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@lena-cant
White boy CONFUSES Mexican restaurant staff by ordering in perfect Mandarin.

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'In the Winter Dusk'. David Grossmann. 2022.
The problem with getting all my media info from this site is that I don't know what anything with gay characters is actually about because any plot discussion I see is constantly drowned out by posts talking about how gay they are.
I bet The Black Flag has a fascinating story, but all I know is that they're pirates and gay.
I've seen hints that The Locked Tomb is intricate and fascinating, but all I really know is that they're space necromancers and gay.
I assume this new hockey show is like, a sports story? Or a romance? Maybe interesting plot happens? All I actually know is that they play hockey and are gay.
Yes I could look this stuff up if I was actually interested in consuming the media, I'm not saying this is some kind of major problem with media or anything. Just a random observation that I, someone who doesn't actively go looking for new media, have noticed that I get less fun hooks to motivate me to look for queer media, because the random stuff I see about something like Severance or The Good Place (both of which I did watch and loved) is about fascinating plots and mysteries and interesting philosophical conundrums, whereas all I see about anything with queer main characters is Look How Queer It Is. Which is great for the media landscape in general, it's wonderful that queer media is more and more mainstream, but an entirely neutral factor of any specific individual show and not much of a hook.
to be fair, all you really need to know about The Locked Tomb is that they're necromancers and they're gay
That doesn't sound right because people have told me that tlt is fantastic and "all you need to know is that they're necromancers and they're gay" is a description of the most bland, pointless tokenistic bullshit it's possible to write. So unless the tlt fans are lying about the quality (which I very much doubt), that can't possibly be all you need to know. If somebody advertised The Good Place as "all you need to know is that she's bi and she's dead!" or The Murderbot Diaries as "all you need to know is that it's genderless and a security consultant!" then I would track them down, break into their houses and punch them in the face for their disservices to good media.
#i remember trying to hunt for more stories like murderbot once#stumbled across a list that was like#heres a bunch of books with canon asexuals#turns out it only mentioned murderbot as one that “doesnt count” since mb never like explicitly uses the word#its as if perfectly defined queerness is meant to be its own measure of quality
That's the most exhausting thing I've ever heard.
Genuinely, I understand why we've ended up in this place when it comes to describing/recommending queer media - for so long, there was so little of it that, when it came to word of mouth, the presence of queerness was itself the primary basis of recommendation. If the work also happened to be good, then so much the better, but the baseline, redacted-for-ease-of-transmission signal boost was simply This Is Gay. And when there wasn't much on offer, that worked! We were desperately trying, not just to see ourselves in stories, but to prove that there was a market for more - that queer audiences would show up for queer content, even if the genre was outside our usual bailiwick. But the more queer works are published, the less useful this rubric becomes - and to further complicate matters, the rise of trope-centered marketing for romance in general and queer romance in particular, which often borrows terminology common to tags on AO3, has trained readers and creatives alike to frame stories predominantly through the lens of character dynamics. Which, to be clear: there's nothing wrong with this in and of itself! If you want to either give or solicit recommendations based on, say, grumpy x sunshine but make it gay, I'm not about to harsh your vibe. And particularly when it comes to romance, where the character dynamics necessarily constitute the backbone of the story, it often makes sense to do so. But there's a very salient difference between romance as genre (where the romance is the story) and romance as device (where the story contains romance) which, particularly when it comes to queer books, is frequently erased by these conventions - which results, as OP rightly points out, in queer stories with other loadbearing themes, philosophies and plots being, if not technically misrepresented, then certainly undersold in terms of all that they're doing. The Locked Tomb series, for instance, is, indeed, about gay necromancers. It's also a purposefully anachronistic science fantasy mindfuck that plays explosively with humour, voice and genre from book to book while still remaining, in essence, a sequence of locked room mysteries. By which I mean: Gideon the Ninth is a locked room mystery where the room is God's laboratory and the mystery is what the fuck he was doing down there; Harrow the Ninth is a locked room mystery where the room is the narrator's body (and also, at times, the space station she's inhabiting) and the mystery is how she ended up that way; and Alecto the Ninth is a locked room mystery where the room is the personality that forms in the absence of memory and the mystery is God's secret past, with the necessary caveat that God here is not meant figuratively, but in fact refers to a literal, actual, walking, talking character who is also just Some Guy. It's about the intransigent nature of bodies, the fuckiness of personhood, the eternally compounding sin of pride, niche millennial humour and the gothic, philosophical splendour of toxic lesbianism (in space). It's got a lot going on! And, sure: it's shorter and simpler to sell it as just gay necromancers, to say nothing of the fact that this description will still hook a lot of people. It's not inaccurate; it just presumes that this is the most important thing anyone could want to know about the book, and that won't always be so! Look at it this way: if you're already shopping in the LGBTQ section of the bookstore and ask an employee for a recommendation, and they pick something off the shelf and tell you, "Buy this, it has two boys kissing!", that's vastly less helpful in context than if you'd walked into a store without an LGBTQ section and asked for a gay book rec. You see what I'm saying? It's a scarcity mindset that we've carried over into (comparative) abundance, and it's no longer serving us well. Gay is not a plot or a genre by itself; it's a component to be explored through the lens of plot and genre - which means that, in order to talk about one, it's also worth discussing the others.
there’s absolutely something to be said about ‘booktok’ books being largely wattpad quality written erotica i’m certainly not reading them however having seen a guy on tiktok make a video like ‘all the women in your life are READING PORN’ about a book he picked up and read in his FEMALE FRIEND’S HOUSE in a tone of scandalised horror and disgust i actually don’t think men should be making those criticisms. he said he picked it up expecting a romance and was horrified it was GOONER SHIT he said specifically like ‘who are you getting your pussy wet FOR??’ in a tone of revulsion. idk man im not sure shes the weird one. i kind of wish you were dead
"a lot of books that are successful on booktok are not very good" and "people can read what they want and we need to stop being so fucking weird about women enjoying erotica" are both correct statements

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“hi welcome to mcdonalds what can i get for you?”
“yeah can i get a deluxe quarter pounder with cheese?”
“absolutely, do you want the meal or just the sandwich?’
“uuuuuh hold on”
*fishes something out of my pocket*
“mikey what do i do?”
“get the fries. youll need the energy in the coming days”
*stuffs it back in my pocket*
“uhh yes please the meal would be great”
serious question: can anyone else see this post? am I hallucinating?
this is like Schrodinger’s fucking meme because half the time the pic is deleted and the other half it’s visible
my mom warned me about these kinds of internet users
i’ve warmed up significantly towards the concept of small talk ever since i learned that its sole purpose is to make friendly noises.
as long as you smile and nod, people are satisfied. it’s just to show that you are nice and there with good intentions. we’re small in a big world and have to rely on other people to be decent to us. so we do our little human dance to each other to say, “i’m not here to hurt you. here’s something we have in common, like the weather or sports or itchy sweaters, so we both know we’re on the same team. we both agree on a basic fact, like that it is rainy or that being itchy is uncomfortable, and this proves we can get along. i’m being light-hearted and non-threatening right now.”
small talk isn’t to get to know a person. it’s just a greeting to affirm you’re buddies in the universe.
i am motivated by wanting the other person to know i am friendly, so i have gotten pretty decent at small talk when i used to hate it.
a new kind of angel has come to earth it's called transgender woman in her 30s
ANOTHER KIND!?
I feel like this would appeal to a few people on here

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dry humping in its specificity as a term implies the existence of wet humping
not my best work
*sees whatever the fandom is doing* there's a really good story happening on the actual show if you want to watch that instead
"My friend who likes fallout 3 is coming over tomorrow so I need you to behave"
-Actual sentence my husband said to me the other day

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they should invent a way for me to do tasks without the mind torture
there is a world out there I can’t comprehend
behold, context