Jean Painleve, Pince de Homard (Lobster Claw), 1929.
gelatin silver print
Lint Roller? I Barely Know Her
PUT YOUR BEARD IN MY MOUTH
Sade Olutola
I'd rather be in outer space 🛸
KIROKAZE
d e v o n
let's talk about Bridgerton tea, my ask is open
Aqua Utopia|海の底で記憶を紡ぐ
Jules of Nature


pixel skylines

tannertan36
DEAR READER

Love Begins
wallacepolsom
Cosmic Funnies
2025 on Tumblr: Trends That Defined the Year
Sweet Seals For You, Always
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@lockecito
Jean Painleve, Pince de Homard (Lobster Claw), 1929.
gelatin silver print

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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William Gedney, San Francisco, 1975
Frederick H. Evans - Bude, 1910-20s
also
Jean Painlevé / Araignée et autoportrait de profil / 1929.
Aaron Wynia, Sunset Puddle, Toronto, 2014

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Harald Lönnqvist - Stilleben, 1928
Alan Archibald Campbell Swinton, “Negative Discharge” (1892) (© National Media Museum, Bradford SSPL)
(via Hyperallergic)
Max B http://www.maxbphoto.com/
Vintage shot of a dive in Erie school, Erie, Pennsylvania
[::SemAp FB || SemAp::]
Thread - Njideka Akunyili Crosby

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Highway 66, Gallup, 1979
Roswell Angier
Robert Mapplethorpe - Untitled (1973)
Always reblog, always so good
Going down the mountains on the Atchison, Topeka, and Santa Fe Railroad between Barstow and San Bernardino, California, March, 1943
Jack Delano
Oskar Kaubisch - Bleilochtalsperre nördlich Saalburg, kugelschalige Struktur des Diabas-Gesteins am Bahneinschnitt südlich des Wettera-Viaduktes, 1940-45
Blue shawl on the cable car with reflection
La Paz, Bolivia
2016

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Manuel Jesus Glave
Sexual desire became frustrated sexual desire and, for all White’s efforts at emulation, his photography could not sustain the optical machismo of his forebears; it could not continue in the prescribed modernist tradition. Indeed, despite his own best efforts, White’s “perversion” converted that tradition into something else, retuning the self-assurance of American modernism to a register of ambivalence and ambiguity, countered by proclamations of spiritual bravado.
Kevin Moore from “Cruising and Transcendence in the Photographs of Minor White”