Paul Klee (1879-1940) Creator, 1934 Zentrum Paul Klee, Bern

Kiana Khansmith

if i look back, i am lost

祝日 / Permanent Vacation

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occasionally subtle
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Love Begins
Misplaced Lens Cap
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he wasn't even looking at me and he found me

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YOU ARE THE REASON

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Paul Klee (1879-1940) Creator, 1934 Zentrum Paul Klee, Bern

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Andre Masson, Automatic Drawing
Automatic drawing by André Masson, 1924, ink on paper, made in Paris, France, MoMA
Mother of the World, Nicholas Roerich, 1937, tempera on canvas, Nicholas Roerich Museum, New York City.
Woman before the Rising or Setting Sun, Caspar David Friedrich German, ca. 1818-24, Museum Folkwang, Essen (on load to the Met)

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Ithell Colquhoun, The Dance of the Nine Opals, 1942. Oil on canvas, 51 x 69 cm. The Sherwin Collection, Leeds, UK / Bridgeman Images
"The Concourse of the Birds", Folio 11r from a Mantiq al-Tayr (Language of the Birds) Painting by Habiballah of Sava Iranian Author Farid al-Din `Attar Iranian
ca. 1600
"Dancing Dervishes", Folio from a Divan of Hafiz Poet Hafiz Iranian Painting attributed to Bihzad Iranian
ca. 1480
"Allegory of Worldly and Otherworldly Drunkenness", Folio from the Divan of Hafiz Poet Hafiz Iranian Painting by Sultan Muhammad Iranian
ca. 1531–33
Illumination from Hildegard's Scivias (1151): Hildegard von Bingen receives a divine inspiration and passes it on to her scribe Volmar.

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Das große Rasenstück, 1503, by Albrecht Dürer. Watercolor and body color, heightened with white body color, 403 x 311 mm. Vienne, Albertina
Madonna of the Pomegranate, c. 1487, by Sandro Botticelli. Tempera on panel, 143.5 cm diameter. Uffizi, Florence
Giacometti, Woman Leoni, 1947 - 1958 (version of 1958), Painted plaster reworked with a pocket knife and covered with traces of a parting compound, 67,20 x 7,83 x 16,65 in., Fondation Giacometti, Paris
Giacometti, The Forest, 1950, Bronze, 22,44 x 24,01 x 19,48 in., Fondation Giacometti, Paris
Giacometti, The Cat, 1951, Painted plaster coated with a parting compound, 12,91 x 32,00 x 5,31 in., Fondation Giacometti, Paris

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Giacometti, The Nose, 1947 (version of 1949), Plaster coated with a parting compound, painted metal and corde de coton, 32,48 x 14,56 x 27,95 in., Private collection
Picasso, Jacqueline aux mains croisées, 3 juin 1954