Kevin Bacon lashes sexist trend of unnecessary female nudity in cinema and television and demands more male nudity in Hollywood.
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Kevin Bacon lashes sexist trend of unnecessary female nudity in cinema and television and demands more male nudity in Hollywood.

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Nouvelle vague, Jean-Luc Godard, 1990
Chen Wei
A Foggy Afternoon, 2011
Go out and do something. It isn’t your room that’s a prison, it’s yourself.
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Can someone edit/critique a short story?
I want to read it at a flash fiction even so I’m desperate for feedback! Leave your email and I’ll send it to you!
How to Write Women of Color and Men of Color if you are White.
A colleague of mine was talking to me recently about her misgivings about her capabilities regarding writing Women of Color. She wanted very badly to include several WOC characters in her sci-fantasy series, but she had some concerns about correct portrayal and writing them in a way that wouldn’t instantly piss people off. I told her I would write something about it that might help. So, here we have it: How to write POC without pissing everyone off and doing a horrible job.
In general, it comes down to three things. Research, Persistence and Consideration. Also. for the point of this essay, I am going to use Black women, Native Women and Mixed Race women as they each represent different individual (yet very important) racial struggles that need consideration.
1. Research is by far the most important thing. EVER. For this example, I am going to use Black women.
It is important to start by trying your hardest to forget anything you think you know about Black women and Black female identity. As a white person, anything you would know about them you probably learned from media that is not controlled by or monitored by black women themselves. Meaning that it is likely not a good representation of black women at all. Or maybe you just have a Black friend.
Which you should consider in the same way you would a control group for a science experiment.
One or two subjects would not provide conclusive evidence in regards to any hypothesis. Having one or two or even five black friends can’t help you with understanding the complex history of black discourse….
In order to start from scratch, I would first spend some time reading literature written by Black women for Black women. Learning the way Black women have discourse among each other is the first step to understanding their perspective AND emulating their voice. Literature is the genre of media where POC have the most liberty (unlike film) to discuss certain topics or parts of their identity.
Then, I would delve into “complaints”. There are thousands upon thousands of articles where Black women complain about their portrayal in media. These complaints are both valid and often eloquently expressed. It is important for you to know, what things Black women (WOC) are already so fucking tired of seeing in regards to incorrect or offensive portrayals of themselves. Not only will it help you avoid making the same mistakes as white writers before you (an example of this: Arthur Golden and the hot mess that is Memoirs of a Geisha), But it will also get you upset about certain ways Black women (POC women in general) are portrayed, and make you want to write them better. This can improve your writing in that not only will you avoid being offensive, but you now have the chance to be progressive and kick stereotypes out the window!
Finally, I would take some time to follow some tumblr blogs that are run by the group you’re trying to write. This part of the research can really help because you’ll get a first hand, contemporary dialogue about issues within the specific POC community. Which leads me to my second topic…
Read More
White people: read this.
Crinoline
1865
One of the most characteristic features of fashion during the middle of the 19th century was the crinoline style, using crinolines incorporating steel hoops. Skirts began to swell out in the 1830s, initially by layering petticoats to create the extra volume. This was inconvenient, so in the early 1840s, the crinoline petticoat was developed, originally made of linen and interwoven with horsehair (“crin” in French) to provide enough stiffness for a single petticoat to easily swell out a skirt. In the second half of the 1850s, a cage crinoline was patented that linked together a series of horizontal hoops made out of wire or whalebone. Further progress led to the use of steel hoops, resulting in crinolines that were lightweight and easy to put on or take off. This development led to a sudden trend for massive skirts, which reached their maximum size in the 1860s. As the structure of this exhibit shows, the crinoline technology continued to play a part in the subsequent bustle style.
Mark Ryden
Girl Eaten by Tree
2006
13 x 20 in / 33 x 51 cm
Oil on Canvas

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Justyna Kopania, Inspirations
Magdeburg Water Bridge, Germany