
blake kathryn

oozey mess

Game Changer & Make Some Noise
I'd rather be in outer space 🛸
hello vonnie
todays bird
noise dept.
Today's Document
Xuebing Du
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Sade Olutola
occasionally subtle

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roma★
YOU ARE THE REASON
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shark vs the universe
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Keni
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@lmarie21

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"Like" by Mike McGee
(www.MikeMcGee.net) I like you the way I like my wonton packed full of shrimp Like too much syrup on my pancakes (and in my beard) Like Mr. Furly enjoyed eavesdropping through kitchen doors Like blue whales like to say, “Hrrrreeeeeewhuuuuuuhhhwwoooaaauuuhh.” I like you a whole bunch of a lot You’re a pocket full of awesome I like you not unlike Aaron Neville likes his mole Like Texans like Texas Like fat kids like cake Like two likes three and four likes six (five has issues) Like tuna sandwiches like teeth Like cherry flavored Slurpees like to wash down convenience store nachos Like La-Z-Boys like Sunday afternoon asses I like you whole bunch of a lot and a little bit more You’re a bottomless basket of extra crispy French fries covered in awesome sauce I like you similar to the way pirates and frat boys like booty Like newlyweds like Holiday Inns Like bohemians, yuppies and Japanese like sushi Like David Copperfield likes performing grand scale, yet, lame-assfeats of illusion Like the U.S. Government likes performing grand scale, yet, lame-assfeats of illusion Like testicles and homeboys like to hang Like homeless people and breakdancers like cardboard Like Americans like ranch dressing Like Muppets like fisting I like you a whole bunch of a lot a whole lot more times infinity Maybe that’s starting to dip into equation of love Nevertheless, I got a thing for you like magnets got it for refrigerators I’m stuck on you and I like it I like you an official metric fuckload I think you’re a body full of soul and I hope you like me back Even if it’s like dust likes furniture, at least you’re all over me I’m making a “pledge” because I guess I’m tired of meeting people who define themselves by what they don’t like I just don’t like that However, I do like holding you The way your pillow holds your head when you sleep The way gay, lesbian, transgender, transsexual, Irish and Mexican people hold parades The way PBS holds fundraisers The way the Earth holds the moon and the sun holds the Earth and how they’ll constantly spin around each other forever and even though that metaphor doesn’t really make sense with regard to this poem becausethat would imply that there were three of us (which would also be awesome!) You get the idea In my book you rock, and I like rocks and just because I spent an hour or so writing this down doesn’t mean you have to like me back, but dammit, I would really like that
Mobile Lovers / Banksy
Good Vibes HERE

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The good vibe
"And I'd still wish for you over and over again..."
If you love Disney you must follow this blog!
…I was not myself for weeks yet nobody noticed.
(via incoloure)
Except that it was years..
(via gretacamille)

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Good Vibes HERE
6 WRITING TIPS FROM JOHN STEINBECK
Abandon the idea that you are ever going to finish. Lose track of the 400 pages and write just one page for each day, it helps. Then when it gets finished, you are always surprised.
Write freely and as rapidly as possible and throw the whole thing on paper. Never correct or rewrite until the whole thing is down. Rewrite in process is usually found to be an excuse for not going on. It also interferes with flow and rhythm which can only come from a kind of unconscious association with the material.
Forget your generalized audience. In the first place, the nameless, faceless audience will scare you to death and in the second place, unlike the theater, it doesn’t exist. In writing, your audience is one single reader. I have found that sometimes it helps to pick out one person—a real person you know, or an imagined person and write to that one.
If a scene or a section gets the better of you and you still think you want it—bypass it and go on. When you have finished the whole you can come back to it and then you may find that the reason it gave trouble is because it didn’t belong there.
Beware of a scene that becomes too dear to you, dearer than the rest. It will usually be found that it is out of drawing.
If you are using dialogue—say it aloud as you write it. Only then will it have the sound of speech.
"If there is a magic in story writing, and I am convinced there is, no one has ever been able to reduce it to a recipe that can be passed from one person to another. The formula seems to lie solely in the aching urge of the writer to convey something he feels important to the reader. If the writer has that urge, he may sometimes, but by no means always, find the way to do it. You must perceive the excellence that makes a good story good or the errors that makes a bad story. For a bad story is only an ineffective story."
Perhaps the greatest faculty our minds possess is the ability to cope with pain. Classic thinking teaches us of the four doors of the mind, which everyone moves through according to their need. First is the door of sleep. Sleep offers us a retreat from the world and all its pain. Sleep marks passing time, giving us distance from the things that have hurt us. When a person is wounded they will often fall unconscious. Similarly, someone who hears traumatic news will often swoon or faint. This is the mind’s way of protecting itself from pain by stepping through the first door. Second is the door of forgetting. Some wounds are too deep to heal, or too deep to heal quickly. In addition, many memories are simply painful, and there is no healing to be done. The saying ‘time heals all wounds’ is false. Time heals most wounds. The rest are hidden behind this door. Third is the door of madness. There are times when the mind is dealt such a blow it hides itself in insanity. While this may not seem beneficial, it is. There are times when reality is nothing but pain, and to escape that pain the mind must leave reality behind. Last is the door of death. The final resort. Nothing can hurt us after we are dead, or so we have been told.
Patrick Rothfuss, The Name of the Wind (via quotes-shape-us)

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James Franco + Gucci "I’m always excited to work with Gucci and the relationship has grown a lot. We are great collaborators and are on the same page." - James Franco "James has an innate ability to fuse classic with contemporary style and interpret formalwear in an individual way, personifying the spirit of our Made to Measure man our clients relate to." - Gucci’s creative director Frida Giannini