She tastes like August left too long on the tongue—ripe, sweet, a little bruised.
I have written a thousand lines in her silence,
and still,
her eyes tell me more than words ever could.
Mike Driver
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@lumanexia
She tastes like August left too long on the tongue—ripe, sweet, a little bruised.
I have written a thousand lines in her silence,
and still,
her eyes tell me more than words ever could.

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beautiful.
“And I knew it. That’s the worst part: I knew it.”
— Marguerite Duras, The North China Lover
“Cheshire Threshold”
I ache for a door with no knob,
a hinge that swings in the sigh of dusk,
where names dissolve like sugar in tea—
too bitter here, I’ve drunk enough.
This world is a rabbit cage, not a hole,
its clocks bite back, its mirrors judge.
I wear my smile like a borrowed mask,
but my shadow remembers the grudge.
Let me slip through a card-cut seam,
where the sky bends like a question mark,
and logic sleeps in the crook of dreams,
and I’m just a whisper in the dark.
No “you again,” no “where’ve you been?”
No lineage stitched in thistle thread—
only nonsense blooming in quiet meadows,
and strangers who’ve never seen me dead.
Let me go where riddles cradle me,
and I am no one—just a thought—
a teacup ghost with feathered steps,
fleeing the crown this world has wrought.

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“Feast of You”
I loved you like a painter loves the red—
not for the color, but the blood it speaks.
I took you in like hunger takes the bread,
like craving carves the tongue when silence peaks.
Your voice—my famine’s final symphony,
a marrow-music I could never waste.
I drank your name in gulps of ecstasy,
each syllable a richer, riper taste.
You were the art I could not leave untouched,
the canvas that I bruised with reverent teeth.
To love you was to hunger far too much,
to chew through grief for what lay warm beneath.
I’ve kissed you like a priest would kiss a knife—
as though the cut itself were holy life.
…you can hate a place with all your heart and soul and still be homesick for it.
Joseph Mitchell
"The Ballet of Bruises."
my love for her does not break—
though i do,
over and over,
in the quiet where her absence hums.
she is all porcelain grace:
a ballerina balanced on the thinnest wire,
spinning flawless illusions
in the breathless dark.
she is butterfly wings—
gossamer, untouchable—
but i have learned
that silk can cut,
and soft hands can wound
without ever closing into fists.
once, i brushed the edges of her—
barely a touch—
and something shattered.
not her.
never her.
she only smiled,
poised in the ruin she left behind,
as i splintered silently beneath her gaze.
i wonder how it is
to dance so weightless
upon the bones of those
who loved you.
Kai Cheng Thom, from "to a lost sister", Falling Back in Love with Being Human: Letters to Lost Souls
“A true friend is someone who says nice things behind your back.”
— Anthony Hall

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"A Study in Excess."
They did not fashion hearts to bear such fervor—
mine,
a tempest sealed in flesh,
ever swelling against the delicate panes
of finer souls.
I cleaved to them
as ivy clutches ruin,
rooted deep in the mortar,
oblivious to what I undid
with my yearning.
Too oft did I press my affections
as one might press
a hand upon a broken limb—
with hope to mend,
but naught but pain to yield.
They called me
an affliction of spirit,
too brimming,
too unsparing,
the sort to splinter joy
with the weight of wanting.
Time and again,
they slipped from my hold
as blood slips through an overzealous grip—
I sought to preserve
and in doing so,
bled it dry.
I have been left
like a garment too heavy with rain,
hung and forgotten,
not for lack of beauty
but for the burden I became
when soaked with longing.
"Where Sorrow Sleeps."
there is a hush that follows me—
not silence,
but the breath before a storm.
a presence lingers in the rafters
of my ribs,
humming low
as if it were once holy.
i go where the cold things gather,
where sorrow wears a gentle face
and even the light
is a little afraid
to stay too long.
“…At night I dream that you and I are two plants that grew together, roots entwined…”
— Pablo Neruda, “Rain (Rapa Nui)”
"Mouthless Prayers."
she lit no candles.
the dark was deliberate—
soft as velvet turned inside out.
her hands did not ask.
they arrived like dusk—
gradual, certain,
pulling the light from the room without apology.
her skin tasted of citrus and sleep.
her breath caught in my hair
like it had been there before.
i spoke once,
barely—
and she answered with the hollow of her throat.
that was all.
just skin, and silence,
and the feeling of being
gathered.

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"The Language of Her Skin."
she wears silence like a shawl,
but when the light falls right,
i read her—
freckles like commas,
scars like sighs,
heat like unspoken verbs.
my mouth moves slowly along her,
as one learns a foreign tongue—
patient, deliberate,
willing to be wrong,
so long as i am near enough to learn.
she does not flinch when i speak this way.
she leans closer,
as though my breath on her collarbone
has answered a question she didn’t know she’d asked.
and when she sleeps,
i trace the soft script of her shoulder
like a final line i’m afraid to write—
not because it ends,
but because it says too much.
chastity (medea, for whom love has apetite)
Prompt: on the mouth