Jules of Nature

Game Changer & Make Some Noise
Show & Tell
occasionally subtle
The Bowery Presents
Misplaced Lens Cap
β
todays bird

Sade Olutola

bliss lane
Sweet Seals For You, Always

Kiana Khansmith
ojovivo
Not today Justin
hello vonnie

gracie abrams


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@lifewillalwaysbeweird

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Canyon Overlook, Zion National Park, Feb. 2014Β
- Photo By Brain Faini
indie
stop ruining peopleβs pictures. they donβt want you captioning them with indie. trust me.
Who has actually been here (Me)
I've actually been here too
I have successfully collected The World Is A Beautiful Place & I Am No Longer Afraid To Die βs entire discography. I am a happy lad right now.
i get to talk about between bodies in my sound production class, anything cool happen during the recording process?
That was a pretty cool processβ¦
From my perspective we hadnβt officially written anything for it, aside from coming up with transitional pieces between songs for live performance. Chris Z sent us a few recorded pieces before we were set to go to the studio, but nothing was ever really solidified beforehandβ¦
Guitar was laid down first, because I couldnβt make it to the first two days of recording, and because we were essentially writing in studio. D. did a rough estimation of how many times through a part needed to be, and a rough tempo map of all the pieces.
We knew that the EP was going to have a particular flow so coming in with a concrete map of tempos and structures was pretty cool for me⦠I laid down drums the same day as learning the songs.
Next came more guitars + bass + keys, and then Dave and Chrisβs vocals.
The incredible thing about recording with Chris Teti is that we all have a lot of time to mess with parts / toneβ¦ nothing is off limits. I remember going up to the studio with percussion gear from a college later on in the sessionsβ¦ wind gongs, prayer bells, weird shakers, or anything else I could grab. We even set up a completely different kit for βthe distanceβ recording.
So, this was a pretty exceptional recording process. The result was tight.
-steven
More of us should weigh in on this topicβ¦
I like to think of this record as a series of intricate loops. A lot of guitar parts and layers were recorded in small sections, and we would then repeat certain takes to determine the length of some tracks. We cut and stretched out a lot of different parts and I did it all in a single Pro Tools session to get the transitions/pacing right between the songs. The distorted drums at the end of $100 Tip are actually just a mono room mic distorted through a distressor- and are taken from the scrapped drums for that song. We tried tracking drums to it but it didnβt sound quite right with a full standard kit behind it. I think D told me to do something weird with it so I chopped up random different fills steve had done. There are a lot of drone notes going on under the instrumentation, heavily pitch shifted guitars (sometimes with a pedal) but also just with the standard Time Shifter Audio Suite plugin to make digital noise layers, etc.
The music for Note to the Author was done at the different tempo than the vocals Chris had laid out to just a click. It was pure chance that I moved the vocals in to a spot to compare their lengths, and they happened to work with the rest of the music when I left the track unmuted.
The most fun part is combining noise elements with more standard songs. Really going to far surpass anything production wise on Between Bodies with this next LP. Stoked with how things have been coming together for newer material+ we started recording BB about a year and a half ago, which feels like an eternity to me.
-Chris
this was the first time iβve ever worked on a record that wasnβt just βhere is a collection of songs we wrote at practice and now we can finally afford to record them.β some of these were just guitar loops and ideas that i had for years but never ended up using for a band and the others we songs that came together as improvisations during the last few years of touring. "autotonsorialist" was a guitar loop i wrote for my old band Talk Slower from like 2007 but that band broke up before we used it. when i first started the one hundred year ocean project I would play this loop with different lyrics live but abandoned it after a few shows. the looping riffs is just mostly me trying to write something as great as Form of Rocketβs "My Name is a Killing Word" the riff that repeats in βif and when i dieβ is something i wrote in 2004 with a friend right after i graduated high school. my roommate had a 4 track and we tried to write and record some stuff but didnβt really put much effort into it after the first time we got together. i had always remembered and played the riff and decided sort of impulsively to try to build it in the studio. i originally wrote βthanksβ as a 30 second song for a proposed comp 7β of all the bands that lived or practiced at my old house The Handsome Woman in Willimantic CT. the idea was for all like 14 projects to do super short songs on a 7β called βDo You Want Something From Across the Street?β (we lived across from 2Β 24-hour gas stations and a pizza place). I have the demo of it I recorded years and years ago. Maybe Iβll put it on something later on. working on this record made me never want to rush to finish a recording project and also find comfort in being unprepared when we go into the studio. i definitely prefer letting things build naturally now rather than over thinking every song we write or trying to micro-manage the writing process because a part didnβt come out the way i thought of it in my head. - d

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Sioux Falls - Stinks To Be You
my dog is now his dog thereβs no one at the bus stop so it probably just left weβre headed to woodstock thereβs a party in a castle that i donβt want to go to my friends will think iβm so rude but iβd rather stay home and eat junk food and think of you i stubbed my toe it stings like 17 it stinks to be you in β89 Iβd sign to K in β92 youβd think iβm cool but iβd be like ooh oohΒ
From Snow Roller & Sioux Falls - βFadeawayβ out now via Broken World Media Stream/download free: Bandcamp Order cassette: BWM Store
Fucking amazing
The world is a beautiful place and I am no longer afraid to smoke weed every day and worship the devil
The devil is real and I wear his marks
can you post lyrics to outer heaven?
No
Iβm sure if dave sees this he can post the lyrics. Idk why Greg has to be such an asshole. - d
You came over with a week of hangovers, but honestly thereβs not enough room on the globe. I need a need. I need a need. Oh god, thereβs another missed call on the phone: another chance thrown down, stomped out; another job another friend. How does it stop? For some money. Two slices a day wonβt work. We both used to live off one bag of rice in a whole month. Anywhere you can enter is a new domain. Anywhere you can write is a canvas. Anywhere you can leave your things. Anywhere you become a home. Anywhere you can drive across. Anywhere you become a road. You think thereβs no way to read the future. You think weβre alone because you only know the past. Not reading enough to think that hard. Not speaking to others enough to know how to talk. We donβt hear we just walk around smiling at signs and leaving our stuff on the ground. Stop talking. Itβs distracting from action. The people you brought here need silenceβ Lock yourself somewhere, but get the kids out first. Barricade the door. Set everything on fire. Wait 51 days. Theyβll do it for you. You canβt talk about it yet. You canβt sleep through βtil noon. You can barely feel weight of your house keys. You arenβt well enough to walk. You just cough instead of nod. I keep counting your blinks as a win. We donβt give to keep our stock. We donβt see inside the dark. We donβt even get excited when we eat. Not in the woods behind their house, not in jail if they get out. I donβt care if they donβt catch me, i donβt care.
thank you !!!! these are awesome!!!!
travel, love, live
Hazy fairytale (Explore #2, 27.11.2012) by Mathijs Delva

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~mostly nature~
where is this. I've been someplace similar
Vincent van Gogh, Wheat Field with Cypresses (detail)
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Grab them all here: http://store.brokenworldmedia.com/
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The World is a Beautiful Place and I Am No Longer Afraid to Die. Bowery Ballroom. December 27, 2014.
Beautiful
Once upon a time in the West, Adalberto Ortiz