The Great Synagogue of Baghdad, circa early twentieth century.
https://www.bjhcenglish.com/
Cosimo Galluzzi
cherry valley forever
I'd rather be in outer space 🛸

Janaina Medeiros

@theartofmadeline

JVL
DEAR READER
Sweet Seals For You, Always
2025 on Tumblr: Trends That Defined the Year
trying on a metaphor

titsay
Cosmic Funnies


oozey mess
sheepfilms
Lint Roller? I Barely Know Her

祝日 / Permanent Vacation
Alisa U Zemlji Chuda

seen from Netherlands
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@leverdujour
The Great Synagogue of Baghdad, circa early twentieth century.
https://www.bjhcenglish.com/

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Melencolia I, Albrecht Dürer
Najaf, Iraq
A snapshot of Mawson’s Antarctica expedition (1911-1914)
WILLIAM ANASTASI Red Vitruvian Man III, 2014 oil stick on paper 60 × 71 in 152.4 × 180.3 cm

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Gerhard Richter Uran (Uranium), 1989 - Dimensions: 39.33 X 27.56 in (99.9 X 70 cm), Medium: silver gelatin print.
John Deakin
Louis Faurer, Market Street, Philadelphia,1944-45

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Henry Gilpin, Big Sur Highway, 1966, [highway winding along coastal slopes, sea] Gelatin silver print:
Matt Phillips
We have this deep sadness between us and its spells so habitual I can’t tell it from love.
Anne Carson, The Beauty of the Husband (via florizels)
Yuko Kimura Little Wave III Monotype on kozo (mulberry) handmade paper, kozo bark fiber, thread, collage 13 x 40 inches 33 x 101.6 cm YuK 38
http://www.cavinmorris.com
http://yukokimura.com Tumblr more

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Herman Leonard, Duke Ellington, Paris, 1960
April is the cruelest month, breeding lilacs out of the dead land, mixing memory and desire, stirring dull roots with spring rain.
T.S. Eliot, The Waste Land (via xwg)