izara thaumus. intro. bio & dossier. threads.
I'd rather be in outer space 🛸

★

titsay

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he wasn't even looking at me and he found me
Not today Justin

🩵 avery cochrane 🩵

Andulka
2025 on Tumblr: Trends That Defined the Year
YOU ARE THE REASON
Sade Olutola
EXPECTATIONS
Aqua Utopia|海の底で記憶を紡ぐ
trying on a metaphor

izzy's playlists!

@theartofmadeline
occasionally subtle
The Bowery Presents
Xuebing Du
seen from Italy
seen from Argentina
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seen from Russia
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seen from United States

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seen from United States

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seen from United States
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seen from Bangladesh
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@lithikos
izara thaumus. intro. bio & dossier. threads.

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BRIDGERTON (2020 ─ ) | KATE AND EDWINA SHARMA
Request by anonymous
@sibusisiwe
The girl, yours? Mine. Mine, Zigrin.
@warbidden
for @sibusisiwe. adriata of the summer court. palace courtyard.
adriata had, for the better part of a month, awaited the return of her princesses breathlessly : the tide had pulled away from the bone-white coast as if scorned, and even the dry heat that blanketed the city had seemed halfhearted. summer was a cruel mistress and the city bent to her whim like a willow in the wind ; without her daughters and their serene strength, adriata would sooner go to seed than a flash flood could swallow a gully.
the volatility of their situation was far from lost on izara —— she had, after all, been made an unwitting patron in the theatre of war a mere decade ago. ( for the high fae, this was but a changing of the seasons or a shifting of the tides, yet each year had been grafted onto her skin as if they were someone else’s, and now she could never again hope to rinse her hands of them. ) and what was this but another riptide into which she would go, if not for her people, but for the ones she held dearest ? her sister, who had toiled tirelessly away at the forge of reinvention to keep them abreast of the storm ? her mate, with whom she had braved even the rearing head of death and whom she now craved like the salt air that coated her lungs ? her friends, too, bloodless family, each soul she had clutched and whispered a wretched prayer to in the midst of all that slaughter.
and so help whatever crawled in the woodwork still, for penance had to be paid in blood. the rubies which lay nestled in the velvet-lined troves that embellished their treasury promised as much.
a tepid breeze nipped at izara’s skin as she drew herself up against a stone column and braced a hand on it. that morning, she was robed in the livery of her court : swathes of blue and white linen snaked around her form, fortifying it like steel on a sentinel ; her neck, wrists, and earlobes were vacant of jewellery. likewise, the courtyard was deserted —— she had given her attendants leave for the day, and pacified their questioning gazes with a smile that strained at her cheeks. ( she had almost forgotten the ease with which delight had once unfurled in her chest, how often her face ached from beaming. almost. )
she could not help the affection that warmed her chest when the doors to the courtyard rasped open, scattering leaves that had not been raked. summer’s daughters were knives of the same make, and cut from the same steel. when one sang, the other answered. “ and where might you be going, dear sister ? ”
where's my beloved where's my beloved where's my beloved WHERE is my beloved where is he where is MY beloved
@dcybrck

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the envelope, wax-sealed and charmed to resist the ravages of prythian’s unforgiving climates, was passed covertly to a courier two days after the lady of summer was escorted back to adriata. in it is a sheaf of paper that has been varnished to protect its contents, and, almost inconspicuously, a pearl medallion. the pearl, dark and iridescent, is soldered in silver. tirelessly, the envelope was passed from pillar to post and arrived on the brim of the night court a week after the calamity in under the mountain.
dearest iona,
i have roused in the dead of night, threadbare and gasping, to write to you. how should i articulate this hysteria on paper, when i am barely coherent in speech ? the efforts to salvage what we can from the travesty that befell us all under the mountain has begun in fits and starts. sisi, in her infinite grace and tolerance, has seen to it that our wounded are now on the mend —— i have no doubt that they will be on their feet again by the month’s end. i wish i could tell you that i have been instrumental to her function, but i cannot mask myself before you as i do in the day, when my grief is naked and must be dressed in nonchalance.
it is as if i am adrift in an ocean i have never before traversed. the water stings like frost, but it does not let me sink —— the impossibility of it all is as astounding as the ever-present awareness of you. it is as if my heart has grown around yours since we were separated, and now there is no part of me that does not know you, your lips, or your rainfall at midnight.
please, if you can spare any time at all, regale me with your stories again. they do not have to be long —— i shall be content with just snatches. i will retire now in preparation for what is to come when day breaks : when the high tide rises again, we will make for our borders to fortify them.
yours, izara
for @dcybrck. iona ruhn.
laura benson’s “lily of the valley” + “lovers” pendants .
Pixelscape From Abstract to Wave Guido Iafigliola
Rebecca (1940) dir. Alfred Hitchcock
(via @emmanuelleriva)

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Zimmermann, Spring 2021.
elie saab couture autumn 2oo9 detail as a torn scrap<3
“Body, I drag you like a shipwreck,”
— Jennifer Elise Foerster, from “Refrain,” published in TriQuarterly
anaïs nin, the diary of anaïs nin, vol. I: 1931-1934
Barbara Crooker, “Red Amaryllis”

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