Trigger warning for graphic descriptions of injured and dead wildlife.
When a fireworks display occurs near a wild bird roost, the birds simultaneously explode into the night skies in utter panic, which can lead to huge numbers of deaths, usually because these birds either smash their skulls or break their necks as the result of flying into trees, fences, billboards, houses and other solid objects that they cannot see in the gloom and ensuing chaos.
Many of the startled birds who take flight fly at much higher altitudes and for much longer durations than they’re used to to escape the noise, which is energetically costly and physiologically stressful.
Small birds and bats can be knocked from the air and killed by the sonic shock. In 2010, 40 dead sparrows were discovered dead under a roost in a nature reserve after a local fireworks display. The manager of the reserve witnessed a tawny owl fluttering and convulsing on the ground after a particularly loud explosion. It died shortly after.
In Arkansas in 2010, some 5,000 red-winged blackbirds, European starlings, common grackles and brown-headed cowbirds suffered blunt-force trauma after colliding with cars, trees and buildings, an ornithologist from the Arkansas Game and Fish Commission would tell National Geographic.
In 2008, federal officials showed that seabirds in the northern California town of Gualala abandoned their nests after a fireworks show, leaving their eggs vulnerable to predators.
Each year in Austin, Texas, the Congress Bridge bats can be seen fleeing the fireworks display en masse on weather radar, and emergences from their roost diminish noticeably in the days following the Fourth.
In 2018, the Galapagos banned the sale and use of pyrotechnics. According to the BBC, conservationists said that fireworks caused elevated heart rates, trembling and anxiety in many animals.
The threat to wildlife doesn’t stop at startling lights and sounds; fireworks also have the potential of starting wildfires, directly affecting wildlife and destroying essential habitat. Litter from firecrackers, bottle rockets and other explosives can be choking hazards for wildlife and may be toxic if ingested.
So what do you do if you want to watch fireworks responsibly? Experts say municipalities are more likely to be aware of these dangers than private consumers. Their best advice is to stick to the shows put on by professionals and local governments, which tend to follow guidelines put forth by the U.S. Fish and Wildlife Service, among others, about animal safety.
The National Audubon Society offers similar guidelines: “Commercial fireworks are concentrated in one location, rather than in several locations at once, which is what often happens in neighborhoods. This allows birds to take off and land again in a ‘safer’ location rather than continuing to flee noises coming at them from all directions.”
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Text of tweet under the cut because it is loooong.
But... Stochastic Parrots.
Timnit Gebru was fired from Google in December 2020 for refusing to retract a research paper, and every single warning that paper made about large language models has now happened at a scale the industry spent 4 years trying to make people forget about.
Her name is Timnit Gebru.
She co-led the Ethical AI team at Google. She co-wrote a paper called "On the Dangers of Stochastic Parrots" with Emily Bender at the University of Washington and two other researchers. The paper was 14 pages long. It was submitted to a top AI ethics conference. And it was the reason Google decided that one of the most senior Black women in AI research could no longer work there.
The story Google told publicly was that she resigned. The story she told, confirmed by 2,695 of her colleagues in an open letter, was that she was fired by email while on vacation because she refused to either retract the paper or remove her name from it.
The paper had not even been published yet.
Here is what she actually wrote, and why every prediction inside it has now come true.
The first warning was about scale itself. Bender and Gebru argued that training ever-larger models on ever-larger scrapes of the internet would produce systems that appeared fluent but had no actual understanding of language. They called these systems stochastic parrots because they would repeat patterns from training data with statistical confidence and zero comprehension. The paper predicted that this apparent intelligence would fool both users and developers into trusting outputs that were structurally incapable of being reliable.
This was 2020. GPT-3 had just come out. The paper predicted the hallucination problem before anyone had a word for it.
The second warning was about bias amplification. The paper documented in detail that internet-scale training data contains systematic overrepresentation of dominant viewpoints and underrepresentation of marginalized ones. The models would not just absorb this bias. They would amplify it, because the optimization process rewards confident outputs, and confidence in language patterns tracks frequency in the training set.
The prediction was that hiring tools built on these models would discriminate against women. That healthcare triage tools would underperform on Black patients. That loan approval systems would entrench inequality while presenting their decisions as neutral algorithmic judgment.
Every one of those things has now been documented in deployment.
Amazon's hiring algorithm penalized resumes that contained the word "women" in any context. Healthcare risk scoring algorithms used by major US hospitals were found to systematically underestimate the medical needs of Black patients. Apple Card's credit algorithm gave wives credit lines 10x lower than their husbands for the same financial profile.
The third warning was about environmental cost. The paper calculated that training a single large language model produced emissions equivalent to the lifetime output of 5 cars. The prediction was that the race to scale would create an environmental footprint that would eventually rival entire industries.
In 2024, Google's emissions were up 48% from 2019, and the company explicitly blamed AI infrastructure. Microsoft's were up 29%, same reason. Both companies have now quietly abandoned the climate commitments they were publicly celebrating the year Gebru was fired.
The fourth warning was about documentation. The paper argued that the training datasets being assembled were too large for anyone to actually audit. Nobody at Google, OpenAI, Meta, or any other lab could tell you with confidence what was in the data their models were trained on. This was not a temporary problem to be solved later. It was a permanent feature of the approach.
In 2023, researchers discovered that the LAION-5B dataset, used to train Stable Diffusion and other major image models, contained thousands of images of child sexual abuse material. The companies that had trained on the dataset had no way of knowing. The paper predicted that category of failure 3 years before it was found.
The fifth warning was the one Google cared about most.
Bender and Gebru argued that the deployment of these systems would centralize linguistic and cultural power in the hands of the small number of companies that could afford to train them. The internet would become a place where the dominant voice was a statistical average of dominant voices, presented as a neutral assistant. Languages underrepresented in the training data would degrade over time as more web content was generated by these systems and fed back into the next training run.
This is now happening in real time. A 2024 study found that 57% of new web content in English is AI-generated or AI-assisted. Researchers studying low-resource languages have documented active degradation in translation quality, because the synthetic content fed back into training is itself worse in those languages.
The paper Google fired her for predicted the model collapse problem before model collapse had a name.
The mechanism behind why this all happened is the part of her work that nobody quotes.
Gebru's argument was not that AI is dangerous in some abstract sci-fi sense. Her argument was that AI is dangerous in a very specific structural sense. The technology was being built by a small group of researchers who shared similar backgrounds, worked at similar companies, and were rewarded for shipping products faster than competitors. The incentive structure made it impossible for safety, ethics, and bias concerns to slow anything down. Anyone inside the system who raised those concerns was either ignored, sidelined, or removed.
She was making that argument from inside Google.
Then Google proved her right by removing her.
The team Google had built to make sure their AI was safe was dismantled in 90 days because they did the job they had been hired to do. Margaret Mitchell, the other co-lead of the Ethical AI team, was fired two months after Gebru for searching through her own emails for evidence of how Gebru had been treated.
Gebru did not stop. She founded DAIR, the Distributed AI Research Institute, in 2021. The mission is to do AI research outside the control of the companies that have a financial interest in not hearing the answers.
Every prediction in the Stochastic Parrots paper has now been validated by deployment. Hallucinations are an industry-wide problem the largest labs cannot solve. Bias amplification has been documented in hiring, healthcare, lending, and criminal justice. Environmental costs are larger than entire small countries. Training data audits remain impossible. Model collapse is an active research crisis at every major lab.
The question worth sitting with is the one almost no one in the industry will say out loud.
Every researcher with the technical credibility to call out these problems watched what happened to her in December 2020 and made a calculation about their own career. The number of people willing to speak publicly about safety and ethics issues inside the major AI labs collapsed after that firing and has not recovered.
The researcher Google fired for warning about exactly what is now happening was right.
The company that fired her is now the second-largest deployer of the technology she warned about.
And the people inside that company who agree with her are not allowed to say so.
yaoi between two beautiful knights who keep ending up fighting each other but it turns out both of them are pretending to be men in order to be knights so its actually secret beautiful butch yuri. picture this
one is the handsome gentlemanly princely type with long hair riding on a white horse that all the ladies fawn over, the other is the badass grim bulky type with scars and a scowl and a big ass broadsword who always aura farms in the corner of the tavern alone
this is a great time of year to buy from native stores or donate to native organizations. you can figure out who's land you're on here, and below i've listed some (of many) businesses you can support ♡
B.Yellowtail --- jewlery, clothing, and home goods designed by Bethany Yellowtail, citizen of the Northern Cheyenne Nation and from the Apsáalooke (Crow) Nation
Cheekbone Beauty --- sustainable, low-waste beauty products from Jenn Harper, an Anishinaabe artist based in Canada
Trickster --- atheletic products from Tlingit and Deg Hit’an Athabascan siblings (Alaska)
NativeHumboldt on Etsy --- the artist, Shayna McCullough, and their fiancé make designs inspired by traditional designs from their culture; she is from the Yurok tribe and descended from the Hupa, Karuk, Redwood Creek, Pit River, Yuki, Wintun, Pomo (tribes in California), and Chetco tribe (in Oregon)
OklahomaThirtyNine on Etsy --- they mostly sell beaded work, particularly earrings, as well as some necklaces
xBeadsByMandyx on Etsy --- handmade beaded earrings, from a Cherokee veteran
food products, from wine to sauces to teas to mixes to fish to jerky and nuts, sorted by store with details beside each store
My favorite shoes in the winter are my Manitobah mukluks, which are Metis-owned and participate heavily in community initiatives with other indigenous nations to train and support artists. They also partner regularly with artists from other nations on their shoes to create custom editions. Currently they are collaborating with Rosa Scribe (Cree), Janae Grass (Sac & Fox), Atheana Picha (Salish), and Melissa Peter-Paul (Mi'kmaw). They also host an indigenous market that showcases and promotes indigenous artists.
Plus they're warm as hell and the sheepskin lining means I don't have to wear socks, which is extremely nice sensory comfort. So that's nice as well.
Eighth Generation (Snoqualmie Tribe) has some beautiful stuff - I've bought a huge beautiful beach towel and cool socks from them personally, but they have jewelry, art, housewares, lots of great work.
image is one of my favourite blankets from Eighth Generation
Beam Paints --- watercolour paints by Anong Migwans Bean, M'Chigeeng First Nation (located in Ontario), who was taught to harvest pigments by their parents ((recommended by @airbenderinalbion))
Beyond Buckskin --- created by Jessica Metcalfe, who is Turtle Mountian Chippewa, they feature and sell works such as moccasins, jewelry, clothing, and blankets from over 40 artists --- featured is a beaded Yakima Plateau bag ((recommended by @sassytail))
Haipažaža Pĥežuta --- a couple, Lakota and Dakota, from Ocheti Sakowin Tha Makhoche (Sioux Nation) who make soaps, shampoo bars, bath and body products, salves, & more herbal products, incorporating traditional knowledge and using minimal packaging + natural ingredients ((recommended by @wittywallflower))
Sequoia Soaps --- soaps, candles, lotions, body mists and body scrubs, founded by Michaelee Lazore, who is Kanien'kehá:ka (Mohawk) from Akwesáhsne and Northern Paiute (in Nevada) ((recommended by @trialofasphodel))
Only Child Handicrafts --- beadwork created by a 30-year-old beadworker, which they learned while growing up near the Great Lakes from the Anishinaabe; their paternal family is Ojibwe from Fort William First Nation & their patterns are both based on traditional patterns & contemporary ((recommended by @fruityshirts))
Sage & Oats Trading Post --- based in Montana, but selling products from native artists across the country, including beadwork, candles, foodstuffs, books, textiles, jewelry, & so much more ((recommended by @samwisegamgeeee))
Sea Wisdom Design --- jewelry by łlilawikw ("gatherer of the people"), who is Kwakwaka’wakw, from the Pacific Northwest, whose beautiful historical designs are featured in her art ((recommended by @fruityshirts))
middle picture: blanket made by Rachel Twoteeth Pichardo, a Little Shell artist from North Carolina
It's not a small creator, but Prados Beauty is indigenous-owned and partners with indigenous designers. They're pretty mainstream now but I've only heard good things about their corporate practices.
Discover Prados Beauty, featuring high-quality cosmetics at affordable prices. Embrace all of your beauty with ethically made cosmetics, too
Thunderbird Skin --- skincare made Mooretown Rancheria Maidu women from Northern California, who now live in the UK. they also make products specifically for eczema & psoriasis & have trial sizes of nearly all their products ((recommended by @a-wild-haggis))
Mistahiminis Beadwork --- beautiful art, beaded earrings & embroidery works & sewn bags, made by a nonbinary Nehiyawak (Cree) beadworker in Canada ((recommended by @thymeforeverything))
Choke Cherry Creek --- clothing created by Angela Ikūalasaash ("persistence"), a Apsáalooke (Crow) & Pikuni (Blackfeet) woman who incorporates symbols from her heritage into her work ((recommended by @alcidesire))
Good Medicine Clothing --- an Apsáalooke-owned (Crow Nation) clothing store, founded by a Native American dancer & hip hop artist (his music links here) ((recommended by @alcidesire))
The Wandering Bull --- they carry a huge variety of pow-wow supplies & whatever anyone might need to make their own pieces ((recommended by @lugarn))
Medicine Man Crafts --- goods made by people on/near the Eastern band Tsalagi Nation (Cherokee), such as traditional baskets & jewelry, craft supplies, masks & pottery, & so much more ((recommended by @lugarn))
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Also, consider. A magical version of the bends. Whenever someone from a non- or low-magical land has to go into a very magic rich forest or land or dimension, having to take breaks to let their bodies adjust to the new magic exposure or else their blood will boil in their veins or they'll Transform
actually the bends only kicks in when you try to LEAVE the high pressure area. or in this case, magic rich area?
Getting deeper and deeper into feywilds and knowing that however deep you get, it’s gonna take twice as long to escape without magic tearing its way out of you
you are not wasting time you are vibing. you are not being unproductive you are literally chilling. make a grill cheese with cheddar cheese and slather a piece of the bread with some honey and maybe you'll relax
Innes Keeper's Formula For Fantastic Grilled Cheeses
(for nearly no extra spoons!)
Are you hungry? Do you have a hankering for grilled cheese sandwiches like, way more than a normal person maybe? Great news! I am about to give you the secret knowledge I stole, like Prometheus himself, from the Akashic Records—to bring back to Prudencia! And I’m even doing it without a ten hour long lecture about how the Akashic Records makes me think of idfk, 9/11, and how that relates to sandwiches.
I will, however, briefly say this: You gotta trust me when I say cooking grilled cheeses via this formula WILL grant you Bloodborne Insight. There is no fucking reason that making a grilled cheese this fucking delicious should be this fucking easy. I feel like I’m cheating God every time I do it because it takes (nearly) no extra spoons. And here’s where I show you why.
INGREDIENTS — SEASONINGS
-butter, i usually use 2 or 3 tablespoons per sandwich
-garlic cloves, I use 3 usually
-a source of heat, like red pepper flakes, or szechuan peppers
-a source of spice OR a source of sweetness, such as dijon mustard or honey. slather that motherfucker on a slice of your bread.
-a source of herbiness, such as oregano, thyme, sage, rosemary, etc in any combination that goes well together or on its own. if someone tries to tell you that you need it fresh, they’re fucking lying, the 2$ crushed powdered sage is fucking great. experiment with other spices such as ground turmeric if you're spicy
INGREDIENTS - THE METAPHORICAL MEAT OF THE SANDWICH
-two slices of bread per sandwich. this is actually a massive influence on your sandwich taste and texture as a whole. a basic white or wheat will still be fucking delicious because like I said, I stole this from the Akashic Records cookbook section and found it under “fucking perfect grilled cheeses forever”. However, if you CAN—getting bread like brioche, texas toast, brown bread, rye, or sourdough will make a sandwich already being elevated super easily to “pay 23 dollars at a fancy restaurant” level of elevation.
-one to three types of cheese per sandwich. you can get away with one type but really try for two or three if you can swing it.
this is also one of those massive influences over the sandwich—listen, i know, that’s obvious, but stay with me—what matters
isn’t the SPECIES of cheese, it’s the TYPE of cheese. getting the deli at your local Safeway or Walmart or whatever and asking for the cheese they gotta cut (or just in general the fancier, better-quality cheeses) is literally the only major requirement that I ask of you. If you are on SNAP/EBT programs, me too, and I promise you: Please do this. Please trust me when I say do not get the cheap Kraft-type cheese because it’s less money. I know it’s a bit extra but it’s only a bit to get like 1/4 or 1/3lb and you have no idea how much I’m actually getting a little emotional about this, because the “rice with butter and beans or top ramen every single day” life is soulsucking and sickening and it is genuinely one of the greatest sources of suffering
to human beings I can imagine, I’m serious. Following this formula will genuinely change your life/mental health just a bit because you know that you have one meal that is super delicious, super filling, pretty damn cheap when it comes to how much you get, and super easy to make on days where the idea of doing more than just 15 minutes MAX is gonna make you wanna die.
super sorry for that paragraph btw i just really cannot overstate how this is a lifechanger especially when youre poor/low spoons/depressed. delicious food makes me not be as depressed. this is that.
METHOD
Take garlic cloves and crush them either with the meat of your palm or the flat of a knife or literally anything that would crush good. Take bread slices and put a source of spice or sweetness if you are using one. take a pan and put it on the stove on low-medium heat (aka a 2 out of 10).
Place the butter in the pan, as well as the garlic cloves, the source of heat, and the source of herbiness. Congratulations you have now literally done ALL the extra effort that you need to make a grilled cheese like this. That’s it. No extra dishes. No fussing with amounts or chopping or whatever. That’s it.
The butter will melt in the pan and soak up the delicious ingredients that you also put into the pan. Take each slice of bread and place it in the pan to butter it, OR just take one slice, place the cheese on it, and then put the other bread on. It’s really just a matter of extra effort.
When the bread is in the pan, turn it up to medium heat (5 out of 10) and just sorta let it sit for a bit. When you can see the cheese start to get visibly melty—or when you vibecheck it—flip it once and just do the same thing.
When you’ve grilled your cheese on both sides, take it out of the pan and put it on a plate (or just a paper towel to save on dish spoons. btw paper plates and plastic utensils are a fucking godsend if you hate dishes and/or can’t do them very easily/takes a lot of effort.)
oh. oh my god. holy fuck. what. how. why. this is delicious. i kinda burned my bread and my cheese didnt melt all the way but it's still the best thing ive ever tasted?????
oh my god. this is so fucking good. the butter melting and absorbing the spices and herbs already smelled amazing, but then i threw the bread on and it started smelling EVEN BETTER. then i took a bite. holy FUCK this is better than sex. i legitimately believe that Innes Keeper stole this shit from Prometheus, there's no other way to explain why this is so easy to make, yet so FUCKING good, other than cheating a god.
ok me and my partner went back and made this. exact words upon eating were “we’ve cheated god” and “i feel like my world just got rocked” and then we were both energized to get back to drawing. proof:
on “the blond,” “the older man,” and other crimes against third-person limited
You know that thing where a story is written in tight third person limited — we’re meant to be inside someone’s head, seeing the world through their thoughts — and then suddenly the narration says “the blond frowned” or “the shorter woman sighed” about a person the POV character knows really well?
That’s called antonomasia — using a descriptive label instead of a name. And it’s fine when we’re talking about strangers: “the cashier handed her the receipt,” “the tall guy blocked the door.” The POV character doesn’t know their names, and we just need a quick way to tell people apart.
But the moment it’s used for someone the POV character already knows, it breaks immersion. Because that’s not how our minds work. We don’t think “the older man smiled at me.” We think “Mark smiled.” Or maybe “my boss” if that relationship matters in the moment.
Third person limited means the narration sits inside someone’s perception. Their inner monologue is the story’s voice. So when you switch from “Mark smiled” to “the blond smiled,” you’ve pulled the camera away from their mind and turned it into an outside shot.
If you want to create distance or irritation, you can do it on purpose —
“The idiot from accounting emailed again.”
That’s character voice. That’s judgment. That works.
But otherwise?
As soon as your POV character knows someone’s name, use it. While we do tend to worry about repetitions, names rarely register as such to the readers.
If you need variety for rhythm, use relational or emotional identifiers that make sense in their head: her friend, his partner, their teacher, the person they loved.
Because inside someone’s thoughts, there are no “blonds” or “brunettes.”
Crawling out of my hole to remind people that with this current update to Firefox (version 144) they've gone and dumped in their lot with a buncha lil AI tools, namely Perplexity as a new search engine.
So if the sound of that leaves your mouth tasting of tar, here's what you want to do:
In the url bar, type in about:config
It'll give you a big scary warning page that you might poke holes in your browser. Good. You want to do that. Click continue.
One by one, you're going to need to put each of these into the search bar in the page, not up top:
Each of these are gonna have a lil toggle icon on the right hand side that looks like a funky double-ended arrow. Click that and the value next to it should change to false. It all auto saves as you go. Some of these might already be set to false by default and that's peachy.
The next best thing you can do for yourself is to set your default search engine to udm14 or Qwant, but for now, we're just tidying the garden a lil bit.
I've been resource gathering for YEARS so now I am going to share my dragons hoard
Floorplanner. Design and furnish a house for you to use for having a consistent background in your comic or anything! Free, you need an account, easy to use, and you can save multiple houses.
Comparing Heights. Input the heights of characters to see what the different is between them. Great for keeping consistency. Free.
Magma. Draw online with friends in real time. Great for practice or hanging out. Free, paid plan available, account preferred.
Smithsonian Open Access. Loads of free images. Free.
SketchDaily. Lots of pose references, massive library, is set on a timer so you can practice quick figure drawing. Free.
SculptGL. A sculpting tool which I am yet to master, but you should be able to make whatever 3d object you like with it. free.
Pexels. Free stock images. And the search engine is actually pretty good at pulling up what you want.
Figurosity. Great pose references, diverse body types, lots of "how to draw" videos directly on the site, the models are 3d and you can rotate the angle, but you can't make custom poses or edit body proportions. Free, account option, paid plans available.
Line of Action. More drawing references, this one also has a focus on expressions, hands/feet, animals, landscapes. Free.
Animal Photo. You pose a 3d skull model and select an animal species, and they give you a bunch of photo references for that animal at that angle. Super handy. Free.
Height Weight Chart. You ever see an OC listed as having a certain weight but then they look Wildly different than the number suggests? Well here's a site to avoid that! It shows real people at different weights and heights to give you a better idea of what these abstract numbers all look like. Free to use.
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going to start researching sheep breeds that are like endangered or need conservation and then seek out their wool to use, preferably buying directly from the herders, so i can support them
i found a farm that has Navajo-Churro sheep and sells their wool as roving and yarn directly to the public, along with several other uncommon breeds :) website here
re: your tags, totally fine to reblog!! there's a whole database of farms im looking at now on the Livestock Conservancy website!! here's the link, all you have to do is select "yarn" or "fiber" from this drop down menu
and it'll give you contact info and websites to A BUNCH of small farms selling their heritage breed fiber directly!! you can also look up by animal breed if you want a specific kind of fiber like, say Navajo-Churro
it's AWESOME!! many of these farms seem to be certified by the Conservancy and the Conservancy itself seems to be like a good nonprofit
All you need in life is a color picker willing to expose you to the unbounded madness we call color vision.
me, absolutely clueless: "I want a color just like this one, but in red"
color picker: Fuck you think you are, a Mantis Shrimp? Don't talk to me again until you can afford a wide gamut monitor.
The circle and triangle are a lie we tell ourselves to cope with the ugly reality... Now this-- this is the real deal!
In seriousness, this is oklch.com, a color picker for the OKLCH color model.
There are whole several hour lectures one could take in color science and theory, but to keep it short: the set of colors we can see, the set of colors monitors can display, and the set of colors computers can model are three circles that only somewhat overlap.
In this case, if I wanted this color
but in red, I could just go of Photoshop and move over the hue slider, getting this as a result:
Which is.. acceptable, but not as "bright" and "vibrant" as the green I had. Looking at the graphs in the OKLCH color picker, we can figure out why:
It tells us that a red with the same luminosity and chroma as this green is out of gamut—that is, it cannot be displayed by this monitor.
In this case, you can use the edges of the graph to find the color that is closest to what you want. You can, for example, keep the chroma but sacrifice lightness,
keep the lightness but drop the chroma,
or a bit of both, which is what the common HSV triangles already do.
What if what *I* see as blue, *you* see as a slightly different blue because you're using Chrome instead of Firefox and despite a decade of messing with profiles we STILL can't get this right somehow.
the three most overused jobs for horror movie protags who investigate strange happenings that have nothing to do with them out of a sense of professional obligation are journalist, writer/filmmaker, and cop (which is both overused AND lame). here are some suggestions for other possibilities:
insurance claims investigator
grad student using excessive research to procrastinate writing their thesis
tradesman hired to fix the spooky house’s pipes
mafia debt collector
normal debt collector
middle aged woman who just wants to get a refund. who in this place can she to talk to who can give her a refund, she has the receipt right here
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I’m writing scenes which are good, and I don’t know where they are going to fit in the book. But it’s what I call ‘The Valley Filled With Clouds’ technique. You’re at the edge of the valley, and there is a church steeple, and there is a tree, and there is a rocky outcrop, but the rest of it is mist. But you know that because they exist, there must be ways of getting from one to the other that you cannot see. And so you start the journey. And when I write, I write a draft entirely for myself, just to walk the valley and find out what the book is going to be all about.
-- Terry Pratchett - A Slip Of The Keyboard: Collected Non-fiction
hello my fellow Horror And Houses fans.... i have come to recommend the book "horror in architecture" and its sequel "horror in architecture; the reanimated edition" by joshua comaroff and ong ker-shing to you all. ive been reading horror in architecture for the past couple days and it is excellent
this book is incredible. it is all i can think about, it is all i want to talk about
i feel crazy. but its so goddamn specific, how do i go "does anyone else want to read this Incredibly Dense and Highly Niche book on (checks notes) architectural theory, culture, and horror so that i have someone to talk about it with" in a way that doesnt sound like im an on-the-nose character symbolizing obsession and madness in a horror novel
i love tumblr because the pitch i gave for this book is one that i made in a frenetic state after literally pacing around my apartment with my hands clasped behind my back like a harrowed detective who is haunted by the specters of his past and the notes are full of people going "thanks for the rec op!"
Dragon Sparks @littledragonsblog - Tumblr Blog | Tumlook
