A sex scene featuring someone who is reincarnated as a laptop
"You like that, baby?" "Oh my god, keep typing, please keep tying, I'm so close!" "I'm gonna use you to write my senior thesis on the economic collapse of Venezuela."
he wasn't even looking at me and he found me

izzy's playlists!
Mike Driver
Jules of Nature
NASA
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The Bowery Presents
Monterey Bay Aquarium

roma★
let's talk about Bridgerton tea, my ask is open
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Show & Tell

#extradirty
RMH
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EXPECTATIONS

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@lesterwillington
A sex scene featuring someone who is reincarnated as a laptop
"You like that, baby?" "Oh my god, keep typing, please keep tying, I'm so close!" "I'm gonna use you to write my senior thesis on the economic collapse of Venezuela."

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home, a poem from the perspective of Barack Obama
This is for a poetry book I'm working on that covers every single president through poems. It's very much a work in progress as you see in this draft. Any constructive feedback would be much appreciated.
The Original Text for How America Got Its Name
I recently purchased the vinyl for the 1979 version of In Trousers and in the liner notes it has the entire original text for How America Got Its Name. It's quite different from the 1985 version with the main difference being that Marvin is the only one who says anything; it is a solo monologue. There are other differences, but I would rather not list them all out. Anyway, here we go:
Marvin: (Dressed like Columbus) Columbus didn't use to be a sailor. He was first and foremost director of medicine at a prestigious institute for doctors in Eldoro. That's the truth. But nobody ever talks about his medical career anymore. He was embarrassed out of his job. Harassed. Made to be the butt of jokes at medical conventions. This is what happened. One day--now this is the truth--one day outside Poma del Fuego, he picked up a social disease from a man with red hair and broad shoulders like his mother. By the time Columbus got to the Verona Baths, he had cancres all over his chest where once bronze hairs grew. And back at the Institute no one could fail but notice an incredible diminution of intelligence on Columbus' part. He was half insane by the time they strapped him to a ship, and pushed him to sea.
MUSIC
With him on that boat were other socially diseased persons. From the few clippings extant, it appears they had a ball the whole trip and screwed like bunnies, never worrying if finally they were going to contract the dread disease, because they all had it, you see--so they debauched the whole night and awoke refreshed. This went on for thirty-four days.
MUSIC
I am going to discover Cincinnati, Columbus cried. Why Cincinnati, they asked him. For my Aunt Cynthia and Uncle Nathan, he said, who died four years earlier in a plague which my Institute never quite found the cure for. This is what the Jews do, he added, name other countries for the dead.
MUSIC
Halfway out to sea, or on the thirty-fifth day, Columbus' cancres began to disappear. He stopped moaning in the middle of lovemaking and began to say: "How about that, young man?" or sometimes, boasting, "Tell me you didn't like that." Well, everyone was glad to see Columbus becoming his old self again, but everyone was saying what a prick Columbus was. In his diary he wrote: "Whatever it is I discover, it better not give me any lip."
MUSIC
Fifty miles off Martha's Vineyard, it became clear that everyone's cancres had disappeared, their brains restored, bodies once again sound; and everyone had a good laugh about it, maybe whistled with relief, maybe gave a few pecks on the cheek here and there, but there was no heavy petting, you can be sure of that. "Hey, keep your hands off me fella"--you heard that pretty often on deck. And then later, "I said keep your hands off me!" Well, Lord knows, many lonely evenings, clippings extant say, because each man feared acquiring the dread disease which had brought him there in the first place. In his diary Columbus posed the question: "How many passionate persons can fit comfortably on the head of a pin?" He pondered the question, he sat with his chin resting neatly in the palm of his hand, and he replied. Question: "How many passionate persons can fit comfortably on the head of a pin?" Answer: "Merely one. Or... I don't know." (MUSIC BEGINS) I don't know.
MUSIC
So there they were on board looking out to see this new land Columbus was going to discover. And soon the blue horizon disappeared to be replaced by a magnificent array of greens. Fir green, evergreen, lime green, dark green, light green. The entire palette of greens stood maybe only a day's float ahead of them. No one moved. No one was allowed to move. When they were maybe fifty or seventy-five yards away, Columbus could not withstand his enthusiasm any longer. "My land is so beautiful," Columbus cried. "So beautiful," they agreed in unison, like a chorus, like a barbershop quartet multiplied by fifteen. 'So very beautiful." There were tears in Columbus' eyes. "Men," he turned to them, he looked at every one straight in the face, he was very moved by this discovery, "Men, no longer do I call this land Cincinnati; rather, this fine, green, beautiful land which I discovered today, I name AMERICA! After Amerigo Vespucci. A young man I met in Poma del Fuego with red hair and broad shoulders like his mother.
MUSIC
The thing about explorers is: they discover things that are already there. Columbus closed his diary and went ashore.
Finally, I have the gospel in my hands… My life is complete for I have the In Trousers (1979) vinyl and I didn’t even pay that much for it. Truly, I have been blessed.
We Need a Lovecraft Musical (or play, I would not mind a play)
I love eldritch horror and weird fiction and I love musicals so I might sound biased, but I need this to happen. Technically, there are a few that exist, but I can find very little detail about them. So, what I'm asking the universe for is some sort of Lovecraft stage musical adaptation (preferably something from the Cthulhu Mythos) that recieves a major professional production somewhere in the world (like off-west end or off-broadway or chicago or something, I would love regular west end and regular broadway but I am trying to manage expectations here, kinda). Also, we just need more mainstream horror theater stuff in general. There isn't much of it, and what does exist mostly have been financial and critical failures. Now, you may be asking, "aren't Lovecraft's works famously unadaptable? why not just leave them as short stories and novels? also he was a pretty bad dude should we even be adapting his work at all?", and to that I say: 1. HA, if you really think that, you are a COWARD, a FOOL, and a SCOUNDREL! People thought Dune was unadaptable and now it is a critically acclaimed franchise with at least 2 movies as well as an upcoming tv show and a third movie in development. So, people that say things like that are dumb. Plus, that's mostly in reference to film adaptations anyway, which I can understand for Lovecraft's works. He mostly relies on the audience's imagination for the horror, he tries to get them to fear something they can barely begin to understand. It's hard to translate that into film because film is inherently a visual medium (mostly). However, theater almost always relies on the audience visualizing more than what is really on stage, so I think it fits Lovecraft's works perfectly, especially because of how short most of them are. You can really take your time to flesh out the world and characters if you wanted to. Or just do like, a one-act thing. That woks too. 2. I understand leaving them as their original works, but I think the theatrical experience can elevate the experience of the written works or at least get the audience to see them in a new light. I think an ideal theatrical adaptation would leave the audience extremely unsettled, but wanting more. And they can get more by reading Lovecraft. So, I don't think it's too much of a problem. 3. I'm terribly sorry but like 95% of old, white guy authors were bad people and I think it's reasonable to be able enjoy and appreciate what they made while also condemning who they were. Plus, it's not like Lovecraft or his estate is making any money off this because his works are public domain babyyyy. But yes I need this to happen desperately and I'm afraid it won't. I'm heavily considering trying to make something myself (because the works are public domain and I am a writer), but I have a lot on my plate right now (including an In Trousers screenplay that I have mentioned in a post or two) so I have no idea when I'd be able to really work on it and try to fully realize it. Plus, I have zero connections in the theater world so getting a major production for it would be extremely hard. I still think it's cool, though. Let me know what you guys think. Is it possible? Or are his works better left as they are?
Good news besties, there is a Lovecraft musical. "A Shoggoth on the Roof"
https://youtu.be/OJAoaCHdTJY?si=3NVk6pJ5Fh3cBXZD here is a song from it. Enjoy.
this is amazing news, thank you

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Getting really into lovecraft lately
We Need a Lovecraft Musical (or play, I would not mind a play)
I love eldritch horror and weird fiction and I love musicals so I might sound biased, but I need this to happen. Technically, there are a few that exist, but I can find very little detail about them. So, what I'm asking the universe for is some sort of Lovecraft stage musical adaptation (preferably something from the Cthulhu Mythos) that recieves a major professional production somewhere in the world (like off-west end or off-broadway or chicago or something, I would love regular west end and regular broadway but I am trying to manage expectations here, kinda). Also, we just need more mainstream horror theater stuff in general. There isn't much of it, and what does exist mostly have been financial and critical failures. Now, you may be asking, "aren't Lovecraft's works famously unadaptable? why not just leave them as short stories and novels? also he was a pretty bad dude should we even be adapting his work at all?", and to that I say: 1. HA, if you really think that, you are a COWARD, a FOOL, and a SCOUNDREL! People thought Dune was unadaptable and now it is a critically acclaimed franchise with at least 2 movies as well as an upcoming tv show and a third movie in development. So, people that say things like that are dumb. Plus, that's mostly in reference to film adaptations anyway, which I can understand for Lovecraft's works. He mostly relies on the audience's imagination for the horror, he tries to get them to fear something they can barely begin to understand. It's hard to translate that into film because film is inherently a visual medium (mostly). However, theater almost always relies on the audience visualizing more than what is really on stage, so I think it fits Lovecraft's works perfectly, especially because of how short most of them are. You can really take your time to flesh out the world and characters if you wanted to. Or just do like, a one-act thing. That woks too. 2. I understand leaving them as their original works, but I think the theatrical experience can elevate the experience of the written works or at least get the audience to see them in a new light. I think an ideal theatrical adaptation would leave the audience extremely unsettled, but wanting more. And they can get more by reading Lovecraft. So, I don't think it's too much of a problem. 3. I'm terribly sorry but like 95% of old, white guy authors were bad people and I think it's reasonable to be able enjoy and appreciate what they made while also condemning who they were. Plus, it's not like Lovecraft or his estate is making any money off this because his works are public domain babyyyy. But yes I need this to happen desperately and I'm afraid it won't. I'm heavily considering trying to make something myself (because the works are public domain and I am a writer), but I have a lot on my plate right now (including an In Trousers screenplay that I have mentioned in a post or two) so I have no idea when I'd be able to really work on it and try to fully realize it. Plus, I have zero connections in the theater world so getting a major production for it would be extremely hard. I still think it's cool, though. Let me know what you guys think. Is it possible? Or are his works better left as they are?
A 5 Page Excerpt of my screenplay for In Trousers
As I mentioned in my previous post I have been working on a screenplay adaptation for In Trousers. This project is purely for fun but I thought it’d be cool to share 5 pages from it, covering the songs How The Body Falls Apart and Your Lips And Me. Keep in mind that this is a first draft so if it has a rough feel to it or if there are any grammatical or structural errors, that’s probably why. Also let me know if the link doesn’t work.
Uh, alright I guess no one was interested
A 5 Page Excerpt of my screenplay for In Trousers
As I mentioned in my previous post I have been working on a screenplay adaptation for In Trousers. This project is purely for fun but I thought it’d be cool to share 5 pages from it, covering the songs How The Body Falls Apart and Your Lips And Me. Keep in mind that this is a first draft so if it has a rough feel to it or if there are any grammatical or structural errors, that’s probably why. Also let me know if the link doesn’t work.
In Trousers (1979) would make a great movie
Ok, so for those that have never heard of In Trousers, it is a musical originally written in 1979 that acts as a precursor to the much more famous musical Falsettos (though technically Falsettos is two musicals in one and this whole thing is a trilogy but that doesn't really matter for this post). In Trousers is often criticized for being too confusing as it deliberately avoids a linear storyline and leaves many details unexplained or up for interpretation.
In theater, I can understand why people wouldn't like it. Most people only see a show once. So, if they don't "get it", they probably won't like it as much. In Trousers is a musical that begs to be looked at and experienced more than once. You know a medium that is more forgiving to "artsy" and "interpretive" story structure that you can also easily experience more than one time? MOVIES, BABY!
Sure, a lot of people probably still won't be huge fans of it, but I think it could be a genuinely great way of telling this story in a way where people can more easily digest everything. If you miss a detail, you can rewind. If you need a second to process a scene, you can pause. Of course, if you're in a theater then you don't have this luxury, but I don't think it's as big of an issue if you make it interesting enough on a first watch that people want to come back for more. They might not fully understand it, but they can feel the emotions in certain scenes, connect with parts of the characters, you know, that stuff. So, while I adore it in its stage form, I also think it could be just as effective and connect to a wider audience if it was in movie form. If it was successful, you could even make a sequel or two based on the other musicals in the trilogy. It would really just come down to if William Finn (the writer/composer of the trilogy) would approve of it/lend the rights (and also maybe if you can market it well cause I genuinely do not know how you would market this but it's probably fine, it'd be a fairly small movie anyway). Maybe one day it will come to fruition. Maybe it won't Just thought it was a neat idea. (also I frame this as a suggestion but I am actively writing a screenplay, mainly for fun rather than actually wanting to get it made)
i have a couple questions and ideas cause i love this idea a lot and was thinking about doing something similar earlier
1. is there dialogue or is it just the songs?
2. if you need a transcript for how america got its name i have one, cause they did have the dialogue for that in the 1979 one :)
3. what're you doing/how are you interpreting the whole miss goldberg thing?
Yes, there is dialogue, though currently the script is still very song-heavy.
Yes, please, that would help a lot.
I'm definitely struggling with this, but I'm currently considering depicting it as an exaggerated and slightly confused fantasy sequence, if that makes sense.

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch • No registration required • HD streaming
In Trousers (1979) would make a great movie
Ok, so for those that have never heard of In Trousers, it is a musical originally written in 1979 that acts as a precursor to the much more famous musical Falsettos (though technically Falsettos is two musicals in one and this whole thing is a trilogy but that doesn't really matter for this post). In Trousers is often criticized for being too confusing as it deliberately avoids a linear storyline and leaves many details unexplained or up for interpretation.
In theater, I can understand why people wouldn't like it. Most people only see a show once. So, if they don't "get it", they probably won't like it as much. In Trousers is a musical that begs to be looked at and experienced more than once. You know a medium that is more forgiving to "artsy" and "interpretive" story structure that you can also easily experience more than one time? MOVIES, BABY!
Sure, a lot of people probably still won't be huge fans of it, but I think it could be a genuinely great way of telling this story in a way where people can more easily digest everything. If you miss a detail, you can rewind. If you need a second to process a scene, you can pause. Of course, if you're in a theater then you don't have this luxury, but I don't think it's as big of an issue if you make it interesting enough on a first watch that people want to come back for more. They might not fully understand it, but they can feel the emotions in certain scenes, connect with parts of the characters, you know, that stuff. So, while I adore it in its stage form, I also think it could be just as effective and connect to a wider audience if it was in movie form. If it was successful, you could even make a sequel or two based on the other musicals in the trilogy. It would really just come down to if William Finn (the writer/composer of the trilogy) would approve of it/lend the rights (and also maybe if you can market it well cause I genuinely do not know how you would market this but it's probably fine, it'd be a fairly small movie anyway). Maybe one day it will come to fruition. Maybe it won't Just thought it was a neat idea. (also I frame this as a suggestion but I am actively writing a screenplay, mainly for fun rather than actually wanting to get it made)
Decisions
The most terrible decisions are often made with the best of intentions
Someone who sets out to kill will likely not get very far, but someone who sets out to help the masses, well, they’ll do things they never could imagine.
A bomb is only dangerous in the hands of someone who waits.
The Echo is Deafening (from the perspective of 14th US President Franklin Pierce)
December 2nd, 1863
Alone is where the heart is
or so I’ve been told.
My house has never felt so
empty.
Outside,
young men scream.
Inside,
I don’t know what to do.
The light refracts
through the window.
The curtains
twist like gods in tango.
This is America.
I am home.
Testing out posting poems on here with a short one that I don't completely hate. My one issue is that there is seemingly no way to format poems with like, line spacing and tabs and stuff (which this poem is supposed to utilize). Anyone know any way to do that?
The Echo is Deafening (from the perspective of 14th US President Franklin Pierce)
December 2nd, 1863
Alone is where the heart is
or so I’ve been told.
My house has never felt so
empty.
Outside,
young men scream.
Inside,
I don’t know what to do.
The light refracts
through the window.
The curtains
twist like gods in tango.
This is America.
I am home.