, 2018. Acrylic on linen, 170.6 x 117 cm.
When everything looks this radiant, can we still tell which part of the garden is “real”, or does that distinction itself finally dissolve?