Pick three of dgpâs chapbook titles and get them for only $10 now through November 2nd!
Nowâs a great time to pick up Twos if you havenât already! Itâs real cheap, yâall.

gracie abrams
todays bird

Love Begins

Product Placement
ojovivo
Aqua Utopiaď˝ćľˇăŽĺşă§č¨ćśăç´Ąă
RMH

Origami Around
TVSTRANGERTHINGS
đŞź

izzy's playlists!

taylor price
2025 on Tumblr: Trends That Defined the Year
trying on a metaphor
Lint Roller? I Barely Know Her
we're not kids anymore.

blake kathryn

⣠Chile in a Photography âŁ
seen from TĂźrkiye
seen from United States
seen from Malaysia
seen from Azerbaijan
seen from United States
seen from United States

seen from United States
seen from Brazil

seen from France

seen from United Kingdom

seen from TĂźrkiye

seen from Mexico
seen from Mexico
seen from Mexico
seen from Netherlands

seen from Indonesia
seen from Albania

seen from Germany

seen from United States
seen from Netherlands
@leopoldgursky
Pick three of dgpâs chapbook titles and get them for only $10 now through November 2nd!
Nowâs a great time to pick up Twos if you havenât already! Itâs real cheap, yâall.

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch ⢠No registration required ⢠HD streaming
Most life-affirming book about death: Caitlin Doughty, Smoke Gets in Your Eyes: And Other Lessons from the Crematory (2014) (I reviewed this here)
Most surprising ending, or maybe I am just not very good at predicting endings, but seriously omg: E. Lockhart, We Were Liars (2014)
Most...
(my favorites bolded)
Joe Mozingo, The Fiddler on Pantico Run (Free Press, 2012)
Emily Gould, Friendship (FSG, 2014
Eowyn Ivey, The Snow Child (Reagan Arthur, 2012)
Elliott Holt, You Are One of Them (Penguin Press, 2013)
Marie Howe, What the Living Do (Norton, 1997)
Zadie...
MY BRIGHT ABYSS by Christian Wiman
Last year, Christian Wiman stepped down from his post as editor of Poetry and took a position teaching at Yale Divinity Schoolâs Institute of Sacred Music. As a professor, his courses bead along the thin perforation between language and belief. In a recent interview with Commonweal, Wiman spoke of that intersection:
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Hereâs my latest for TFG.
I am very tired, so today itâs just the list, with my favorites in bold.
Tim Federle, Tequila Mockingbird (2013)
Adelle Waldman, The Love Affairs of Nathaniel P. (2013)
Sloane Crosley, I Was Told Thereâd Be Cake (2008; reread)
Roxane Gay, An Untamed State (2014)
Ann Dowsett...

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch ⢠No registration required ⢠HD streaming
Two summers ago, I received a research fellowship that allowed me to travel around the northeast to work in Wallace Stevensâ archival collections. I used unpublished material at Yale, UMass Amherst, Harvard, and a few other schools. I also made a pit stop in Hartford, where Stevens spent much of...
I wrote a bit about #yesallwomen and one of my worst experiences with street harassment.
I just wrote many, many tragic essays. âOh, where do I fit?â Girl, the internet.
Roxane Gay on her early work (Politics & Prose, 5/8/14)
When I write books, I think, âWhat would Franzen do?â And he would do whatever the fuck he wants.
Roxane Gay on the assumption that women writers and writers of color need to be somehow ârepresentativeâ (Politics & Prose, 5/8/14)
April reading
Annie Dillard, An American Childhood (1987)âThere is one incandescent passage in this book in which Dillard, young but not that young, is running around her neighborhood, hoping to fly, and she writes, âWhat could touch me now? for what were the people on Penn Avenue to me, or what was I to myself, really, but a witness to any boldness I could muster, or any cowardice if it came to that, any giving up on heaven for the sake of dignity on earth? I had not seen a great deal accomplished in the name of dignity, ever.â I love it as much as Iâve loved anything.
Tamara Faith Berger, Maidenhead (2012)âThe mixed feelings I have on the plot can be summed up with a quick look at Goodreads reviews, so I wonât cover it here. I did love the frank look at adolescent sexuality and desire, something I felt was ill-covered at the time I myself was adolescent.
Mindy Kaling, Is Everyone Hanging Out Without Me? (And Other Concerns) (2011); Tina Fey, Bossypants (2011)âI reread these every time I want to feel like Iâm reading but really just want to pretend to hang out with some of my favorite comedians. I am going to flip a shit when Amy Poehlerâs book comes out.
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Close to my final exams in Bible studiesâan exam in which Alek showed a surprising interestâI adopted the verb âto knowâ as it is used in the Book of Genesis as part of my inner language: What, for example, did Adam know about his wife Eve? He didnât ask, investigate, clarify things to enable him to âknow aboutâ her, and nor did she, for her part, âknow aboutâ him. Adam knew Eve his wife, and Eve, so I decided, knew Adam. And this primordial knowledge, whatever its meaning, seemed to me the highest level of relationship. A kind of pristine knowledge, preceding words and names. An illumination that does not need biographical data, and is always felt as a miracle.
And even today, years later, Iâm not sure that this subliminal knowledge was a total illusion. That is to say, if I were asked my official, rational opinion, it would be that it is impossible to know someone whose language you donât speak, whose memories you havenât investigated, whose associations are all foreign to you. A man for whom sounds and smells, words and tastes and concepts are associated with images about which you havenât got a clue. Thatâs my opinion, I have no argument to contradict it, and nevertheless, in spite of my irrefutable opinion, what is it that happens when he turns my face to him, when he looks into my face, when I look at him while weâre fucking? What else can I call it but pure knowledge? And a kind of recognition, as if we were predestined to know, and that nothing else is possible for me.
With the passing of the years, the more I thought about it, the more clearly I saw how much bullshit is involved in this kind of âknowing.â âHe looked into her eyes until he saw to the depths of her soul.â âAnd then, in a moment of grace, his soul was revealed to her.â âThey were soul mates,â and all the rest of that romantic novelette rubbish. So he fucks me with his eyes open, so I look at him without fantasizing, so I come at the same time as him without taking my eyes off him, soâwhat does it mean?
I say: Itâs sentimental crap, I think itâs crap, itâs clear to me that itâs crap, an nevertheless, against my better judgment, I still feel it as a miracle, and I am still full of the grace of that knowledge.
âGail Hareven (tr. Dalya Bilu), The Confessions of Noa Weber (Melville House, 2009)

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch ⢠No registration required ⢠HD streaming
ME BASICALLY
Would I dance with you? Both forever and rather die. It would be like dying, yes. Yes I would.
I have loved the slaking of your forgetters, your indifferent hands on my loosening. Through a thousand panes of glass
not all transparent, and the temperature. I felt that. What you say is not less than that.
âBrenda Shaughnessy, from âProject for a Faintingâ
A mushy illustration for every relationship by Ruby TaylorÂ

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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My chapbook, Twos, is now out from dancing girl press!
It lives!
I keep unplanning the same Sunday. Leg and flower, breeze and terrier, I have no garden
and couldnât be happier. Please, donât lose me here. I am sorry my clutch is all
tendon and no discipline: the heart is a severed kind of muscle and alone.
I can hear yours in your room. I hear mine in another room. In anotherâs.
âBrenda Shaughnessy, from âEpithalamentâ