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Edvard Munch, Seated Male Nude in the Forest, 1924-25

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Carl Stilling (1874-1938) Study of Man

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Claude Monet

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Max Ernst at Peggy Guggenheim’s Home, New York City, 1942

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Édith Piaf, December 19, 1915 – October 11, 1963.

1961 photo by Luc Fournol.

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The Ramble, 📸 by Arthur Tress

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Donatello, Saint John the Baptist of Casa Martelli, c. 1442.

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Richard Avedon, Marian Anderson, Contralto, 1955

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Georges Rouault (French, 1871-1958). "Nu de dos (Nude from the back)", 1919-29. Centre Pompidou, Paris. oil, ink, gouache on paper mounted on canvas

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Pablo Picasso, « Les Deux Frères », 1906, Gouache sur carton, 80 x 59 cm, MP7, Musée national Picasso-Paris.

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Lapis lazuli was ground up to create a distinctive blue pigment used in paintings in Renaissance Italy. Here we see a Madonna and Child created by Giovanni Bellini in the late 1480s. Image: The Metropolitan Museum of Art, New York, Rogers Fund, 1908

From one kilogram of lapis lazuli, you could extract barely 20 to 30 grams of ultramarine. That made it extremely expensive – in the Middle Ages and the Renaissance, it was even more costly than gold. As a result, it was reserved for images of saints and, in particular, for the Virgin Mary’s cloak.

Every particle of blue once slept in stone—until an artist set it free.

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"Conch and Tickseed", Louis Fratino, 2020. Oil on canvas.

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The Ramble, 📸 by Arthur Tress

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Self Portrait with Love and Death, by Hans Thoma, 1875

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"If I could say it in words, there would be no reason to paint." (Edward Hopper)

(Edward Hopper, Room by the Sea, 1951)

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Mosaic depicting Poseidon/Neptune and Amphitrite in a wedding chariot pulled by Tritons. From building IX.2.27, Pompeii; now in the National Archaeological Museum, Naples.

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"Satyr's Head with Antlers," 17th-century sculpture by Christof Angermair German 1580-1633. ivory. Bavarian National Museum. http://hadrian6.tumblr.com

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