Simone de Beauvoir, from a letter to Nelson Algren, featured in "A Transatlantic Love Affair,"

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@literatture
Simone de Beauvoir, from a letter to Nelson Algren, featured in "A Transatlantic Love Affair,"

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One of the things that's just so amazing about Jane Austen is that she writes such a wide range of different character types and all of them come off as so human and genuine.
Her heroines are half and half introverts and extroverts (Fanny Price, Elinor Dashwood, Anne Elliot/Elizabeth Bennet, Catherine Morland, Emma Woodhouse). Her young heroines feel very different from her older ones, the difference between Catherine Morland and Anne Elliot is spring to autumn. She writes similar personality types in men and women but they come off very differently due to gender expectations (Mr. Darcy vs. Emma Woodhouse, Henry Tilney vs. Elizabeth Bennet). The level of intelligence, insight, snobbery, prejudice, and education varies between her heroines and you. can. tell. The tone of the novels changes along with the personalities of her heroines. Pride & Prejudice sparkles with Elizabeth Bennet, Mansfield Park cowers with Fanny Price.
Moreover, Austen makes main characters out of characters who would usually be minor! Emma Woodhouse should be the villain of Jane Fairfax's story, but instead she's the heroine. Catherine Morland has no right to be a heroine, what with her normal family and boring life, but she is the star and the true Gothic heroine, Eleanor Tilney, is in the background. A "washed-up" woman of seven-and-twenty, considered over the hill and unworthy of romance in two previous novels is the star of the most romantic of Austen's novels. Jane Austen sees the heroism and possibility for interesting stories in all women, even those who are chronically ignored and forgotten.
Who does it like her?
Great Chalfield Manor - The White Princess - Becoming Elizabeth - Poldark
Franz Kafka, from a letter to Felice Bauer written in 1912, featured in Letters To Felice
The world is full of painful stories. Sometimes it seems as though there aren't any other kind, and yet I found myself thinking how beautiful that glint of water was through the trees.
Parable of the Sower, Octavia Butler

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Vincent van Gogh in a letter to his brother Theo (Cuesmes, Belgium — Tuesday, 22 June 1880)
It's June, the evenings touching our skins like plush, milkweed sweetening the sticky air which pulses with moths, their powdery wings and velvet tongues. In the dusk, nighthawks and the fluting voices from the pond, its edges webbed with spawn. Everything leans into the pulpy moon.
Margaret Atwood, The Last Day
(via)
Anne Carson, Plainwater: Essays and Poetry

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Incredibly violent take of mine but I actually don’t think you need to relate to a story in any way to enjoy it. You can enjoy a story even if you can’t point at a character and insert some aspect of your personality or identity into them. In fact I would argue the need for a character like that to be present in every single story you experience is a sign of stunted growth.
Flodden Wall. Edinburg, Scotland.
Mu Xin, from a poem titled "After The Sleigh Incident," featured in A century of modern Chinese poetry : an anthology
Literally cannot believe I was ever scared of getting older like this is awesome. Learning so many new things about myself & reacting to things that used to get under my skin so differently. This is so sexy.
CHARADE (1963) dir. Stanley Donen

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Jane Austen ― Emma
girl help i’m starting over again for the 1000th time & i’m beginning to think that life is a never-ending cycle of starting over & i actually have to make peace with that in order to move forward