your duke nukem cosplay isnt even that good
UMMMMMMM EXCUSEZ-MOI YOU ARE TALKING TO JEAN PIERRE POLNAREFF THE COSPLAY ELITIST I COSPLAY HARD AND CORrectly and so forth yada yada who's duke nukem
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@lolnareff
your duke nukem cosplay isnt even that good
UMMMMMMM EXCUSEZ-MOI YOU ARE TALKING TO JEAN PIERRE POLNAREFF THE COSPLAY ELITIST I COSPLAY HARD AND CORrectly and so forth yada yada who's duke nukem

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you tell em babe
Remi becomes the happiest dog on the planet when given a little whip cream.
Firanghi Sword
Dated: circa 18th century
Culture: Indian
Measurements: overall length: 43.75in (1110 mm). Blade length: 36in (910 mm)
This Indian basket hilted sword, employs a European blade with a large chiselled Indian Basket hilt. The blade is very flexible, by design not wear, with a shallow ground central fuller. The blade straps are riveted to the outside of the blade.
The entire outside surface of the hilt is cut with geometric patterns, and then silver gilt, of only which perhaps 30% remains, but it highlights the ironwork nicely. The grip is nicely wrapped with old/original binding.
Source: Copyright © 2014 Akaal Arms
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have you ever jerked off to the thought of a teacher?
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Patriotic Fund Presentation Sword
Dated: 19th century
Culture: English/Irish
Measurements: overall length 36” (91.4 cm)
Provenance: by descent through the family of the recipient
This sword was presented by the Lloyd’s Patriotic Fund to Captain Robert Torin for his role in defending an East India Company convoy of ships from a French squadron in 1804. Adorned with British and mythological symbols, this is one of the 16 swords presented to the captains of each ship in this convoy. Torin, captain of the Coutts, is credited with much of the strategic foresight responsible for the British victory.
Worth £50 at the time, these were the only such swords Lloyd’s ever presented to Merchant Navy officers and are the only ones of that value to have the ship’s name and date engraved on the scabbard. A braided tassel of silver thread completes this distinguished piece. The weapon is a blade of single-edged blued steel, of the type fitted to the British 1796 Pattern Light Cavalry sabre, and combines traditional British icons with evocative images from ancient mythology.
Decorative elements such as the rose, thistle and shamrock frame patriotic figures of Britannia and Hope, the crowned arms and cypher of George III, and an inscription describing the heroic efforts of Torin and his fellow sailors. Attached to a hilt of ormolu-accented carved ivory, this is a true tour-de-force of edged weapons. The scabbard is also an impeccable work of art. Crafted of gilt bronze lined with shagreen, it displays engraved and applied oval cartouches depicting various Labors of Hercules.
Sidenotes:
The Lloyd’s Patriotic Fund was founded in 1803 to assist the many casualties of the Napoleonic Wars and is one of the oldest military charities of its kind. The fund presented these swords to those who distinguished themselves with “successful exertions of value or merit,” and were only rewarded between 1803 and 1809. To find one of these amazing swords on the market is quite extraordinary.
On January 31, 1804, a convoy of 16 East India Company merchant ships and a number of smaller vessels under the command of Commodore Nathaniel Dance sailed from Canton for Europe. On February 14, they had reached the Strait of Malacca when four sails were spotted. This was a French squadron commanded by Admiral Linois that comprised the Marengo (74 guns) and three frigates.
By dawn the following day, the ships were only about three miles distant, with the British ships formed a line of battle. Dance ordered four of the largest ships to hoist ensigns, thus implying that they were warships. The British ships then headed for the Straits with the French in pursuit. Dance then ordered his lead ships to come about and there followed a brief exchange of fire. Convinced that he faced a superior force, Linois then withdrew.
The British losses were just one man killed and another wounded, but the action saved the convoy with its cargo of tea, silk and porcelain valued at over £8 million at the time, the equivalent of £600 million today. Dance and his fellow captains were highly praised for saving the convoy, which prevented both the East India Company and Lloyd’s of London from likely financial ruin.
They were all rewarded by various national and mercantile institutions and each captain received a sword of £50 value from The Patriotic Fund at Lloyd’s. These were the only Lloyd’s swords presented to Merchant Navy officers and are additionally unique in being the only swords of £50 value to have the ship’s name and the date engraved on the scabbard.
Of particular interest is the strategic foresight shown by Torin and a fellow captain prior to the voyage. Dance had consulted his captains as to the action they should take in the event of attack. Henry Meriton, commander of the Exeter, and Torin, had been in a similar situation off Brazil in 1800. In this instance they had masqueraded as British ships-of-the-line, the result being the capture of a French frigate, the only warship to have struck its colors to merchantmen.
Doubtless, this successful rouse led Dance to contrive the strategy of the even more significant action of 1804. Robert Torin took command of the Coutts circa 1796. Of further note is his acquaintance with the artist John Constable.
In fact, in 1803, Constable joined the ship from the Medway to Deal, the first leg of its voyage to China. On this brief journey Constable, completed around 130 sketches. Robert Torin died in 1823 at age sixty-four.
Source: Copyright © 2014 M.S. Rau Antiques
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ilovedogz1868 replied to your post:who here is the best at the recorder cause the...
Me.
let's have a battle right now a recorder battle you and me final destination no items titanic theme only
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who here is the best at the recorder cause the answer's me i've been practicing
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i'm gay and got the puppy a toy sword and he pranced around with the handle in his mouth and i think silver chariot would have screamed if it could
Handmade Swords - Earil
By Peter Lyon of Weta Workshop
Edition Size: 1
Measurements: Blade length: 915mm (36”). Overall length: 1217mm (48”). Weight: 1.94Kg (4 pounds 4 ounces). Balance point: 71mm (2.8”) along blade, measured from the shoulder of the blade
The sword has been made especially for the Weta Cave and Weta’s Online Shop to sell to the public. It is similar to late medieval European longswords, but with design flourishes transform it into a piece of art as well. A longsword is light enough and balanced to be used with one hand, but it can also be used two handed for powerful cutting blows. The blade is broad for much of its length, making for strong cuts, but comes to an acute point for effective thrusts, making this a true cut-and-thrust sword.
The individual parts have shapes and detail lines that blend into each other and continue into the next component, so that shapes continue even as the materials change, and the shapes of all the hilt parts draw the eye towards the diamond shaped bosses in the centre of the grip, filled with polished Paua (New Zealand abalone) shell each side. At the same time there is a strong central line through the hilt and along the blade, emphasising the straight and symmetrical shapes of the sword.
This sword has many nautical features which led me to the name, “Aearil”, which in Elvish means “Gleaming Ocean”.
The straight blade is ground from spring steel bar, and has been heat treated to give the best possible combination of toughness and edge hardness. Historically blades were forged into shape and to remove flaws in the steel, but the consistency and high specifications of modern steels mean this is no longer necessary.
The bevelled edge is blunted for safety and display, but could just as easily be sharpened for cutting tests. The tang of the blade is strong and wide, and passes through the cross guard, grip and pommel, and is peened over the end of the pommel for maximum strength.
The cross guard is cut from a block of mild steel. From the centre block it projects along the blade and towards the ends, which are split into a fork. This is an unusual feature which I don’t recall being used on a sword before. The cross is set onto the shoulders of the blade for extra strength and stability, as was done on medieval European swords to prevent the cross becoming loose and rattling through use.
The grip is made of beech wood, covered with leather. Thin cords under the leather create the designs, and the leather has been carefully tooled to fit into all the shapes created by the cords. The grip was mostly drilled out then fitted by heating the tang and burning out the remaining wood for a tight fit, and finally glued in place. It is a two handed grip; the foregrip is straight to give a strong gripping surface, while the waisted shape of the upper grip encourages the second hand to nestle into the inside curves of the pommel.
The mild steel pommel is also a counterweight for the blade. It is shaped somewhat like a fish tail, with curved and recessed faces to add interesting shapes, and also to remove weight and get the best possible balance for the sword overall. The pommel was set tight onto the tapering tang before the end was peened over.
Source: Copyright © 2014 Weta Ltd.