Artist Extraordinaire (not true)

Yumi and the Nightmare Painter - The Returning Scene

My second commissioned piece for 17S! This one was quite delayed due to some skin issues with my right hand (which is why you haven't seen me draw much this year) and it's finally finished!

I still largely enjoy drawing YatNP stuff and for this one specifically, I made a fake manga magazine cover to evoke the feeling XD

can you draw my boy, Kuzen? He’s an oc that was formerly from a Genji fanfic hahaha

(The colors for the badly rendered boy is the current colors. I can’t draw that much since they’re both twitching

Asian queers who never get clocked as queer or get surprised reactions to people finding out you're queer

Asian queers who have no Asian queer spaces

Asian queers who feel like they have to choose between Asian culture and queer culture

Asian queers who are alienated from Asian spaces

Asian queers who are alienated from queer spaces

Asian queers who are swept under the rug

Asian queers in the closet

Asian queers out of the closet

Asian queers who white queers refuse to date or even acknowledge

Asian queers who are constantly fetishized

Asian queers who live in America

Asian queers who don't live in America

Asian queers who live in countries where you can’t be openly queer

Asian trans and aspec people

Asian queers who are neurodivergent

Edit: If anyone has tickets to the Gallery Nucleus panel and signing I’d love to get this piece signed. I’m happy to exchange art/merch or pay to get this signed! ;0;

For those of you who watched the Trese Netflix "anime", did you know that the original comic series actually has a different main antagonist?

In the anime, Datu Talagbusao is the big bad.

But in the komiks, the big bad is...

Imelda Marcos.

No, really.

The Madame, who is the primary antagonist of the Trese universe, is based 100% on Imelda Marcos, apart from being, you know. Magic. The manipulation, the evil, and the lies are all pretty much one to one, though.

Suits