this is me...

Joan Mitchell, Dune, 1970

https://palianshow.wordpress.com/2024/06/17/toshiko-takaezu/

#brononthisday Toshiko Takaezu (June 17, 1922 – March 9, 2011) was an American ceramic artist, painter, sculptor, and educator whose oeuvre spanned a wide range of mediums, including ceramics, weavings, bronzes, and paintings. She is noted for her pioneering work in ceramics and has played an important role in the international revival of interest in the ceramic arts. Takaezu was known for her rounded, closed ceramic forms which broke from traditions of clay as a medium for functional objects. Instead she explored clay's potential for aesthetic expression, taking on Abstract Expressionist concepts in a manner that places her work in the realm of postwar abstractionism. She is of Japanese descent and from Pepeeko, Hawaii. Via Wikipedia

Read also: Artists Remember the Transformative Teachings of Toshiko Takaezu

The late artist’s unusual classes and apprentice program continue to inspire a mix of play and discipline in her former students’ practices.

https://hyperallergic.com/880289/artists-remember-the-transformative-teachings-of-toshiko-takaezu/

Egon Schiele (b. 1890 - 1918)

Døden ved roret / Death at the Helm, Edvard Munch, 1893

𝗠𝗔𝗥𝗞 𝗥𝗢𝗧𝗛𝗞𝗢

1- Untitled, 1947-1948

Oil on canvas

127.6×109.9 cm

2-No. 1 (No. 18, 1948)

1948-1949

Oil on canvas

67 11/16 x 55 7/8 in.

📸 @_yueqiqi (this is her Instagram address please keep this credit intact)

At the Fondazione Palazzo Strozzi Rothko in Florence exhibit Curated by Christopher Rothko and Elena Geuna

Helen Frankenthaler’s Late Works

Today we’re highlighting images collected in Helen Frankenthaler: Late Works, 1988-2009 published in 2022 by Santa Fe’s Radius Books. The book developed alongside a traveling exhibit of Frankenthaler’s later work organized by the Helen Frankenthaler Foundation, and features writing by Elizabeth Smith, Suzanne Boorsch, and Douglas Dreishpoon, the director and editor of the ongoing Frankenthaler Catalogue Raisonné. Our copy comes to us as a gift of Radius Books.

Helen Frankenthaler (1928-2011) was a major post-war abstract expressionist painter. She developed the soak-stain technique and was known for her large-scale paintings, and work that seemed spontaneous and whole – regardless of process. In a lecture at the Palm Springs Art Museum in 1996, Frankenthaler details this process:

I seem to have consistently been involved in two approaches to my work. One is an immediate gesture in which my wrist seems to know exactly where to go, where to place what, when, in which color, when to stop. It is an economical vocabulary, a shorthand. The other is far more labored, worked-into…. In either case, any beautiful picture to me looks as if it’s been born at once, regardless of how many hours, or weeks, or years it took to make it.

Frankenthaler remained dynamic in her work over six decades. She continued to develop mastery of forms. As Boorsch explains in an essay on Frankenthaler’s prints, her late works “surpass” the output of her previous three decades “in size, in complexity, in audacious innovation, and in powerful effect.”

--Amanda, Special Collections Graduate Intern

See more posts about spectacular work from Radius Books!